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Once upon a time, famous flower tunes and tripods were as common as spring leek and late clover. There are relevant records in ancient books such as "Shan Jia Qing Gong", "Zun Sheng Ba Jian" and "Qun Fang Pu". The author of this book has reviewed ancient books and traveled around the world. While he has mastered a large amount of information, he is also familiar with the food and drink customs in various places. On this basis, she practiced cooking and ate from wintersweet in late winter to plum blossoms in early spring, followed by the blooming of cherry blossoms, spring and summer, and ate lotus in midsummer to chrysanthemums in autumn. Eating flowers is fun and the elegance of ancient China.

In 2014, the Department of Social Sciences of the Ministry of Education selected four outstanding ideological and political teachers, including Feng Xiujun and Bai Xianliang, to study in the United States and the United Kingdom for several months. This book is the culmination of the author's thoughts while observing ideological and political teaching in the United Kingdom and the United States and even the entire national education during his visit. The book consists of 40 essays, which start from some details during the study tour in the United Kingdom and the United States, such as China in the eyes of Americans, foreign language teaching in British and American countries, the development space of the poor in the United States and the United Kingdom, how the United Kingdom and the United States carry out gratitude education, how Americans treat their leaders, etc., To think about and compare the differences between Chinese and Western educational concepts and even Chinese and Western cultures.

This book contains a total of 37 articles, recording the customs and customs of Xinyang Town, the author's hometown. The author went deep into the mountain village, conducted investigation and research, and used the original materials he learned through his own processing and creation to write thoughtful prose. Every plant, every tree, every mountain, every river, every person and every thing in his hometown is the object of the author's description. Stories, romances, romances, and heroes have become a night talk...

The main literary genre of "Light" is poetry. Poetry is more graphic, abstract, and personal, but at the same time can illustrate broader content and themes. The book is divided into eight chapters, each chapter tells an important part of life. "Days" records every detail of life, "Spring Snow" depicts the changes of the four seasons; "Bitter Tea" is travel information, "Recess" includes school life; "Lights" describes family affection, and "Writing" represents the insights gained after appreciating works of art. What is more special are the last two chapters: "I don't know how life will continue" records the confused moments in the author's life, and always motivates himself to bravely meet new challenges; "Answers" includes the author's exploration and thinking on grand propositions such as existence, death, life, and happiness.

Time flies, and in a flash, you are already in your early fifties. How much do you still have to look forward to in life? Thinking about it, the original works are scattered in some newspapers and magazines, and some of them are lost or cannot be found. It is a pity. So I decided to collect and publish some of my works, which can be regarded as a summary and review of my many years of creation, and I will leave them for myself to enjoy after dinner.

I miss the trains roaring at night as a child. The cobblestones collected by the river in the small town; the graffiti left on the back wall of the old courtyard; the figures walking away silently. The passage of youth has left no sharp edges. Nowadays, the night is full of entertainment and the day is noisy. Paying attention to my hometown, road expansion, river filling, demolition of old homes... The taste of the years remains in my memory.

Since living in Germany, with an eye of examination and reflection, I have gained a deeper understanding and appreciation of German society, culture, tradition, humanities, history, and politics at all levels. I am inspired by the vivid characters and the stories behind them, so I write this article. They are a microcosm of the current situation of German society and truly reflect the current people's livelihood in Germany. The "Epp family", neighbors who live in poverty but are eager to help others; "girlfriend Inas" who selflessly donates to charity for orphans in Ethiopia and Nepal; "Mr. Brandenburg" who loves China and is obsessed with Chinese; "Berlin girl Mo," who can't find a job after graduating from university and struggles on her own. "Nika"; "Special Village" that reflects the typical German rural style and folk customs; "World Cup in Germany" and "Young Opponents" that reflect the patriotism and spiritual outlook of the Germans; "Memories of taking the driving license test in Germany" and "Adopted Daughter Lisa" that reflect German humanistic sentiments and fraternity, and "Adopted Daughter Lisa", etc. They may come from different classes and have different personalities and lives, but it is they who constitute the German story with all five flavors.

The "Lu Hai Boating Collection - Fang Xiangdong Lu Xun Research Collection" series includes 6 books: "The Mountain of Lu Xun - Random Thoughts and Miscellaneous Reflections on Lu Xun", "Lu Xun in Love - Lu Xun's 135 Days in Xiamen", "Lu Xun" and Hu Shi: "Establishing People" and "Constitutionalizing"" "Lu Xun under the Sun: Lu Xun and the Left-Wing Literati" "Lu Xun by the Crescent Moon: Lu Xun and the Right-Wing Literati" "Lu Xun was Slandered and Damaged: Various Criticisms Against Lu Xun After His Death"

This book is part of the Chengdu Writers Book Series and is a collection of poems by the famous poet Liu Hongli. It contains more than 100 poems written by Liu Hongli in recent years, comprehensively showing the poet's creative style. Liu Hongli said: "Prosecutors writing legal documents and writing legal treatises are just their professional abilities. Of course they are not only capable of writing these. Writing poetry and other literary works is not inconsistent with it. Law, morality, spirit, and culture go hand in hand and are highly integrated. The combination is worth looking forward to." Liu Hongli has been writing for many years and has accumulated a lot of experience. With his unique perspective and sharp writing style, his poems express the weakness of human nature and the compulsion and helplessness under the pressure of survival, revealing the cruelty of reality and the sorrow of life. They are quite lively and thought-provoking.

This book is about young people's writing, the thoughts of new literary writers, the "non-key" words in contemporary literature, the reconstruction of "youthness", the hostility of criticism, the deep dreams of literature and the paradox of rebels, etc. The book mainly collects representative works and some new works that reflect the author's critical style. Focusing on the three key words of "youth", "publicity" and "history", the author uses rough lines and sharp strokes to outline the "ignorant and fearless" spiritual picture and savage critical personality of a young critic. There is no unified theme here. If it is unified, it is only unified with a clumsy, tired and mediocre critical individual.

"Mystery" is the original attribute of Hetian jade. Not only because Hetian jade comes from a distant place. What's more, in Chinese culture, Hotan jade has always been involved in a noble, heavy and exquisite form, and it continues to this day. "Half-Life Seed Road" can be said to be a series of non-fiction novels about Hetian jade. There are eleven units in total. They are independent products but closely linked. The book contains fascinating legendary stories, the ups and downs of the characters' fate, and many decryption routines of the jade trading. In fact, it is a rare entry-level "Hetian Jade Book".

This book conducts in-depth discussions on relevant academic issues and important literary works such as the 1980s, realism, folklore, intellectuals, cultural studies, literary history, online poetry, academic literary education, etc. It calls for public awareness of literary research and literary criticism, and advocates the re-construction of a youthfulness based on eternal critical attitude and community care in the field of youth literary criticism, in order to break the existing misunderstandings of over-closed and over-narcissistic discourse in the fields of literary creation, literary criticism, and literary education.

This book is a series of articles extended from the theme of literary avant-garde, including the literary viewpoints, creative viewpoints and literary interests of many important contemporary writers. The colloquial style is easy to read and retains the vivid tone and personality of the writers as much as possible. It is a first-hand source for studying contemporary literature and a good window for ordinary readers to understand contemporary literature. This interview about China's contemporary avant-garde literature not only carries the writers' vivid temperaments and interests, but also describes how avant-garde literature went from peak to dispersion.

This article adopts the second person and uses the technique of line drawing to "transfer the life and death of the countryside and the smell of earth onto the paper." It expresses the four-season complex of a village's seasonal cycle of spring plowing, summer plowing, autumn harvest, and winter storage. The author uses lines of clever or long words to draw the vast and rich memories of the village with green bricks and black tiles into silk threads, gently tying a gentle and beautiful knot to the village. A natural and original village appears on paper, neither deserted nor lively. This is a village where the sun shines and the rain and dew moisten it. It is a village with a texture like stone or cotton. It is a fragrant village lit by ears of rice or sunflowers. It is a village that is warm and simple, calm and peaceful.

This book is a collection of interviews with Chinese intellectuals, cultural and ideological elites. The topics covered focus on contemporary life, recall past history, examine social reality, and demonstrate public concern. The author is a senior cultural journalist. During his ten-year career as a professional journalist, he has interviewed widely influential intellectuals, explored their life journeys, listened to their independent observations and personal thoughts on the world, and reproduced their free speech on major public issues. This book records the events of the times and presents social changes. It is an insightful book that gathers elites from all walks of life in the country.

This book is a collection of the author's reviews of contemporary literary works and literary phenomena. It is also her third collection of reviews. Most of the 21 articles included in the book were completed and published between 2014 and 2016, focusing on the results of her thinking on literature in recent years. The content in the book can be mainly divided into two categories: one is the writer's theory in the form of prose essays, and the other is macro-level comments that tend to focus on history and local writing. Most of the articles use the works of a specific writer as an entry point, such as Lu Nei, Ge Fei, Zhang Jiajia, Wang Anyi, Lin Bai, Yu Yishuang, etc., And then start lateral thinking on related topics; there are also collective discussions on a certain group of writers starting from macro issues, such as the post-80s writer group, non-fiction writers, new media writing, etc.

"I Just Want to Make My Heart Softer" is a poetry anthology by Zhou Rongqiao. The poetry collection contains more than a hundred representative poems written by Zhou Rongqiao in recent years. Most of these poems are based on reality and focus on showing the poet's life insights and self-reflection. They inquire and explain the journey, love, time, ideals and history, and give their own answers, which have a certain philosophical meaning. Some of the poems are similar to ballad lyrics, and the overall style is fresh and elegant.

On April 6, 2018, at the stage assessment of the finals of the "Idol Producer" competition that lasted for more than four months, the nine candidates for the debut men's team were finalized. They are: Chen Linong, Fan Chengcheng, Justin, Lin Yanjun, Zhu Zhengting, Wang Ziyi, Xiaogui (Wang Linkai), and You Changjing. The name of the men's team was confirmed to be NINEPERCENT. From being ignorant when he first entered the competition, he has become a national idol that attracts everyone's attention and shines brightly. They have put in sweat and hard work, experienced twists and turns and hardships. While they have grown rapidly on this stage, they have also proven their position with actions. This group of sparkling teenagers is the best interpretation of youth. Whether they are laughing and making trouble, or crying and comforting each other, from them, we can see the infinite possibilities of the future, and we can also find the shadow of our own youth. As far as growth is concerned, as long as you work hard for your dreams and go all out, there will be no regrets.

"Bai Yuchan Taoism Collection" is a supporting project of the author Professor Gai Jianmin of Sichuan University in the National Social Science Fund project "Bai Yuchan Taoism Jindan Sect Southern Sect Research" (completed project, excellent appraisal grade, project completion certificate number: Certificate No. 20110061). It is the author's eight-year effort to "fish from the lake" based on solid literature and field investigations. By means of detailed acquisition of historical materials such as classic documents and local chronicles, inscriptions, notebooks and novels, using traditional bibliographic philology and textual research methods, through mutual verification of internal and external classics and local chronicles and archaeological documents, correcting errors, pointing out deviations, sorting and compiling the lost Bai Yuchan documents, it can be said that it is the latest compilation achievement of Bai Yuchan documents.

"Only the Masses, No Culture (Updated Edition)" selects a total of 53 important interviews and reports by Wang Xiaofeng, the former senior editor and writer of "Sanlian Life Weekly" from 2001 to 2019. It includes in-depth interviews with nearly a hundred key figures in the cultural circle, including Li Zongsheng, Cui Jian, Xu Wei, Wang Feng, Wang Shuo, Jia Zhangke, Lao Lang, etc. At the same time, the author also conducts an in-depth analysis of hot topics in the field of popular culture in the past two decades, including ring tones and online music that have gradually been forgotten by people, as well as the Spring Festival Gala, auditions, and music festivals that are still attracting attention today, covering music, movies, cross talk, literature and other aspects. Twenty years of in-depth observation has provided an important record for us today to review the development of popular culture, and also provided a new perspective for us to reflect on the cultural carnival of entertaining people to death.

"Blank Space: Essays on the Culture of Qiu Shuitang" contains twelve articles on literary reading and cultural criticism by Tian Xiaofei, a professor of Chinese literature at Harvard University. Dante's journey in "The Divine Comedy" is a symbol of reading; Dante's guide is the predecessor poet Virgil. In "Blank Space", Professor Tian Xiaofei also embarks on a reading journey: from classical literature such as "A Dream of Red Mansions", "Jin Ping Mei", "The Peony Pavilion" and "The Decameron", to Jin Yong's martial arts novels, Eco's historical novels, as well as film works such as "Journey to the West" and "Frida" as textual insights. Every article in "Blank Space" is a product of reading, conveying the author's care and thinking about the current social culture and reality.

This book is a collection of essays by the famous essayist Ling Shijiang, and is also one of the "Chengdu Writers' Book Series". This is the daily life of a stranger who migrated from Tibet to the world. It is fruitful, fragrant and not wasted. Time is with him, past events are falling, grass is growing in the soil, flowers are blooming, trees are growing, and feelings are flowing. When Tibet has become a writer's back, facing the mortal world, he returns to his daily life, to the feelings of ordinary people's life, making writing an unchosen realization from the depths of his soul. It is a conscious behavior, a permeation of the pure breath of life, and the same place where the writer and the reader live equally. It is a way to return to the ordinary passing years and restore reality, so that readers can get relaxed, pleasant and confident reading, so as to understand and accept the authenticity and warmth of this world.

This book is a collection of essays, including a total of 25 essays by the author. With the theme of Chinese wine culture, this book focuses on the relationship between people from all walks of life and wine in history and reality. It vividly explains Chinese wine civilization, wine culture, wine customs, and wine legends, allowing readers to enjoy the charm of wine in the text, learn about wine stories, wine anecdotes, and wine history, and gain insight into the rhythm of wine in Chinese civilization. This book not only contains historical research, research on wine culture, exploration of the development of wine and social relations, but also interesting anecdotes about the wine life of people from all walks of life, which can delight drinkers and amaze readers.

As a papermaking technology worker, the author of this book introduces his experience in learning and researching "papermaking", including more than 60 years of work experience, understanding and insights. The book is divided into fifteen parts: I learn papermaking, I love reading, I like painting, I collect information, I speak on the stage, I do research, I write articles, I collect, I read reading lists, I make reviews, I am an editor, I take a pen name, I sit in my study, I am ordinary, and I and rice paper. In addition, there are three appendices and a postscript. The readers of this book are: teachers and students in papermaking and related majors (printing, packaging, business, etc.), Young employees in enterprises, personnel in the tourism department, etc.

This book is written down by classmate Li Zhikun with his immature pen. It is simple, true, and plainly touching. This book takes us into the world of the young author, and follows him to experience the happiness of childhood and the beauty of life. This book has a novel creation form. It is not only an excellent collection of essays, but also a portrayal of the young author's real life. It can not only resonate with children, but also inspire teachers and parents.

This is a compilation of the author's historical reading notes in recent years. "The Analects of Confucius·Shuer": "The Master did not talk about strangeness, power, chaos, and gods." In the era when Confucius was the most sage teacher, what Confucius did not talk about was what the Confucian scholar-bureaucrats did not talk about, did not praise, and could not bear to talk about, that is, the trend of the atmosphere. The author borrowed the name "Zi Buyu" from "Zi Buyu" to name this book "Shi Buyu". The "history" in "Shi Buyu" does not refer to history in the general sense, but specifically refers to our common historical cognition. Shi Wuyu but my words refer to academic monographs published in recent years and use popular language to convey fresh historical knowledge and academic viewpoints.

Write slowly. The writer suggests using a "slow" attitude to think, study, exercise, appreciate music, and live calmly, and then turn them into sources of inspiration. These experiences will be useful inspirations for teenagers who are just learning to write.

This is a legend spread in the countryside and wilderness. Their fantasy and mystery show the antiquity and depth of this land. Wild animals with special abilities, mysterious black pools, and cries in the bushes on the beach. This is legend and life. What readers feel is love, beauty, sympathy, and compassion.

This is a legend spread in the countryside and wilderness. Their fantasy and mystery show the antiquity and depth of this land. Wild animals with special abilities, mysterious black pools, and cries in the bushes on the beach. This is legend and life. What readers feel is love, beauty, sympathy, and compassion.

Guiding children to learn writing is the core goal of this series of books. How do famous writers describe childhood, animals, people and events? Reading, writing, thinking, what real experiences do famous people have? Writer Zhang Wei gave his own account and showed it one by one.

This is the writer's childhood memory and a look back at the innocent and ignorant years. Catch fish, trace flowers, fight beehives, and talk to the stars. The innocence and simplicity of childhood, the love of imagination and dreaming, are hidden in everyone's heart.

This book is based on memories of interesting childhood events in the 1960s and 1970s: 1. Through different seasons and spaces, it describes the changes in childhood life at that time and the life attitudes of the people around them. There are corresponding food, clothing, housing, transportation, entertainment, and study.

"City Memory" is Mr. Zhao Zhenyuan's insights and random thoughts on his travels, work, and life in Chengdu, Wuxi, Lhasa, Jiaxing and other cities. These works faithfully record his personal walking footsteps and psychological journey. Some focus on describing scenes, some focus on describing people and events, and some focus on the thoughts and feelings of being in this situation and scene. The content is real and the emotions are sincere, making people read it kindly and naturally, and also gain a different kind of gain.

The book begins by combing the initial form of salons entering China, distinguishing its connections and differences with traditional literati gatherings and informal talks, and sorting out its historical context. The subject chooses the origin and development of several more representative salons in the modern literary world, such as Zeng Pu's salon, Shao Xunmei's flower hall, Lin Huiyin's wife's living room, and Zhu Guangqian's poetry reading party, as the starting point, and uses spatial inspection to study the spiritual and cultural history of certain types of intellectuals in modern China.

"Li Yuan Guest Li Binsheng" is a biographical literature based on Li Binsheng's experience in singing, painting and opera. It is interspersed with historical events, folk culture, celebrity anecdotes and rich Peking Opera artistic content, making it both highly readable and with a certain degree of historical material. One of the highlights of this book is that the author has interspersed chapters of "telling common folklore and explaining opera" in his writing, so that the introduction of folk culture and Peking Opera vividly appears on the page along with a character's growth experience; the second highlight is the selection of nearly a hundred opera paintings accumulated by Mr. Li Binsheng over the years.

This book is one of the Gezhi Library. These articles are the culmination of the author's more than thirty years of continuous writing. The reasons for his writing are often random, random or in response to an appointment, without an overall plan. The specific features of the places that the author visited back then should have changed due to rapid economic development, but their historical background and connotation will not change. Because these articles retain the good memories of the inspection activities, carry the deep friendship between the author and the friends who went on the inspection together over the years, and condense the author's insights into history and life through the inspection.

"Eight Thousand Miles of Road to Clouds and Moon" is a brand new collection of works by Bai Xianyong, a master in the literary world. It writes the life trajectory and historical soul of an era. It is the accumulation of stories over time, and it is also an unsatisfactory cultural nostalgia. The author deeply feels between the lines that these memorable people and things in his life are the wealth of life that can never be recalled, reflecting his growth experience, mental journey and aesthetic ideals. Bai Xianyong used his lifelong pen to paint a true picture of life, leading readers to gradually touch the hot mind of a writer. "Eight Thousand Miles of Road to Clouds and Moon" is like a long river of euphemism, with an endless aftertaste that can be described endlessly. In the silent words, there is abundant vitality.

This book contains a total of thirteen representative prose works by the writer Jin Hou. It is divided into three categories: First, based on Fujian and Shanxi, it provides in-depth personalized interpretation and tracing of historical and cultural monuments. The second is the author's philosophical and poetic expression. Third, the author personally went to Mazui Village in Hunyuan County, northern Shanxi, and visited the only family in Mazui Village. He used poetic pen and ink to outline the living conditions and various difficulties of the Riquan family in this land far away from the hustle and bustle. The Marquis of Jin wrote poetry, so reading his prose will naturally bring out the remoteness and melancholy of poetry, just like the pastoral songs that penetrate the bone marrow. At the same time, his prose has traces of the combined effect of experience and rationality. Under the poetic surface, what surges is awe of time and life, and reflection on mankind and the world.

This book mainly presents the creative practice of artist Jin Weihong, including the artist's diary, essays, interviews and critical articles, as well as about 20 pictures of his works. This book is the artist's personal expression of the living conditions in this era, as well as his observation and thinking about himself and others, and even the entire art world.

This book consists of 33 emotional stories and their notes, covering issues such as love, lovelorn, marriage, divorce, remarriage, etc., Including extramarital love seeking, love entanglement, disasters, humiliation, dilemmas, intertwined love and hate, perseverance, etc. Behind the story is the entanglement of love and hate, the collision of joy and sorrow, the showdown between beauty and ugliness... Destiny is a wandering river. We walk in the world of mortals, savor the various aspects of life, and understand the philosophy of life. I would like to dedicate this book to everyone who has love in their hearts to convey hope and gratitude to the world.

This book is a family essay, with content ranging from the father's perseverance and responsibility, the mother's tolerance and tolerance, to the children's growth stories... The gentle and delicate writing style tells the story of family memories that span three generations, and is also infiltrated with the author's incomparable attachment and love for family ties. These memories are often the memories of an era and the memories of all people who have lived through that era, so they will always resonate with readers. The article is deeply touching and painful. Only by reading can you understand it.

This book is a collection of the novelist Bao Bei's spiritual and written memories of traveling in Tibet for ten years from 2005 to 2015. It is an intimate whisper of a sexy woman and a mysterious hiding place. She has traveled all over Tibet, and her writings are also related to various parts of Tibet. The book is beautifully designed, with text and pictures that are light and airy. It is hardcover and printed in four colors.

This is a collection of prose essays. The author's heartfelt experience of life enables her works to present the richness, complexity and vividness of social reality, and truly reflect people's way of thinking and living conditions today. The authors use their creative vision to quickly discern the mysteries of the characters' souls, and their clever words are organized into characteristic language. The characters and scenes in their works are not only real and natural, but also have their distinctive personality judgments. Write about yourself, classmates, and friends as well as scenery and landscapes. The layout of the work expresses and constructs a long and tranquil space in the most direct and simple way, which makes people's hearts beat when reading it.

This book is a selection of prose works by writer Li Jinshan. It mainly includes some of his reminiscence essays and cultural prose. Li Jinshan's reminiscence prose has clear writing style, usually about a small thing, expressing a different kind of feeling, and the casualness is more obvious. In cultural prose, he did a lot of literary and historical research, such as articles about the food, drink and customs of the Song Dynasty, which are full of references, have a broad vision, and have profound and connotative connotations.

The author of this book "Hometown Scenery" introduces and describes his life insights from the perspective of his own life and his hometown through four small themes: children's stories, nostalgia, wild fun, and leisurely writing. There is the memory of the hometown in the Fenhe River Basin, the cultural understanding and archaeological roots of the hometown, the love for the loess land, the perception and understanding of life, the true knowledge, the plain and moving.

This collection of essays is the author's reflections on himself and his compilation of study, work, and life during his studies at Columbia University. It is divided into four parts: the first part explains the reasons why she made the choice to study; the second part focuses on her thinking about society during her two years of study; the third part is her re-evaluation and perception of the study abroad environment as a "foreigner"; the fourth part is her understanding of the relatives around her. With the transformation of multiple identities and the author's rich experience and keen insight, interesting moments can be seen everywhere in the words narrated, exuding the brilliance of intelligence, and reading is deep and tough, considerate and warm.

If these texts are collected together and called a book, this book does not have any technical content. Because these are words that speak my heart. In addition to recording my long series of continuous days and my true feelings about the continuous days, I can't knock out any graceful, gorgeous and thrilling stories at my fingertips. Although, I would love to write a novel. In fact, I prefer prose to poetry. Just like I prefer to sit lazily by the water or on the mountain, watching the bright sunshine shine on my years, passing by in a hurry, and coming back in a hurry. My heart stretches melancholy, just to prevent myself from dozing off in life. Because I only have one heart, I want to keep the agility and freshness that God gave her when she first came. I don't want her to be lost in a vague place, unconscious and unable to find her.

Lu Xin is known as an "avant-garde writer". There are things in Lu Xin's works that may seem weird and neurotic, but they are by no means absurd. In his writing, sounds can be picked up, light can go around, and the night can grow legs... The reader's senses follow the author not to be confused, but to be reset. It's like a romantic poem, like a surreal painting. Everything in Lu Xin's works has life, but this may not be a cause for joy, because this perception is more used to feel the sadness of the world. Or the author hopes that after understanding everything, readers can take the initiative to take on the important task of eliminating social misfortune. Most of the articles are written against the background of "land reform", "educated youth", and "cultural revolution".

The small green seedling was like the sun between the fingers, illuminating every corner of their hearts. A kind of power flowed from the fingertips to the whole body. The highland barley seedling was passed among the people. They all held it at the fingertips and watched intently. No one spoke, and the grass was very quiet.