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Starting from Foucault's postmodern theory of history, power and subject, this monograph interprets the female drama works of contemporary British female playwright Caryl Churchill, displays her various postmodern artistic methods, analyzes the playwright's feminist thoughts, and illustrates the interpenetrating relationship between postmodern art and political participation. It is suitable for reference reading by foreign literature researchers, modern and contemporary theater researchers and enthusiasts.

"Research on Lingnan Pre-Tang Literature" conducts research on the literature of Lingnan indigenous people in different historical stages of the pre-Tang Dynasty, the literature of those who were exiled and settled in Lingnan, and the works of authors who have never been to Lingnan but paid attention to the scenery and people in Lingnan. On this basis, it sorted out the development of pre-Tang literature in Lingnan. The book is full of historical materials and argumentative, making it a rare academic masterpiece.

This book takes the contemporary British novelist Ian McEwan as the research object, and uses "empathy" as the entry point within the framework of ethical criticism. It systematically examines the various types of empathy between self and others in McEwan's six major novels and related ethical and moral issues, and then conducts an in-depth study of McEwan's exploration of complex human nature. This book expands the depth and breadth of the study of McEwan's novels in terms of subject matter and content. It uses the research methods of literary ethics criticism, empathy psychology, and care ethics across disciplines, opening up a new interdisciplinary interpretation perspective for the study of McEwan's novels.

This book considers Australian bush realist novels within the development framework of world realism, deeply explores the themes and narrative characteristics of Australian bush realist novels, and positions Australian bush realist novels with an open perspective and overall grasp. The book covers the main writers and poets of Australian bush realism, and basically constructs the historical, cultural and ideological significance of the development of Australian realist novels. Through text interpretation and analysis, it studies the social background, cultural characteristics, and ideological origins of Australian bush realist novels, and systematically explores the development connotation of Australian bush realist novels.

This book is a monograph that studies the relationship and origins between Confucian classics and ancient Chinese literary theory. The Qing Dynasty was a period of great development of literary theory and a period of revival of Confucian classics. Literary theories of Qing Dynasty poetry, novels, and operas were all influenced by Confucian classics. As far as the construction of the ancient literary theory system is concerned, ancient literary ontology, creation theory, work theory, functional value theory, general theory and literary criticism are particularly influenced by Confucian classics. In addition, Confucian classics had a profound impact on the use of categories in ancient literary theory, the formulation of propositions, and the formation of academic characteristics. Confucian classics plays a decisive role in the formation and development of ancient literary theory. Only by conducting research based on the standpoint of classics can we gain a deep understanding of the ideological essence of ancient literary theory.

Guided by linguistic theory, this book analyzes the texts of Austen's major novels, aiming to comprehensively and systematically study the language art of revealing character relationships. The author conducts a systematic and detailed study of the language depicting interpersonal relationships in Jane Austen's three important novels from different periods, Pride and Prejudice, Emma and Persuasion, based on the principles of cooperation, interpersonal meaning and verbal expression theory.

This book is the 2015 volume of "Research on Literary Studies". The editor-in-chief adheres to strict academic research norms and excellent academic traditions. The academic papers included pursue academic depth and breadth, and strive to promote the study of literary theory and literary history, including papers on literary studies, ancient Chinese literature studies, modern and contemporary Chinese literature studies, comparative literature studies, etc.

This book aims to clarify how the emotions and concepts of people in the Chinese-speaking world have been formed over the past century. How literature expresses and reproduces Chinese people's emotions and concepts. At the same time, we specifically examine the experiences of Japanese people such as Natsume Soseki and Oe Kenzaburo who have visited various places in the Chinese-speaking world.

This book is a collection of papers from an international academic symposium on English literature and ecocriticism. The selected papers use more modern social science and cross-scientific methods to explore the conference theme. The paper format is standardized and the writing is fluent, enriching the study of English literature. In the context of the current world facing environmental problems such as climate change, global warming, environmental pollution, species extinction, and biodiversity decline, this collection of essays explores the ecological ideas in works from a literary perspective and considers the issue of ecological protection, which is of great significance to the real society.

This book is the 2016 volume of "Literary Studies". The editor-in-chief adheres to strict academic research norms and excellent academic traditions. The academic papers included pursue academic depth and breadth, and strive to promote the study of literary theory and literary history, including papers on literary studies, ancient Chinese literature studies, modern and contemporary Chinese literature studies, comparative literature studies, etc.

This book is a monograph on the study of propositions in ancient Chinese literary theory. "Proposition" and "category", as the main ways for ancient Chinese literary and art theorists to express their ideas, have completely different nature, connotation and formal characteristics. There are a large number of propositions in various literary and artistic theories such as ancient poetry, novels, dramas, calligraphy and painting. This book explores from different angles and strives to comprehensively explain the nature, characteristics, functions and contemporary value of ancient literary theory propositions.

This book is a collection of modern literature edited by the Chinese New Literature Research Center of Nanjing University, a key research base for humanities and social sciences of the Ministry of Education. It carries out an eclectic discussion on some major issues and hot issues in modern and contemporary Chinese literature, and selects a number of relatively representative professional papers from literary history, drama studies, doctoral thesis selection and other topics.

This book is the result of a project funded by the National Philosophy and Social Sciences Foundation. Starting from Naipaul's life experience and his multicultural writing background, the documentary and fictional characteristics of his works, post-colonialism, from the margin to the center, travel writing, diaspora and other perspectives, the author comprehensively analyzes all the works of the Nobel Prize winner Naipaul, studies his contradictory literary practice, and makes a judgment on his overall creation.

This book takes the development of literary history as its context and sorts out the major literary styles and achievements at home and abroad from the early stages of literary development to modern times. The book has a total of twenty-two chapters, divided into two volumes: upper and lower. In terms of layout, each chapter consists of four parts: chapter overview, selected readings of works, related comments and problem exploration. The layout includes macro introductions, selected readings of classic works, and relevant comments to deepen understanding, which helps students gain a comprehensive and in-depth understanding.

"Actor's Self-cultivation" is the essence of Stanislavsky's performance system. It uses a diary narrative method and the perspective of classroom dialogue between teachers and students in a drama school to elaborate on actors' performance methods and skills in body, voice, personality, thinking logic, imagination, attention and other aspects. It is a reference book on actors' profession and responsibilities that has been successfully tested by countless performing workers. It is a life masterpiece that enhances and perfects actors' artistic and moral cultivation. This book is suitable for actors, performance enthusiasts, art candidates, Internet celebrities, anchors, short video experts and everyone who wants to upgrade themselves.

This book is a self-selected collection of personal literary works by the young student Mastao. The author uses "Za, Nen, and Courage" to summarize this collection of works. Za means a variety of genres, involving poetry, travel notes, short stories, prose, essays, essays, etc.; Nen means that the author has a humble heart towards his works. After all, both life and the creation of his works have just begun; Courage is also the author's humble word based on "tender", but it also explains the author's confidence in the work. The author's praise of youth, young people's understanding of failure, and attitude towards setbacks in the poem all show a mature outlook on life and values. The long poem "Laocoön", which imitates the Renaissance, fully demonstrates the young author's literary talent. In his travel notes about Shaanxi and Hainan, readers can realize the young generation's love for the great rivers and mountains of the motherland and their praise for the rapid development. In his essays such as "Seeing the Causes of Women's Tragedy in the Feudal Era from "A Dream of Red Mansions"" and "Seeing the Inevitability of Tragedy from "Hamlet"", he showed the unique thinking and insights of young students.

The author analyzes and explains classic stories in Chinese and foreign classic literature, film and television dramas, and movies, and then extracts the creative principles of good stories. It dismantles the ten major genres of novels such as detective, suspense, science fiction, emotion, and history one by one, carefully reads their style characteristics, story structure, analyzes representative works, and then clearly explains the key points of creation of each type of story. Practical techniques for story writing-character creation and conflicts, writing methods for genre novels-topic selection and style processing, and primary guidance for professional writing-publishing and high self-discipline. No one is born to write stories, from character creation to conflict creation, from subject selection to style treatment, whether story creation or novel writing, this is a practical guide that readers can quickly get started with.

"Flying to the Spaceport" records the story of China's Xichang Satellite Launch Center's successful launch of a foreign satellite, the United States' "Asia One", using the "Long March 3" carrier rocket. It includes both the cooperation and friendship between Chinese and American experts deep in the Daliang Mountains, as well as the collision and conflict between Eastern and Western civilizations at the modern satellite launch site. The whole work has a tight rhythm and a relaxed pace. It uses a panoramic writing to completely reproduce the entire process of the first successful launch of a foreign satellite by China's self-developed launch vehicle. It shows the wisdom and determination of the Chinese nation to forge ahead and constantly overcome difficulties. It also uses the vision and courage of earth people to look up to the heaven and earth, travel through ancient and modern times, and show the broad mind of mankind to explore the universe and look forward to the future.

This book is a famous work by Japanese scholar and critic Konishi Jinichi. It takes elegance and vulgarity as the entry point and guides the whole book, and completely discusses the development process of Japanese literature from ancient times to the present. It explains the mystery in detail and quotes from side by side. Every time it examines Japanese literature from the perspective of world literature, it is full of original ideas. The translator of this book is Taiwanese translator Zheng Qingmao. The translation is accurate and the diction is elegant.

This book begins with the Chinese people in the Ming Dynasty who first came to know Canada through the Jesuits. It traces its origins and supplements the history of Canadian literature with a rich background of overseas Chinese history. This book discusses the development of Chinese literature (including Chinese, English, French and bilingual writing) in the central and western regions centered on Vancouver, in the east centered on Toronto, and in the French-speaking area centered on Montreal. The Chinese literature in the above three regions is the most mature place for the development of Chinese literature in Canada, and it gathers the most important Chinese writers. The historical evolution of Canadian-Chinese literature and important writers, works, and associations outline the overview of Canadian-Chinese literature, showing its historical, contemporary, and cosmopolitan nature. Using topics such as "North American Chinese women," "ethnic coming-of-age novels," and "self-translation" as topics, it not only unearths the historical causes of the diverse styles of Canadian-Chinese literature, but also deepens the study of some major Canadian-Chinese literary writers and works, revealing the internal connections between Canadian-Chinese literary works and the similarities and differences with Chinese-American literary creation. The author's vision is broad and far-reaching, and his thinking is rigorous and comprehensive. He organically combines vertical historical combing, plate-like scanning, and case-by-case in-depth analysis to conduct cross-language and cross-border integration and comparison, and comprehensively and penetratingly outlines the face of Canadian Chinese literature.

This book is a collection of English academic research papers in the field of comparative literature theory. It mainly discusses Western literary phenomena and literary theoretical issues. It contains nearly 20 papers, covering literary classics, such as adaptations of Shakespeare's plays and the New Sonnets; popular culture, such as motifs in American dramas; and theoretical criticism, such as feminist poetics and logos criticism. The academic value is high.

This book is a memoir written by a retired teacher couple on the occasion of their diamond wedding. It narrates the tremendous changes and development of Chinese society over the past 70 years from the 1940s to the present that two ordinary old people have experienced. It summarizes the experience and experience of two teachers who have worked in the education system throughout their lives, taught and educated people for decades, and achieved outstanding results. It also records the love and family life journey of the two protagonists who met and fell in love when they were students, stayed together for 60 years, and raised three children. It also describes what they saw and felt when they visited many provinces and cities in their motherland and spent a year in the United States.

"Jane Eyre" is the famous and representative work of Charlotte Bronte, a 19th-century British realist literary writer. The novel truly reproduces the ups and downs and brave pursuit of the little character Jane Eyre, and creates an image of a strong woman who was born in poverty but despises money, has a humble status but is not contemptuous, longs for love without losing dignity, and always insists on maintaining her independent personality and never bows to fate.

This book explores the deep connotation of "Huainanzi" from two important and basic research perspectives, one is the works of miscellaneous scholars, and the other is based on the text. Through text interpretation, we can see that its structure generally constructs the structural form of "the big river"; and the chapters form clusters, and they follow the principles of dialectics, complementarity, or logically connecting things with each other. In terms of discussion, "Huainanzi" aims to integrate various schools of thought, and chapters such as "Dao Yingxun" also demonstrate its conclusive identity as a miscellaneous school by "blurring ambiguity" and other methods. The use of documents in "Huainanzi" reflects the intention of chapter planning and shows the obvious characteristics of discussion first. If we observe from the perspective of stylistics, we can see the important position of certain articles in the history of stylistic development, such as the significance of "Shuo Shan Xun" and "Shuo Lin Xun" to the continuous body; "Yao Lue" is also an important work of ancient Chinese prose.

This book focuses on the development trends of new poetry in the middle and late Tang Dynasty, centered on the Yuanhe period, and explores the poems of Meng Jiao, Liu Yuxi, Li Shangyin and works about prostitutes. These poets and works fully reflected the new trends emerging in the poetry world at that time.

From the perspective of the history of literary development, through multi-level and multi-angle comparative analysis, this book systematically examines the literature of the Chen Dynasty in the overall development of the literature of the Southern Dynasties and the literature of the Sui and Tang Dynasties in the Southern and Northern Dynasties. Under the guidance of a clear awareness of literary history, this book is both based on the ontology and not independent of the literary history of literature. Forget about the peripheral approach, research that encompasses the overall situation and discusses individual cases objectively confirms the status and role of the Chen Dynasty literature in the development process of the literature of the Southern and Northern Dynasties to the literature of the Sui and Tang Dynasties, thereby promoting and deepening the understanding and research of the development history of the literature of the Southern and Northern Dynasties and even Chinese literature. In the specific research, the author broke through the traditional research methods of individual writers and genre classification, and grasped the factors that had the most influence on the development of literature at that time: Hou Jing's Rebellion, Chen Dynasty Literary Society activities, North and South recruitment, etc., Using thematic discussion method to dialectically analyze the ideological content, artistic style and cultural value of Chen Dynasty literature, thus accurately revealing the basic characteristics and development reasons of Chen Dynasty literature. This is the first comprehensive and comprehensive study on the relationship between Hou Jing's Rebellion and Chen Dynasty literature from all aspects and angles, and comprehensively explores the specific impact of Hou Jing's Rebellion on the social customs, scholars' mentality, and cultural characteristics of the early Chen Dynasty, thus profoundly revealing the influence of this historical event in the history of literature. At the same time, the in-depth exploration of the exchanges and collisions of multiple cultural forms under different political, economic and cultural complex backgrounds shows the author's in-depth thinking and skillful application of cultural history concepts, thereby ensuring the height and depth of academic discussion.

This book is the latest research by Mr. Wu Renshu, a Taiwanese scholar, on the leisure consumption and social life of Jiangnan urban residents from the mid-Ming Dynasty to the mid-Qing Dynasty. Taking consumption as the starting point and Jiangnan cities as a case, this paper explores how leisure consumption activities in cities during the Ming and Qing Dynasties changed the spatial structure of the city, and then analyzes the social relations and power entanglements reflected behind it. How has leisure consumption changed urban space? How can stores transform their spatial configuration to meet consumer demand? How to expand and differentiate leisure space? Why do private leisure spaces become public? What are the differences between men and women in consumption space? ... The author answers many questions one by one in the book, and concludes that consumption is an important feature of urban character. At the same time, the attraction of leisure consumption is used to explain the reasons why the gentry gradually became urbanized in the Ming and Qing Dynasties, and illustrates the possibility of demoralization and depoliticization of the views of leisure consumption by Jiangnan officials and gentry in the eighteenth century. Through this book, you can also get a glimpse of the leisure life of Jiangnan citizens during the Ming and Qing Dynasties and appreciate the prosperous scene of Jiangnan cities.

The book is divided into three parts. The first part is called "Research on Three Major Publishing", which collects 9 papers, mainly discussing and analyzing related publishing content sections from the perspective of the three major publishings. The middle part is called "Thoughts on Publishing Practice", which collects more than 30 papers, mainly from the perspectives of macro-publishing exploration, book market trends, and teaching aid publishing. It is about the description and observation of publishing phenomena; the lower part is called "Remains of Hard Work in the Book Garden" and collects nearly 10 papers and articles, which are divided into work experience records and media report archives. It is some records and summaries of the author's publishing work in Shanxi Education Press, Shanxi Xinhua Bookstore Group, Shanxi Science and Technology Press and other units.

This book examines the stories of "The Romance of the Three Kingdoms" in notebook style, with a total of 193 stories. For example: "It is not unreasonable to say that Zhang Fei can draw." "Hua Xuanyuan Interpretation" says that Zhang Fei likes to draw beauties and is good at cursive calligraphy. Guan Gong is also good at writing bamboo, which is recorded in "Notes of Gengyan Tianzhai". Yun Gong is good at writing bamboo, and there are stone carvings of bamboo, which are majestic and straight in the sky. It is said that the bamboo painters started from Mrs. Li in the Five Dynasties, but I don't know that he actually created it. Zhuge Liang is good at calligraphy. There are few people who know the law. "Huayang Guozhi" says that Zhuge Liang once made pictures for Nanyi, and he was good at cursive writing and seal script. "It has its own interest and research. It is a piece of gossip that combines knowledge and interest."

This set contains two books: "The Power of Words: How Literature Shapes Humanity, Civilization, and World History" and "Eat: How Food Changes Us as Humanity and Global History."

This set includes: "Between Life and Death: When We Meet Disease and Death" and "The King of All Diseases: A Biography of Cancer", a total of 2 books.

Some people say that writing talent is innate and cannot be taught. This statement is only half true. There are too many people whose writing talents are wiped out later in life; there are also too many people who, after proper and appropriate training, gradually approach or embark on the path of being a writer. The focus of good writing training is not on teaching writing skills, but on inspiration and perception. It will stimulate the writer's imagination and thinking power to cultivate a deeper and more unique understanding of the world. These are the most essential and precious conditions for creating an excellent work. Writing is a slow and beautiful process, and learning to write is even more so. Open this book and open the door of "creative writing". We will start with a deeper exploration of ourselves, reorganize common problems in the writing process such as how to write, how to collect materials, how to obtain inspiration, etc. Listen to the experiences and insights shared by the author in the book, learn to form your own cognition through reading, experience and thinking, so as to examine your heart and find your future writing direction.

This is the first book on community management and content marketing tailored for "professionals" and "knowledge brands"! This is a society with an information explosion, but the explosion is junk information, not knowledge. But junk knowledge takes up too much of our time. After the initial novelty of obtaining information disappeared, the public began to crave professional and high-quality knowledge content. The author of this book has many years of experience in writing popular science knowledge. At the same time, he has unique insights into operating knowledge-based communities. He has compiled his experience from more than 10 years of personal blog writing to founding and operating more than 10 vertical websites and interacting with hundreds of experts and knowledge experts in various fields into this book. The author's aim is to allow professionals to use professional knowledge to build their personal brands, and to make professional knowledge as popular as entertainment content.

Wang Guowei's "Renjian Cihua" is the most famous Cihua work in modern China, and it can be called an epoch-making work in the history of the development of Chinese poetry and Cihua. The book's viewpoints are novel, especially the theory of three realms proposed in the book, which has been valued by scholars at home and abroad. The version of "Ren Jian Ci Hua" is relatively complicated. This book is reprinted and published based on the revision of "Ren Jian Ci Hua" published by Chen Xingzhen and Liu Xuan in the 5th issue of "Journal of Henan Normal University" in 1982. The introduction at the front of the book introduces the author and the work in detail, which can help readers better read and understand the book. This time it is revised and published in hardcover format.

Based on the mental health education class lecturing and fragment teaching competition organized by the Mental Health Education Guidance Center of Fuzhou Primary and Secondary Schools, 51 lecturing cases and 49 fragment teaching cases were selected. The topics of lecturing and fragment teaching basically correspond to each other. These case teachings have diverse themes and styles, and are presented in a relatively standardized form of lectures and segmented teaching, which have a good learning reference effect for front-line teachers and normal psychology students.

1. This set of books takes Tang poetry and Song lyrics as the starting point. Through the stories behind Tang poetry and Song poetry, it connects poems, songs, celebrity allusions, historical knowledge, etc. Into an organic network. 2. The whole set of books is magnificent and the language is humorous. It reflects reality and life through poetry and history, making readers feel the same, cannot bear to put down the book, and are amazed! 3. From school-age children to adults, from people who are originally afraid of poetry and history to lovers of literature and history, everyone can find points of interest in it. 4. The original manuscript of this set of books has been serialized in Tianya Community, read 750,000+ times, and recommended on the homepage many times.

"Research Materials on Cao Wenxuan" is one of the series "Compilation of Research Materials on Writers in the New Era of China". The book's editor-in-chief is Wu Yiqin, the director of the Museum of Modern Literature, China's most authoritative literary institution and a famous literary critic. From the literary criticism and research results on the writer from 1976 to the present, nearly 40 papers that represent the research level at each stage have been selected to interpret Cao Wenxuan and his literary creation activities from different angles.

"Research Materials on Fang Fang" is one of the series "A Compilation of Research Materials on Chinese Writers in the New Era". The editor-in-chief of the book is Wu Yiqin, the director of the Museum of Modern Literature, China's most authoritative literary institution, and a famous literary critic. From the literary criticism and research results on the writer from 1976 to the present, nearly 40 papers that represent the research level at each stage have been selected to interpret Fang Fang and his literary creation activities from different angles.

"Yang Jiang Research Materials" is one of the series "Compilation of Research Materials on Chinese Writers in the New Era". The book is edited by Wu Yiqin, the director of the Museum of Modern Literature, the most authoritative literary institution in China, and a famous literary critic. From the literary criticism and research results on the writer from 1976 to the present, nearly 40 papers that represent the research level at each stage have been selected to interpret Yang Jiang and his literary creation activities from different angles.

"Research Materials on Liu Zhenyun" is one of the series "Compilation of Research Materials on Writers in the New Era of China". The chief editor of the book is Wu Yiqin, the director of the Museum of Modern Literature, the most authoritative literary institution in China, and a famous literary critic. From the literary criticism and research results on the writer from 1976 to the present, nearly forty papers that represent the research level at each stage have been selected to interpret Liu Zhenyun and his literary creation activities from different angles.

"Research Materials on Zhang Jie" is one of the series of "Compilation of Research Materials on Writers in the New Era of China". The editor-in-chief of the book is Wu Yiqin, the director of the Museum of Modern Literature, China's most authoritative literary institution, and a famous literary critic. From the literary criticism and research results on the writer from 1976 to the present, nearly forty papers that represent the research level at each stage have been selected to interpret Zhang Jie and his literary creation activities from different angles.

This monograph completely combs through the translation theoretical thoughts of Lefevere, the leading scholar of the cultural school, especially systematically excavates his discussion of factors that restrict the choice of literary translation strategies and summarizes them into the "four factors" that restrict the translator's choice of translation strategies. It also selects six Chinese translations of the world's classic literary masterpiece "Jane Eyre" that have appeared in China for nearly a hundred years as a model to analyze and study the "four factors" that restrict translators from adopting translation strategies in different historical periods. Using Holmes's descriptive translation research as the main method and "version-oriented" and "function-oriented" as the main orientations, this paper conducts an in-depth analysis and study of the effectiveness and limitations of Lefevere's "four factors" in literary translation practice. The author objectively and impartially describes the choices of different translators' translation strategies in the historical context of the translation of the world's classic literary masterpiece "Jane Eyre" in China over the past century. The author draws this research conclusion: Lefevere's "four factors" of translation strategies systematically constitute the restriction mechanism for translation strategy selection, providing a new perspective for the study of translation strategy selection. Research on Translation Strategies Translation strategies are not prescriptive, but should be linked to the specific historical context and should be adjusted with the changes of the times. In today's era of globalization, it has become an inevitable trend for translators to choose translation strategies toward respecting, expressing, and highlighting differences.

Literature is an image reflection of social life that uses language as a tool, touches people with emotions. The reason why literary works can move people emotionally is, on the one hand, because the writer himself is strongly moved and has a high expressive ability; on the other hand, because in general, the writer's emotions are based on human nature, so they can connect with readers.

This book is a sacred road to Cangyang that can lead to heaven. The ancient road leads to the four mysterious no-man's lands of Qiangtang, Hoh Xil, Altun Mountain and Lop Nur. This book records four ordinary women walking in this vast and desolate no-man's land with extraordinary courage and perseverance, and experiencing life and death in this no-man's land. In Qiangtang, it was a bone-chilling cold. It was so cold that everyone almost "slept" in Hoh Xil. They were chased by wolves and wild bears all day long and ran for their lives. Everyone clamored to write a suicide note in the Altyn Mountains. It was a life-threatening high fever. It was so painful that people wanted to die in Lop Nur on the spot. Besides loneliness, it was terror, which allowed you to understand the true meaning of life. Because of loneliness, they chose no man's land, went on the road with lonely hearts, and stayed with the peaceful nature. Because of pain, they chose no man's land. Only by hiking long distances can they have the pleasure of conquering this pain. Because of beauty, they chose no man's land to be with nature. They hope that life will never end. Because of happiness, they chose no man's land. There is no no man's land, and they stay at the same intersection every day.

This book takes the literary and artistic trends and cultural hot spots in contemporary China as its analysis object. The author first analyzes the overall characteristics of contemporary literature and art and its historical evolution from the perspective of the development of literary and artistic trends, and points out the "consumption" characteristics of contemporary culture. Then, the author selects several hot phenomena in contemporary culture for analysis, such as nostalgia in the perspective of modernity, middle-class discourse and its identity imagination, body writing, "Meteor Garden" craze and martial arts craze, etc., Which comprehensively and in-depth outlines the overall characteristics of contemporary culture and the deep motivations of various phenomena.

This book takes the daily life narratives of contemporary mainland China since the 1980s as the research object, and outlines the historical trajectory of how the daily life narratives that were "suppressed" in Chinese literature from the 1950s to the 1970s were presented one by one in the new realistic novels of the 1980s, the urban desire-oriented writing of the 1990s, the youth writing of the "post-80s" creative group in the new century, and the "lower class" writing that once became famous later. Based on a close reading of relevant novel narrative texts, the book takes "everyday life" as a problem consciousness and combines it with the closely related social, historical and cultural context, and with the help of relevant theories of daily life, attempts to conduct a tentative elucidation, analysis and exploratory discussion of this phenomenon as a whole.

This book tells the development and origin of Chinese novels.

In 1989, at the invitation of Professor Le Daiyun, Professor Pu Andi opened a course titled "Chinese Classical Literature and Narrative Literature Theory" for young teachers and graduate students in the Department of Chinese and the Institute of Comparative Literature at Peking University. The goal of this course is to explore the narrative style of Chinese classical novels from the perspective of comparative literary theory, and to further explain its relationship with narrative literature in other countries around the world. This book is a collection of lecture notes for this course. It was included in the "Peking University Academic Speech Series" and published by our publisher in 1996. Until now, the citation rate and evaluation of this book are relatively high. True to its course objectives, this book considers China's narrative tradition within the context of world literature, and uses this as the entry point for the course, then slowly introduces the representative style of Chinese narrative literature - the "Qishu style" of the Ming and Qing Dynasties, and then conducts a close reading and analysis of representative works of the Qishu style. Readers who are interested in narratology and comparative literature, or who have doubts about the interpretation of works such as "Jin Ping Mei", "Journey to the West", "Water Margin", "Romance of the Three Kingdoms" and "Dream of Red Mansions", I believe they can get wisdom inspiration from this little book, find a way to get started, and do more in-depth exploration.

This book is one of the trilogy of He Xin's decryption of Chinese culture ("The World of the Gods", "The Truth of the Philosophers" and "The Code of Chinese Civilization") in the "Selected Works of He Xin" series. The author He Xin is a well-known generalist and think tank scholar in China. His research scope covers many fields such as economics, philosophy, history, archeology, language, mythology, etc., And he has learned both Chinese and Western knowledge. In this book, the author uses his profound academic skills to conduct a microscopic examination of China's astronomical calendar, myths and legends, historical figures, name seal system, language artifacts and many other aspects through careful documentary research and textual exegesis, and explores the real historical evolution behind these symbols that carry Chinese cultural genes. It has deciphered many unsolved mysteries that have puzzled countless scholars for thousands of years, giving people the pleasure of sudden enlightenment.

This book is the lecture notes used by Mr. Long Yusheng in the creative research class of Shanghai Theater Academy. There are ten lectures in total. The first two lectures mainly talk about the origin and characteristics of lyrics, the third to eighth lectures are about the musical discussion, and the last two lectures mainly talk about the artistic techniques and appreciation of creation of lyrics. After the main text, this book contains four classic chapters on Ci studies by Mr. Long Yusheng, aiming to enable readers to gain richer and deeper knowledge based on their understanding of Ci.