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This book includes German writer Hauptmann's representative dramas "The Weaver", "Beaver Coat" and "Rat". "The Weavers" is based on the 1844 textile workers' uprising in Silesia, Germany. It breaks the tradition of not putting proletarians on the stage in German dramas, effectively reflects the reality of class opposition in German society, and is a masterpiece of critical realism literature. The comedy "Beaver Coat" satirizes and criticizes the stupidity and incompetence of the Prussian state bureaucracy, and portrays the distinctive character of the "thief" Aunt Wolf. "Rat" focuses on a tragedy at the bottom of Germany's society, revealing the corrupt nature of the German Empire, which is strong on the outside and incompetent on the inside, and the situation before the building is about to collapse.

"Three Kinds of Bernard Shaw's Plays" is a collection of plays by Bernard Shaw, the Nobel Prize winner and the outstanding Irish realist playwright. It selects three plays: "Mrs. Warren's Profession", "Another Island of the British" and "Major Barbara". They are translated by three translators: Pan Jiaxun, Zhu Guangqian and Ying Ruocheng. Mr. Wang Zuoliang writes a preface. Bernard Shaw used profound realism techniques; he was good at expressing character conflicts and themes through character dialogue and ideological and emotional confrontation, which improved his dramatic art and made bold innovations; his language was sharp, full of wit, and he blurted out witty aphorisms, which changed the sluggish situation of British drama throughout the century. The three plays in this book are George Bernard Shaw's masterpieces and can showcase his dramatic achievements.

The drama "The West Chamber" written by Wang Shifu in the Yuan Dynasty is an important work in the history of Chinese opera and has always attracted the attention of literature lovers. There are five plays in total, namely "Zhang Junrui's Dojo Zaju", "Cui Yingying's Listening to the Piano at Night", "Zhang Junrui's Lovesick Zaju", "Caoqiaodian Meng Yingying's Zaju" and "Zhang Junrui's Qing Tuan Chuan Zaju". Each book has four folds and one wedge, showing the structural characteristics of the more typical Yuan dramas. The book tells the story of Zhang Sheng and Cui Yingying, with the help of their maid matchmaker, they broke through the constraints of various feudal ethics and difficulties in real life and finally got married. At the same time, it shows high artistic achievement. The gorgeous diction, the twists and turns of the story, the ups and downs of emotions, the delicate writing style, and the vividness of the characters are all a masterpiece. Its superb psychological portrayal and twists and turns of structure are also among the best in ancient literary and artistic works with the theme of love.

"The Palace of Eternal Life", one of the "Twin Jewels of the Early Qing Dynasty Theater", is based on Bai Juyi's long poem "Song of Everlasting Sorrow" and Bai Pu's play "Indus Rain". It emotionally and deeply interprets the love story between Emperor Xuanzong of the Tang Dynasty and his imperial concubine Yang Yuhuan, and conveys the author's thoughts about his homeland. This book is based on the original edition of Baiqi Caotang, and is revised on the edition of Wenruilou and "The Legend of Warm Red Room Collection". It has detailed and accurate annotations. It is the best compiled edition at present. This revision also adds a number of color illustrations, such as "The Emperor Ming's Visit to Shu", "The Emperor Ming Plays Chess", "The Imperial Concubine Leaving the Bath", "The Imperial Concubine's Dawn Makeup", etc. Most of the illustrations selected in the book were created by painters of the Ming and Qing Dynasties. After processing, the colors are restored to a high degree, which can bring readers a vivid aesthetic experience.

"The Peony Pavilion" is a representative work by Tang Xianzu, a playwright of the Ming Dynasty. It tells the story of Du Liniang, a daughter of an official, who fell in love with Liu Mengmei, a scholar in her dream, and died of grief. "The Peony Pavilion" is famous for its beautiful diction, its lyrics are organic and interesting, and its music and lyrics take advantage of both the vigorous and turbulent Northern music and the subtle and elegant Southern poetry. Lu Tiancheng of the Ming Dynasty called it "thrilling, ingenious and endlessly new, truly worthy of the ages!" The author Tang Xianzu praised the true love of "the living can die, and the dead can live", which is lingering, beautiful and deeply touching. "The Peony Pavilion" is a masterpiece with the highest artistic achievement and greatest influence among ancient love dramas after "The Romance of the West Chamber".

The legend "The Peach Blossom Fan" created by Kong Shangren in the Qing Dynasty "borrows the feelings of separation and reunion to describe the feelings of rise and fall." It expresses the history of the fall of the Southern Ming Dynasty through the love story of Hou Fangyu and Li Xiangjun. "The Peach Blossom Fan" also has an outstanding artistic feature, that is, it uses a large amount of fiction to create historical dramas based on real people and real events with evidence. Among them, "Coaxing", "Detective Play", "Noisy", "Welcoming the Driver", "Facing the Seat" and "The Cursing Banquet" are all good plays that can show the author's flexible and creative thinking. The characters in the play are well-characterized, both physically and spiritually, and have a high level of artistic achievement.

"The Nibelungs" is adapted from "The Nibelungenlied", one of the most important narrative literatures in medieval Germany. It is a trilogy of plays written by Friedrich Heibel from 1850 to 1860. It was published in 1861. It is the most influential drama with the theme of the Nibelung myth besides Richard Wagner's opera "The Ring of the Nibelungs". The play consists of the one-act play "Siegfried with skin like dragon scales", the five-act tragedy "The Death of Siegfried" and the five-act tragedy "Kriemhild's Revenge". Translating this play into China will, on the one hand, help domestic readers have a more comprehensive understanding of the history of the reception of traditional legends in modern Germany, and on the other hand, it will also enable more readers to have a better understanding of Hebel, an important writer of the 19th century.

The author takes "Huizhou Women", "Cliff", "Sunny", "The Story of the Editorial Office", "Chinese Partners", "Orchid Pavilion", "Flying Swords of Dragon Gate", "Witnessed by All" and other dozens of dramas, film and television works that have attracted public attention as the research objects. From the perspective of creative rules, literary and artistic society From the perspectives of science and mass communication, it analyzes the humanistic care and social value of contemporary drama, film and television creation, and summarizes the development rules and experience gains and losses of literary and artistic creation in the new era. It is both ideological and academic, interesting and readable, and has high publication value.

Shakespeare was a great playwright and poet during the English Renaissance. His plays had a huge influence around the world and were an insurmountable literary peak. In addition to the well-known "Four Comedies", "A Midsummer Night's Dream", "The Merchant of Venice", "Twelfth Night" and "As You Like It", this edition also selects four famous works: "Much Ado About Nothing", "The Tempest", "The Winter's Tale" and "Weddings". They take love and friendship as their themes, contain the beautiful ideals of humanism, and are filled with optimism.

This book is a self-selected collection by the famous writer Zong Fusheng, which includes the four-act drama "In Silence", the drama script and the film and literary script "Blood is Always Hot". It is about an era and tells the forgotten history. Known as the silent "thunder" in the theater world!

This book is a self-selected collection of film and television literature by the famous playwright Gu Bai. It includes four representative works of the author: "Heroic Tribulation", "Chronicles of Shengping Street", "Wang Shiwu Biography" and "Xue Dou'e's Injustice". Among them, "The Story of Shengping Street", which tells the story of the changes in Shengping Street in Shanghai, was shortlisted for "the first batch of high-quality scripts solicited by Shanghai Media Group in 2006"; the new drama "The Injustice of Snow Dou'e" adapted from Guan Hanqing's "The Injustice of Dou E" retells the entire story from the perspective of the "foolish official judge" who has been ignored for thousands of years in the original work, which is both traditional and familiar, yet innovative.

This book is a legend (drama) created by Li Yu in the Qing Dynasty and published in the 17th year of Shunzhi in the Qing Dynasty. It is written about the struggle of the Donglin Party against the brutal rule of Wei Zhongxian and other eunuchs in the late Ming Dynasty, and concentratedly exposes the crimes of the Wei Party's spy politics at that time. "Qing Zhongpu" is Li Yu's masterpiece in his later years and is listed as one of China's top ten classical tragedies. At that time, Wei Party agents used various vicious criminal laws to harm the people in order to maintain their reactionary rule. The author did not write about Wei Zhongxian directly, but wrote about the arrogant politicians under his command, highlighting Wei Zhongxian's cruelty and evil. "Qingzhongpu" depicts the raging civil struggle on the opera stage for the first time, truly reproducing the vigorous mass struggle scene, making the common people a symbol of justice, affirming their historical status, and making them important figures in the drama. This is unprecedented in the history of Chinese opera. "Qingzhongpu" has a unique status. It is the first historical drama in the history of Chinese opera that "accordes to the facts" and played an important role on the stage of the Qing Dynasty. This had an influence on later dramas such as "The Peach Blossom Fan". After the work came out, it was adapted into the Peking Opera "Five People's Righteousness", which also had a great influence among the masses. A classic not to be missed by readers interested in opera. There are many characters in the play, the struggle scenes are magnificent, and the scenes change frequently. However, the script does not make people feel messy, but the plot unfolds in an orderly manner and the structure is relatively rigorous. Whether it is a hobby or a hobby, this book has great reading value.

This book is a legend (drama) created by Li Yu in the Qing Dynasty and published in the 17th year of Shunzhi in the Qing Dynasty. It is written about the struggle of the Donglin Party against the brutal rule of Wei Zhongxian and other eunuchs in the late Ming Dynasty, and concentratedly exposes the crimes of the Wei Party's spy politics at that time. "Qing Zhongpu" is Li Yu's masterpiece in his later years and is listed as one of China's top ten classical tragedies. At that time, Wei Party agents used various vicious criminal laws to harm the people in order to maintain their reactionary rule. The author did not write about Wei Zhongxian directly, but wrote about the arrogant politicians under his command, highlighting Wei Zhongxian's cruelty and evil. "Qingzhongpu" depicts the raging civil struggle on the opera stage for the first time, truly reproducing the vigorous mass struggle scene, making the common people a symbol of justice, affirming their historical status, and making them important figures in the drama. This is unprecedented in the history of Chinese opera. "Qingzhongpu" has a unique status. It is the first historical drama in the history of Chinese opera that "accordes to the facts" and played an important role on the stage of the Qing Dynasty. This had an influence on later dramas such as "The Peach Blossom Fan". After the work came out, it was adapted into the Peking Opera "Five People's Righteousness", which also had a great influence among the masses. A classic not to be missed by readers interested in opera. There are many characters in the play, the struggle scenes are magnificent, and the scenes change frequently. However, the script does not make people feel messy, but the plot unfolds in an orderly manner and the structure is relatively rigorous. Whether it is a hobby or a hobby, this book has great reading value.

"The Story of the Pipa" is a Southern opera adapted from the long-circulated folk opera "Zhao Zhennu Cai Erlang" by Gao Ming, a late-Yuan opera writer. It is a classic work in ancient Chinese opera. It describes the love story of Cai Bojie and Zhao Wuniang, a scholar in the Han Dynasty. Readers who like opera stories, this book is worth reading. "The Story of Pipa" basically inherits the framework of the story of "Zhao Zhennu", but changes the image of Cai Bojie in the original story who betrayed his parents and abandoned his wife. It retains Zhao Zhennu's "chastity and fidelity", but comprehensively transforms Cai Bojie's image, making him a scholar who is "all loyal and all filial". The whole play has a complete and ingenious structure, elegant and vivid language, showing the literati's delicate vision and smooth technique. It is a work that combines highly developed Chinese lyric literature and dramatic art. The literary achievement of "Pipa Ji" greatly exceeds the works in "Three Types of Operas in Yongle Dadian". Since its inception, it has been popular for more than 600 years and has always attracted the attention of the world. It has also been translated into French and Japanese and spread abroad. The whole play is elegant, complete, vivid and rich, showing the literati's delicate vision and hearty technique. It is a combination of highly developed Chinese lyric literature and dramatic art. No matter in terms of ideological content, characters, structure and language, "Pipa Ji" has unique features and is worthy of appreciation and consideration. Therefore, "The Story of Pipa" is an excellent play worth promoting. The artistic achievements of "Pipa Chronicles" not only affected the theater world at that time, but also set a model for the legends of the Ming and Qing Dynasties. Therefore, it was called the "ancestor of Southern Opera" in the past.

"The Story of the Pipa" is a Southern opera adapted from the long-circulated folk opera "Zhao Zhennu Cai Erlang" by Gao Ming, a late-Yuan opera writer. It is a classic work in ancient Chinese opera. It describes the love story of Cai Bojie and Zhao Wuniang, a scholar in the Han Dynasty. Readers who like opera stories, this book is worth reading. "The Story of Pipa" basically inherits the framework of the story of "Zhao Zhennu", but changes the image of Cai Bojie in the original story who betrayed his parents and abandoned his wife. It retains Zhao Zhennu's "chastity and fidelity", but comprehensively transforms Cai Bojie's image, making him a scholar who is "all loyal and all filial". The whole play has a complete and ingenious structure, elegant and vivid language, showing the literati's delicate vision and smooth technique. It is a work that combines highly developed Chinese lyric literature and dramatic art. The literary achievement of "Pipa Ji" greatly exceeds the works in "Three Types of Operas in Yongle Dadian". Since its inception, it has been popular for more than 600 years and has always attracted the attention of the world. It has also been translated into French and Japanese and spread abroad. The whole play is elegant, complete, vivid and rich, showing the literati's delicate vision and hearty technique. It is a combination of highly developed Chinese lyric literature and dramatic art. No matter in terms of ideological content, characters, structure and language, "Pipa Ji" has unique features and is worthy of appreciation and consideration. Therefore, "The Story of Pipa" is an excellent play worth promoting. The artistic achievements of "Pipa Chronicles" not only affected the theater world at that time, but also set a model for the legends of the Ming and Qing Dynasties. Therefore, it was called the "ancestor of Southern Opera" in the past.

This manuscript contains 10 new plays by the famous playwright Luo Huaizhen. Including Kun Opera "Guo Feng" and "Autumn in the Han Palace", Peking Opera "Changing Worlds", Huai Opera "Han Mei", Yang Opera "Alian Crossing the River", dance dramas "The Eternal Wave", "The Source of the River", "AI Mother", ballets "Liang Shanbo and Zhu Yingtai", "Du Liniang", etc. These ten plays more vividly reflect the author's achievements in opera creation and are full of characteristics.

"Teahouse" is a masterpiece of Lao She's drama, and it is also a classic play often performed by the Beijing People's Art Theatre. This play was completed in 1957 and first performed by the Beijing People's Art Theater in 1958. It depicts the epitome of modern society and the times through a teahouse. Teahouse owner Wang Lifa's bleak management of the ancestral "Yutai Teahouse", although shrewd, tactful and hard-working, finally failed to prevent the decline, which reflected the trend of Chinese society from the side. This book is illustrated by Ye Qianyu.

This book is divided into two volumes, and is based on the drama volume in "The Complete Works of Wang Zengqi". It includes Peking Opera, Kunqu Opera, opera musicals, comedy sketches, and film literature from 1957 to 1995, including "Fan Jin Zhongju" and "Shajiabang". It is the most complete collection of Wang Zengqi's drama creations at present. Each script has a caption, which clearly and concisely introduces the basic information of each script such as the time of publication, original publication, type of play, adaptation and collaborators. It is currently the most comprehensive and standardized rare book on Wang Zengqi's drama creations. This book is another new product after the publication of "The Complete Novels of Wang Zengqi", "The Complete Collection of Wang Zengqi's Prose", "The Complete Collection of Wang Zengqi's Poems" and "The Complete Collection of Wang Zengqi's Letters", to meet the needs of readers who love Wang Zengqi's dramas.

Life is like a play sometimes, with moments of joy and moments of earth-shaking, if you work hard, you won't be kicked out. Accidents sometimes strike suddenly. We cannot choose our fate, but we can choose how to face problems. A small teahouse is a big society. Here, what you taste is not tea, but life.

"Teahouse" is the title of a Chinese drama, one of Mr. Lao She's masterpieces. The story in the play all takes place in a teahouse in Beijing. People come and go in the teahouse, and people of all colors and religions gather together. A big teahouse is like a small society. Mr. Lao She captured the characteristics of this scene and highly concentrated the fifty-seven main and secondary characters in the teahouse over a half-century time span, showing three periods after the failure of the Reform Movement of 1898 in the late Qing Dynasty, the period of the Beiyang warlord separatism in the early years of the Republic of China, and the eve of the fall of the Kuomintang regime. The modern life scenes summarize the sharp opposition and conflicts between various classes and forces in Chinese society, and reveal the historical destiny of semi-feudal and semi-colonial China. This play is also one of the classic plays of the Beijing People's Art Theater and was later adapted into a movie and TV series of the same name.

"Jiao Yulu" is a collection of plays written by Zhao Shuli, and one of them, "Jiao Yulu", is taken as the title. This script collection includes six scripts by Zhao Shuli, including "Han Yuniang", "Wanxiang Tower", "Ten Mile Store" and "Jiao Yulu". These works were created from 1956 to 1966 and have far-reaching influence. "Jiao Yulu" is a script of the same name by Zhao Shuli, who watched the Jincheng County Theater Troupe rehearsing it and thought it deified Jiao Yulu in the play. So he went deep into Lankao and went to the masses to interview Jiao Yulu's deeds, and wrote the first three scenes. However, he finally stopped writing because of creative difficulties. Zhao Shuli started writing "Ten Mile Store" in June 1964. When the Shangdang Bangzi Theater Troupe took "Ten Mile Store" to participate in a modern theater performance in Taiyuan, it was criticized. Zhao Shuli had been involuntarily involved in the whirlpool of drama reform...

Nan Opera is the earliest mature form of opera in China. It plays an important role in the history of Chinese opera and culture. It has also attracted the attention of scholars from outside the country, and Nan Opera has been spread outside the country. This book takes the overseas spread of Southern Opera as its object, focusing on exploring the latest achievements in research, translation, and adaptation of Southern Opera by overseas scholars, providing a uniquely valuable method and perspective for related domestic research.

This book is a collection of Woody Allen's drama works published in 2003, including three works: "Riverside", "Old Saybrook" and "Central Park West". These three stories revolve around the phenomenon of marital infidelity, written in a relaxed and humorous way, full of insight and highly readable. The characters are typical New Yorkers who appear innocent at first but then run into unexpected trouble or become embroiled in scandal. The work continues Woody Allen's enduring creative theme: the protagonist constantly makes excuses for himself, covering up what he has done, and then inevitably falls into infidelity and deception. All dramatic elements are cleverly presented with the help of Woody Allen's impromptu and concise dialogue, making people laugh and think deeply at the same time.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book contains 10 of the author's representative TV drama scripts. "Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. These works, the earliest were created in the mid-1980s, and the later were finalized in recent times, involve a variety of themes and fields. Some are based on major historical events and the process of social development, showing true temperament in the grandeur, and insights in subtle understandings; some are adapted from literary classics and movies to express feelings about the past. They provide a new interpretation of people's living environment and human nature in the past, as well as the inheritance and development of excellent literary traditions; some reflect the changes in ideological concepts and social consciousness since China's reform and opening up, and raise the issue of breaking through forbidden areas at the level of moral awareness and aesthetic ideals; other works use small insights to reproduce a moment in the long history. The author has devoted himself to the creation of film and television literature for many years, and has made various explorations and active creations for the development of film and television art.

"Goddess" is Guo Moruo's first collection of poems, and it is also the first new collection of poems in the history of modern Chinese literature that truly fully demonstrates modern consciousness and the spirit of the times in terms of ideological content and artistic form. "The Goddess" is full of deep hatred for the dark forces of society, expressing the poet's heroic spirit of criticizing the old world and creating a new world. The poet not only fiercely attacked the old things of the old world, but also criticized his own "old self" mercilessly. "The Goddess" is also permeated with the spirit of creation and renewed consciousness.

"Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. The earliest of these works were created in the mid-1980s, and the later ones were finalized in recent times. They cover a variety of themes and fields. Some of them are based on major historical events and the process of social development. They reveal true temperament in the grandeur and insight in subtle understandings.

This book contains 10 of the author's representative TV drama scripts. "Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. These works, the earliest were created in the mid-1980s, and the later were finalized in recent times, involve a variety of themes and fields. Some are based on major historical events and the process of social development, showing true temperament in the grandeur, and insights in subtle understandings; some are adapted from literary classics and movies to express feelings about the past. They provide a new interpretation of people's living environment and human nature in the past, as well as the inheritance and development of excellent literary traditions; some reflect the changes in ideological concepts and social consciousness since China's reform and opening up, and raise the issue of breaking through forbidden areas at the level of moral awareness and aesthetic ideals; other works use small insights to reproduce a moment in the long history. The author has devoted himself to the creation of film and television literature for many years, and has made various explorations and active creations for the development of film and television art.

This book contains 10 of the author's representative TV drama scripts. "Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. These works, the earliest were created in the mid-1980s, and the later were finalized in recent times, involve a variety of themes and fields. Some are based on major historical events and the process of social development, showing true temperament in the grandeur, and insights in subtle understandings; some are adapted from literary classics and movies to express feelings about the past. They provide a new interpretation of people's living environment and human nature in the past, as well as the inheritance and development of excellent literary traditions; some reflect the changes in ideological concepts and social consciousness since China's reform and opening up, and raise the issue of breaking through forbidden areas at the level of moral awareness and aesthetic ideals; other works use small insights to reproduce a moment in the long history. The author has devoted himself to the creation of film and television literature for many years, and has made various explorations and active creations for the development of film and television art.

"Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. The earliest of these works were created in the mid-1980s, and the later ones were finalized in recent times. They cover a variety of themes and fields. Some of them are based on major historical events and the process of social development. They reveal true temperament in the grandeur and insight in subtle understandings.

"Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. The earliest of these works were created in the mid-1985s, and the later ones were finalized in the recent past. They involve a variety of themes and fields. Some of them are based on major historical events and the process of social development. They reveal true temperament in the grandeur and insight in subtle understandings.

The author Li Shaojie edited and compiled more than 80 Allegro calligraphy works created and performed by Mr. Li Runjie, a famous Allegro calligraphy performance artist, as well as 7 works of Xihe drum, cross talk, bamboo board calligraphy and other types of music created by Mr. Li Runjie. He also gave a concise and comprehensive introduction to the creative background of the work before each work. It has extremely high historical value and is also an excellent teaching material for those who learn Allegro calligraphy. The first volume mainly includes a brief introduction to the life of Mr. Li Runjie and the story-type works created and performed by Mr. Li Runjie, such as speeding cars to explode arms and robberies, etc. The second volume contains the hymn works composed and performed by Mr. Li Runjie, such as Singing the Front Line, Haihe River Hymn, etc.

The author, Li Shaojie, edited and compiled more than 80 allegro calligraphy works created and performed by Mr. Li Runjie, a famous allegro calligraphy performance artist, as well as 6 works of Xihe drum, cross talk, bamboo board calligraphy and other types of music created by Mr. Li Runjie. He also gave a concise and comprehensive introduction to the creative background of the work before each work. It has extremely high historical value and is also an excellent teaching material for those who learn allegro calligraphy. The first volume mainly includes a brief introduction to the life of Mr. Li Runjie and the story-type works created and performed by Mr. Li Runjie, such as speeding cars to explode arms and robberies, etc. The second volume contains the hymn works composed and performed by Mr. Li Runjie, such as Singing the Front Line, Haihe River Hymn, etc.

The author, Li Shaojie, has edited and compiled more than 80 Allegro calligraphy works created and performed by the famous Allegro calligraphy performing artist Mr. Li Runjie, as well as 8 works of Xihe drum, cross talk, bamboo board calligraphy and other types of music created by Mr. Li Runjie. He also gave a concise and comprehensive introduction to the creative background of the work before each work. It has extremely high historical value and is also an excellent teaching material for those who learn Allegro calligraphy. The first volume mainly includes a brief introduction to the life of Mr. Li Runjie and the story-type works created and performed by Mr. Li Runjie, such as speeding cars to explode arms and robberies, etc. The second volume contains the hymn works composed and performed by Mr. Li Runjie, such as Singing the Front Line, Haihe River Hymn, etc.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

"Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. These works, the earliest were created in the mid-1980s, and the later were finalized in recent times, involve a variety of themes and fields. Some are based on major historical events and the process of social development, showing true temperament in the grandeur, and insights in subtle understandings; some are adapted from literary classics and movies to express feelings about the past. They provide a new interpretation of people's living environment and human nature in the past, as well as the inheritance and development of excellent literary traditions; some reflect the changes in ideological concepts and social consciousness since China's reform and opening up, and raise the issue of breaking through forbidden areas at the level of moral awareness and aesthetic ideals; other works use small insights to reproduce a moment in the long history. The author has devoted himself to the creation of film and television literature for many years, and has made various explorations and active creations for the development of film and television art.

"Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. The earliest of these works were created in the mid-1980s, and the later ones were finalized in recent times. They cover a variety of themes and fields. Some of them are based on major historical events and the process of social development. They reveal true temperament in the grandeur and insight in subtle understandings.

"Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. The earliest of these works were created in the mid-1980s, and the later ones were finalized in recent times. They cover a variety of themes and fields. Some of them are based on major historical events and the process of social development. They reveal true temperament in the grandeur and insight in subtle understandings.

"Selected Plays of Cheng Weidong" contains a total of 17 works, divided into 10 volumes. The earliest of these works were created in the mid-1980s, and the later ones were finalized in recent times. They cover a variety of themes and fields. Some of them are based on major historical events and the process of social development. They reveal true temperament in the grandeur and insight in subtle understandings.