Library

Mr. Liang Shiqiu's prose is more concise. It is advocated that the article should be deep and far-reaching, but not long. His manuscripts rarely have corrections, but his drafts are quite extraordinary. The completion of an article takes many days of deliberation, and the completion of a sentence requires repeated deliberation. He wrote in vernacular, trying to eliminate the redundancy of vernacular and only seek to express his ideas without completely rejecting classical Chinese. It is concise and harmonious, with the master's wisdom in dealing with the world everywhere. The chapters are humorous, profound and meaningful.

This is a collection of Lu Xun's works, with approximately 650,000 words, specially compiled by Mr. Wen Rumin, a professor at Peking University and chief editor of Chinese textbooks compiled by the Ministry of Education, for college and middle school students and primary and secondary school Chinese teachers. The editing and selection criteria are more literary and readable. There is a brief general introduction at the front of the book, explaining the intention of the selection, the consensus evaluation of Lu Xun, etc. Each selected article is designed with a "title" to explain the writing background, the content and artistic features of the work that need to be paid attention to when reading, etc. It also explains the reading difficulties, similar to "reading tips", and plays a role in guiding and appreciating the text. Professor Wen Rumin is a well-known expert on Lu Xun, and has been devoted to the research of Chinese education in primary and secondary schools for many years. These introductions, tips, and appreciation texts will become the major features and important advantages of this selection from other selections.

This book is a collection of information about Chinese surnames. The ancient Chinese separated the surname and the surname. The surname was used to "distinguish the marriage", and the surname was used to "distinguish the family". The author uses a lot of research to sort out the common Chinese surnames from their origins, so that the family culture, geographical culture and historical significance carried by the surnames can be presented one by one. The book contains nearly a hundred surnames, clarifies historical changes one by one, and also pays attention to historical celebrities with each surname in various walks of life. As a book on cultural research on surnames, this book has certain documentary value and innovative significance.

From the various schools of thought to the great Confucians of the Ming and Qing Dynasties, from the doctrines of Confucius and Mencius to the poetry of the Tang and Song Dynasties, this book is a "record of ancient literati's tossings" intertwined with poetry and history. It uses humorous language to tell the life stories of 21 literati such as Li Bai, Du Fu, and Huang Tingjian who entered the world with poetry, and reproduces the literati's nature and feelings from the pile of old papers.

Qiu Yu's prose has been popular in the Chinese world and has remained popular for many years. This book captures the essence of Yu Qiuyu's more than 20 masterpieces and divides it into six parts: historical knowledge, elegance, calligraphy, this life, travel, and practice. The profound humanistic knowledge combined with the extraordinary talent of language, combining the brilliance of words and the beauty of thoughts, concentratedly demonstrates Yu Qiuyu's unique humanistic creativity, and also makes it easy for readers to have a glance at the essence of Yu Qiuyu's forty years of reading and writing.

This book is divided into four volumes, including prose works such as "Northern Soldiers and Southern Girls", "Good Soldier Three Woods", "Sorrow", "Touch of Night Walk", "Father is a Stalk of Wheat", and "Brotherly Love".

This book selects more than 40 military essays by the emerging military writer Zhao Hongjie published in "Literary News" and other newspapers, including "The Military Song is Loud", "Yan'an Essays", "Following the Heroes", "Three Random Questions", "Little Daughter", etc.

In "Clouds and Smoke Floating in the World", Li Hongchao gathered these words and just wanted to tell those comrades who have served as soldiers or are currently serving in the army, as well as those of you who have never served as soldiers, that every step we have taken is heavy. Whether in a green military camp or in a colorful place, the imprint of the military is not getting blurry but becoming clearer to you. Looking back, you will find that how important the process is, the results seem insignificant.

This book selects 100 essays from the collection of essays written by the author Ma Xianting after he was eighty years old. The book is divided into eight parts: "Knowing the Elderly", "Being a Self", "Being Happy with the Elderly", "Nourishing the Heart", "Keeping Health", "Family Love", "Love in the World" and "Removing Oneself". They tell their own life experience and insights from the perspective of how the elderly treat themselves well, how to treat others, how to correctly handle the relationship with family and society, and how to exert positive energy in social life. Each short article in the book is full of an octogenarian's cherishing of life, full of wisdom and affection, and is a trickle flowing from a quiet and clear heart.

This book is a collection of life essays by Hubei writer Zhang Zeyong. The content covers a wide range of topics, the language is fluent, it inspires and sighs, and it has certain cultural value.

The profound Buddhist thoughts, incisive Buddhist metaphors, unique realm of Zen enlightenment, and superb aesthetic value of Zen poetry in the Tang Dynasty show its artistic charm that is different from pure literary poetry: Influenced by Buddhist Zen thought, the theory of consciousness-only theory of the three realms, the theory of emptiness of dependent origination, and practice methodology appeared in Tang poetry. Ideological content such as the theory of levels of practice; influenced by Buddhist Zen metaphors, a series of metaphors such as the eternal nature of Buddha, the impermanence of all dharmas, the illusion of worldly affairs, and the taming of delusional minds appeared in Tang poetry; influenced by the realm of Zen enlightenment, Zen poetry in the Tang Dynasty created unique realms such as the realm of intuition, the realm of reality, the realm of harmony, and the realm of daily use. Generally speaking, the Zen poetry of the Tang Dynasty presents the aesthetic values ​​of quiet beauty, freedom, and silent beauty. Exploring Zen poetry in the Tang Dynasty is of great significance to grasp the overall style of Tang poetry.

This book mainly examines the relationship between contemporary poetry translation and the context of the times, and strives to present the overall trend and overall appearance of Chinese contemporary poetry translation based on the study of translators. Generally speaking, Chinese contemporary translated poetry has the following characteristics: First, translated poetry in the early days of the founding of New China mainly expressed the overall emotional appeal of the new socialist country; secondly, in addition to being closely related to social politics, poetry translation during the "Cultural Revolution" period also used translated poetry to indirectly express the self-consciousness that many poets could not express normally. Third, after entering the new era, translators are often able to translate foreign poetry according to their personal interests and hobbies. In the context of a market economy, publishers and personal exchanges influence the selection and publication of poetry translations. Some translators also use translated poetry to shoulder the responsibility of intellectuals for social suffering. Thus, this book presents the complex relationship between contemporary translated poetry and the context of the times.

"Research on the Influence of Late Tang Poetry on Song Ci" is a follow-up project to "Research on the Influence of Mid-Tang Poetry on Song Ci" (Chinese Social Sciences Press, 2014 edition). Through statistical analysis, it can be seen that among the 20 Tang Dynasty poets who were most influential in Song Ci, 10 were poets in the flourishing and mid-Tang Dynasties, and we have already conducted research on them; the remaining 10 were all poets in the late Tang Dynasty. This book focuses on the five most typical poets in the late Tang Dynasty, Du Mu, Xu Hun, Wen Tingyun, Li Shangyin, and Han Xi. Specifically, the Song Dynasty poets' preference for Du Mu and his works is mainly reflected in four aspects: "Yangzhou imprint", "Du Lang's style", "three guards against the left" and "the influence of other poems on Song poetry". Xu Hun's farewell poems, arrival poems, reward poems and dream poems had a great influence on the people of the Song Dynasty. Wen Tingyun was highly regarded in the poetry circle of the Song Dynasty, mainly because of his lyrics. His two styles of lyrics, "rich, dense and beautiful" and "clear, sparse and bright", not only established his position in the world of poetry and the history of poetry, but also made him the envy of future generations of poets. In addition to the deep sympathy of Song people for his misfortunes, Li Shangyin's untitled poems, love poems, epic poems, etc. Had a greater impact on Song poetry. In addition, the vagueness and delicacy of the work's hesitation in speaking, and the hesitation in speaking are coincident with some Song lyrics. In the appendix, the influence of Han Xie's poetry on the creation of Song poetry is visually presented in the form of "poet, title, verse - poet, title, verse", without mentioning it.

This is a collection of essays, this book is sweet and makes reading for teenagers a kind of enjoyment and joy. Growing up is beautiful, reading is beautiful. Read and make your growth beautiful. Reading makes your life come alive. This book strives to infect young people with excellent works and cultivate positive thoughts and characters. It conveys positive energy to young people. It is a work that has a positive educational and guiding role and is highly ideological, artistic and readable.

I have seen so much misfortune that I have never been depressed. --Chen Nianxi. This book contains 21 original non-fiction essays by Chen Nianxi. The book tells the story of a group of ordinary and simple workers. They are blasters, stone movers, country carpenters, farmers, farm women, small workshop owners... And the writer's own story runs throughout: blasting rocks five kilometers underground, raising a family amidst the smoke and roar, writing poems in work sheds and in the mountains, recording the explosion and silence of fate. Although they have gone through the hardships of life, they are simple and tough, and they calmly tell life themes about family, love, death, and desire... This is a book of life and a book of death. In the final analysis, it is a book of life. What does the world look like? What is life like? In my feeling, except for the long and ubiquitous wind, the rest is dust. We rush around in it, trying to stand firm, but most of the time we stagger around and can't help ourselves.

It collects articles written by employees of Beijing General Research Institute of Mining and Metallurgy in the past ten years, reflecting the emotions and deeds of employees of Beijing General Research Institute of Mining and Metallurgy. It includes every detail of employees' lives, expressing their affection for their hometown, friends, and relatives, as well as records of actual work scenes, showing the dedication and enthusiasm for work of mining and metallurgical people, as well as their great love for the party and country, expressing their yearning for a new era and a new journey.

This book records the traces of time in Tangqi Ancient Town. Due to the diversity of themes, readers are presented with touching pictures with a sense of life: not only the review of Ruyan's past, but also the recollection of the past; not only the thorough investigation of meaningful poems, but also the deep remembrance of flesh and blood family ties. Covering the book and meditating, "nostalgia" is endless. Perhaps this is the source of the endless life of this hot land.

This book is an essential selection of Shen Qi's writings over the past forty years, a famous contemporary poet, scholar, and literary critic. The book consists of eight volumes, namely Volume 1 "Essays on Contemporary Poetics", Volume 2 "Essays on Contemporary Poets", Volume 3 "Essays on Taiwanese Poets", Volume 4 "Collection of Poems 1: Natural Beauty", Volume 5 "Collection of Poems 2: Children in the Upstream", Volume 6 "Collection of Poems: Coreless Clouds", Volume 7 "Art Criticism: The Breath of Trees", Volume 8 "Miscellaneous Prefaces and Essays: The Book of Autumn". This anthology combines poetry and prose with a unique layout and has dual value for appreciation of works and reference to historical materials. In particular, the poetic heart, poetic style, and literary spirit of the poem are all solitary and unparalleled, with a faint fragrance at the edges, which are worthy of wandering and cherishing.

China is essentially a rural country and has been exploring the path to modernization since the 20th century. Chinese writers have narrated nostalgia in complex ways amid the changes that have occurred over the past century. The result of this project is to find the underlying operating mechanism behind nostalgia and the relationship between this mechanism and China's modernization process, thereby answering the two basic questions of "why literature has nostalgia" and "how does literature express nostalgia", revealing how the operating mechanism of modernization in different contexts affects the form and content of literary nostalgia, revealing the complexity of China's modernization process, and providing theoretical and literary historical experience for "new nostalgia" narratives under new historical opportunities. By studying the expression of nostalgia by Chinese writers in the operating mechanism of the modernization context since the 20th century, it is pointed out that the countryside is an imaginary object of Chinese writers in the process of modernization, a unity of reality and fiction, and a destination for nostalgia in the process of modernization. This will help the academic community to have a deeper understanding of the nostalgia motif, and can better guide writers to correctly handle the relationship between nostalgia and modernization, and create "new nostalgia" works rich in the Chinese dream.

Yuhang is the first "Chinese Story Town" in China, and Tangqi is an important part of this "Story Town". As early as 1991, the country's first folk story salon - Tangqi Story Salon - was born in Tangqi. The founder of the salon is Feng Guoxian. Under his leadership, Tangqi Story Salon has been adhering to story creation and story presentation for more than 20 years, and is well-known in the national story circle. Not only that, Feng Guo needs to continuously incorporate local elements of Tangqi into the story creation process, and brings the works to Tangqi, entering the cultural auditorium many times, bringing laughter to Tangqi citizens. In addition, he also enthusiastically teaches skills and strives to expand the story creation team. Toyokuni has been engaged in story creation for 40 years. To this end, he created and published "The Story of Me and Story".

This book collects dozens of essays written by Mr. Hu Jianwei, a member of the Chinese Writers Association and a contemporary writer, in recent years, including the latest "Food Chronicles" and "Dragon Travels to the Country", as well as "Lotus Lake", "Moving City", "Purple Air Coming from the East" and "Selling Pulp by Leading Cars" written a few years ago. "The Flow of Masters" and so on, many prose works, like a wonderful paintbrush, use the form of line drawing to outline the author's hometown customs, customs, and the various world affairs in a concise and freehand way. The writing is full of affection and eloquent, showing the true meaning in the details, expressing thousands of years in a moment. As a native writer in the south of the Yangtze River, Mr. Hu Jianwei integrates his various feelings about his hometown in his writing, showing readers a vast, distant and vivid picture of life in the south of the Yangtze River.

I miss Tuva more and more. I thought about it when I was in Tuva three years ago. Although Tuva people give you their simple smiles, like an embrace full of flowers, they are actually solemn. Facing the sky, the earth, rivers, food and religion, they live cautiously. Farmers touch nothing except the land when planting, including not sweeping the fallen leaves on the ground. People stay safe and content here. Judging from the expressions of the Tuva people, it seems that they are thinking about distant things, such as the next life. It was as if he hadn't thought about anything, and his face was so peaceful.

This book continues the non-fiction writing style of "If Shanghai's Walls Could Talk". It interviews fifty celebrities in Shanghai and listens to the "landmark stories" in their hearts. On the vertical axis of history and the horizontal axis of geography, it shows readers a Shanghai full of charm and humanistic feelings through the characters' personal growth experiences. The interviewees include historical celebrities such as Xia Yan, Yu Zhenfei, and Gu Weijun, as well as Lu Xinhua and Zong Fuxian, the writers of "Scars" and "In the Silent Place" who participated in witnessing and promoting reform and opening up, and for the first time include the new generation of Shanghai writers born in the 1970s and 1980s. Through each story, we can see that the development of the city and personal circumstances are mutually responsible and mutually successful.

On the occasion of the 50th anniversary of the founding of the People's Republic of China, Zhejiang writers wielded spades and pickaxes and planted clumps of green saplings in the literary garden: novels, essays, poems, as well as essays and reviews. What is shown here is the prose volume of "Zhejiang Cross-Century Literature Series". This is another collective appearance of the majority of prose writers in our province. Although everyone has different opinions on the essence of prose creation, there is one thing they can reach consensus on, and that is: prose can soothe people's souls! It is warm and considerate. Many prose writers are also happy that they can rest in this peaceful literary jungle. It is true that things in the world are not as smooth as we wish, and life is by no means blindly bright and innocent. The world is noisy and the literary heart is often lonely. However, there are still many people who can unswervingly devote themselves to writing about the art of calligraphy, saint Zhen and pottery, word for word, and there are still many infatuated "tea masters". The winter plum blossoms blooming alone in the cold place are not just a few trees, but the sky and the sky, and spring messages are spread frequently.

This is a book that uses prose language to discover the charm of poisonous herbs. This book uses vivid and interesting prose with hand-painted watercolor plants to show the unique charm of poisonous herbs, focusing on showing the shapes, characteristics, toxicity, functions, culture, history and legends of flowers, plants and trees. Some of the plants in the book, such as nux vomica, datura, oleander, etc., Are poisonous as a whole or in parts; some are familiar and some are unknown. They are poisonous, but they are also smart; they are unknown, but they are legendary. Their morphological characteristics in nature, their functions in traditional medicine, and cultural legends in the long history, etc., All dance with their toxicity and shine with eternal light. "The Fragrance of Poisonous Weeds" was awarded the "Designated In-depth Life Project of the Chinese Writers Association" and the "Designated In-depth Life Project of the Hunan Writers Association". Some of the articles in the book have been published in the columns of Beijing Evening News, Guangming Daily, People's Daily (Overseas Edition), Sichuan Daily, Dazhong Daily, and Hundred Essays, and some articles have been reprinted in publications such as "Study to Strengthen the Country" and "Essays (Overseas Edition)".

"Peanuts" is an anthology of Xu Dishan's prose, including "Spring Forest", "Peanuts" and many other well-known masterpieces. His prose mostly uses simple and sincere language to describe life perceptions and the spiritual world. He is good at using concise writing to create a fresh and poetic atmosphere, and is full of wisdom and philosophy. His early life experience of teaching in Nanyang gave his works a peculiar and exotic flavor; his religious beliefs and research also gave his works a touch of religious color. In that era of bright literary stars and numerous famous figures, Xu Dishan was a person who could not be ignored, whether as a writer or a scholar, and his prose, like the clear springs in the mountains and forests, continued to bring unforgettable coolness and sweetness to the souls of generations.

Life is always on the road. This is a classic collection of Chen Zhongshi's essays, which is Chen Zhongshi's answer to "what is life" and "how to face life". The 36 articles condense Chen Zhongshi's memories, gratitude and contemplation of his origin, growth, family ties, friendships, hometown, and all living things. They show the journey of a Guanzhong boy growing up into a generation of people, and the softness and warmth of a tough man's heart. There is no step too early or too late in life. Living in the moment and loving every day of your life is the greatest respect for life. In the long life, no matter what we encounter, it is no surprise. It is the experience of life and the accumulation of life. Not afraid of hardships, carrying light and warmth, and walking non-stop is the correct way for a person to walk.

Chen Zhongshi's articles about culture convey the power of culture by reading the affectionate words between the lines. Recognize your own heart, get rid of anxiety, and live, work, and socialize calmly. Simple, unpretentious, loaded with commonalities in Chinese culture and folk customs; original and innovative, recording the unique scenery and contemplation of foreign cultures.

Contemporary literature master Jiang Zilong's eighty years of philosophy and insights, Jiang Zilong's own preface, is a book of self-reconciliation for everyone. These articles either write about life experiences or talk about life philosophy. The true flavor of life between the lines makes the classics in the long river of time reborn again. In the work, Jiang Zilong misses the past, respects life, and respects and loves everything about him. No one's life is easy. There are always unsatisfactory places in life. We don't have to worry and be too anxious. We must have enough faith in the future. In the bumpy journey of life, he maintained a firm and calm attitude, which is what many people lack nowadays.

Chen Zhongshi's personal experience and growth include Chen Zhongshi's attitude, experience and perception of every bit of life. From "White Deer Plain" to the world of fireworks, he has been here, contributed, liked, and was affectionate enough. The good and the bad are all the scenery of life. Walking in loneliness, some roads can only be walked alone. Build a persevering heart in the temper of loneliness; in life, you need to leave blank space, learn to choose and make choices, do something and do something not to do. In the rush of life, leave some space for yourself, do inactive things, and spend your life; live calmly and be affectionate enough. The mountains and rivers are long, but I only hope that my life will be calm and unhurried, affectionate enough, and live up to the past...

Chen Zhongshi talks about his hometown in his life. Through his description of his hometown, he writes about the changes in the people, things and scenery in his hometown over the past few decades. Listen to the deep feelings of the years, be peaceful and quiet in time, watch the wind rise and listen to the rain fall. Hometown: Qin people created their own accent. This tune is undoubtedly the most suitable for the Qin people to show their ambition. Where the loess is and the people of Qin are here, this tune will never cease; Old friend: Life is easy to grow old, but the dream of literature is everlasting, so we feel that life is good; Story: Leaving regrets, but also leaving attachment and yearning...

The relationship between modern and contemporary Chinese writers and calligraphy culture is also quite profound and long-lasting, worthy of attention and research. This book is an attempt to conduct systematic research in this area. It visits and pays homage during inspection and thinking, strives to display the context and calligraphy of modern and contemporary writers and literati, and highlights the cultural landscape that connects the "literary world" and the "calligraphy world". It especially focuses on exploring Chinese modern and contemporary writers from the perspective of "calligraphy culture". The writing practice and thinking not only demonstrate the contributions of relevant writers to calligraphy and calligraphy, but also reflect on the profound influence of calligraphy culture on many writers, and thus reflect on some deep-seated issues in literary creation and calligraphy creation, in order to contribute to the further development of Chinese literature and culture. The book explores the inheritance and contribution of modern and contemporary Chinese writers to traditional calligraphy culture from many aspects. There are many writers and their calligraphy works discussed, either macro or micro, with analysis of many phenomena and case studies, which also reveals the value and significance of related research. The majority of literature and calligraphy lovers will get a lot of useful inspiration from it.

This textbook is the first in China to combine teaching and research with the historical development of modern Chinese prose as a potential clue, and to coordinate with the general teaching and learning of "History of Modern Chinese Literature" to carefully select representative masterpieces and conduct in-depth interpretations of them. The textbook aims to cultivate students' close reading ability, guide students to master the method of close reading of prose, and cultivate their aesthetic ability. It selects important classic prose works from different historical periods and genres for exemplary in-depth interpretation. It can not only be used in conjunction with the teaching of the "History of Modern Chinese Literature" course, but can also be used as a textbook for independent elective courses, and as a study book for those with preliminary professional direction intentions. This textbook focuses on cultivating text analysis abilities. Most introductory works aim to guide students to "read", and their function is to allow students to understand the ideological connotation and artistic features of literary works. However, students cannot obtain a method of analyzing literary works from the teaching materials, and therefore cannot draw inferences from one instance to other cases. This textbook uses text analysis method as the basic structure, focuses on training students' close reading ability, and lays the foundation for independent learning. This textbook pays attention to the distinction between styles, and adopts a volume-based training method for texts of different genres, making the text reading more professional. In the past, introductory textbooks did not differentiate between styles and compiled and selected various styles in a unified manner, which was not conducive to developing students' conscious awareness of the distinction between styles.

This textbook is the first in China to combine teaching and research with the historical development of modern Chinese prose as a potential clue, and to coordinate with the general teaching and learning of "History of Modern Chinese Literature" to carefully select representative masterpieces and conduct in-depth interpretations of them. The textbook aims to cultivate students' close reading ability, guide students to master the method of close reading of prose, and cultivate their aesthetic ability. It selects important classic prose works from different historical periods and genres for exemplary in-depth interpretation. It can not only be used in conjunction with the teaching of the "History of Modern Chinese Literature" course, but can also be used as a textbook for independent elective courses, and as a study book for those with preliminary professional direction intentions.

The study of the epic "Gesar(S)er" has always been a hot topic at home and abroad, but its music research has received less attention, and cross-ethnic music comparative studies are even rarer. In this context, this book first conducts a textual comparison of the four Chinese translations of the "Hor" chapter of the Tibetan and Mongolian epic "Gesar(S)er", and uses specific characters and investigation questions as the starting point to observe the narrative patterns of the two nations that are different but have similarities; secondly, it uses archive collections and field records Based on the data, this paper selects the epic performance fragments of "Gesar(S)er" from three ethnic groups of Tibet, Mongolia and Turkey to compare and analyze music samples, proposes a conceptual system of epic music paradigm, and reveals the expression code of oral thinking behind it by exploring the acoustic model of the epic text. ; Once again, through the study of the music ontology and related culture of "Gesa(S)er", we explore the uniqueness and diversity of epic music in the Tibetan and Mongolian national music tradition; Finally, we consider the construction of music in "Gesa (S)er" from the three dimensions of orality, survival and belief, and interethnic communication. Why is the epic "Gesa (S)er" sung? Based on the rich collection of Chinese epic music "Gesa (S)er" and the sustainability of oral inheritance, it is believed that future research on the music of "Gesa (S)er" can provide a unique "Chinese perspective" for the study of world epic music.

Zhao Heng (1865-1928), also known as Xiangfan, was born in Jizhou, Hebei Province (now Jizhou). Guangxu was a disciple of the famous Tongcheng school masters Wu Rulun, He Tao and Wang Shunan. Xu Shichang was appointed president of the Republic of China, and Zhao Heng was appointed secretary-general. He wrote eight volumes of "Collected Works of Xuyizhai", which was published in the 21st year of the Republic of China. Li Gangji (1873-1914), courtesy name Gangji, was born in Nangong, Zhili. Guangxu Jinshi, a disciple of Wu Rulun and He Tao. Official Datong magistrate. There are five volumes of "The Posthumous Collection of Mr. Li Gangji", published in the sixth year of the Republic of China. This book collects eight volumes of "Collected Works of Xuyizhai" and the poems and articles of "Collected Works of Mr. Li Gangji" into one book. On the basis of proofreading, the lost poems and essays and research materials were compiled to form a complete and refined edition of their poetry collection.

I dreamed of capturing and recording the figures and stories of the street cats in the dark alleys one by one, to prove that they had indeed visited this city in this world. "That Cat, That People, That City" is a new cat book by Zhu Tianxin, a writer and senior animal protection volunteer. Following "The Hunters", it writes the stories of the street cat friends she encounters in her life, and extends to the cat tribe, the human tribe, and the intertwined symbiotic time and space between the two: Tiantang, who only wants love without bread, Tangerine, who has been with the author for seven years, Tangerine, who sings loudly and has a professional nanny certificate. Cat King Breast, the handsome stray cat Scabbers who has a large human fan base; there is also Debbie, a girl who fell in love with the uninhibited stray cat Tail Orange, cat volunteer Tianwen, legendary scratcher Lin Yishan, KT and Ye Zi, the "condor heroes" who founded the "Taiwan Adoption Map", novelist Wang Jiaxiang who rescued stray dogs alone in the countryside of Tainan, writer Huhu who died in a car accident while feeding street cats...

The essence of Zhu Chengyu's 30th anniversary essay. The book is divided into six chapters, writing about ordinary plants and animals, what you see and feel during the journey, the stories of the people around you, and the ups and downs of your experiences and emotions. Growth is like a journey. During this process, you will see both loneliness and joy, and you will also encounter darkness or fluorescence when you encounter friendliness. Growth is a process of constant tossing, searching for love and warmth, and gradually meeting yourself.

The passing years are quiet and peaceful, and the haze that cleanses the soul has written those missed beautiful scenery into gentle poems, engraved in the long river of life, and walked calmly. The author uses romantic feelings to describe every bit of humanistic features, landscapes, places of interest and historic sites in life, with songs in the words and emotions in the lines. His words are like hand-embroidering a lotus flower emerging from the water; or cutting out a colorful butterfly dancing in love with a flower, and pairing it with melodious and soft songs will make you fall into a state of mind after reading it.

We were born in the objective world and live in the subjective world. We never thought that we would not need to see each other for so long, like two people who are dispensable in each other's lives. My life has been neither sad nor happy for a long time. There is nothing worth laughing about, and nothing heartbreaking has happened. My mood is like a pool of stagnant water without a single ripple. She doesn't like stations and airports because in her life they always seem to mean parting. She said goodbye to many people at the station or airport and made appointments to see each other next time. But many times, those farewells became the last time she saw each other. It was easier to forget each other than to miss each other.

Life is originally happy. As long as you are willing, you can stay away from troubles and worries. Happiness is a state of mind, which affects the quality of our lives; happiness is a responsibility, which carries the weight of our spirit. With happiness, we can render the picture of life bright and beautiful. Happiness is only a moment in time. If you are willing to hold on to happiness, sadness and haze will disappear. From today on, let us be happy people and face all the gifts of life with joy. And, starting from today, we will package happiness and give it to every familiar or stranger, so that everyone's face will bloom with joy.

In our life journey, there are always some words that we will cherish forever... No matter what kind of environment we live in, we can never abandon the heart of charity. Because benevolence can make spring springier, winter warmer, and the world around us better than heaven. Let's install a love program in our souls. It can prevent secular viruses from invading our souls, wash away the dirt remaining in our souls, and sublimate our lives.

The protagonist is a witness to the old and new societies. He never bows to fate, adversity, or evil. He always maintains a kind, upright, and upward heart. The spirit of doing what he does and loving what he does runs through the protagonist's ordinary life.

Around 2013, I was invited to give lectures in Leiyang, Hunan Province. I saw this charming ancient city and got to know Mr. Ouyang Zhengping, a senior media person in this city. And through Mr. Ouyang Zhengping, I learned more about Leiyang's humanistic history and the ancient charm of Leiyang as a thousand-year-old county. This is not only because Leiyang has a long history and gave birth to Cai Lun, the inventor of papermaking, but also because of Leiyang's unique geographical location, with its north-south transportation arteries and railways and highways extending in all directions, which is almost comparable to Chenzhou. In addition, Leiyang people are hospitable and have a rich cultural atmosphere.

Strictly speaking, we feel that these are not quite poems, they are just combinations and arrangements of long and short sentences. But they do come from our hearts, and they are not made up randomly, moaning without reason, or playing word games. It is said that "songs express feelings, and poems express ambitions." This is indeed the case in life. People's emotions and desires are not expressed in this way, but also in that way. Although we sometimes don't know the name of this or that way, in fact, this is not important. The names are often summarized or even imposed by later generations based on existing phenomena.

Only when you walk on a muddy road will you leave deep footprints. After walking this way for too long, I suddenly look back and look at the series of traces. Although it is messy, but after all, I move forward, and I feel that every step of the wind and rain is worth cherishing. Turn those sporadic memories into words, and you have this "Fragmented Time". The book travels through fifteen countries, recording thoughts about work and life every day and night, and more touching stories in history. What passes away is history, whether it is a glimmer of moonlight on an ordinary night or the rushing river, it is history. Time is usually like sunrise and sunset. It is not only the mountains that rise and fall, but also the mood. The words describing history are loaded with depth, solemnity, and sadness, but between the horizontal and vertical words, there is a roar, driving away the wind and rain, and reining in the sunshine.

"Flying Hope" was published as the sequel to "For the Beauty of Life". It is like a red ribbon, stringing together these disabled writers' interpretation of faith and hope, imagining the power and glory of life. In the book, the authors describe every beauty and desire of life through vivid writing. They still persist in capturing the light of hope in the difficult and difficult environment, and perfectly display its splendor and charm. How strong is this persistence! Some people say that hope is the light that leads people forward, the desire for the future, the expectation for success after struggle, the source of motivation for human beings' persistent pursuit, and history is the power that supports life. Indeed, it is precisely because of this personality quality of constant hope in a difficult life that every disabled writer can praise life without reservation, look forward to the future, and release hope, so that readers can realize their spiritual power to transcend life and understand life.

"Touched by Harvest" is the third collection of essays after the publication of "For the Beauty of Life" and "Flying Hope". As a special group of disabled writers, when my brothers and sisters condense the most precious wealth in their lives - touching, into these exquisite prose pieces and present them to readers, the clarity, tranquility and power in them make people feel that touching is a kind of happiness and a kind of power in "turning into spring mud to protect flowers". Being moved is a state of mind. If we can be moved and pick up the emotion, our hearts will no longer be dry, and we will have a grateful person. We will find that there are many things worthy of being moved in this world; being moved is a kind of happiness. When your destiny is unruly and your life is full of setbacks, being moved is like a sky blanket, descending from the sky, wrapping you with hard work and perseverance to resist the vast stars. The loneliness under the sky, talking to the soul in the looming sound of nature; being moved is a kind of cherishment, and it is based on this kind of cherishment that we will not hesitate to give to others: a smile, a thank you, an act of helping; being moved is a kind of power.

This book is the fourth collection of essays by disabled authors after "For the Beauty of Life", "Flying Hope" and "Reaping Touch".

"Old Food Notes" is China's first retrospective work that presents home-cooked food in Northeast China in the 1970s in prose form. Every Northeastern person has similar memories of their childhood. Ordinary home-cooked dishes, ordinary washing, cutting, steaming and stewing, the three meals of the four seasons for ordinary people in Northeast China are vividly displayed on the page. It's not polished, it's plain and simple, it's sincere, real and palpable. The plainer the text, the closer it is to real life. Garlic eggplant, pickled vegetables, sorghum rice, sticky bean buns, water tofu... These ordinary dishes nourish and strengthen the Northeastern people's bodies and cultivate the bold and uninhibited character of the Northeastern people.