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"History of Western Literary Theory" is divided into 19 chapters. The specific content includes ancient Greece, German classical period, voluntarism, Russian and Soviet formalism, phenomenology and existentialism, Western Marxism, etc. Literary theory is the abbreviation of "literary theory", which mainly includes the summary of literary laws, the evaluation of specific works, the advocacy and promotion of new literary trends, and other systematic theories. It involves research on the relationship between literature and society, the internal laws of literary works, the basic methods of creating and appreciating literary works, and the mentality of the subject in creating and appreciating literary works.

Brief introduction to the main contents of "The Field of Women's Writing and Desire": Theoretically speaking, a woman's entry into the field of writing itself poses a threat to the male hegemony that dominates the world. This at least means that she is no longer content with the state of silence and the position of the "said" object, but demands to make her own voice heard. [What happens when a woman reveals the secrets of her life? ? The world will be torn apart. ]

"On the "Beijing School"" has 20 chapters in total and is a collection of essays by the author who has been studying the "Beijing School" for more than 20 years. In the book, the author selects representative works of representatives of the "Beijing School", such as modern poems by Fei Ming, Feng Zhi, Bian Zhilin and others, and analyzes them from different angles. At the same time, some literary controversies related to the "Beijing School" were selected. When reproducing these literary controversies, the author did not follow traditional research perspectives on the causes of the events, but gave his own opinions based on the debates at the time. For example, Gao Hengwen believes that in addition to differences in literary views, differences in personnel matters were also an important reason for the debate between Liang Shiqiu and the "Beijing School". During the Republic of China, almost every literary group had its own literary and art publications, and the "Beijing School" was no exception. Gao Hengwen believes that he discussed the role of the literary supplement of "Ta Kung Pao" in the history of the development of the "Beijing School", which few researchers have paid attention to. "On the "Beijing School"" studies the representative writers, representative works, publications, literary debates, etc. Of the "Beijing School", which can be said to be an all-round presentation of the "Beijing School".

During the Republic of China, the situation was changing, scholars emerged in large numbers, and academic masterpieces emerged one after another. This collection of 100 volumes of classics is intended to contribute to the revival of Chinese culture and help all people read.

In order to promote the development of modern science and humanities and social sciences in China, Mr. Cai Yuanpei worked hard and carried out a lot of work, and left a very rich cultural heritage. This book extracts part of the content, mainly the prefaces, book reviews and other articles written by Cai Yuanpei for his own translations and contemporary publications.

During the Republic of China, the situation was changing, scholars emerged in large numbers, and academic masterpieces emerged one after another. This collection of 100 volumes of classics is intended to contribute to the revival of Chinese culture and help all people read.

During the Republic of China, the situation was changing, scholars emerged in large numbers, and academic masterpieces emerged one after another. This collection of 100 volumes of classics is intended to contribute to the revival of Chinese culture and help all people read.

During the Republic of China, the situation was changing, scholars emerged in large numbers, and academic masterpieces emerged one after another. This collection of 100 volumes of classics is intended to contribute to the revival of Chinese culture and help all people read.

During the Republic of China, the situation was changing, scholars emerged in large numbers, and academic masterpieces emerged one after another. This collection of 100 volumes of classics is intended to contribute to the revival of Chinese culture and help all people read.

This book introduces how Mr. Zheng Zhenduo re-examines the history of Chinese literature from a unique perspective. Based on the principle of promoting popular literature of the common people and denouncing and praising literature, he governs the whole book with a civilian view of literature, history and aesthetics, while at the same time using an independent spirit. The elite intellectuals make incisive analysis of literature and history, use beautiful writing to narrate thousands of years of Chinese literary history, and use prose-like techniques to lay out the writing, which is clear and elegant. It is a masterpiece of literature and history that combines ideological, intellectual, and readability.

When reading Chinese books, one must know the rhetoric with Chinese characteristics. Rhetoric that does not understand Chinese characteristics is prone to problems such as unclear things, unclear objects, and taboos. There are many differences between Chinese rhetoric and Western rhetoric, but few people know about them. Yang Shuda's "Chinese Rhetoric" is the foundation work of rhetoric with Chinese characteristics and deserves to be known and learned by more readers. This book introduces the essence of this foundational work.

This book mainly compiles Mr. Zhang Taiyan's two works: "Introduction to Chinese Studies" and "Lectures on Chinese Studies". Mr. Chen incisively discussed the connotation of Chinese studies and the methods of studying and managing Chinese studies. He also made exquisite and original evaluations of the characteristics, representative figures, and works of academic development in each period. "Lectures on Chinese Studies" is Mr. Zhang Taiyan's academic experience in his later years. The content is systematic and concise, and the writing is elegant and elegant. It is the best guide for understanding Zhang's thoughts and the advancement of Chinese studies.

This book collects and organizes Mr. Fu Sinian's precious lecture materials on "Warring States Schools" and "Historical Records". The former summarizes the origin and characteristics of hundreds of schools of thought, while the latter pioneered the modern study of "Historical Records". Both parts of the content are the essence of Fu Sinian's peak period and are still highly praised by academic circles today. The relevant historical chapters have been compiled, and the chronology of Fu Sinian has been carefully compiled in the appendix, which is highly collectible and readable.

During the Republic of China, the situation was changing, scholars emerged in large numbers, and academic masterpieces emerged one after another. This collection of 100 volumes of classics is intended to contribute to the revival of Chinese culture and help all people read.

This book compiles the contents of the literary research results written by Yao Yongpu, a writer of the Tongcheng School. It not only attempts to reinterpret the principles of literature based on the "righteousness and method" theory of the Tongcheng School's ancient prose to adapt to the needs of the times during the transition between the new and the old academic circles, but is also rooted in the traditional study of classics and history. From the aspects of semantics, pragmatics, discourse structure, style, etc., It has made useful discussions and contributions to the construction of the Chinese literary system that is a feature of "miscellaneous literature".

Zheng Zhenduo advocated the study and research of foreign literature, and with his corresponding research results, he initially successfully constructed a certain academic paradigm for his contemporaries in terms of methodology and other aspects. It can be said that for the first time in China, it has completely and systematically outlined the basic clues of the development history of Russian literature, or it can be said to have a bird's-eye view of the basic features of the development history of Russian literature. This book is a collection of Mr. Zheng Zhenduo's research results on the history of Russian literature.

This book collects and organizes Mr. Fu Sinian's precious lecture materials on "Warring States Schools" and "Historical Records". The former summarizes the origin and characteristics of hundreds of schools of thought, while the latter pioneered the modern study of "Historical Records". Both parts of the content are the essence of Fu Sinian's peak period and are still highly praised by academic circles today. The relevant historical chapters have been compiled, and the chronology of Fu Sinian has been carefully compiled in the appendix, which is highly collectible and readable.

"Jin Ping Mei" is one of the "Four Wonderful Books of the Ming Dynasty". It uses the section "Wu Song kills his sister-in-law" in "Water Margin" to introduce a period of urban life with Ximen Qing as the protagonist, and uses characters from the Song Dynasty to expose the corruption of Ming Dynasty society. This book is divided into three chapters: the first chapter is "Explanation of Ximen's Residence", the second chapter is "Explanation of Author and Writing Time", and the third chapter is "Explanation of Hundreds of Fables in the Golden Vase". I also call these three solutions the "Three Solutions to the Golden Vase". "Three Interpretations" is based on Chinese traditional culture, using law interpretation as the main method. The core is to interpret Lanling Xiaoxiaosheng's creative wisdom step by step in a step-by-step and in-depth manner based on the three guiding thoughts of induction and techniques such as concealment and contradiction.

Henry Remarque is a famous German-American comparative literature scholar and literary theorist. His article "The Definition and Function of Comparative Literature" published in 1961 was of far-reaching influence, establishing the classic definition of the "American School" of comparative literature and proposing the so-called "parallel research" and "interdisciplinary research." There are currently no monographs or books that systematically study Remarque in China. This book focuses on the relationship between Henry Remarque and comparative literature, starting from the macro perspective of the 60-year development history of comparative literature, examining its dialogue with the French School, the American New Criticism, and the Chinese comparative literature community. It also makes a contribution to "interdisciplinary research" on the nature of Remarque's comparative literature discipline. Through classic and non-classical interpretations, it proposes its own value judgment standards and makes a more systematic and in-depth explanation. This has inspired the theory of Chinese comparative literature, provided a new perspective for the study of Chinese comparative literature, and opened up a better channel for comparators who understand important Chinese comparative literature.

Lin Jiali, born in 1951 in Wenling, Zhejiang, is a professor in the Chinese Department of the School of Humanities of Zhejiang University and a doctoral tutor in ancient Chinese literature. He concurrently serves as the dean of the School of Humanities at Zhejiang Shuren University. Mainly engaged in research on Chinese Zhou, Qin, Han, Wei, Jin, Southern and Northern Dynasties literature, Chinese classical philology, and Zhejiang regional culture; he serves as deputy director of the Chu Ci Research Center of Zhejiang University and director of the Institute of Regional Culture of Zhejiang Shuren University. He has published more than 100 academic papers and 17 books in publications such as "Literary Review", "Literary History", "Literary Heritage", "Documentation", "Chinese Literature and History", "Journal of Zhejiang University" and other publications. His representative works include "Research on Shen Yue" and "Chu Ci?" "Nine Chapters Collection and Interpretation", "Xie Duo and the Chaling School of Poetry", etc. "Collection of Classical Documents and Zhejiang Regional Literature" is an academic treatise by Mr. Lin Jiali of Zhejiang University. It is divided into four parts: 1. Research papers on Shen Yue; 2. Research papers on Xie Duo; 3. Papers on literary history; 4. Philology papers.

"Outline of the History of Chinese Literature" outlines important literary facts, important writers, important literary schools, and important literary achievements in the history of Chinese literature. The editors are all famous literary historians. Different from the general writing method of detailed description of the history of Chinese literature, the outline aims to give a concise and systematic overview of the history of literature, highlighting the key phenomena in the history of literature, making it easier for readers to grasp. It is the best introductory book to the history of Chinese literature. This book is the third of four volumes and is a compendium of literature from the Song, Liao, Jin and Yuan Dynasties.

"The Modern Course of Chapter Novels" draws on Western cultural morphology methods to accurately grasp the relationship between Chinese chapter novels themselves and their various forms or appearances. This is a systematic research that integrates "internal" and "external" and can reveal the "spiritual" rhythm of Zhang Hui's novel in the complex historical situation. At the same time, Western novels are also introduced as reference, making this book both an influence study and a synchronic study. Under the two-phase observation, the life form of modern chapter novels is more clearly presented.

"Outline of the History of Chinese Literature" outlines important literary facts, important writers, important literary schools, and important literary achievements in the history of Chinese literature. The editors are all famous literary historians. Different from the general writing method of detailed description of the history of Chinese literature, the outline aims to give a concise and systematic overview of the history of literature, highlighting the key phenomena in the history of literature, making it easier for readers to grasp. It is the best introductory book to the history of Chinese literature. This book is the second of four volumes and is a compendium of literature from the Wei, Jin, Southern and Northern Dynasties, Sui, Tang and Five Dynasties.

This book outlines the important literary facts, writers, schools, and achievements of the Ming and Qing dynasties in the history of Chinese literature. The editors are all famous literary historians. Different from the general writing style of detailed narration of the history of Chinese literature, the Historical Outline aims to give a concise and systematic overview of the history of literature, highlighting the key phenomena in the history of literature and making it easy for readers to grasp. It is an essential introductory book to the history of Chinese literature.

This book outlines the important literary historical facts, writers, schools, and achievements in the pre-Qin, Qin and Han dynasties in the history of Chinese literature. The author is a famous literary historian. Different from the general writing style of detailed narration of the history of Chinese literature, the Historical Outline aims to give a concise and systematic overview of the history of literature, highlighting the key phenomena in the history of literature and making it easy for readers to grasp. It is an essential introductory book to the history of Chinese literature.

In order to make it easier for more people to understand the science fiction world written by Liu Cixin, we have compiled research texts, interviews, news reports, and even comments from netizens about Liu Cixin in recent years into the "Liu Cixin Phenomenon Observation Series", divided into two types: "I am Liu Cixin" and "Why Liu Cixin". The book "Why Liu Cixin" focuses on interpreting the discussion of the phenomenon after "The Three-Body Problem" became popular, analyzing the reasons why Liu Cixin won the Hugo Award, etc. It is mostly a research text by critics. For ease of reading, articles are listed in order of publication date.

This book explores the phenomenon of mentoring in the Zhongxing poetry circle of the Southern Song Dynasty, mainly analyzing the two aspects of mentor-disciple relationship and imitation, and how the mutual relationship between the two affects the creative process and creative achievements of the Zhongxing poets and the poetry development of the Zhongxing poetry circle. The perspective of this book is relatively novel. From a macro perspective, it takes the entire poetry circle of the early Southern Song Dynasty as the scope of investigation. This not only reflects a broader academic vision, but also provides a new perspective for us to deeply explore the evolution of Song poetry. The manuscript is extremely informative. Whether it is the statistical analysis of the text of the work or the commentary and introduction of contemporary research results, it is not afraid of troubles and makes every effort to catch up. It shows a very solid academic foundation and is a rare academic achievement in the study of Song Dynasty literature in recent years.

This book contains seven categories: "Overview of Literature in the Qing Dynasty", "On the Origin of Calligraphy", "Linchi Yi De", "On Calligraphy Quatrains", "Poems on Paintings in Tie Ruyi Pavilion", "Miscellaneous Discussions on Chinese Opera", and "A Brief Introduction to Medicine". It is a volume on literature and art, covering fields including literature, calligraphy, painting, opera, medicine, etc.

This book examines the formation, development and evolution of the two important literary schools of the Ming Dynasty, the Seven Sons, and explores the important characteristics and connotations of their literary activities.

This book takes Jiangnan female literature in the Qing Dynasty as the object of investigation, explores and analyzes the development history of female literature in the four periods of the late Ming and early Qing Dynasties, Kang Yong, Qian, Jiadao, and Guangxuan, and fills some gaps in the study of Chinese female literature. Through a detailed analysis of the talented Jiangnan women who created with a serious sense of mission and responsibility, their works and literary activities, the author deeply explores the diversity and richness of women's literature, and the multi-layered and complex characteristics of literary theory, thus expounding the particularity of women's literature that has formed a complete literary ecological system, and accurately understanding the literary historical significance and value of women's literature in the Qing Dynasty.

This book focuses on "literature" to study the Erlu brothers. On the basis of fully drawing on previous research results, it explores the influence of the Lu family in Wu County on Erlu literature from the perspectives of family, mentality, and region. It provides a glimpse into Erlu's inner world, understands the influence of Jiangdong and Luozhong geography, history and culture on their poetry, and re-examines the origins of Erlu poetry. When discussing Erlu, it not only emphasizes the geographical factors of his origin in "Wu County", but also emphasizes the influence of the family on Erlu. At the same time, this book is different from family studies, family tradition research, local geographical research and historical research. It comprehensively evaluates Erlu and gives it appropriate historical and literary positioning. This book is an essential reference for the study of Erlu.

This book is the Chinese version of "Shakespeare in China", a book on the history of modern Chinese drama by Japanese scholar Hiroshi Seto to commemorate the 400th anniversary of the death of British playwright Shakespeare. It introduces the history of Chinese people's acceptance and love of Shakespeare and Shakespeare's plays since the 1840s, and an appendix introduces the history of Shakespeare's acceptance in Japan.

"Regional Culture and Literary Trends" is Duan Chongxuan's new collection of literary criticism. "Regional Culture and Literary Trends" is divided into four volumes. "Attention", "Interpretation" and "Focus" focus on the macro development of Shanxi literature and the experiences and limitations of Shanxi writers' works. It focuses on in-depth explanations from the perspective of regional culture and literary evolution. The "Looking Across" series selects the author's research articles on several important topics such as rural novels, short stories, and literary criticism, which represents the author's academic achievements in contemporary literature.

This book reveals the true ending of "Dream of Red Mansions", which is also a "new" ending that was unknown in the past. It is called new because it is a brand-new conclusion reached after a comprehensive study of evidence that has never been paid attention to in previous red-study studies; but at the same time, it may also be the most original version and the most retro "old" ending, because this ending seems to be more in line with the original author's original intention of "Dream of Red Mansions" than various wildly imagined and far-fetched statements nowadays that ignore the author's original intention. Readers will be surprised and sigh after reading the conclusion: They never expected it, how could it end like this? However, you will find that deriving such a refreshing ending actually has its own theoretical basis, is not random, and is closer to the ideological connotation that the original author tried to express.

Many people hope to obtain the secret methods and health guidance from the Huangdi Neijing. The Nei Jing provides a word-for-word explanation of this classic of traditional Chinese medicine, giving ordinary people with no basic knowledge the opportunity to get up close and personal with previously unfathomable principles for the first time, bypassing difficult textual barriers and reaching the essence of the truth.

"Research on European and American Studies of Shuowen" mainly explores how European and American scholars study "Shuowen" under the Western academic background. The selected research objects are France, the United Kingdom, the Netherlands and other countries where Sinology is relatively developed. The author conducts a detailed analysis of the "Shuowen" academic achievements of more representative scholars in these countries.

In today's Japan, where popular literature is becoming increasingly active, Yamazaki's novels attract many readers at home and abroad with their typical story themes and distinctive writing style. How to evaluate the literary and social value of Yamazaki himself and his works is a task of profound significance. Yamasaki depicts abstract and invisible things one by one through delicate brushwork, and organizes and hierarchies the seemingly complicated systems and relationships, helping readers understand invisible things and gain an overview of society. Yamazaki, who is full of challenging spirit, will also take readers to the unknown world through novels to find out. With little-known themes and characters with different personalities, each of her works is amazing and inspires rich emotional resonance in readers, allowing them to understand the true meaning of life, discover the beauty of the world, and be truly moved. Summarizing and summarizing the rules and characteristics of Yamazaki's novels will not only help the popularization and research of Japanese social novels and even popular literature, but also allow people to gain a deeper understanding of Japanese society through the mirror of literature.

"Common Sense of Ancient Chinese Culture" is a concise reading of common sense of ancient Chinese culture that was written by Professor Wang Li and convened by many experts. It has been revised four times over the past 50 years since its publication. It is still the most important and comprehensive basic reference book for the public to understand the face of ancient Chinese culture. This revision breaks through the previous model. Liu Leyuan, a sinology expert who teaches in the United States, is specially hired to take the results of the golden age of Chinese archeology as a starting point. Through "new evidence of ancient history" that combines modern archaeological discoveries with traditional documents, it supplements the latest cultural research results from the perspectives of archaeology and anthropology. This book "Common Sense of Ancient Chinese" not only selects some common-sense papers and handouts on ancient Chinese from Mr. Wang Li's "Common Sense of Ancient Chinese", "Ancient Chinese Calendar", "Study of Classical Chinese", etc., But also supplements some interesting essays related to ancient Chinese written by Mr. Wang Li. The content is easy to understand. The book "Ten Lectures on Poetry Rhythm" mainly includes "Ten Lectures on Poetry Rhythm", "Remaining Comments on Poetry Rhythm" and two appendices ("Explanation of Three Tang Poems" and "Explanation of Three Song Poems"). The main part is "Ten Lectures on Rhythm and Rhythm of Poetry", which includes ten parts: rhyme and rhythm, five-character quatrains, seven-character quatrains, five-character verses and long rhymes, seven-character verses, changes in rhythm, antitheses, antiquity, word cards and score, and the harmony and rhythm of words. "A Summary of Poetry Rhythm" is an academic popular classic written by the famous linguist Mr. Wang Li to facilitate readers' appreciation and creation of classical poetry. It tells the most basic knowledge of classical poetry rhythm.

Want to find ways to write successfully? Start at the beginning... Whether you want to publish your work or just attract readers, the beginning of your book manuscript is crucial. A compelling beginning is key to getting the attention of an agent or editor, and is crucial to getting readers interested in reading. As a writer, what and how you write in your opening paragraph should not be left to chance. "Writing the First Fifty Pages" will help you learn how to write a strong opening from scratch. You will learn from it: introduce your main character; build your story world; set up the conflicts of the plot; begin your protagonist's spiritual journey; write an incredibly exciting opening. This helpful guide will help you complete the tasks that must be completed in the first fifty pages to avoid distracting, disappointing or boring readers while reading. Don't let your readers throw it away without truly appreciating the beauty of your story. This book will teach you how to use techniques and strategies to write great work that readers won't be able to put down.

Want to make your characters and stories more engaging, complex, and original than ever before? "45 Classic Character Archetypes" can help you explore the most common male and female archetypes. These mysterious, cross-cultural character models are the source of all characters. Analyze a series of characters, including protagonists, antagonists, and supporting characters. Learn to use archetypes to create unique characters. Examine the mysterious journey of your hero and heroine-the series of events that develop your protagonist's character-and learn how to use them to expand your story. The book is packed with examples from literature, film and television that prove just how effective and memorable these archetypes are-from Rocky Balboa's "Gladiator" and Captain Ahab's "King" archetypes, to Wonder Woman's "Amazon" and Guinea Vale's "Girl" archetypes. Any vivid story needs great heroes and villains, and this book will help you create characters that can stand the test of time!

This book covers several steps of writing, including how to prepare, find ideas and stories, find a suitable form, and complete the work, helping readers inspire a creative writer's life. The book gives a lot of suggestions, which are inspiring and guiding. It is a very classic writing guidance book.

This book helps you create tension and keep your readers hooked. The book contains various methods to make your work exciting, helping you to promote the storyline and make readers unable to put it down. As a thriller writer and writing coach, James Scott Bell will show you how to plot scenes, create characters, and develop story arcs to fill your story with conflict and suspense from beginning to end. By learning techniques from successful novels and movies, this book helps you: 1. Arrange appropriate conflicts at the beginning, middle, and end of your story. 2. Create suspense through the characters' inner conflicts. 3. Establish conflict for the story's POV characters. 4. Balance subplots, flashbacks, and backstories to push the story forward. 5. Maximize tension in the conversation. 6. Increase suspense when revising.

This book mainly involves the creation of "post-root-seeking literature" and "root-seeking literature". The two are both connected and different. "Post-root-seeking literature", like "root-seeking literature", includes writers and works with diverse styles and different personalities, and they have a consistent internal connection in their focus on traditional culture, the pursuit of Eastern ways of thinking and the charm of classical aesthetics. Both "root-seeking" and "post-root-seeking" can be seen as a "regression of progress" rather than a simple "retrospection". The cultural consciousness of "root-seeking literature" and "post-root-seeking literature" constitute an important context of literature since the new era.

This book mainly studies the occurrence and development of British immigrant novels in the second half of the twentieth century, analyzing the creative themes of their arrival in foreign lands and returning to their homeland, as well as the entangled "fleeting mentality" and "desire for permanent residence" in their works. Through the way they absorb the cultural characteristics of their own country and rewrite "Britishness", we can predict the development trend of British novels after postmodernism, as well as the international vision of the development of British novels.

This book follows the convention of staging the history of contemporary Chinese literature, and chronologically divides the literature of the 40 years of reform and opening up into three stages: New Era Literature (the late 1970s to the late 1980s), Post-New Era Literature (the 1990s), and New Century Literature (2000 to the present). Analyze the social and cultural context of each stage separately, interpret the changes in the party and the country's major literary and artistic policies, select the most representative literary trends and phenomena of each stage for analysis, and comprehensively restore the glorious course of literary and artistic development in the past 40 years of reform and opening up in the context of historical evolution. This book summarizes the achievements of literary development in the past 40 years of reform and opening up, and looks forward to the future development of socialist literature with Chinese characteristics.

This book takes travel narratives in classic American literature in the 19th century as the research object, explores the origin relationship between travel and literature, and the aesthetic characteristics of travel narratives in classic literature, comprehensively combs the cultural origins, travel paradigms and basic themes of travel narratives in classic American literature in the 19th century, and explains in detail the "Western Journey" of James, Fenimore, and Cooper. "Travel", Herman and Melville's "Sea Journey", Nathaniel and Hawthorne's "Night Journey", Walt and Whitman's "Great Road Journey", Mark and Twain's "Great River Journey" and Henry and James' "European Journey" and other narratives, revealing the typical presentation of travel narratives in the novels and poems of classic American writers in the 19th century.

"Who is the Heir - A Study on Modern and Contemporary Inheritance Issues in the Novel Art of Dream of Red Mansions" edited by Ji Wenjun is one of the "Chinese Modern Literature Museum Research Series". Based on "History of Red Mansions" and the history of modern and contemporary literature, it studies and discusses the modern and contemporary inheritance issues and phenomena of the novel art of "A Dream of Red Mansions". Starting from the May Fourth Movement period, "A Dream of Red Mansions" began to break away from ordinary Chinese classical novels and became a must-read for Chinese literature. It influenced readers and writers, and participated in the creation of modern and contemporary Chinese novels as a special classic. Since the "May 4th Movement", through the entire modern literary period, the "Seventeen Years" period, the "Cultural Revolution", the new era and the new century, the status of "A Dream of Red Mansions" in the entire Chinese literary coordinate system has been continuously upgraded, and its influence covers the entire history of modern and contemporary Chinese literature, becoming an indispensable Immovable classics, such as Ba Jin's "Home", "Spring" and "Autumn", Lao She's "Four Generations Under One Roof", Lin Yutang's "Beijing", Zhang Ailing's "Legend" and many other famous modern and contemporary literary works have inherited the novel art of "A Dream of Red Mansions" from different perspectives of narrative paradigm. The modern and contemporary inheritance of the novel art of "A Dream of Red Mansions" reflects the most mainstream creative tendencies and the most prominent issues in each stage of the narrative development of contemporary novels.

Over the past two hundred years, there have been thousands of research works on Dream of Red Mansions. However, due to the researchers' personalities and different perspectives on text research, "the creativity and particularity of the arguments are formed." "Famous Experts Interpretation of the Dream of Red Mansions" mainly collects self-selected works on red studies by famous experts in the field of Dream of Red Mansions in China, including representative works of famous red scholars such as Feng Qiyong, Li Xifan, Zhou Shaoliang, Zhou Cezong, Liu Shide, Cai Yijiang, Lin Guanfu, Hu Wenbin, Deng Yunxiang, Lu Qixiang, Zhou Siyuan, Bai Dun and other famous red scholars.

Mr. Qi Gong's knowledge can be represented in a nutshell by what he claimed to be "pig-running learning". In the book "Academic Qi Gong", the author analyzes Mr. Qi Gong's academic and scholarly thoughts, and deeply studies the connotation of "Pig Running School". The full text starts from the perspectives of narrative, judgment, question, method, description, emotion, etc., Not only scientifically and systematically classifies and elaborates Mr. Qi Gong's thoughts, but also presents the characteristics of "Pig Running School" to the readers in an in-depth and simple way. It is a work that comprehensively introduces Qi Gong's academic thoughts.

There has been no systematic study on the literary history of North America, an extremely important branch of immigrant literature, but the author has made a useful attempt. This book provides a clear overview of the development trajectory of North American Chinese literature, and then makes a concise summary of the origin and creation of North American Chinese literature. It also divided overseas Chinese writers into multiple levels: culturally confident people, "grassroots" writers, overseas student writers, new immigrant writers, new century cultural transgressors, etc. An intergenerational comparative study was conducted on the cultural mentality of these writers in different periods. On this basis, this book makes an in-depth analysis of the major novels written by new immigrant writers from mainland China such as Bai Xianyong, Yu Lihua, Cha Jianying, Su Wei, Yan Geling, and Zhang Ling after their immigration, and it has a relatively accurate grasp of the creative characteristics of these novels. What is also rare about this book is that it is quite convincing in its explanation of the differences in national, cultural and gender experiences and the identity crisis faced by Chinese literature in North America, breaking through the relevant opinions and cognitions of the academic community. This book is suitable for literature researchers and lovers to read.