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This book is a collection of warm literary works written by the well-known author Zhao Ting, which tells the daily life of a grandmother in her seventies and a nephew in her twenties. It consists of 32 articles, focusing on the daily life of the young me and my old grandmother across generations. The image of the grandmother is real, unique and lovely. As an old lady who is seriously out of touch with the times, her cognition is old and cannot keep up with the times, but she is learning little by little from this young woman who no longer belongs to her era. Sometimes she makes surprising remarks and makes two avant-garde remarks that make people laugh. Through my relationship with my grandmother and my grandmother's perspective, it was very interesting to see this era and society.

Shortlisted for the Chinese literary award "Mao Dun Literature Award", won the first Lu Xun Literature Award, and the Zhuangzhong Literature Award. It is the first collection of prose essays by the famous Dongxi. Everyone has an extremely secret psychology, which is hidden in the deepest part of the soul. I call it the "secret zone". Our evil thoughts and our vulnerabilities are all hidden in the "secret zone" and are generally not noticed by others. But someone decided to dig up this place and make us blush.

The narrative of the thing is like a galloping horse. But he knew that the galloping horse would often stray away from his intentions and run away in a merry way. This kind of self-betrayal or betrayal may be due to a heartbeat, a phone call, a loud sneeze and a gust of cold wind, but it is more likely to be distracted, that is, the narrative has wandered off during the narrative. The seventy prose essays, some are tear-jerking, some are analytical, talking about literature and writing about friends, some are wisdom, some are humorous, they are the author's faithful records and profound thoughts during his 30 years of writing.

"The Sky Is Above" is a masterpiece novel by the well-known writer Lu Tianming. It tells the story of the investigation process of a major misappropriation of public funds worth tens of millions of dollars in Zhangtai City. Huang Jiangbei had expected that before he was forty-five years old, he would undergo a critical and important mission. But I didn't expect that this appointment would come so "suddenly" and so urgently, and would directly involve his hometown of Zhanghou City. What is even more unexpected is that this appointment changed his destiny... The whole book shows the hard work of the new acting mayor and the calmness of the municipal party secretary, which finally revealed the problem of the deputy governor. The novel has been published and reprinted continuously over the years. This novel and the author's other four books have been republished in the "Contemporary Chronicles" series, and the author has been asked to write a new preface for this series.

This book is a collection of cultural essays about things that will be discarded as time passes. Like eating pig stir-fry, like dragon boat racing, and like the most common poles and water hammers in rural areas... Some are immersed in the years and become indifferent; some are innovative, rejuvenated, and given new connotations. If we give this book a label, the most common ones are festivals and celebrations, such as Tomb Sweeping Day, Dragon Boat Festival, Hungry Ghost Festival, Double Ninth Festival, Spring Festival... The folk customs in the author's mind are like phantoms floating in front of his eyes, seemingly within reach, yet out of reach.

Tea culture is about providing spiritual enjoyment. The writings about daily tea drinking are rich and colorful, and the philosophy of tea was born. In this anthology, tea drinking in daily life is written and narrated in various ways, aiming to explore the psychological state of urbanites today. In the glitzy era, drinking a cup of tea is a marvel at the myriad flavors of life, with all kinds of feelings blended into it.

In "I Am a Person Addicted to Love Beauty", the author expresses his philosophy of life by describing flowers and trees. These elegant and beautiful short essays of a thousand words show a unique pursuit of beauty by introducing the cultivation of flowers and trees and unique insights into artistic issues. The author's thinking about life and love for a better life are reflected throughout the article. The lines are filled with infinite affection for the new socialist life and the great rivers and mountains of the motherland. The prose in "I Am a Beauty Addict" is not distinguished by its majesty, but by its elegance and variety. They are not passionate marches played by trumpets, but beautiful serenades played lightly by violins.

In "Heart of the Chinese People", Yang Shuo used the overwhelming dust to contrast the selfless dedication and love of the motherland of the unknown rickshaw driver; he used the fiery red kapok to symbolize a hopeful tomorrow; he used the spring breeze blowing in the Gobi Desert to symbolize the bright future created by the hard-working and brave workers; he used the colorful spring breeze to welcome the spring. Flowers represent the unity of compatriots of all ethnic groups, closely linking the unity of the nation with the prosperity of the country; the red leaves of the Fragrant Mountains, which become more and more lovely as the autumn comes, represent the old and strong tour guides... Those sentences, which may be short and concise or profound, not only will not make people feel boring, but will also make people immersed in them and have endless aftertaste.

"The Biography of Liang Sicheng and Lin Huiyin (set of 2 volumes)" provides a relatively complete introduction to the lives of Lin Huiyin and Liang Sicheng, as well as their contributions to the history of Chinese architecture.

The Republic of China is an important chapter in the cultural history of our country. It was also an era when hundreds of flowers bloomed and talents emerged in large numbers. Those departed masters are still shining in history because of their education and character. The deafening voices they once made should not be annihilated by history. The speeches made during the Republic of China period have charm, style, spirit, and classics, which deserve to be preserved and commemorated. This book is one of the "Republic of China Speech Collection" grandly launched by our agency.

This series collects and publishes the essence of the experiences, experiences, research results and works of CPPCC members in their respective fields. This book is one of a series, sorting out and summarizing Commissioner Wang Qiu's achievements in journalism and traditional culture research over the years.

The Republic of China is an important chapter in the cultural history of our country. It was also an era when hundreds of flowers bloomed and talents emerged in large numbers. Those departed masters are still shining in history because of their education and character. The deafening voices they once made should not be annihilated by history. The speeches made during the Republic of China period have charm, style, spirit, and classics, which deserve to be preserved and commemorated. This book is one of the "Republic of China Speech Collection" grandly launched by our agency.

This book records the author's thoughts and perceptions on family, life, friendship, dreams and life. No matter whether a person is humble or great, as long as he follows his own nature, finds what he really likes to do, and does it well with all his heart, then he will have an unbreakable home in this world.

The author tenderly reviews the death of his mother at the age of 40, and records the courage of ordinary people around him to refuse to be ordinary, as well as the small and beautiful love and affection. 16 Stories, but more than 16 moods. It does not feed chicken soup or talk about big principles. However, when you are tired, confused, and lonely, this book may allow you to find the warmth that belongs to you in these simple and true stories.

Over the years, I have traveled to many places, almost all over the country, from the Inner Mongolia prairie in the north, to Puzhehei in Yunnan in the south, Changdao in Shandong in the east, and Kanas in Xinjiang in the west. Travel is actually a departure from the depths of your heart. On the road, I encountered countless beautiful scenery and countless touching moments, just like those touching and tear-jerking moments in ordinary life. All of this gave me a spark of inspiration. Those past experiences were instantly lit up in the dust of the years. They rushed to gather together. As a result, those touches in life became lines of text on the hard drive, and the past inches became petals of time, adorning the branches of the years.

This book contains essays, short novels and other articles in various genres, constantly bringing freshness to readers. The book records the author's understanding and reflections on education and family life. It is close to life, expresses the author's emotions, and leads readers to understand life from a female perspective.

"Medicine Collection" is one of Zhou Zuoren's very representative subsets. It contains more than 20 classic prose works by Zhou Zuoren. Most of his articles describe the most ordinary fragments of life. The lines are full of tranquility and tranquility, but they can penetrate people's hearts. They often fascinate readers with just a few words. Most of the collections in "My Own Garden" are landscape sketches and essays. Some of the essays also have very unique insights into art. They not only discuss the creative concepts of excellent foreign literature, but also comparatively study the shortcomings of domestic literary creation. They have a clear attitude and sincere words. In terms of expression, they continue his usual casual and peaceful writing style. "Art and Life" is a long collection of essays among all Zhou Zuoren's works, which establishes his humanitarian ideological tone. In "Art and Life", Zhou Zuoren discusses the relationship between literature and life from the perspective of a thinker. His focus is no longer limited to thinking about literature itself, but also involves the impact of women, children, and exotic folk literature on real life.

A new selection of Mr. Jia Pingwa's forty years of prose creation, including 66 essays from 1981 to 2019, totaling 200,000 words. Focusing on the natural flowers in the forest and the sand in the river, through affectionate descriptions of nature, it restores the purity and authenticity of life, as well as thoughts on all living things. This is a sincere passion and curiosity for all things, a pursuit of life, and a strong personal style in the pursuit. What's even more rare is that, across forty years, we have always respected the aura of life and maintained simplicity and purity. This kind of text is worth reading again and again.

"Only because I am in this mountain" is the second book compiled by Jian Yu since he started writing professionally. It contains more than 30 essays, divided into five series. He experiences the life situation outside Foshan with a sincere curiosity, is quietly moved, and sincerely praises it; he also writes about the mellow family affection, the text has context but the meaning has no context; and he writes about the detailed awareness of the love between men and women, but the relationship is there but not. Jian Yue is thoughtful, sensitive and talented, and has a keen eye and ear for everyone around her. She has developed a mellow sentence structure from classical articles, which is very impressive.

This book is the work of the famous Chinese prose writer Jian Yu who has accumulated ten years of transformation. The writing has changed from the fresh and gentle style of the past, and looks at the ups and downs of the world with a more sharp and humorous perspective. As she mentioned in the book: "I feel that when this book enters the black linen Period; the taste is due to anger, and some chapters even have a burnt taste." Jian Yue looks at the world with a calm gaze and depicts this era with a sharper pen. She observes the ups and downs of the world from a mature perspective and sighs at the helplessness of middle age. I believe that in this work, readers can get to know another Jian Yu and see this era in her eyes.

Texts that touch the soul need a distribution center. There are no vulgar online articles patched together here and there, or plagiarism. It is an original platform with excellent character and taste, a place for careful writing and quiet reading. "Saoke Literature and Art" attempts to make such an effort - to regain the aesthetics of Chinese characters in the impetuous era of Internet reading. This time, "Saoke Literature and Art" gathered beautiful words on paper without forming a team or performing square dances. Just let them stay as they are, sitting or standing, that's fine. Think about it, among the vast sea of ​​books, there is such an article that will make your spine tremble. It seems that in the long and unsettled life, for a moment, I caught a glimpse of the gorgeous tail feathers of the bird. So, why not take a few dozen minutes to read a book, just like having a fever and feeling love.

The father who is a football fan who "calls himself a poet", the irritable mother who "has profound inner strength", the grandmother who uses antique flower pots as sauce jars and claims that "it is garbage if it cannot be used by others", and the great-grandmother who lives alone in the "horror room"... In Ji Xiao's writing, the serious elders subvert the stereotype and outline a humorous and realistic family panorama. "Offsetting Errors" can be understood as "offsetting errors" or "reaching errors", both of which present a reflective spirit. In this era of emotional outbursts, only by thoroughly touching the root of those "wrongs" can we realize what is our own "right". People don't want to walk the same road and wear the same clothes, so why should they listen to the same reasoning? "The result of pursuing asylum is to be limited by it" "The more people you know, the more you like unfamiliar people" "Romantic people have no time to talk about romance"... Through this book, Ji Xiao expresses his understanding and thinking about life, emotions, and interpersonal relationships in recent years. How can we love and hate comfortably? How do we remain optimistic even after we are tired of life? Instead of copying what others say, try your best to understand your own situation.

Still nostalgic for being alone, on the ninth floor in the city center, I often close the blinds and use the gesture of isolation to return to myself, go to the fields with bare feet, and write on manuscript paper. The background of "Afternoon Tea" is the desire to escape from the real world. The first series of "Afternoon Tea" uses tea as a metaphor for the principles and interests of life; the second series of "A Plate of Shooting Stars" travels through the past and present, intertwining the virtual and the real, and the fragrance of thoughts flows along the tip of the pen. There are occasional hawking sounds in the streets late at night, like a patrolman on the edge of a dream. The hustle and bustle of the day has gone with the wind and become a distant past; I will simply drink tea, think or not, write or not write, exist or not exist. After reading it, go and drink tea separately. Some of the taste will flow into your heart, and some will disappear.

"Peking University Annual Selections·2005 Prose Volume" selects representative works from major newspapers and periodicals across the country in 2005 and presents them to readers. The criteria for this year's selection come from our understanding of prose: thorough truth, broad sentiments, free expression, rich imagination, and the beauty of thoughts, wisdom, and life presented through the beauty of words. The selected articles include various aspects, including narratives, lyrical statements, book reviews, speeches, etc., Fully reflecting the diversity of prose. This year's selection includes both masterpieces by famous artists and sketches by newcomers. Essayists, novelists, poets, and scholars with many different backgrounds have jointly created a rich and charming prose world for us.

"We Are All Pretentious People" is the third part of the "Ageless Trilogy" - Ageless Career. When you reach middle age and your business fails, how should you deal with it? Should we feel sorry for ourselves or get back on our feet? The author gave himself an answer in this book - he might as well run away with his ideals, wishes, and old friends to find himself who is still young on the road. Always maintain a diligent and pure heart, no matter how late the start is, it will be a new beginning. The "stubborn masters" have matured. Looking back on the journey of this generation, they are still as free and casual as they were when they were young. Life is full of waste and joy. Only by maintaining the enthusiasm in our hearts can we have an ageless life. No matter how hard life takes us, we are still pretentious.

People are more often like a piece of manuscript paper. The elves in the starry sky occasionally fold their wings to write, and then they have notes. The words selected in the book are the traces of the spiritual project being carried out day and night, and the images of wandering between life and life, nature and reality, individuals and groups, human relationships and literary affairs. This "private book" is divided into five chapters based on time. Therefore, there is no deliberate classification of subject matter, just like the content of life comes at once. In terms of arrangement, I leave part of the sky to you to write, as our private words.

She once dreamed of becoming a movie star. I came to Beijing alone to "drift north", and my submissions were met with failure. A book made her famous, more famous than Shen Congwen. At the age of 29, I will never lose my love, my lover will sacrifice, and I will never give up in the storm. Others are in the Mood for Love, but she is young like fire. In the early autumn of 1904, in Fu'an County, Changde, Hunan, a wealthy family named Lin had a difficult delivery, and the whole family was anxious. The baby girl was born successfully and was named Lin Bingzhi. When Bingzhi was four years old, his father died suddenly, leaving his mother and a large family without anyone to take care of her. Her mother found a teaching job and carried her daughter to school, teaching and raising the children at the same time. Lin Bingzhi has been interested in words since she was a child. She is a talented girl who can write and sing. 18-Year-old Bing Zhi fled marriage to Shanghai and studied Chinese at Shanghai University. Bing Zhi vowed to become a writer for the first time and secretly fell in love with her teacher. After falling out of love, she returned to her hometown in Hunan, and the relationship between mother and daughter became even more tense. "Nine Aunts" returned to her hometown to visit the Lin family and her daughter to promote progressive ideas. She was a new independent woman, with the fate of the country in her heart. Bing Zhi admired her and regarded her as a "red idol". He began to write novels, turning the pain of broken love into motivation and determined to do something big...

Brief introduction to the main contents of "Annotation of Ancient Chinese Literature: Ming Dynasty (Volume 1)": "Annotation of Ancient Chinese Literature" is divided into ten volumes, ordered by era, and selects and annotates a series of important theoretical classics that have had a great influence on the history of literary thought. It is the largest annotated anthology of ancient Chinese literary theory to date. The text selection not only has a broad vision and a wide range of materials, but also pays attention to the selection of rare books and the revision of different texts, striving to ensure the accuracy and reliability of the Yuandian text. The annotations are detailed and meticulous, drawing on the latest research results on ancient literary theory at home and abroad in modern times. On the premise of clearing up the meaning of the text, it pays special attention to the in-depth elucidation of the important concepts and the ideological connotations contained in the propositions in Yuan Dian. The annotators took Yuan Dian as the center, and tried to achieve a combination of points and aspects, evidence and evidence, and historical discussion in the interpretation of Yuan Dian, so that readers can gain a three-dimensional grasp of the development trajectory of ancient literature and literary theory that spans thousands of years. "An Interpretation of Chinese Ancient Literature: Ming Dynasty (Volume 1)" can not only provide basic reference and basis for specialized researchers of ancient literature and ancient literary theory, but can also be used as a large-scale teaching reference book for liberal arts undergraduates and graduate students in colleges and universities. This volume is the first volume of the Ming Dynasty.

The process of carefully reading literary works is a process of collision and communication between souls. When we read literature, we use our own soul as an antenna to explore another familiar or unfamiliar spiritual world. In this book, the famous literary historian Professor Chen Sihe takes us into twelve modern and contemporary literary masterpieces, gradually understanding the inner subtleties of the works, embarking on a beautiful literary journey, and gaining rich aesthetic enjoyment. This book is actually an example of close text reading and can be used as a textbook for general courses, elective courses and popular reading. This time, the book has been revised ten years after its publication, deleting some old chapters and adding interpretations of new chapters on contemporary literature, making it closer to literary trends and making the content more comprehensive and novel.

Brief introduction to "Suspicious Ancient Xuantong: Essays of Qian Xuantong": Qian Xuantong is the standard-bearer of the literary revolution. He is agile in writing, witty and humorous. He talks a lot but writes little. However, he clearly proposed "Tongcheng Fallacy" and "Selected Academic Monster" as the objects of literary revolution, and "spawned" works such as "Madman's Diary". As his first collection of essays, "Suspicion of Ancient Xuantong: Essays of Qian Xuantong" will help more readers understand his people and writings.

"Eastern and Western·Liu Wendian's Essays" is one of the essay book series of great scholars. Nowadays, if many "communicators" can communicate ancient Chinese thought and scholarship with ancient Western thought and scholarship, study for similarities, and find mutual evidence, this would be an excellent thing. How can we dare to object? We can only welcome it. Unfortunately, most of them have miscalculated the true value of Chinese academics. They always regard ancient Chinese academic thought as opposed to modern Western academic thought, and insist on trying to bring together two unrelated things. They have forgotten the value of their own academics and failed to see clearly the value of other countries' academics. Therefore, they have spent a lot of effort, and the result is still a meaningless effort, or even a lot of laughable comedies. Modern Western scholarship is not only different from ancient Chinese scholarship, it is also different from ancient Western scholarship. To discuss the methods and nature of modern Western science in detail would become a specialized subject called "Philosophy of Science" (Philosophieder wissenschaft), and it would be difficult to explain it clearly in a big book written by a non-specialist. To put it crudely speaking, we must first group the experienced objects under a "class concept" according to their categories. This first step is called classification (Einteilung). Then we analyze all the characteristics of each category and state the object and object of the proposition with the class concept as the main part. This second step is called description (Beschreibung). Only after the second step is completed can we have the rudiment of science. This science of description (Beschreibung) The value of chroeibungwissenschaft is not very high. Only by further seeking out the principles and adding reasonable explanations can it be regarded as the science of this explanation (Erk-larendewissenschaft). Furthermore, it must be able to "make use of people" before its value can be considered noble. This is true for both natural science and spiritual science (Geisteswissenschaft). Although the definition of the term "study" in modern times is different among different schools and schools, at least it must be "systematic and organized knowledge" to be worthy of it. From this rigorous meaning, the position and value of Chinese academics in today's scientific world can be vaguely understood.

Introduction to "Stylistics of Classical Chinese Literature": Stylistics is an extremely rich legacy of ancient Chinese literary criticism. "Chinese Classical Literary Stylistics" is the first comprehensive and in-depth summary and study of Chinese classical literary stylistics. It has traced its origins, theoretical systems, theoretical features and criticism methods, and made a retrospective investigation and pragmatic analysis of the theory of body nature, character and character, era style theory, literary style theory, language style theory and regional style theory. In the research, rigorous theoretical analysis is carried out based on detailed historical materials, and historical deduction and logical induction are combined. This is a monograph with high academic value.

This book is the only collection of sketches written by Jian Yu in the past thirty years of his writing career. It is divided into three parts: "Seven Seasons", "One Thought Connects Three Thousand Worlds" and "Flowing Clues". "Seven Seasons" is Jian Yu's only sketch collection. In this column, Jian Yu looks at the world from a unique perspective, and all living beings appear to be living and happy in the daily necessities of life. "One Thought Connects Three Thousand Worlds" was written by Jian Yu after lingering in the stone garden for several days, observing the posture of the stones and distinguishing the texture of the stones. Over time, he could vaguely feel the emotions and consciousness of the stones and heard about their ups and downs life experience, so he wrote seventy-four short pieces. In the past twenty years, the sketches and short sentences have been sifted into a small pile, rustling, old feelings and new sighs symphony. Listening to my ears, it felt like I had shouted to the distant mountains many years ago, and now the mountains were sending out their echoes.

This is a long narrative prose. The author uses a poetic touch to describe the three-year journey of himself and his wife from conception to welcoming a new life with joy and anxiety. He follows the growth of his son with the eyes of a father and writer. In the seemingly trivial daily life, the author is keenly aware of the conflicts between his original family and his new family, traces the root causes, and finally puts forward a social proposition on how to deal with the relationship between free nature and secular rules.

"Impressions of the Dead Friend Lu Xun" is a memoir of his good friend Lu Xun written by Xu Shouchang. It contains "Impressions of the Dead Friend Lu Xun", "The Lu Xun I Know" and other precious articles recalling Lu Xun. Among them, an excerpt from "Impressions of a Deceased Friend Lu Xun" has been included in middle school Chinese textbooks to expand recommended reading.

This is a collection of essays. The whole book is composed of three parts, the first part is a touch of nostalgia, the second part is a strong family love, and the third part is the gift of time. It is not only the cultural accumulation in the author's life, but also full of thoughts about life; the author uses the bits and pieces around him as a carrier to record the trajectory of life and the value of life. The writing style of the work is simple and thick, and the emotions are delicate and sincere.

The purpose of this book is to describe the soul and emotions, and to understand the ordinary and indifferent from the joys, anger, sorrows and joys. The articles in each series are independent of each other but also echo and are internally connected. In the lyrical description of scenery or narrative, philosophical thinking or the experience of Zen enlightenment is embedded. The writing style is beautiful and elegant, with a strong personal style, and the main theme of the writing is affectionate, happy and optimistic.

The book records in detail the author's studies, insights, exchanges, encounters and experiences in the Department of Chinese Language and Literature, Philosophy and Religion at Peking University, and is a collection of contemplations on literature, philosophy and religion. From the perspective of a student who is thirsty for knowledge, this book describes the style of famous teachers at Peking University, such as Lou Yulie, Qian Liqun, Chen Pingyuan, Cao Wenxuan, etc. Enjoy a spiritual feast.

The prose works selected in this book are the most satisfying and passionate works created by the author in recent years, and are suitable for reading by the public, especially literature lovers. It embodies the writer's aesthetic appeal and creative concept more concentratedly. His writing is aesthetic, transcendental, full of exploratory spirit and contemporary avant-garde consciousness. It can attract the attention of literature lovers. Reality and illusion, the past and memory almost constitute the multi-dimensional emotional space of this book. The writer strongly advocates the pluralistic and ambiguous writing characteristics to narrate, which just constitutes his unique aesthetic feature - "mystery", allowing readers to feel the collision of emotions while reading. That is chaos and clarity, silence and echo, remoteness and vastness... The charm of literature that a writer pursues throughout his life may be exactly the spiritual journey you are about to embark on.

The author has been engaged in media work, and has traveled to Malaysia, Thailand, the United Nations Headquarters and other countries and Taiwan to hold art exhibitions and conduct art exchanges; the people and things he has come into contact with have a certain level. He recorded what he saw and heard in joking language. The article travels through ancient and modern times and provides comparative explanations. The language is humorous and interesting, and it is worth reading.

Liu Ergang is a representative of the new culture. His paintings are all literati paintings with his own unique style and are very mature. Not only is his technique different from his predecessors, but he also recasts traditional art with literature and philosophy. This book is a collection of his writings and paintings. He is good at writing inscriptions and poems on his paintings. His spiritual temperament is idle, indifferent and leisurely, which has educational significance for contemporary people.

"Girl and Eternal Life" is a collection of essays by the writer Cao Bai, including 14 essays such as "The Writer", "The Girl", "The Dreamer", "The Missing" and "The Prodigal Son". It uses the changes in fate of relatives and friends around "me" as the description object, which together constitute "my" youth memory and family memory. Xiao Mo, a playmate who commits suicide by jumping into a well, a teacher whose life trajectory is constantly changing, an uncle who is a manual laborer but constantly wants to "get rich", a cousin who suddenly disappears, a cousin who is ill-fated but still works hard to live, and a ninety-one-year-old grandmother and "libertine" brother who sells scriptures. Cao Bai's writing is sincere and touching, and aphorisms frequently appear in the book. It is deeply inspiring for girls in their growing years and young women who have not been in society for too long.

The only thing that cannot be wasted in life is its iron-clad chess game, the clear win or loss, our piece must fall. The settlement of this piece cannot be lived up to, one piece after another fills up the chessboard of life. Even if there is no correct strategy to change the situation, there are still some remnants of thinking in the game, lingering around for a long aftertaste - a young man with wine, an old man with tea, purely doing nothing in the eyes of others. But this penny is worthless, in my humble opinion: it should never be wasted. It would be a great honor for me to have a trace of my wasteful life to accompany the readers' vast life insights.

All this is given to me by poetry. If I had to sum up my life, it would be: life = struggle (action) + poetry (feelings) + distance (dream). Life, in addition to struggle, also has poetry and distance. There is no difference in the content of poetry, and there is no right or wrong in the format of poetry - it can be feelings, it can be state of mind, it can be catharsis, it can even be words that you want to say but cannot. It is true, it is pure, and it does not need any modification, because it is life, a life worthy of our love and awe.

Nietzsche said: Overcome this era within yourself. Flaubert put it more carefully: Art is so vast that it can possess a person. Mu Xin believed it. He first hired someone to pick up books, a record player, and drawing tools, and walked to Mogan Mountain. Then he simply settled in New York, where he dared to write "The Book of Songs" and narrate "Literary Memoirs." I support my heart, but I don't fully believe it. I am still walking in the daily life of ordinary life, mixed with a few literary and artistic obsessions, and writing as I go, and finally this book "Chewing Love" comes out. When I stumble, it's mostly prose; when I'm happy, it's often poetry. What is recorded is the setbacks and joys of life; what is carved is the beauty, ugliness, good and evil of the times.

The entire collection of poems is divided into six volumes. The first to fifth volumes focus on describing the knowledge and content learned in literature appreciation classes and cultural lecture classes. For example: the attributes and uses of couplets, the status and achievements of Singaporean literature, the distribution of Buddhist culture and grottoes, and the philosophies contained in the prose of "The Analects" and "Mencius". The Book of Changes and divination, characters in traditional Chinese paintings, the inheritance of family letters, etc. The content of the sixth series is rich and colorful, and they are all about the thoughts, feelings, thoughts and actions of studying and living at Fudan University for the Elderly.

Nanjing's local folkways, customs, living habits, and ways all have many similarities with my hometown, making it easy for people to feel close to it. After spending a long time with it, I was attracted by its history, context, temperament and charm. Palaces, government offices, schools, Buddhist temples, mansions and gardens can be seen everywhere in the city, as well as the sound of oars and lights on the Qinhuai River, the stars in the sky at the head of the stone city, the swallows in front of the hall in Wuyi Lane, the sunset weeds by the Suzaku Bridge... These will lead people's thoughts to the distant time and space. Nanjing's vigorous, resolute, simple, free and easy, gentle, graceful, elegant and desolate temperament and charm are also particularly fascinating and intoxicating.

By using words to thread the needle, we can embroider half of the country, describe the ups and downs of half a lifetime, and also strategize and support half of the world, making life as rich as the four seasons and as magnificent as the sea. I only wish that there is harmony and beauty all around. We strive to create a pure and beautiful world with lush spring grass, brilliant summer flowers, quiet and beautiful autumn leaves, and crystal clear winter snow. With the pen of God and the ink given by immortals, we can encounter infinite beauty in a limited life.

This book records the medical experience of urologist Professor Yan Jiyin in the form of an autobiography. It is also a microcosm of the development of urology and andrology in my country. The book truly records the life course of a doctor between the lines, and truly represents the gradual growth of a doctor's ideals, study, work and life.

The scattered time has beautiful language and elegant artistic conception. In the collection, the author shares with readers his personal experience and insights in the depths of the years, describing a life that is either warm or profound, including green mountains and green waters, deep love for his hometown, fireworks in the city, and insights from reading.