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This book is based on the epic poems of Homer, Virgil, Ovid and other classical works, and narrates the most classic stories in Greek and Roman mythology in prose form. This book "is both a source of entertainment. It can also be used to impart knowledge about mythology."

Greek mythology has been circulating for more than 3,000 years. Its glorious and grand scenes, distinctive characters and beautiful and tortuous storylines have made it popular among readers all over the world. As one of the two pillars of Western civilization, Greek mythology continues to influence the development of Western society, culture, literature and art, and is one of the most convenient ways for us to truly understand the West. Due to the passage of time, Greek myths were chaotically included in various versions. In the 19th century, the German romantic poet Schwab, who had been committed to sorting out and preserving classical culture, used his vivid words of great literary value and rigorous and sophisticated national characteristics to change the original story's complexity and chaos, and completed "Greek Myth Stories" with a relatively clear genealogy of the gods and a relatively concentrated storyline. Since the book came out, it has been translated into various languages ​​and is a best-seller to this day.

"Shaanxi Literature Research (Second Series)" is an academic work on regional literary criticism organized and compiled by the Creative Research Office of the Shaanxi Provincial Writers Association. This manuscript covers contemporary (focusing on contemporary), modern and ancient macro or micro case studies, reviews, historical materials, textual research, debates, characters, etc. Related to Shaanxi literature. It systematically discusses the current situation of Shaanxi literature research and strives to provide more thinking and reference for the development of Shaanxi regional literature.

"Shaanxi Literature Research (First Series)" is an academic work on regional literary criticism organized and compiled by the Creative Research Office of the Shaanxi Provincial Writers Association. This manuscript covers contemporary (focusing on contemporary), modern and ancient macro or micro case studies, reviews, historical materials, textual research, debates, characters, etc. Related to Shaanxi literature. It systematically discusses the current situation of Shaanxi literature research and strives to provide more thinking and reference for the development of Shaanxi regional literature.

Ever since there have been humans who can use tools on the earth, legends have been unfolding non-stop. Just like the stories in this book, the characters may be emperors and generals, hermits and strangers, or overseas natives... Different living environments lead to different wonderful lives. When you get close to them, you will not only get the pleasure of reading, but also the insights and thoughts about life.

For a long time, the Bible, ancient Greek mythology and ancient Roman mythology have been regarded as the oldest and greatest classics of Western culture. They are not only the source of the emergence and development of Western civilization, but also an important part of all human civilization. They profoundly affect human cultural life and spiritual pursuits, and are extremely important world cultural heritage. This book is a collection of "Biblical Stories", "Ancient Greek Mythological Stories" and "Ancient Roman Mythological Stories" born from these three major cultural heritages. It not only provides readers with a platform to understand ancient human civilization, but also allows readers to feel the magnificence and profundity of Western culture while deepening their understanding of traditional human culture and stimulating the imagination and creativity hidden in their hearts.

This book is the sincere and warm life memories of a seventy-year-old man. Elder Zhang Caizhu used more than 100 "memory paintings" to record the joy of childhood, the scenery of the countryside, the hardship of labor, the tenacity of life and the changes of the times, vividly reproducing the life and production scenes in rural Chongqing from the 1950s to the 1980s. In his paintings, ordinary daily scenes are transformed into pieces of fallen flowers full of affection, giving off a warm luster. The memories of home and country woven from the lives of ordinary people are intertwined with beauty and sadness, allowing us to see beauty, pain, and strength.

"Surprises and Weirdness: Chronicles of Monsters from the Extraterrestrial World" is a book of curiosity, compiled from occasional insights in the process of searching for the wonders, weirdness, and extraordinary things in the world. It is also a book of strange things. It collects the misunderstandings condensed by people's imagination on the way to understand unknown things, and digs into these misunderstandings in a simple and simple way, trying to find out the stories behind them. At the same time, it is also a book of mirror images. I hope that by comparing this book, I can discover some common concepts and thinking between the East and the West, and try to reduce some of the myths about the cognitive differences between the East and the West. "Ghost Talk at the Night Window" is a famous collection of Chinese short stories in Japan. It was based on the collected works of predecessors and folk anecdotes, and was developed through cutting, polishing, editing, processing and secondary development. "Dong Qi Xie" is his original story about gods and ghosts, and some of them are based on existing traditional ghost stories and adapted into witty jokes, which are very entertaining.

"One Thousand and One Nights", also known as "Arabian Nights", is a collection of Arabic folk tales. According to legend, a king hated his queen for being selfish and killed her. From then on, he married a girl every day and killed her the next morning. In order to save the innocent woman, the prime minister's daughter voluntarily married the king and told stories every night to arouse the king's interest. Her story was told for a thousand and one nights, and finally the king was influenced.

In ancient times, a certain king of Arabia had a grudge against women because of his wife's misbehavior. Every day, he asked the prime minister to find him a young girl, marry her, and then kill her the next day. Shanruzod, the daughter of the prime minister, asked her father to marry her to the king in order to save the young girls in the world. From the first day she got married, she told stories to the king. The stories came one after another, big stories within small stories, and new stories inside the small stories. When it was almost dawn, she stopped at the important point. The king repeatedly postponed the time to kill her in order to listen to the story. It is said that Scheherazade's story was told for one thousand and one nights.

"Yang Sao: Modern Literature and the Imprint of Traditional Countryside" is the first monograph on "Yang Sao Studies" in the true sense in the history of modern Chinese literature. This book mainly takes Yang Sao's literary creation and life path as the research object. It combines the historical environment, cultural system, and complex situations at home and abroad. It uses detailed information to examine Yang Sao's cultural feelings from the perspective of the process of modern Chinese literature and the Zhangzhou writers. It discusses Yang Sao's role in modern my country. An early symbolist poet in the history of modern literature, he used his life's "blood and tears" to write about his wandering, ups and downs, short and endless struggle of life. He took the initiative to place himself in the torrent of the times, consciously shared the hardships with the country and the people, and enthusiastically expressed the themes of the times. This book points out that Yang Sao's creations not only show common characteristics of the times in the literary world, but also show the regional characteristics of Fujian and the characteristics of southern Fujian. Because Yang Saohuai has deep feelings for Fujian, his spiritual world and cultural psychology are deeply imprinted on the life image of southern Fujian society and culture. Yang Sao walked a unique path as a "son of Fujian", from "an early symbolist poet" to "writing the mainstream and mood of the times" to "a 'warrior with pen'", representing the "life path shared by thousands of revolutionary writers of that era". To sum up, this book studies Yang Sao from a cultural perspective. It has new insights in exploring Yang Sao's modern literary characteristics of following the tendency of symbolist poetics, exploring the core spirit of the left-wing era, the feelings of Fujian with regional colors, the inheritance and innovation of national culture, the humanistic care for cultural transcendence, and the artistic expression of the soul. The conclusions are plain and reliable. With rich information, novel perspectives, and profound discussions, this book advances the academic research on Yang Sao.

"Collection of Chinese Folktales" is a collection of folktales for children compiled by the famous scholar and cultural critic Professor Zhu Dake. The book selects 20 folktales that have been passed down for thousands of years, such as the familiar ones "Playing with the Princes at the Beacon Fire" and "Bo Ya Falling". "Qin", "Mulan Joins the Army", etc., The writing style of the whole book is lively and lively, and the causes and consequences of each story are told in a language that children can understand, with exquisite and interesting illustrations, making the Chinese folk tales that originally felt "ancient" regain their childlike glory.

"Ancient Chinese Fables (Primary School Chinese Textbook Companion Reading Series, Compiled Edition)" is a collection of ancient Chinese fables, which includes more than 60 fables such as "Practice Makes Perfect", "Learning in Handan" and "Monkey Fishing for the Moon". Each story is followed by "instruments of moral meaning". The selected fables are simple but rich in meaning, and the language is profound and simple, allowing readers to understand the philosophy contained in the short fables through easy reading, draw a lot of wisdom from them, and understand more principles of life and things.

"Mahabharata" and "Ramayana" are known as the two major Indian epics. "Ramayana" was translated by Mr. Ji Xianlin and published in the 1980s. The Mahabharata is four times as long as the Ramayana. The book is divided into eighteen chapters. The core story is set against the background of Indian society in the era of strife among nations. It narrates the struggle between two descendants of the Bharata tribe, the Kolulu and Pandava tribes, for the right to inherit the throne. This so-called encyclopedic epic is large in scale and complex in content. So far, there are only a fine revision of the Mahabharata completed by Indian Sanskrit scholars in half a century and the previous English translation in the world, while translations by French, American and other scholars have all failed midway. In the late 1980s, under the support and leadership of Mr. Jin Kemu, the translation project of the Chinese version of the Mahabharata was launched. After the hard work of a group of scholars, it took 17 years to complete the project and handed it down to the world with the support of Mr. Huang Baosheng. It has become one of the only three texts in the world today.

"One Thousand and One Nights" includes myths and legends, fables, fairy tales, love stories, sailing adventure stories and palace anecdotes, etc. These include many of the most popular stories today, such as "Aladdin and the Magic Lamp", "Alibaba and the Forty Thieves", etc. The characters in the book are all-encompassing, including gods and spirits, kings and ministers, wealthy businessmen, common people, and three religions, covering all aspects of medieval Arab social life. World literary giants such as Voltaire, Stendhal, La Fontaine, Boccaccio, Goethe, Chaucer and others have read One Thousand and One Nights more than once and gained inspiration from it. Grimm's fairy tales, Andersen's fairy tales, and Pushkin's fairy tales are all affected by its content to varying degrees. It is not difficult to see clues of "One Thousand and One Nights" in some works of famous artists such as Beethoven and Tchaikovsky.

The 5th level of "Chinese Studies Ladder Open Course", the collection and sub-parts show the style of several famous figures in the Ming and Qing Dynasties, including travel notes, essays, biographies, prefaces, essays, strategies, fables, etc. Yuan Mei, Huang Zongxi, Xie Jin, Yao Nai, and Dai Mingshi are all world-famous great scholars and great writers, and they still attract attention today. "A Trip to the Yellow Cliffs of Mount Lu and Encountering Rain" is a wonderful travelogue. The travel notes are so thrilling, and there are no dangers at the end. This is a truly magical writing. "The Book of Sutra" still focuses on "The Analects" and "Mencius", highlighting the theme of "words and deeds", which is the key point of Confucian moral practice and is worth learning.

This book is a century-old history of a family, witnessing the history of China's modern transformation period. Spanning more than half a century of turmoil and going through some of the most important periods in China and Japan, a family's fortunes have experienced ups and downs following the changes of the times. From remote rural areas to county towns; from private schools and new schools to prestigious universities; from China to Japan and back to China. Each generation takes a different path and interprets a different life. The author narrates family stories, full of wisdom and affection.

Our Zhen'an has a long history, and our folk literature is rich in colorful forms and profound in connotation. As an old cultural person, I am of course responsible for the inheritance of folk literature. I like folk culture, especially folk stories and folk jokes. Therefore, as early as the early 1990s, I wanted to do some work for Zhenan's folk culture, but due to official duties, I was never able to do so. It wasn't until I retired that I had more free time, so I made up my mind to do something visible and tangible for Zhenan's folk literature in my lifetime. So, from the beginning of 2013, I began to collect, excavate, and organize Zhenan folk tales, folk jokes, place name legends, and custom stories.

While we spend our days in various ways, the years drift away from us like fallen leaves in the wind, silently and seemingly without a trace. These articles in the book lovingly record the disappearing folk workshops, folk arts, folk crafts, farm tools, and life outlook in the decades since the turn of the century.

This book focuses on the spread of myths, stories and artistic images of animals and plants among European and Asian civilizations. It includes the familiar stories of Sun Wukong, Cinderella fairy tales, Siren legends, etc., As well as some stories that have been lost to history and unknown to us.

This book is divided into three parts: folklore, ancient mythology, and myths and legends of ethnic minorities. It selects more than a hundred exquisite pictures to express the plot of the story. While telling each touching story, it also strives to show readers a lifelike and complete genealogy of Chinese mythology. Myths and legends are ancient stories originating from ancient times and among the people. They are also everlasting topics. "Chinese Folklore and Mythical Stories" compiled by Liu Yuan is divided into three parts: folklore, ancient mythology, and myths and legends of ethnic minorities. It is accompanied by more than a hundred carefully drawn pictures showing the plot of the story. Through each touching story, it shows the ancient people's heroic struggle against natural forces and their persistent pursuit of truth, goodness and beauty.

The content of this book includes: Dragon Boat Festival Wine, Five Googles, Wanting a Wife and Looking for a Lover, Pretty Girls and Lazy Wifes, Delicious Food and Drinks All Seasons, You Take One and I Take One, My Daughter Will Marry a Farmer, My Sister-in-law and My Mother-in-Law, etc.

Behind every ghost story, there is thought-provoking wisdom. While experiencing the stimulation of the senses, every reader will also further understand the collision of love and family, the confrontation of perseverance and cowardice, the weakness of human nature, details and destiny, and the importance of character and action, thereby enjoying the pleasure of reading while also further sublimating their own lives. Therefore, this book is not only a collection of interesting and terrifying ghost stories, but also a collection of life philosophies.

This book contains 26 articles, discussing the origin and evolution, place of origin, spread, protagonist, cultural connotation and related folk customs of Meng Jiangnu's story.

When the fourth deaf man heard people talking about drum books, he always imagined that one day a snail or vixen would turn into a woman and come to wash and cook for him as his wife. This morning, this wish was about to come true, but in the blink of an eye, he turned into a flowered cotton-padded jacket and then into a baby. --"Grandness is as heavy as a mountain"

Is it decadence or fashion? Is it pursuit or madness? Today's era is an era of confusion, and people in this era have become complicated because of this: a dragon and a snake are in the same cave, just like a man and a ghost are in the same cave. Good and bad are no longer the only criteria for distinguishing right and wrong, and moral class affiliation seems to be doubted. People's hearts are not ancient, and the world's customs are unpredictable. However, where is the hope? Hope is conceived in the hearts of those who long for hope. Thus, a new industrial era began vigorously and quietly. What we talk about vigorously is the phenomenon, and what we talk about quietly is the essence. As long as you calm down a little, you will find that the new director of the agricultural machinery factory Lin Mao's method of going to the "high seas" will not only fail to save the company, but will also take the fish from the high seas into the "private sea", making him rich and millions of families poor. Thought-provoking and thought-provoking.

Peking University Micro Lecture Hall is a popular science lecture held by Peking University for students. It invites professors, famous experts, academicians, etc. From various disciplines to explain the content in an authoritative yet easy-to-understand manner.

As an important entry point and breakthrough for deepening educational reform and expanding quality education, rural courses focus on the development of students' comprehensive quality. This book collects, analyzes, and discusses innovative teaching cases of local courses at multiple levels and angles from seven themes: local moral education, resource construction, curriculum design, local classrooms, teacher development, curriculum evaluation, and characteristic schools.

This book includes six short and medium-length narrative stories, "Jing Zhong Shuo Yue", "Evil Tiger Village", "Evil Tiger Village", "Five Women Catching Orchids", "Three Beats of Han Tong" and "Xiaoyao King". Among them, "Xiaoyao Wang" is a continuation of "The Romance of the Eastern Han Dynasty" and was written by Jia Jianguo and Lian Liru. "Jing Zhong Shuo Yue", "Evil Tiger Village", "Evil Tiger Village", "Five Women Catching Orchids" and "Three Strikes of Hantong" are all excavated and sorted out the secret scripts of the famous storytelling artist Lian Kuoru that were orally published in various newspapers and periodicals during the Republic of China. This book retains the writing style and colloquial characteristics of storytelling scripts, and adapts to the reading habits of today's readers. It is a collection of storytelling that appeals to both refined and popular tastes.

The Zhang family's internal magazine "Water" was founded in 1929 and is still edited and published spontaneously today, becoming a cultural phenomenon of a traditional Chinese family. "Water" not only produced four sisters and six brothers of the Zhang family, but also cultivated relatives and friends who had contact with the Zhang family. It contains current reviews, essays, sketches, science, drama, Kunqu opera, autobiography, calligraphy and painting, and photography. Its content is all-encompassing and carries the changes in modern Chinese history. The publication was suspended during the Anti-Japanese War, but was resumed in Beijing in 1996. Zhang Yunhe, wife of Zhou Youguang, served as editor-in-chief, and was later handed over to Zhang Huanhe and Shen Longzhu. The evolution of publications from paper to online, from home to global distribution, has become a continuation of history.

"Kojiki" was written in 712. It is the first written classic in Japanese history and one of the earliest extant Japanese literary works. The book is divided into three volumes. The first volume records the origins and myths and legends of Japanese gods, focusing on the formation of Japan's territory and the beginning of the emperor. The two gods Ienaki and Ienami created the country on the orders of the gods. They entered into a divine marriage and gave birth to children to the gods. After things such as "relinquishing the kingdom" and "descending from heaven", the descendant of Amaterasu Omikami, the god Waiha Rebi Komei, was finally born. Emperor Jinmu, the first emperor of Japan, ruled the China of Weihara according to the destiny. The middle volume and the second volume are the records and legends of the thirty-three generations of Japanese emperors from Emperor Jimmu to Emperor Suiko. Historical facts are mixed with fiction. The records mainly focus on the Japanese emperor's conquests and quelling chaos, administrative structures, royal family legends, etc.

This series is positioned as a popular book that is both cultural and readable, suitable for both refined and popular tastes, well-received by professional circles, and well-received by the reading community. It rejects unfounded, excessively romantic, and "alternative" popular books for consumption, and does not include professional research works that are overly academic. Instead, it "walks the middle road." Based on this consideration, the single book is positioned as a biographical novel with historical themes. The text focuses on creating a sense of picture and situation, attracting readers to return to the historical scene. "The Lonely Bada Shanren" (author: Gao Weisheng), "The Blue Blood Painting by Wen Tianxiang" (authors: Lu Yuan, Cao Bo), "The Ups and Downs of Wang Anshi" (authors: Sun Yan, Cui Fengzhen), "A Generation of Confucian Scholars" "Talk about Zeng Gong" (author: Xu Xu), "The Great Scholar Recommends Zhu Xi" (author: Lu Wei), "Yang Wanli Inside and Outside Chengzhai" (author: Duan Shouxin), "Meeting Yan Shu after Returning from Yan" (author: Wu Xiangchun).

This series is positioned as a popular book that is both cultural and readable, suitable for both refined and popular tastes, well-received by professional circles, and well-received by the reading community. It rejects unfounded, excessively romantic, and "alternative" popular books for consumption, and does not include professional research works that are overly academic. Instead, it "walks the middle road." Based on this consideration, the single book is positioned as a biographical novel with historical themes. The text focuses on creating a sense of picture and situation, attracting readers to return to the historical scene. "The Lonely Bada Shanren" (author: Gao Weisheng), "The Blue Blood Painting by Wen Tianxiang" (authors: Lu Yuan, Cao Bo), "The Ups and Downs of Wang Anshi" (authors: Sun Yan, Cui Fengzhen), "A Generation of Confucian Scholars" "Talk about Zeng Gong" (author: Xu Xu), "The Great Scholar Recommends Zhu Xi" (author: Lu Wei), "Yang Wanli Inside and Outside Chengzhai" (author: Duan Shouxin), "Meeting Yan Shu after Returning from Yan" (author: Wu Xiangchun).

Xie Jin's life is a life of ups and downs. He was one of the "Three Great Talents of the Ming Dynasty". He was smart since he was a child and was known as a "child prodigy". He was admitted to Jinshi at a young age and was valued by Zhu Yuanzhang, the founder of the Ming Dynasty. Finally, after being drunk, he was mercilessly buried in the snow and died. He died young in middle age, his great ambitions were difficult to realize, and he was jealous of talents, which is really regrettable. "The Ming Dynasty's Most Talented Scholar Jie Jin" written by Zhu Hong uses Xie Jin's life experience as a clue to tell his life and literary and artistic achievements. Based on this, it shows the various aspects of the political, social, and literary circles in the early Ming Dynasty, and also provides an in-depth analysis of Xie Jin's personality, gains and losses. Xie Jin was "talented, forward-thinking, and insightful", which made him favored and promoted, but "he had no scruples whether he liked Zang or not", which made him fall out of favor and be demoted. However, his contribution to the politics, thought, literature and art of the Ming Dynasty is obvious to all; he was not flattering or partial, and his character can be described as a model for future generations. His anecdotes and legends are widely circulated among the people. History will eventually give him a fair evaluation. Xie Jin et al.

Huang Tingjian's life reflects the history, culture and aesthetics of the Northern Song Dynasty. He was born in the reign of Song Renzong (1045) and died in the reign of Song Huizong (1105). His more than sixty years of life were the process of the Northern Song Dynasty from extreme prosperity to poverty, weakness and decline. The period when he was born and grew up coincided with the unprecedented prosperity of economy, society, culture and art in the Northern Song Dynasty. He became famous at a young age, was promoted to Jinshi, entered the official career, and was promoted to the fifth rank; when the Northern Song Dynasty was declining due to the failure of the reform, constant party disputes, and internal and external difficulties, he was also wronged by the party disputes and suffered frame-up, interrogation, prison, demotion, exile and custody, and finally was demoted to Yizhou where he died. Twenty-two years after his death, the Song Dynasty suffered the humiliation of Jingkang and fled south of the Yangtze River. The Northern Song Dynasty was destroyed, which became an eternal pain in the history of Han culture. This book takes the political system, culture, art, and social trends of the Northern Song Dynasty as the background, tells Huang Tingjian's life story and artistic achievements, and unfolds a vivid, rich and ups and downs picture of life. "The world is extremely decadent, but my heart is like a pillar." Huang Tingjian had a rough life and suffered many hardships, but he always maintained the character of a scholar. His poems and books complemented his character and official character, and he blended Confucianism, Buddhism, and Taoism. Use both, not being arrogant when winning, not being depressed when losing, having an open mind and an upright sentiment are the reasons why Huang Tingjian is admired by future generations, and they are also the life thoughts and spiritual comfort that Huang Tingjian left to us.

This book traces the life trajectory of Zhu Xi, a master of Neo-Confucianism, thinker, philosopher, and educator in the Southern Song Dynasty, from Zhu Xi's family background, to his academic experience, his process of becoming an official, and then to the construction of the academy, using a comprehensive literary and historical picture. It shows the complete image of Master Zhu Xi: his perseverance in seeking true knowledge, his compassion for the country and his people, and his perseverance in character in troubled times. It also reproduces the political, economic and cultural conditions of the war-torn era in which Zhu Xi lived. The author focuses on how Zhu Xi sought true knowledge. The difficulties and twists and turns in the process of moving towards the holy realm, how Zhu Xi, under the guidance of many teachers, realized his enlightenment alone in lonely late nights, and finally formed a unique and systematic Neo-Confucian thought through repeated self-denials. At that historical stage, Zhu Xi definitely had his own ideological limitations, but this did not affect the admiration of later generations for Zhu Xi, nor did it affect the inheritance and inspiration of Zhu Xi's thoughts on Chinese cultural thought.

Tao Yuanming is a lonely man. He puts aside all his vanity and fame and retreats to nature. This is not a performance art, but an attitude towards life and a highly accurate insight into secular education. A completely natural poem, "withered on the outside but anointed on the inside, seemingly bland but actually beautiful", which is shaped in nature. Tao Yuanming's straightforward temperament and his rich spiritual world bloomed different flowers of innocence in the ideal peach blossom garden. This book shows Tao Yuanming's life-long thought and life art process through his poems written in life. Tao Yuanming left us a pastoral life and life pursuit of dignity, freedom, and sincerity. This rich legacy, like a mountain peak, allows us to look up and explore. Tao Yuanming does not put on any pretense. He pursues the essence of life and insists on himself in a life of poverty. The poems he created carry the morning dew and the breath of sunshine. Such a poet, his words are a good medicine for the loss of true feelings in modern society.

Zeus, Hera, Apollo, Athena... Do you know the Greek gods? How is the god Zeus so romantic? How could Hera be so jealous? How can Athena be both wise and courageous, yet so righteous? How did the golden apples of the Goddess of Discord stimulate the vanity of the gods and trigger a protracted ancient war? How did Sisyphus deceive the gods and end up pushing rocks up mountains all his life? How did the God of Love and the God of War get caught and raped in bed by the God of Fire, attracting the gods who were looking at the joke?

"Ghost Talk at the Night Window" is a famous collection of Japanese short stories in Chinese, and "Eastern Qi Harmony" is its sister work. The two have the reputation of "Strange Stories from a Chinese Studio" and "Zi Buyu" in Japan. The author Kosai Ishikawa talks about fantasy as a Confucianist and Sinologist. He embraces and interprets it within the framework of Confucianism's benefit to the world, and has created a unique literary path. "Ghost Talk at the Night Window" is based on the collection of predecessors' works and folk anecdotes, which he then cut, polished, edited, processed, and developed for the second time. It is able to "track the Jin and Song Dynasties and not follow the Tang Dynasty". "Dong Qi Xie" is his original story about gods and ghosts, and some of them are based on existing traditional ghost stories and adapted into witty jokes, which are very entertaining.

"Kojiki" systematically records Japanese myths and legends, and launches a tour of Japan's origins and style in ancient and unrestrained stories. The book is divided into three volumes. The first volume records the origins and myths and legends of Japanese gods, focusing on the formation of Japan's territory and the beginning of the emperor. The middle volume and the second volume are the records and legends of the thirty-three generations of Japanese emperors from Emperor Jimmu to Emperor Suiko. Historical facts are mixed with fiction. The records mainly focus on the Japanese emperor's conquests and quelling chaos, administrative structures, royal family legends, etc.

This book tells the story of ten bizarre events that happened in the Ming Empire. Each event is based on historical facts, with true content and twists and turns. From the emperor to the common people, everyone was involved in these cases. For example, "The Strange Unjust Case of Four Lives in Yangzhou City" tells the story of a homosexual who was deceived and his family members died strangely and unjustly. Such a story is not only highly readable, but can also reflect our real life. I believe readers will not be able to put it down.

Historically, it is easy to fall into the misunderstanding of prediction when reading the "Book of Changes". In fact, the "Book of Changes" contains almost all the essence of Chinese culture. It reflects the scientific understanding of the natural universe, celestial phenomena and phenology by the ancestors of the Chinese nation since ancient times, which reflects the Chinese nation's view of the universe and nature, and further extends to the ideological content of natural philosophy, human ethics philosophy, aesthetic philosophy and other aspects. If you read it carefully, you may be able to find many of the origins of Chinese culture. However, reading the "Book of Changes" can be difficult or easy. If we can clarify its essence and analyze its spiritual connotation, it may provide certain reference for politics, business and moral cultivation.

1957 - this special year that Chinese intellectuals entered into many hardships. An anti-rightist movement put them into a painful situation that lasted for decades. Their fate was ravaged by this movement, and their lives were ups and downs in the stormy sea! The year 1957 became the beginning of an irreversible nightmare, with mysteries lurking in the fog... The author attempts to explain the anti-rightist movement from another angle through a personal review of this period and a review of many representative people and events. He wants to explore what this land, which is steeped in the production methods, psychological methods and autocratic dynasties of the East, has towards intellectuals, especially thinkers. This book is not so much about writing the fate of intellectuals as it is about writing the fate of the entire nation and ourselves. Only by touching those historical wounds can we grasp the pulse of China today and in the future.

For the Chinese, "class struggle" was a word that was even more important than eating from the first half of the 20th century to the decades of reform and opening up. The so-called "class struggle" was triggered by composition and origin, with the "five types of elements" and "the children of the five black types" as the primary targets of struggle. Therefore, the "state of war" became the real norm in people's daily lives at that era. And the lives of those various elements who were labeled as political began decades of purgatory-like suffering... This book uses a large amount of detailed information and interviews with relevant parties to reproduce the nightmarish madness and various deformed political ecology that made people shudder during the "class struggle" years. In the current era, the importance of facing up to history is even more highlighted.

This book collects representative works of ancient Greek mythology, with classic content, profound implications, moving plots and high interest. At the same time, the book is equipped with exquisite pictures, showing the romantic and moving mythical world in front of readers in an all-round and multi-level way, so that readers can gain rich imagination space and elegant artistic enjoyment.

This book selects representative ancient Roman mythological stories, including the birth of gods, the family of gods, the creation of gods, the wars of gods, the origin of mankind, the love between humans and gods, etc., And is supplemented by exquisite pictures that match the text content, showing readers a magnificent mythological picture, allowing readers to wander in the unique world of humans and gods.

An important creation of the well-known public account "Important Opinions", telling the relationship between beauty and individuals. After spending enough unnecessary money and paying enough tuition fees, can I become a person with taste and aesthetics? It's not that simple! The so-called taste is not only based on what you choose, but more importantly, it is based on what you refuse to consume. Consumption itself is the simplest and most difficult thing in life. The four authors of "Important Opinions" have rich life experiences and broad minds. Their suggestions are pungent and sincere, which not only involve artistic thinking about clothing and design, but also include profound insights into fashion and social trends.

"New Classic of Mountains and Seas (Volume of Heroes)" is one of the volumes in the series of "New Classic of Mountains and Seas", which reproduces ten mythological heroes recorded in "Classic of Mountains and Seas": Yu, Tiannu, Houyi, Xingtian, Shaohao, Meng Tu, Kuafu, Yingzhao, Jingwei and Zhulong.

"Xianqing Ougeji" consists of eight parts: food and drink, maintenance, voice and appearance, living room, utensils and play, planting, lyrics and music, and exercises. It is rich in content and covers a wide range of topics. It discusses issues such as food and cooking, health care, cosmetics, gardening, architecture, antiques, opera theory, etc. It touches many areas of ancient Chinese life and explores aesthetic phenomena and laws in art and life. It has strong entertainment and practical value.

The contents of this book include the birth of God, God's family, God's creation, the cooperation and struggle between man and God, etc. Through lively and concise language, it shows readers the magnificent ancient Greek mythology.