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Chinese writers born in the 1970s have grown into the main force in China's literary world in the new century. Regardless of the quantity of their works, the quality of their creations, their narrative skills and literary concepts, these writers have shown remarkable achievements and unique spiritual temperament. Standing in the context of globalization, this book conducts a comprehensive and objective analysis of the overall writing characteristics, narrative rules and artistic construction of Chinese writers born in the 1970s. It also focuses on reading and interpreting the representative writers and representative works of the generation born in the 1970s. It also conducts in-depth and detailed texts on the collective of Hunan writers born in the 1970s, the "Five Major Generals of the Literary Hunan Army". Interpret, and find out the grand artistic conception and long charm in the texts of Chinese writers born in the 1970s. These outstanding features demonstrate that Chinese writers born in the 1970s have the responsibility, obligation, and mission to go deep into the people, the land, and history to present the joys, sorrows, sorrows, and joys of their generation, and to establish classic literature that belongs to their generation to bridge the past and the future.

This book is a special collection of the author's writings on literary geography in recent years. It includes 15 long papers including "The Essence, Connotation and Methods of Literary Geography", "Literary Maps and Literary Geography, Ethnological Issues", "Human Geographic Analysis of Qu Yuan's Poetry", etc. It includes comprehensive research, regional and case analysis of regions and writers, exploration of ancient literary geography, and interpretation of modern and contemporary literature based on literary geography. In short, this is a concentrated display of Mr. Yang Yi's research results in this field over the years after he first proposed the concept of literary geography. It is a very important collection among Mr. Yang Yi's many writings.

The "Chronicles of Modern Chinese Literature (1895-1949)" series records major literary events from 1895 to 1949, recounts literary historical facts, writers' works, literary trends of thought and other objective features over the past fifty years, and comprehensively sorts out the development process of modern Chinese literature. It is a detailed presentation of the literary context of this period, which facilitates researchers to understand the interconnection of literary events and examine the development trajectory of modern Chinese literary history. This series was compiled by experts and scholars from the School of Liberal Arts of Beijing Normal University. It took five years to complete based on consulting a large number of original literary historical materials. The series has 11 volumes in total and is academic, informative and research-oriented. It is an essential reference book in the field of research on the history of modern Chinese literature. This volume records important writers, works and major events in the Chinese literary world from 1930 to 1933.

This book includes news works on the reform of the cultural system such as "The reform of the group system of state-owned literary and art academies has a clear 'roadmap' and 'timetable'", "The reform of the group system of state-owned literary and art academies resolves the 'hard ice'", and "The reform of the group system of state-owned literary and art academies is comprehensively advanced".

This book places Pre-Qin literature in the context of cultural development, systematically expounds the artistic spirit, cultural character and national spirit contained in Pre-Qin literature, re-examines relevant issues of Pre-Qin literature, consciously bridges the gap between spiritual thought and literary expression, proposes that spiritual thought not only affects literary content, but also directly affects literary expression, and conducts unique discussions on literary consciousness, poetry and the art of Chu Ci, etc., Which has high academic value. The book puts forward its own new opinions on the national spirit of mythology, the literary spirit of "The Book of Changes", the literary consciousness of "The Book of Songs", the literary significance of writing poems to express aspirations, the thoughts and writing styles of various scholars, the dialectical art of "Chu Ci", etc. The focus of this book is to rethink the value and significance of Pre-Qin literature, thereby determining its important role in the development of Chinese culture and the development of the Chinese nation.

This book takes the three major time points of the founding of the People's Republic of China, reform and opening up, and the turn of the century as the coordinates, and takes the evolution of the main academic trend in the sixty years since the founding of the People's Republic of China as the main line. This paper vertically sorts out and reveals the intrinsic return of the perspective and literary standard, as well as the century-old reflections and latest trends in ancient literary research at the turn of the century. It also makes a special summary and review of the collection and research of ancient literary documents, and ancient literary history works and theories. It focuses on grasping the integration trajectory and evolution rules of the concepts and paradigms of the main academic trends, and systematically summarizes the main achievements and experiences and lessons of ancient literary research. It has important value in distinguishing academic chapters, examining its origins, and inspiring future thinking.

This book brings together the results of Lu Xun research by three generations of scholars from Qingdao University: old, middle and young. It contains unique insights into cutting-edge topics and solid papers with long-term thinking (the discussion on the tension of Lu Xun's essays has been highly praised by the academic community; about Lu Xun The discussion of personality has been repeatedly cited by the research community...), There is an in-depth explanation of Lu Xun's works, and a discussion of the teaching issues of Lu Xun's works. The research summary at the back of the book is a bird's-eye view of the annual research status of Lu Xun, and can also serve as a "guide" for further research. This is a research treatise on Lu Xun with a multi-dimensional perspective. The diversity of perspectives, the richness of historical materials, the profundity of explanations, and the uniqueness of viewpoints all make it a good book worthy of careful study.

"Questions of Literature and Art" is divided into two parts: upper and lower. The first part explains the relationship between literature and nature. Starting from the reflection of the Marxist view of humanities, this paper discusses the intellectual form of ecological literature, the rise of ecological literature in China, the knowledge resources of ecological literature and other issues, and combs the Marxist ecological aesthetics thought and ecological literature view. The following part is about artistic criticism of classic films. Most of them come from the film columns of magazines such as "Reader" and "Four Seasons". The review focuses on the literary aesthetic interpretation of the film. The film works discussed have had a profound impact on film history, and their artistic exploration is more personal and unique.

At present, the development of online novels is showing a "blowout" trend, and its achievements are extraordinary and of great significance. Internet novels and contemporary institutional novels have different development patterns. Influenced by the concept of "evolution", institutional novels increasingly show the non-ecological nature of development, while online novels reflect a "bush"-style ecological development pattern, thus promoting the overall development of contemporary literature.

The study of contemporary literature is inseparable from two dimensions. One is to look forward and observe its division, integration, evolution and direction; the other is to dive into the scene of literary production and study the works of writers to gain a deep understanding and understanding of the nature of literature. Therefore, "literary community" and "poetic frontier" are the two characteristics of "Literary Community and Poetic Frontier in the New Century" written by Yu Zihan. Specifically, the book takes the entry of Chinese new literature into the new century as the starting point for investigation, takes the status of regional and marginal literature as the scope of research, takes prose poetry, modern new poetry, and prose as the subject of research, and tries to explore the original value and existential significance of regional and marginal literature from the perspective of literary forms, writer communities, and creative discourse. The first part is titled "Form, Point of View, and Cases" and explores the ontological form, quality and elements of prose poetry, the tradition of modernity, and the basic concepts of creation. It also uses ten prose poetry writers as cases to analyze the characteristics and qualities of their creations, thereby presenting the vitality and creative path of prose poetry. The second part is titled "Schools, Communities, and Discourses" to sort out the development trend, functional return and community characteristics of modern poetry since the new century, and use a large number of pens and ink to analyze the original characteristics of poetry. A relatively comprehensive inspection and evaluation of the diversified development of Guizhou poetry and marginal discourse; the third part, titled "Region, Group, Narrative", focuses on interpreting narrative texts grown in the soil of regional national literature, especially from the perspective of literary geography, paying close attention to the prose and novel creation of the Wujiang River Basin writers, analyzing their discourse construction methods and diverse morphological characteristics, and exploring the intrinsic relationship between regional culture and literary generation, which is of great significance for promoting the development of regional and marginal literature.

"General History of Northeastern Literature" is the research result of a key project commissioned by the Jilin Provincial Social Science Fund. This book traces ancient myths and heroic epics from the pre-Qin period to Northeastern literary activities during the War of Liberation. It sorted out and defined the ancient Northeastern literature, gave a detailed description of the structure and focus of literature in each period, and expounded the spiritual and cultural value of Northeastern regional literature. The funding amount is 150,000.

In 1948, China's society and politics were facing major changes. The cultural ecology and cultural system were about to undergo profound changes. However, the storm was about to come. Who could transcend the chaos of the world and see through the variables of history? Shen Congwen, who was dismissed by Guo Moruo as a "pink" writer, revealed a profound historical premonition in a letter: "The overall situation is uncertain... Everything will eventually change. Looking at the overall development, there is no doubt that China is about to enter a new era." Based on the reference of a large number of newspapers, diaries, letters, biographies, memoirs and other materials, this book enters the historical reality of 1948 from specific historical details. It covers a wide range of aspects such as literary works, songs, performances, publishing, campus culture, the interaction between literature and politics, etc. By revealing the individual fates of famous cultural figures such as Zhu Ziqing, Xiao Jun, Hu Feng, Ding Ling, Zhao Shuli, Shen Congwen, etc., It explores the various entanglements between literature and politics, intellectuals and political power, and conducts a profound analysis of the form and causes of the cultural system in the early Republic of China.

This thesis takes Greenblatt's critical view of cultural poetics from the perspective of New Historicism as a case study, combines his concrete critical practice activities, and gradually deduces the ins and outs and essence of his critical thoughts by focusing on analyzing his classic judgments and representative works, with the purpose of clarifying the source of his theory. Grasp the academic ideas and practical trends of cultural poetics criticism, and reveal the cultural character, historical context and political connotation of its multiple intertextual criticism categories such as "cultural subjectivity" and "culture of subjectivity", "historical textualization" and "text historicization", "power discourse" and "discourse power". At the same time, reassessing and reconstructing the development context and theoretical framework of New Historicism and the critical school of cultural poetics, and clarifying its theoretical value and historical limitations openly and realistically, will undoubtedly have important epistemological enlightenment value and historical reflection value for the contemporary interpretation and subject reconstruction of Chinese cultural poetics critical theory. We have ample reasons and evidence to believe that once the New Historicist cultural poetics criticism theory is rooted in China's "native" literary criticism ecology, it will certainly help expand the territory of its own critical practice and improve its theory, and consolidate the "awareness of standpoint and theoretical consciousness". On the basis of the ideological basis of "and value introspection", it will also strongly pull Chinese literary creation and criticism closer to the ideal of "ecological criticism" of harmonious symbiosis and shared beauty, thereby maintaining a critical situation of preserving tradition and absorbing new knowledge, "the falling clouds and the solitary owl flying together".

This book mainly studies the English translation of Chinese poetry by British and American Sinologists since the 20th century from the perspective of Chinese and Western comparative poetics, and explores the relationship between the English translation of Chinese poetry by Sinologists and their cultural identity, aesthetic subjectivity, translation cognitive ability, reconstruction ability and interpretive ability. Most professional sinologists and translators pay attention to the fidelity of translation and regard translation as a means of literary analysis to serve literary research. Poets and translators pay more attention to the literary flavor of Chinese poetry translations. Therefore, the translations show greater variability, sometimes almost creating creations. The translation criticism of the two types of translators cannot be based on the same standards, and their respective translation purposes and translation characteristics must be considered. Summarizing their translation thoughts, strategies, dissemination and acceptance has important reference significance for Chinese literature "going global".

This book takes the creations of representative Chinese and overseas Chinese writers in Taiwan, Hong Kong, Southeast Asia, and North America as the research object, and provides scattered perspectives and case interpretations of Chinese literature in Taiwan, Hong Kong, and overseas. Most of these writers have dual backgrounds of Chinese and Western cultures, which determines the unique theme of their novel creation, which expresses the confrontation, coexistence or integration of two cultural traditions, and expresses the complex and ambiguous "cultural identity" of the overseas Chinese group. Regardless of the theme content and artistic features of the works, they all show open and diverse writing characteristics. Through the above interpretation, we can generally grasp some common characteristics of Chinese literature in Taiwan, Hong Kong and overseas. This book also conducts in-depth research on the reception of classic mainland writers in Taiwan, Hong Kong and overseas.

"Words to Understand Life" uses a unique way of dismantling words and combines many closely related aspects of life and work to understand every detail of life and trigger readers' thinking. "Words for Life" focuses on guiding "self-enlightenment" and explains the principles of life and doing things from multiple perspectives, including the establishment and development of reverse thinking and divergent thinking, and the expansion of association and innovative thinking. It has positive significance in improving readers' professional quality, Chinese culture, team spirit, communication skills and other aspects.

This book is the first comprehensive study of Beckett's novels that systematically uses postmodern psychoanalytic theory in China. Through the surface decadence and absurdity, it fully and deeply explains the mysteries in Beckett's novels that are difficult to elucidate with most other methodologies. It reveals the internal coherence and leap-forwardness of Beckett's novels, and believes that they present a spiral evolution from imitation to sublation, from "omniscience and omnipotence" to "ignorance and incompetence", from modernity to postmodernity, and from the outside to the inside. For the first time at home and abroad, this book provides a profound explanation of Beckett's so-called "failure" based on the text of the novel, and provides an original definition of his "failure" novels. This book fills the gaps in related domestic research in many aspects.

Calvino unfortunately died of a cerebral hemorrhage on the eve of his departure to Harvard University to deliver the "Norton Lecture". Therefore, this book is regarded as the legacy given to the world by the master of novels. The literary values ​​he carefully outlines in the book can serve as a yardstick for evaluating general works and a guide for understanding Calvino. Calvino has accessed ancient and modern classics and quoted extensively. His reading taste and intellectual insights are amazing. This memorandum is specially written for experts and readers who are familiar with and love the art of novels. It is known as the most eloquent defense of literature in the twentieth century and the best gift left to readers of this century.

Because of Calvino, "Italian Fairy Tales" can become a classic comparable to "Andersen's Fairy Tales" and "Grimm's Fairy Tales". And Calvino, who single-handedly created this miracle, what are the basic rules and paradigms of classic fairy tales in his eyes? "On Fairy Tales" is Calvino's comprehensive summary of the work of writing Italian fairy tales, and it is also a love poem he dedicated to the world's fairy tales. Calvino studied fairy tales from all over the world and absorbed their wonder, simplicity, fun and morals into the arrangement and rewriting of Italian fairy tales. He is the well-deserved "Father of Italian Fairy Tales".

Calvino's literary creation is a complex literary machine. His life's work is to put the parts of science, philosophy, and politics that are closely related to the times into this literary machine, constantly running in and debugging. "The Literary Machine" is Calvino's experience in literary creation and experimentation throughout his life. In this collection, Calvino switches back and forth between the identities of reader, author, and critic, not only exploring new possibilities for literature of this era, but also adding new content to our bookshelves.

A long documentary that comprehensively tells the history of the Liberation War. This is the largest work among Wang Shu's non-fiction works.

"Mo Yan Research Yearbook (2013)" is divided into four parts: "Mo Yan's Voice", "Reaction to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. Contemporary literature researchers and others have expressed their opinions on Mo Yan's winning of the "Nobel Prize" and his creation. The analysis and comments made by this book not only include papers by important critics such as Chen Sihe, Cheng Guangwei, Xie Youshun, Yang Yang, but in order to take care of the comprehensiveness of the data, some general critical articles are also collected. It can be said that it basically reflects the overall picture of Mo Yan research this year.

The book is divided into four parts: "Mo Yan's Voice", "Reactions to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. In addition to the analysis and comments of contemporary literature researchers on Mo Yan's winning of the "Nobel Prize" and his creation, it also includes In addition to the papers of important critics such as Chen Sihe, Zhang Qinghua, Zhao Yong, and He Huaihong, in order to take care of the comprehensiveness of the issues discussed, it also collected some other representative critical articles. It can be said that it basically reflects the overall picture of Mo Yan research in 2014.

The book is divided into four parts: "Mo Yan's Voice", "Reactions to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. In addition to the analysis and comments of contemporary literature researchers on Mo Yan's winning of the "Nobel Prize" and his creation, it also includes In addition to the papers of important critics such as Chen Sihe, Zhang Xinxin, Wang Binbin, Bai Ye, and Zhang Hong, in order to take care of the comprehensiveness of the issues discussed, it also collected some other representative critical articles. It can be said that it basically reflects the overall picture of Mo Yan research in that year.

From the perspective of intellectual development, "Intellectual Development of Teenagers' Writing" gives a detailed, in-depth and creative account of the various problems encountered by teenagers in the writing process, and provides more than 40 tools for writing intelligence development, so that teenagers can discover their own writing talents, eliminate writing obstacles, and truly fall in love with writing in writing practice. The author also lists and analyzes a large number of textbooks and classic masterpieces in "Intellectual Development of Young People's Writing", such as "Praise to the White Poplar", "She Opera", "The Story of Hulan River", "Suet Ball", etc., So that readers can better understand the benefits of masterpieces in the layout of articles. Through constant speculation and practice, they can master writing skills like writers.

Peking University Micro Lecture Hall is a popular science lecture held by Peking University for students. It invites professors, famous experts, academicians, etc. From various disciplines to explain the content in an authoritative yet easy-to-understand manner. When exploring "literary education" in modern Chinese universities from the perspective of academic history, the focus is often on "discipline construction", "curriculum design" and "professional writings". Professor Chen Pingyuan started from the "literary classroom" jointly constructed by teachers and students. The "big history" of twentieth-century China, the "small environment" of the here and now, plus the personal knowledge and talents of the lecturers, together created many "literary classrooms" that are full of aura, unpredictable, and will be recalled by future generations of readers. Professor Chen Pingyuan briefly elaborated on the "literature" before subjectification, "laughter" inside and outside the classroom, how "new literature" can be academicized, whether "creation" can be taught, and how teachers and students "dialogue", and implicitly "explained" in "reconstruction" to explore what "ideal literary education" is.

The book "The Spread and Recreation of Chinese Novels and Legends in Japan" brings together relevant works by well-known scholars from China, Japan, Hong Kong and other countries and regions at home and abroad. It explores how some familiar historical figures and legends, such as Yang Guifei, Guan Yu, Nine-tailed Fox, Romance of the Three Kingdoms, Journey to the West, etc., Were spread from China to Japan, and how they were reinterpreted in Japan, and finally transformed into characters and stories that were very different from those told in China.

This book takes Northeast China as a clue and selects the works of five writers including Cui Shuhai, Jiang Jingai, Jin Nantian, Han Xueye, and Li Jiyong as research objects to deconstruct and explain the core of Korean popular literature - internationalism. This book combines the author's subjective perspective with objective confirmation of data and facts, and explores the significance of Northeast China in Korean popular literature from multiple dimensions.

"Ten Lectures on Ci Studies", also known as "Yi Sheng Xue", are the lecture notes that Long Yusheng gave to the opera composition research class at the Shanghai Theater Academy in the 1960s. The whole book is self-contained and unique, based on the author's decades of research experience and lyric writing experience. Ci is an art form that closely combines musical language and literary language. It is a feature of this book to explain the mood and artistic conception of lyrics from the musicality of the lyrics. The whole book not only tells the history of the emergence and development of Ci, but also dissects the internal structure of Ci. It takes representatives of famous writers from past dynasties as examples and introduces the selection of rhymes, sentence length, rhyme arrangement, antithesis, structure, four tones of yin and yang, and Bixing. It opens a door for Ci enthusiasts to appreciate and create Ci as an art form.

Mr. Genghai is also Professor Bai Yangyi of Guangdong Dianping. What is "ploughing the sea, one, two, and three" is what "Laozi" said: "Tao gives birth to one, one gives birth to two, two gives birth to three, three gives birth to all things." Taoism naturally produces all things, following the mathematical logic of one, two, and three. What a joy it is to cultivate the sea of ​​books, observe their wonderful truths, explain their wonderful principles, and capture the wonderful interests! When reading, you cannot show off your tips, but you must also look for them. To read the laughter of wisdom is to use wisdom as a string of reading, invest in wisdom, and capture wisdom. Without wisdom, a book is a dead book; without wisdom, a person is a fool. The sea of ​​learning is vast, dare I ask where the way is? In fact, the road is at your feet. Reading is the first step on the road to scholarship. The more you read, the more you will gain knowledge. "You will know the sound after you have played a thousand tunes, and you will know the weapon after you have watched a thousand swords." If you are familiar with the literature, compare evidence, and gain insights, coupled with the necessary discipline training, your scholarship will be a matter of course. There is no mystery in scholarship. The key is to know how to get started, rather than lingering outside. Reading and studying should be regarded as a kind of life investment, making it become another life form with wisdom for you, carrying the body temperature of your life and wisdom.

"Su Shu" came into being around 230 BC at the end of the Qin Dynasty and the beginning of the Han Dynasty, and it really became popular during the Eastern Jin Dynasty from 317 to 419 AD. "Sushu", like "The Analects of Confucius", "Laozi", "Mencius", "Mozi", "Sunzi" and other ancient classics, are treasures in the historical and cultural garden of the Chinese nation. There are not many words in "Su Shu", only six chapters and 132 sentences in total. Most of them use seemingly simple and simple but profound connotations of aphorisms and warnings, about how to cultivate one's moral character, how to start well and end well, etc. In the process of interpreting "Su Shu", the author spared no effort to quote from classics and circumstantial evidence, word for word, sentence by sentence, in-depth study, patient and meticulous excavation, and tried his best to restore the original meaning of the original work. Through interpretation, the author has once again lifted the curtain on the study of "Su Shu", which may help the readers and researchers of Su Shu to correctly understand, conduct in-depth research and widely apply the contents of Su Shu. This book is easy to understand, with smooth writing, sufficient historical facts, easy to understand, and integrates knowledge and practicality. It is an excellent work worthy of reading by readers and researchers who love history.

This book is divided into two parts: a brief discussion of Confucianism, Buddhism and Taoism culture and an interesting discussion of European civilization. The content includes: Chinese culture in the pre-Qin period, Confucianism after the Qin and Han Dynasties, Chinese Buddhism, the four old K's looking at Europe, topography and landforms looking at Europe, royal culture looking at Europe, and political systems looking at Europe, etc.

"The Eight Great Chinese Poets" systematically introduces eight representative poets in ancient China, including Qu Yuan, Tao Yuanming, Li Bai, Du Fu, Bai Juyi, Su Shi, Lu You, and Wang Yuyang. They embody different poetic styles and have a profound impact on later generations. In "China's Eight Great Poets", Mr. Hu Huaichen outlines the lives, environments and poetic styles of the eight poets, and analyzes the origins and influences of their works in particular detail, linking them together into a unique "history of minimalist poetry". "China's Eight Great Poets" also includes "The Method of Poetry", breaking up the distinction between old poetry and new poetry, so that readers can not only learn to appreciate poetry, but also write their own poetry.

"History of Chinese Children's Literature" is based on the profound national culture and excellent literary tradition, and also pays attention to the achievements of learning and borrowing from Western literature in modern times. It systematically discusses the development history of Chinese children's literature. The themes of the works discussed include poetry, novels, fables, film and television and drama literature, science and literature, etc. The book is divided into eight parts. The first part is "Prehistoric Footprints of Chinese Children's Literature", and the second part starts with describing the situation of Chinese children's literature from 1917 to 2000.

"Rhyme and Rhythm of Ci Poems of Tang and Song Dynasties" is a book dedicated to the rhythm of Ci poetry of Tang and Song Dynasties. This book contains a total of more than 150 Ci Pai tunes, which are first divided into five major categories based on rhyme and rhyme, taking into account the evolution of each tune style. Each word plate explains its origin and evolution. Each word plate is marked with word patterns such as "fixed pattern" and "deflected pattern", as well as sentence pronunciation, level and rhyme. Each word tablet is accompanied by one or several works of poets from the Tang and Song dynasties that have been recited throughout the history as examples.

This is a book written by professional scholars for the public. It introduces the mythological system of ancient Greece and Rome to public readers in a rigorous yet popular way. Ancient Greek myths are not only colorful and fascinating stories in their own right, but also the source of many of our cultural elements today - from philosophical concepts to artistic works to games and technology. Therefore, this book allows readers to realize the inextricable connections between these myths and today's world.

This book selects the relevant results released by the 11th Annual Meeting of "Selected Works", covering many aspects such as "Selected Works" compilation, "Selected Works" annotation, "Selected Works" edition, "Selected Works" academic history, "Selected Works" stylistics, "Selected Works" theme types research, "Selected Works" linguistics, "Selected Works" calligraphy, etc. It reflects the new progress in the study of "Selected Works".

In the 20th century, there were many different literary schools in France, and numerous writers emerged. Whether they were poems, dramas, novels or biographies, they all achieved world-renowned achievements, and their influence spread to the world literary world. In the ups and downs that Chinese society and literature experienced in the twentieth century, the figure of French literature is clearly visible. The author carefully combs through the translation, introduction and research of French literature in China over the past century, and explores the source. Starting from French literary schools and representative writers, the author comprehensively demonstrates its translation and research process in China that changes with the times and circumstances, as well as its subtle influence on Chinese literature and even society: Surrealism, existentialism, new novels, absurdist drama, etc. Have gradually expanded their influence on the Chinese literary world and society; France, France, etc. Romain Rolland, Gide, Proust, Duras, Roland Barthes, Le Clézio, etc. Are well-known to Chinese readers; Fu Lei, Sheng Chenghua, Luo Dagang, Liu Mingjiu, Guo Hongan, etc. Have worked tirelessly in translation and research; the creations of Dai Wangshu, Lu Ling, Wang Xiaobo, Yu Hua, etc. Have benefited a lot from French literature... This book, for the first time, comprehensively depicts a picture of Sino-French literary exchanges in the 20th century from a Chinese perspective.

French literary translator Xu Jun is the main translator of the Chinese version of the works of Le Clézio, the 2008 Nobel Prize winner in literature. Xu Jun has been friends with Le Clézio for more than 40 years due to translation. This book records a series of conversations they had on literature, creation, translation, education, life and other topics. Among them are Xu Jun's in-depth exchanges with him in Paris shortly after Le Clézio won the Nobel Prize for Literature, and Le Clézio's heartfelt conversations with Xu Jun, Bi Feiyu and others at famous domestic universities such as Nanjing University, Zhejiang University and Wuhan University after he was invited to serve as a tutor for doctoral students majoring in French language and literature at Nanjing University. Their exchanges and dialogues are rich in content, vivid in language, full of wisdom, full of interest, fresh materials and profound thoughts. A profound, wise and interesting dialogue between Le Clézio, winner of the 2008 Nobel Prize in Literature, and Xu Jun, the main translator of the Chinese version of his works, the most famous translator in contemporary China and a French literature scholar. The dialogue between the most outstanding contemporary French writer and the most famous contemporary Chinese translator is rich in content, vivid in language, full of wisdom, interesting, fresh material and profound thoughts. This is a series of dialogues between the famous domestic translator Xu Jun and the 2008 Nobel Prize winner Le Clézio on literary creation, translation, education, life and other topics. I believe it will attract the attention of domestic literary creation and researchers and be welcomed by the majority of literature lovers.

Virginia Woolf is not only a representative writer of stream-of-consciousness novels, but she also made considerable achievements in theoretical research on novels. This book collects more than ten of her essays, each discussing the author's views on the works of Austen, Eliot, Conrad, Hardy, Lawrence, Forster and others. From it, we can see some of the author's literary arguments, such as the theory of changing times, character-centered theory, subjective reality theory, breaking the traditional frame theory, etc., As well as her criticism methods, such as impressionistic, perspective, open, etc. Especially in "A Room of One's Own", the author uses humorous and sarcastic writing to criticize the sex discrimination against female writers by male writers at that time. It is considered to be a feminist declaration in the literary world.

This book is divided into seven parts: connotation theory, category theory, tradition theory, ontology, stylistic theory, denotation theory, and appendices. It systematically discusses the connotation and denotation of the concept of "Chinese New Literature" and discusses its academic feasibility in detail. On this basis, using "Chinese New Literature" as a macro framework, it re-examines and organizes the history of modern and contemporary Chinese literature, and makes its own interpretations on many topics such as translated literature, the distinction between refined and secular, critical forms, novels, dramas, poetry, etc.

It mainly analyzes the essential characteristics of modern biographical literature and emphasizes its literary attributes. In the context of the tradition of historical biography and the spread of Western learning to the east, this article will macroscopically sort out the history of the modern transformation of Chinese biographical literature, explore the unique historical contributions of Liang Qichao, Hu Shi, Lu Xun, Yu Dafu, Guo Moruo, Ba Jin, etc. In the theory and practice of biographical literature from the perspective of stylistic evolution, and study the poetic construction of modern biographical literature theory. The book has a broad vision, concentrated discussion, clear viewpoints, and rich literature.

Under the influence of local culture and Western culture, enlightenment modernity and aesthetic modernity, amid the entanglement of power discourse and personal discourse, and on the pursuit of individualism and feminism, modern Chinese female writers have formed a unique female literary consciousness and put this consciousness into creative practice. Modern Chinese female writers have their own unique thoughts on why they write, what they write, how they write, and who they write to. If this forms their unique literary consciousness, then the hidden or explicit female consciousness sneaking and flowing in the dual texts of theory and practice creates a female literary consciousness with Chinese characteristics.

Based on the concept of internalizing modernity, learning from foreign classics, integrating Chinese and Western, and reconstructing tradition, this book selects Zhao Yiheng's "unique secrets" of "poetry" monographs and presents them in an intensive display of classics to fill the gaps in the publication of contemporary new poetry at home and abroad, thereby promoting the study of modern Chinese poetry, the development of modern poetics, and the expansion of research directions and perspectives in related disciplines, to realize its unique academic value. At the same time, it also provides a unique text with unique reference significance and interesting reading for the majority of poetry and literature researchers and lovers.

This book traces the literature of the Wei and Jin Dynasties to the rise of the new style of literature in the Central Plains at the end of the Han Dynasty, and extends it down to the new changes in Jiangzhou's hermit literary style during the Jin and Song Dynasties. The book is divided into four periods: the late Han Dynasty, the Three Kingdoms, the Western Jin Dynasty, and the Eastern Jin Dynasty. It conducts a relatively systematic discussion on many issues such as the impact of different regional cultures on literature during the late Han Dynasty, Wei and Jin Dynasties, the cultural exchanges and literary integration of scholars from the north and the south, and the impact of the migration of cultural centers on new changes in writing styles. By sorting out the literati groups, literary creations and literary style characteristics and their cultural origins in different regions during the late Han, Wei and Jin dynasties, the historical process of the evolution of Wei and Jin style and literary styles is revealed from the perspective of regional culture.

Mr. Cheng Qianfan is a famous scholar in classical literature and has profound attainments in both the creation and research of classical poetry. The book "Tang Poetry Lesson" compiles more than ten papers written by Mr. Cheng on Tang poetry. His articles have novel angles, such as studying the virtual and real issues of geography and orientation in Tang poetry, the description and structure of classical poetry, the one and the many, the understanding and acceptance of the poem "Moonlight Night on the Spring River", etc. They are unique, insightful, and very readable.

With the popularity of CCTV's "Chinese Poetry Conference" program in 2016, the demand for reading original poems among teenagers and other readers has increased. At the same time, appropriate comments from famous experts are also needed to understand the meaning of ancient poems. With the continuous promotion of national reading, readers' demand for exquisite traditional national literature and culture such as ancient poetry has increased. This book selects and interprets more than 200 philosophical poems from more than 100 poets from the pre-Qin Dynasty to the Song Dynasty. Analyze philosophical interests, poetry and art appreciation.

As the largest literary society in Chinese history, Fushe's status in Chinese academic and cultural history is self-evident. Through analysis and elaboration from multiple perspectives, the book explores in detail Fushe's association process, literary propositions, creative characteristics, status and influence in the literary world in the late Ming and early Qing dynasties, and its relationship with other literary schools.

"The Golden Rose" is a collection of beautiful essays that summarizes the author's own creative experience, studies the creative activities of many literary masters in Russia and the world, and discusses the process, methods and purposes of literary creation. The literary master used his unique writing style to depict the beautiful human emotions and the picturesque scenery of nature in a majestic and delicate manner, and elaborated on the writer's mission, the purpose and methods of literary creation, and greatly inspired every literature lover, literary creator and literary critic who read "The Golden Rose". This book uses novel and beautiful writing to create vivid and moving images, which have irresistible and powerful appeal, leaving an indelible impression on people and inspiring people's beautiful feelings of fraternity. All famous modern and contemporary Chinese writers who have read "The Golden Rose" praise it as a rare and good book, and affirm that the book played an important role in their own literary creation. I believe this book will still teach readers a lot today.