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This book starts with the British novel "Robinson Crusoe" and analyzes how this work became the best-selling maritime literature at the time through its alluring descriptions of uninhabited islands, storms, shipwrecks, pirates, etc. It also explores how the American novelist Cooper gave American maritime adventure novels a new look in the post-colonial context, and how he changed the poetic form of literary works describing overseas adventures in the 19th century; analysis It shows how the French novelist Verne changed adventure novels into science fiction novels; it shows how Melville, Hugo, Conrad, etc. Walked alone in the foggy waves of language and thought; it reveals how detective novels use the problem-solving methods in ocean novels. This book is rich in content, incisive explanations, and unique insights. It is an important reference work for the study of ocean novels and the changes in ocean culture.

Love poems and the stories behind them from ancient and modern times at home and abroad have always been a topic of great concern to readers and an object of reading, and they are always talked about. The author of this book uses semiotic theory to deeply explore the connotation of "emotional symbols" commonly used in Chinese and Western poetry such as "silk", "red bean", "clothing", "intestine", "cuckoo", "wine", "flower", "dream", "willow", "wind and rain", "bright moon", etc., Leading readers into the poet's emotional world, and guiding readers to appreciate the poetic flavor and cultural interest of this emotion.

This book explores Ouyang Xiu as an individual life, and thereby studies the special style formed by his literature. This breaks away from previous works that mainly discussed the appearance of Ouyang Xiu, a politician and literary leader, and is a new development in the study of Ouyang Xiu.

The author Guo Weichuan is a disciple of Mr. Rao Tsung-i, a master of traditional Chinese culture. He has studied under him for 28 years. He has a deep understanding of Rao Tsung-i's academic thoughts and achievements and contributions in many cultural fields. He also has a comprehensive understanding of China's representative famous masters in the 20th century. Therefore, when the author studies Mr. Jao Tsung-i's extensive and profound academic culture, he places him within the historical discussion of modern Chinese academic history and makes objective and relevant comparisons with other schools to demonstrate the continuous progress of academics in the era.

This book focuses on the historical connection between Lu Xun's creation and traditional Chinese art, and the ideological "dialogue" between Lu Xun and traditional Chinese art. It aims to break down the disciplinary barriers between "literature" and "art", delve into the artistic world of Lu Xun's literary texts, experience the visual logic of literary imagination, and trace the life and fragrance left in the lines and colors of pictures. The author focuses on the two dimensions of "ideological dialogue" and "formal research" to examine the internal influence and relationship between Lu Xun and Han portraits, literati paintings, folk paintings, Wei stele, etc. Using the interdisciplinary research method of "literature and fine arts", the subtle influence of artistic thinking on Lu Xun's literary creation was excavated.

During the Spring and Autumn Period, countless people have always been fascinated by it because of the incomparably beautiful verses in the Book of Songs, because of that mysterious time that was far away and untouchable, and because of the prehistoric era when heroes and beauties frequently appeared. The author borrows the love stories from the Book of Songs that emerged from the years of war in the Spring and Autumn Period, and combines the marriage legal system and marriage forms in the Spring and Autumn Period to tell a story of love, hate, and hatred in the Spring and Autumn Period. There is love, hate, loyalty, conspiracy, the Book of Songs, Zuo Zhuan, and the legal history of the Spring and Autumn Period related to marriage and love.

Keyword research is not just a research method, but a way of thinking. It can be said that a keyword means an ideological concept. But this kind of ideological concept is not just the thought itself, it is inextricably linked with history, era, culture, tradition, experience, etc. The three key words of modern Chinese literature, "enlightenment", "science" and "humanism", are both representative and able to integrate Chinese and Western ancient and modern times. They seem to come from foreign lands, but in fact they are soaked in the juice of traditional Chinese culture. In terms of its logical relationship, "Enlightenment" is the general theory (politics, humanities), the latter two are sub-themes, "Science" is from the scientific and cultural perspective, and "Humanism" is discussed from the perspective of human nature and individuals. There is a red line running through these three keywords, that is, they all have the foundation of the traditional cultural spirit that has been obscured by the West, that is, the elite consciousness of modern Chinese writers like scholar-bureaucrats and the practical rationality of actively engaging with the world and applying it to the world, because in the final analysis, tradition is not "rupture", but "growth".

The book is divided into 19 chapters. The main content includes: an overview of Henan contemporary literature, Henan novels in the "Seventeen Years", Li Xuan's early creations, Henan poetry in the "Seventeen Years", Henan drama literature in the "Seventeen Years", Henan prose and reportage in the "Seventeen Years", etc.

This book contains 16 articles, consisting of three parts: mereology, synthesis, and comparative theory. It discusses the artistic characteristics of Li Bai's poetry, and has 6 appendices including "Miscellaneous Examination of Li Bai's Poems."

This book is carefully selected by the famous scholar Liu Wenfei from nearly a hundred academic lectures on Russian literature and culture given in universities and scientific research institutions at home and abroad in the past ten years, and compiled and published. This book will maintain a certain "original nature" of the spoken language when it is being revised, so that readers may gain the same immersive feeling as the listeners. Speeches delivered abroad have been translated into Chinese. These lectures are divided into two parts, the first part is an introduction to Russian literature and culture, and the second part is a monograph on the author or work. The book is rich in content, taking into account literature, culture, and the history of exchanges between China and Russia. It covers a wide time span: vertically from the golden age starting with Pushkin in the 19th century, through the Silver Age in the early 20th century, to today's modern literature; horizontally, it includes Russian writers in Russia, exiled in Europe and the United States, and their literary and cultural activities in their places of residence. The author of this book is also a poet, and his language is characterized by high literary talent, freshness, liveliness, and high readability.

An academic monograph with rigorous structure and exquisite words on the aesthetic issues of Chinese poetry into English; one of the "Trilogy of Chinese Poetry into English Translation" launched by the Chinese-to-English translator of CCTV's 84-episode TV series "Romance of the Three Kingdoms" subtitles. Compared with similar works, this book puts more emphasis on aesthetic research and initially establishes an aesthetic system for the translation of Chinese poetry into English, which has certain theoretical significance and practical value.

Starting from a large number of poetic materials, this book uses the method of unifying history and logic to make a reasonable summary and explanation of the poetic theories of various schools in the Jin and Yuan Dynasties, and clearly sort out the development of the poetic theory of the Jin and Yuan Dynasties. The material is comprehensive, the argument is sufficient, and the explanation is precise. It contains both macro analysis and micro investigation, showing the author's solid literature foundation and broad academic vision. Some chapters have never been published before, which are helpful for the in-depth exploration of theoretical research on Jin and Yuan poetry.

This book was written through multiple interviews with Luo Jing and Wang Yueqing from the Department of Journalism of Nanjing University. After the relevant geological content was supplemented by Zhang Yuchang and Jiang Qiqin, Zhang Yanyan, Xu Peifang and others who were formerly from the Ministry of Geology and Mineral Resources, the book was finalized by Academician Liu Guangding of the Chinese Academy of Sciences and Professor Zhou Zuyi of Tongji University. It was published by Tongji University Press with the support of the graduate students he trained at Tongji University. In the form of reportage, this book narrates the four-decade plan that Mr. Zhu Xia set since childhood to read thousands of books, travel thousands of miles, conduct scientific research, and cultivate future generations. He persisted in realizing it throughout his life and made outstanding contributions to the geological cause and geological theory of the motherland. It can be used as a reference for the history of science and technology in China.

"Research on the Rhetoric of Novel (Revised Edition)" is a work that constructs a systematic rhetoric of novels. This book provides an in-depth analysis of novel writing, cites classics, involves many theoretical works and novel texts, takes stock of literary concepts related to novels at home and abroad in ancient and modern times, and questions and debates some current literary misunderstandings and superstitions. This book has a broad vision, spanning narratology, stylistics, rhetoric and other disciplines, and offers its own unique insights.

This article takes the relationship between Han Fu and the study of the Book of Songs in the Han Dynasty as the starting point, and conducts an in-depth examination of the content and form of the study of the Book of Songs in the Han Dynasty, as well as the origins of the works of Fu masters in the two Han Dynasties and their study of the Book of Songs. On this basis, it conducts a systematic discussion on the relationship between Han Fu and the study of the Book of Songs in the Han Dynasty.

The book "Legendary and Unsurprising: The World of Western Hunan Constructed by Shen Congwen" starts from the "legendary" nature of Shen Congwen's novels and analyzes the background and motivations of the "Western Hunan World" he wrote. From the historical environment of the 1930s, it also analyzes the contrast between Shen Congwen's urban narrative and the world of Western Hunan he wrote, as well as the characteristics of Shen Congwen's writing of lyrical novels as a representative of the Beijing School. Then, Shen Congwen's legendary Xiangxi novels were analyzed by comparing the similarities and differences with Faulkner in human nature, Yasunari Kawabata in aesthetics, and the continuation of Lu Xun and Jia Pingwa in terms of local narrative. This book also sorts out and explains the decline of Shen Congwen's novel creation after the 1940s, Shen Congwen's literary criticism, and Shen Congwen's psychology and life course after the founding of the People's Republic of China.

This book selects the English translation of "Chu Ci" by Yang Xianyi, Gladys Dai, Sun Dayu, Xu Yuanchong and Zhuo Zhenying as the research object. It takes "ambition", "emotion", "shape", "realm" and "spirit" in the traditional Chinese poetics category as the main line. Based on the comparison and analysis of the translations, it integrates translation studies and Chu Ci from a cross-cultural, cross-time and interdisciplinary perspective. We will jointly explore and explore the relationship between the translation poetics of the English translation of "Chu Ci" and traditional Chinese poetics and traditional Chinese culture, and construct a theory of English translation of "Chu Ci" based on poetics, reflecting the interweaving of the three categories of "ancient and modern", "Chinese and Western" and "taiyong", and highlighting the correlation and mutual learning of the three characteristics of "localization", "traditionalization" and "diversity".

The main object of study in this book is Borges and his relationship with Chinese literature. Borges's fantasy novels are the most personal and creative part of his literature, establishing his position in the history of literature. Borges's fantasy aesthetics abandons the mechanism of realist literature, breaks the traditional binary opposition between reality and unreality, and presents a unique aesthetic form in which virtuality and reality coexist, and both reality and illusion are present. Borges' fantasy poetics is inseparable from his unique life experience. This book attempts to explain the reasons for the emergence of Borges' fantasy literature from the writer's life experience. Borges's fantasy aesthetics is not just a literary expression, but is supported by systematic philosophical thought. Elucidating this philosophical thought is also the topic of this book. After a more in-depth study of Borges as a source of influence, this book explores Borges's significant influence on Chinese avant-garde literature.

"Nation" has been the core category of Chinese Marxist literary criticism in the past century. The national stance, standards and concepts held by Chinese Marxist literary criticism constitute an important feature that distinguishes it from other different forms of Marxist literary criticism such as classics, Russians, Soviets, and the West. This book combs and summarizes the formation, evolution and specific connotation of the national view of Marxist literary criticism in China over the past century, and proposes that an open national view of Marxist literary criticism in contemporary China should be expanded and constructed under the new historical conditions of globalization.

This book is the final result of the National Social Science Fund Youth Project "Research on Word Anxiety and Moral Reconstruction of British Literati in the Nineteenth Century". Britain in the Victorian era was undergoing a process of "modernization" and a transformation from agricultural civilization to industrial civilization. In the face of unprecedented changes, when literati were thinking about morality, they realized their differences in ideas, concepts, and words and continued to argue, resulting in a state of clamor at the ideological and discourse level. They are deeply disturbed by the harm that the disordered state of words can cause. This anxiety occurs not only when thinking and writing with words, but also when reflecting on the words themselves. This book analyzes the manifestations and causes of this "word anxiety". Through case studies of key words and representative figures, it restores the social history and intellectual history context of moral thinking. It points out that literati's attempts to reconstruct the meaning system are also a means to resist various anxieties and reconstruct morality during the transition period, and reflect on the dilemmas and solutions of ethical construction and cultural adjustment in the process of modernization.

Since the founding of New China, along with the dramatic changes in Chinese society and culture, Chinese literature and art have also undergone many transformations. Based on "history" as the main clue, this book arranges the chapter structure with literary and artistic trends of thought as the main body. The book is divided into twenty-seven special topics. Based on the principle of objectivity and impartiality, the author analyzes the internal context of the development of literature and art on the basis of clearly sorting out various trends of literature and art, and strives to present the sixty-year development process of literature and art in a comprehensive and orderly manner.

This book first integrates factors such as creative psychology, theme and subject matter trends, and artistic achievements, and divides Chen Yuyi's poetry creation into four stages: the inheritance period, the transformation period, the peak period, and the decline period, and describes in detail the development and evolution of Chen Yuyi's poetry creation. Then it analyzes the artistic characteristics of Chen Yuyi's post-Nandu poems that established his position in the history of poetry, highlighting his poetic creation achievements and artistic personality. On this basis, it analyzes the relationship between Chen Yuyi and the Jiangxi Poetry School, which has been debated by commentators since the late Southern Song Dynasty, refutes the fallacy of classifying Chen Yuyi as a Jiangxi Poetry School, and gives a factual evaluation of Chen Yuyi's status and role in the poetry world at the turn of the Song Dynasty.

This book takes the research results of modern literature since the founding of New China as the research object, and conducts a vertical sorting and horizontal analysis of the research on contemporary Chinese modern literature. This book is based on solid historical documents and uses the methods of seeking truth from facts and dialectical analysis. By discovering valuable historical materials and conducting objective analysis, this book strives to give fair judgments and conclusions on the academic thoughts and values ​​of modern Chinese literary research.

Over the past sixty years since the founding of New China, literary theory has played an extremely important role in the social and cultural life of the Chinese people in different historical periods. From the influence of some literary and artistic controversies on the political trends of the time in the early years of the founding of the People's Republic of China, to the situation in which literature and art entered the core area of ​​the ideological and cultural field during the "Cultural Revolution", to the great significance of literature and art in promoting the transformation of ritual forms in the early days of reform and opening up, to the role of literature and art research in the construction of contemporary society and culture in the first decade of the new century, this book has conducted careful research.

The project was approved for completion in March 2017, and the appraisal grade was good. The book has a total of eight chapters and about 260,000 words. Some of the chapters have been revised and published in domestic and foreign journals, including 2 international English journals, 6 CSSCI journals, and 1 Peking University Chinese Core. The academic value of this study is mainly reflected in two points. First of all, a relatively in-depth and comprehensive interpretation of Johnson's works shows that he and other black writers have different thinking on racial and ethical issues. Secondly, it focuses on the Eastern cultural spirit in Johnson's novels. Although Johnson's approach of introducing an Eastern perspective when reflecting on racial issues in the United States still has certain limitations, it is undoubtedly of positive significance in strengthening mutual understanding and exchanges between Eastern and Western cultures.

This manuscript is a general project of the National Social Science Foundation "Research on the Identity of Speakers of Literary Theory in the New Era" (project approval number is 10BZW009), and the appraisal result is "good". This study starts from the perspective of the identity of literary theory speakers in the new era, combines the study of literary theory with the study of literary theory speakers, and breaks the limitation of previous literary theory research on theory. The purpose is to place the literary theory speakers in the new era under the influence of multiple factors such as politics, economy, consumption, media, culture, etc., To deeply explore and analyze how these complex factors shape and construct the identity of literary theory speakers, and also change literary theory, which has certain theoretical enlightenment value and significance.

"An Integrated Review of Modern and Contemporary Chinese Women's Literature" mainly talks about looking at the history of Chinese women's literature in the 20th century. An important research perspective is: how to see the evolution and development trajectory of women's literature in the context of modern Chinese culture, and then grasp the generation, inheritance and evolution of women's cultural concepts and women's literary forms within this overall cultural framework, thereby summarizing the historical experience that should be expected in the development of Chinese women's literature. There are six chapters in the book, including the transformation of cultural context and the evolution of women's discourse; the time imprints of multi-dimensional women's lives and female images; text evolution: three typical texts show the progress of women's consciousness: the meaning and limitations of women's texts in the "modern period": the transformation and transcendence of women's texts in the new era; integrated review: thoughts on the development of Chinese women's literature. From the perspective of the hierarchical evolution of women's literature, "An Integrated Review of Modern and Contemporary Chinese Women's Literature" explores the evolution of women's consciousness from vagueness to clarity and even maturity, from the evolution of women's discourse stance, the continuation and variation of women's literary traditions, the different characteristics of women's texts, and the diversity of women's images. An integrated review of the inheritance and evolution of modern and contemporary Chinese women's literature from multiple dimensions such as creation and creation is not only a perspective on literary history, but more importantly, it can summarize the laws and inherent historical experiences of the development of Chinese women's literature, providing useful reference for the future development of women's literature.

This book is one of the collections of special articles by members of the Chinese Academy of Social Sciences. Most of the papers included in this collection were written between 2004 and 2010, and are roughly divided into two volumes. The first volume of papers mainly responds to various new issues and debates, impetuousness and subversion that have emerged in literary theory in the new century. In view of the rampant practical instrumentalism and utilitarianism in the humanities today, a preliminary exploration and elaboration of the methodological issues of the humanities and the core issues of the nature of the humanities are made. The second series of papers mainly focuses on reflection. In the past sixty years, literary theory has experienced twists and turns and tremendous changes, and has made significant achievements and innovations in recovery and construction. However, there are divergent opinions on reflection and evaluation. Based on the principle of historicism, this collection of papers pursues the problems that have arisen in each period in the specific historical context, conducts theoretical cleaning and elaboration, and gives a generally reasonable positioning and summary, so as to facilitate the inheritance, innovation and development of literary theory.

In the 1941s, Chinese writers migrated and fled across the land of China due to war and other factors. The migration of writers was an important literary phenomenon in the 1940s. The migration of writers in the 1940s not only presented distinctive characteristics, but also had a profound impact on the literature of the 1940s. As an important literary phenomenon in the 1940s, writer migration has received little attention. This article makes a preliminary discussion on the migration phenomenon of writers in the 1940s and its interaction with literature, in order to attract the attention of researchers.

"Research on the Methodology of Literary Criticism" is an applied research work that transforms the representative theories in Western academic thought in the 20th century into literary criticism methods. The study of the treatise is carried out from two dimensions: first, methodological analysis of the classic theories of famous thinkers, such as Althusser's "ideology", Foucault's "archeology of knowledge", etc.; Second, using the outlined methodology and methods, text analysis of classic works in modernist literature is used to demonstrate the effectiveness and application skills of this critical method. Each chapter in the book is divided into three parts: theoretical resources - methodological research - sample essays. These three parts are actually the three steps of writing a paper, that is, selecting methods - application design - textual expression.

The main content of this book is the author's research and review articles on modern and contemporary literature published in important national and provincial newspapers since the 1990s until recent years. In addition, it also includes five or six research papers written in the past two or three years that have not yet been published. The content of this book is divided into three parts. The first volume is titled "Reexamination and Determination" and its contents include: 1. Comprehensive research on modern and contemporary literature. Such as re-observation of the ideological trends and changes in novels in the new era, research on the evolving characteristics of love novels in the new era; 2. Research on the works of important writers. Such as the study of novels and prose by writers such as Lu Xun, Yu Qiuyu, and Zhang Chengzhi. The second volume is titled "Searching for Scale", and its content focuses on exploring the writing rules of modern and contemporary literary works through detailed analysis of literary works, and reiterating the critical standards of modern and contemporary literature. The third volume is titled "Selection and Interpretation" and contains case studies of local literary creation. Although this book covers a wide range of topics, the content of most chapters is relatively focused. The first is to rethink and observe the changes in literature since the 1980s, and the second is to explore the rules of modern and contemporary literary writing and redefine the standards of criticism.

"Reevaluating Russian and Soviet Literature" comprehensively and in-depth studies the great experience of Russian literature through a detailed interpretation of classic works, an in-depth analysis of the writers' ideological conditions and spiritual dilemmas, and from multiple dimensions such as suffering awareness and free spirit. It examines the transformation and discipline of Russian classical literature by "Soviet Literature" and analyzes the basic contradictions and inherent dilemmas of the new literary ideology. This book not only has the broad vision of "history" and the inner depth of "thinking", but also expresses it in the form of "poetry". It is a heavy work with historical awareness and ideological depth. It provides a clear mirror image of comparison and reflection for the "occurrence" of modern Chinese literature and the "formation" of contemporary literature.

Chinese writers born in the 1970s have grown into the main force in China's literary world in the new century. Regardless of the quantity of their works, the quality of their creations, their narrative skills and literary concepts, these writers have shown remarkable achievements and unique spiritual temperament. Standing in the context of globalization, this book conducts a comprehensive and objective analysis of the overall writing characteristics, narrative rules and artistic construction of Chinese writers born in the 1970s. It also focuses on reading and interpreting the representative writers and representative works of the generation born in the 1970s. It also conducts in-depth and detailed texts on the collective of Hunan writers born in the 1970s, the "Five Major Generals of the Literary Hunan Army". Interpret, and find out the grand artistic conception and long charm in the texts of Chinese writers born in the 1970s. These outstanding features demonstrate that Chinese writers born in the 1970s have the responsibility, obligation, and mission to go deep into the people, the land, and history to present the joys, sorrows, sorrows, and joys of their generation, and to establish classic literature that belongs to their generation to bridge the past and the future.

This book is a special collection of the author's writings on literary geography in recent years. It includes 15 long papers including "The Essence, Connotation and Methods of Literary Geography", "Literary Maps and Literary Geography, Ethnological Issues", "Human Geographic Analysis of Qu Yuan's Poetry", etc. It includes comprehensive research, regional and case analysis of regions and writers, exploration of ancient literary geography, and interpretation of modern and contemporary literature based on literary geography. In short, this is a concentrated display of Mr. Yang Yi's research results in this field over the years after he first proposed the concept of literary geography. It is a very important collection among Mr. Yang Yi's many writings.

The "Chronicles of Modern Chinese Literature (1895-1949)" series records major literary events from 1895 to 1949, recounts literary historical facts, writers' works, literary trends of thought and other objective features over the past fifty years, and comprehensively sorts out the development process of modern Chinese literature. It is a detailed presentation of the literary context of this period, which facilitates researchers to understand the interconnection of literary events and examine the development trajectory of modern Chinese literary history. This series was compiled by experts and scholars from the School of Liberal Arts of Beijing Normal University. It took five years to complete based on consulting a large number of original literary historical materials. The series has 11 volumes in total and is academic, informative and research-oriented. It is an essential reference book in the field of research on the history of modern Chinese literature. This volume records important writers, works and major events in the Chinese literary world from 1930 to 1933.

This book includes news works on the reform of the cultural system such as "The reform of the group system of state-owned literary and art academies has a clear 'roadmap' and 'timetable'", "The reform of the group system of state-owned literary and art academies resolves the 'hard ice'", and "The reform of the group system of state-owned literary and art academies is comprehensively advanced".

This book places Pre-Qin literature in the context of cultural development, systematically expounds the artistic spirit, cultural character and national spirit contained in Pre-Qin literature, re-examines relevant issues of Pre-Qin literature, consciously bridges the gap between spiritual thought and literary expression, proposes that spiritual thought not only affects literary content, but also directly affects literary expression, and conducts unique discussions on literary consciousness, poetry and the art of Chu Ci, etc., Which has high academic value. The book puts forward its own new opinions on the national spirit of mythology, the literary spirit of "The Book of Changes", the literary consciousness of "The Book of Songs", the literary significance of writing poems to express aspirations, the thoughts and writing styles of various scholars, the dialectical art of "Chu Ci", etc. The focus of this book is to rethink the value and significance of Pre-Qin literature, thereby determining its important role in the development of Chinese culture and the development of the Chinese nation.

This book takes the three major time points of the founding of the People's Republic of China, reform and opening up, and the turn of the century as the coordinates, and takes the evolution of the main academic trend in the sixty years since the founding of the People's Republic of China as the main line. This paper vertically sorts out and reveals the intrinsic return of the perspective and literary standard, as well as the century-old reflections and latest trends in ancient literary research at the turn of the century. It also makes a special summary and review of the collection and research of ancient literary documents, and ancient literary history works and theories. It focuses on grasping the integration trajectory and evolution rules of the concepts and paradigms of the main academic trends, and systematically summarizes the main achievements and experiences and lessons of ancient literary research. It has important value in distinguishing academic chapters, examining its origins, and inspiring future thinking.

This book brings together the results of Lu Xun research by three generations of scholars from Qingdao University: old, middle and young. It contains unique insights into cutting-edge topics and solid papers with long-term thinking (the discussion on the tension of Lu Xun's essays has been highly praised by the academic community; about Lu Xun The discussion of personality has been repeatedly cited by the research community...), There is an in-depth explanation of Lu Xun's works, and a discussion of the teaching issues of Lu Xun's works. The research summary at the back of the book is a bird's-eye view of the annual research status of Lu Xun, and can also serve as a "guide" for further research. This is a research treatise on Lu Xun with a multi-dimensional perspective. The diversity of perspectives, the richness of historical materials, the profundity of explanations, and the uniqueness of viewpoints all make it a good book worthy of careful study.

"Questions of Literature and Art" is divided into two parts: upper and lower. The first part explains the relationship between literature and nature. Starting from the reflection of the Marxist view of humanities, this paper discusses the intellectual form of ecological literature, the rise of ecological literature in China, the knowledge resources of ecological literature and other issues, and combs the Marxist ecological aesthetics thought and ecological literature view. The following part is about artistic criticism of classic films. Most of them come from the film columns of magazines such as "Reader" and "Four Seasons". The review focuses on the literary aesthetic interpretation of the film. The film works discussed have had a profound impact on film history, and their artistic exploration is more personal and unique.

At present, the development of online novels is showing a "blowout" trend, and its achievements are extraordinary and of great significance. Internet novels and contemporary institutional novels have different development patterns. Influenced by the concept of "evolution", institutional novels increasingly show the non-ecological nature of development, while online novels reflect a "bush"-style ecological development pattern, thus promoting the overall development of contemporary literature.

The study of contemporary literature is inseparable from two dimensions. One is to look forward and observe its division, integration, evolution and direction; the other is to dive into the scene of literary production and study the works of writers to gain a deep understanding and understanding of the nature of literature. Therefore, "literary community" and "poetic frontier" are the two characteristics of "Literary Community and Poetic Frontier in the New Century" written by Yu Zihan. Specifically, the book takes the entry of Chinese new literature into the new century as the starting point for investigation, takes the status of regional and marginal literature as the scope of research, takes prose poetry, modern new poetry, and prose as the subject of research, and tries to explore the original value and existential significance of regional and marginal literature from the perspective of literary forms, writer communities, and creative discourse. The first part is titled "Form, Point of View, and Cases" and explores the ontological form, quality and elements of prose poetry, the tradition of modernity, and the basic concepts of creation. It also uses ten prose poetry writers as cases to analyze the characteristics and qualities of their creations, thereby presenting the vitality and creative path of prose poetry. The second part is titled "Schools, Communities, and Discourses" to sort out the development trend, functional return and community characteristics of modern poetry since the new century, and use a large number of pens and ink to analyze the original characteristics of poetry. A relatively comprehensive inspection and evaluation of the diversified development of Guizhou poetry and marginal discourse; the third part, titled "Region, Group, Narrative", focuses on interpreting narrative texts grown in the soil of regional national literature, especially from the perspective of literary geography, paying close attention to the prose and novel creation of the Wujiang River Basin writers, analyzing their discourse construction methods and diverse morphological characteristics, and exploring the intrinsic relationship between regional culture and literary generation, which is of great significance for promoting the development of regional and marginal literature.

"General History of Northeastern Literature" is the research result of a key project commissioned by the Jilin Provincial Social Science Fund. This book traces ancient myths and heroic epics from the pre-Qin period to Northeastern literary activities during the War of Liberation. It sorted out and defined the ancient Northeastern literature, gave a detailed description of the structure and focus of literature in each period, and expounded the spiritual and cultural value of Northeastern regional literature. The funding amount is 150,000.

In 1948, China's society and politics were facing major changes. The cultural ecology and cultural system were about to undergo profound changes. However, the storm was about to come. Who could transcend the chaos of the world and see through the variables of history? Shen Congwen, who was dismissed by Guo Moruo as a "pink" writer, revealed a profound historical premonition in a letter: "The overall situation is uncertain... Everything will eventually change. Looking at the overall development, there is no doubt that China is about to enter a new era." Based on the reference of a large number of newspapers, diaries, letters, biographies, memoirs and other materials, this book enters the historical reality of 1948 from specific historical details. It covers a wide range of aspects such as literary works, songs, performances, publishing, campus culture, the interaction between literature and politics, etc. By revealing the individual fates of famous cultural figures such as Zhu Ziqing, Xiao Jun, Hu Feng, Ding Ling, Zhao Shuli, Shen Congwen, etc., It explores the various entanglements between literature and politics, intellectuals and political power, and conducts a profound analysis of the form and causes of the cultural system in the early Republic of China.

This thesis takes Greenblatt's critical view of cultural poetics from the perspective of New Historicism as a case study, combines his concrete critical practice activities, and gradually deduces the ins and outs and essence of his critical thoughts by focusing on analyzing his classic judgments and representative works, with the purpose of clarifying the source of his theory. Grasp the academic ideas and practical trends of cultural poetics criticism, and reveal the cultural character, historical context and political connotation of its multiple intertextual criticism categories such as "cultural subjectivity" and "culture of subjectivity", "historical textualization" and "text historicization", "power discourse" and "discourse power". At the same time, reassessing and reconstructing the development context and theoretical framework of New Historicism and the critical school of cultural poetics, and clarifying its theoretical value and historical limitations openly and realistically, will undoubtedly have important epistemological enlightenment value and historical reflection value for the contemporary interpretation and subject reconstruction of Chinese cultural poetics critical theory. We have ample reasons and evidence to believe that once the New Historicist cultural poetics criticism theory is rooted in China's "native" literary criticism ecology, it will certainly help expand the territory of its own critical practice and improve its theory, and consolidate the "awareness of standpoint and theoretical consciousness". On the basis of the ideological basis of "and value introspection", it will also strongly pull Chinese literary creation and criticism closer to the ideal of "ecological criticism" of harmonious symbiosis and shared beauty, thereby maintaining a critical situation of preserving tradition and absorbing new knowledge, "the falling clouds and the solitary owl flying together".

This book mainly studies the English translation of Chinese poetry by British and American Sinologists since the 20th century from the perspective of Chinese and Western comparative poetics, and explores the relationship between the English translation of Chinese poetry by Sinologists and their cultural identity, aesthetic subjectivity, translation cognitive ability, reconstruction ability and interpretive ability. Most professional sinologists and translators pay attention to the fidelity of translation and regard translation as a means of literary analysis to serve literary research. Poets and translators pay more attention to the literary flavor of Chinese poetry translations. Therefore, the translations show greater variability, sometimes almost creating creations. The translation criticism of the two types of translators cannot be based on the same standards, and their respective translation purposes and translation characteristics must be considered. Summarizing their translation thoughts, strategies, dissemination and acceptance has important reference significance for Chinese literature "going global".

This book takes the creations of representative Chinese and overseas Chinese writers in Taiwan, Hong Kong, Southeast Asia, and North America as the research object, and provides scattered perspectives and case interpretations of Chinese literature in Taiwan, Hong Kong, and overseas. Most of these writers have dual backgrounds of Chinese and Western cultures, which determines the unique theme of their novel creation, which expresses the confrontation, coexistence or integration of two cultural traditions, and expresses the complex and ambiguous "cultural identity" of the overseas Chinese group. Regardless of the theme content and artistic features of the works, they all show open and diverse writing characteristics. Through the above interpretation, we can generally grasp some common characteristics of Chinese literature in Taiwan, Hong Kong and overseas. This book also conducts in-depth research on the reception of classic mainland writers in Taiwan, Hong Kong and overseas.

"Words to Understand Life" uses a unique way of dismantling words and combines many closely related aspects of life and work to understand every detail of life and trigger readers' thinking. "Words for Life" focuses on guiding "self-enlightenment" and explains the principles of life and doing things from multiple perspectives, including the establishment and development of reverse thinking and divergent thinking, and the expansion of association and innovative thinking. It has positive significance in improving readers' professional quality, Chinese culture, team spirit, communication skills and other aspects.

This book is the first comprehensive study of Beckett's novels that systematically uses postmodern psychoanalytic theory in China. Through the surface decadence and absurdity, it fully and deeply explains the mysteries in Beckett's novels that are difficult to elucidate with most other methodologies. It reveals the internal coherence and leap-forwardness of Beckett's novels, and believes that they present a spiral evolution from imitation to sublation, from "omniscience and omnipotence" to "ignorance and incompetence", from modernity to postmodernity, and from the outside to the inside. For the first time at home and abroad, this book provides a profound explanation of Beckett's so-called "failure" based on the text of the novel, and provides an original definition of his "failure" novels. This book fills the gaps in related domestic research in many aspects.

Calvino unfortunately died of a cerebral hemorrhage on the eve of his departure to Harvard University to deliver the "Norton Lecture". Therefore, this book is regarded as the legacy given to the world by the master of novels. The literary values ​​he carefully outlines in the book can serve as a yardstick for evaluating general works and a guide for understanding Calvino. Calvino has accessed ancient and modern classics and quoted extensively. His reading taste and intellectual insights are amazing. This memorandum is specially written for experts and readers who are familiar with and love the art of novels. It is known as the most eloquent defense of literature in the twentieth century and the best gift left to readers of this century.