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This book combines the historical ideological and cultural background of the Zhou Dynasty and conducts multi-faceted thinking and research on the content and form of the Book of Songs. It also gains some new understanding of various historical issues in the study of "The Book of Songs" from the Pre-Qin to the Han Dynasties, especially the issue of the date and author of the "Preface to Mao's Poems". By combing and examining traditional documentary records and combining research with newly discovered relevant archaeological materials, this book has gained some new understanding.

"World Literature Today" is an international academic journal with contemporary world literature as its main research field, co-sponsored by the Institute of Comparative Literature and World Literature of the School of Liberal Arts of Beijing Normal University and the World Literature Today journal of the University of Oklahoma in the United States. Bilingual in Chinese and English, published twice a year. The articles and creations in "World Literature Today" emphasize globalization and world perspective, aiming to promote cross-regional, cross-language, cross-media, and cross-disciplinary literary research, taking into account theoretical criticism and case analysis, paying attention to the connection between Chinese literature and world literature, and reflecting on the value and significance of Chinese literature in the world pattern. This volume is "Today's World Literature (Volume 8)", which mainly includes essays such as Irony of the Soul: The Reception History of Novalis's Poetry, Letting Words Speak: Sauk Translation as Collective Transformation, Seeking Globalization through Locality: Reflections on the Teaching of World Literature, etc.

The Holy Grail is one of the important images in Western literature. This book starts from the reinterpretation of the Holy Grail image by Western writers after the rise of humanism, clarifies its symbolic connotation in different eras, and strives to deeply explore the literary and cultural characteristics of the Holy Grail image; at the same time, it explores the inheritance of the Holy Grail image and its interaction with the transformation of Western literature and culture. It aims to explore the spiritual power source that promotes the globalization of today's "Holy Grail fever", analyze the consistent and holistic connotation of literature, nation, and culture, so as to grasp the development trend of Western popular culture and contemporary literature, and provide useful reference for telling Chinese stories and spreading Chinese culture.

The rise of online literature, especially online novels, is an important cultural phenomenon with Chinese characteristics. It not only needs to be understood in a certain social and cultural background, but also needs to be explored from its own characteristics and production methods. As a commensurable humanities and social science research method, semiotics facilitates the pursuit of meaning mechanisms from the perspective of formal culture. The rules in the online literature field revolve around the "popularity" of readers, which deprives the rights of traditional "gatekeepers" while constructing a new evaluation system. The writing behavior and textual narrative of online novels subsequently exhibit intersexual characteristics aimed at establishing an intimate relationship with readers. The injection of capital into literary websites and the network platform production paradigm link the evaluation system with consumption power, further clarifying the rights subjects in the online literature field as consumers among readers. The gender identity distinction in online novel texts has always been relatively obvious. The personality of a single-gender subject is inversely proportional to the downward movement of the author's posture as the writing subject. There are two sources of value for online literature: first, the literary value of the novel text itself; second, the communication and identity value surrounding the novel text. There is no distinction between the two, and the latter is difficult to provide through non-network literature.

Literary creation and reception are not the solitary words of an individual's mind, but are always created and received through the mediation of "institutions". New media has had an unprecedented impact on the traditional literary system, and at the same time constructed an online literature system. This book conducts an overall survey of the organizational structure, actors, and relationships of the new media literary field, and explores the construction of the writer system and the reader system by literary websites, the reconstruction of the literary system by the avant-garde, the fission of the literary criticism system, the transformation of the copyright system, and the canonization system issues in the new media context. It believes that classics are always the result of the combined efforts of field actors.

"Literary Geography" is a selection of papers from the annual conference of the Chinese Literary Geography Society. It is edited by Zeng Daxing and others. It is published once a year and seven volumes have been published. The authors are all scholars engaged in literary geography research in China, Japan and South Korea, including well-known scholars such as Yang Yi, Jiang Fan, Liu Yangzhong, Zhu Shouting, Zhou Shangyi, Wang Zhaopeng, Zhang Sanxi, Zou Jianjun, Tao Litian, Xia Hanning, Gao Renxiong, Dai Weihua, Haicun Weiyi (Japanese), Kim Hyunjoo (Korea). This series has several columns including "Discipline Construction of Literary Geography", "Macro Research of Literary Geography", "Basic Theoretical Research of Literary Geography", "Research on Methods of Literary Geography", "Geographic Distribution of Literary Writers", "Northern Literary Geography", "Central Plains Literary Geography", "Yanzhao Literary Geography", "Jingchu Literary Geography", "Wuyue Literary Geography", "Lingnan Literary Geography", "Application Research of Literary Geography", "International Perspective", "Discipline Construction Trends", etc.

This book aims to make an overall investigation of the "Chinese charm" and "Chinese color" in the creations of Russian overseas Chinese writers in China, reveal the unique spiritual connotation of the literary phenomenon of "Chinese writing by Russian overseas Chinese writers in China", and thereby further understand the rich and colorful era style contained in Russian overseas Chinese literature in China. The whole book focuses on analyzing the complex cultural mentality of Russian overseas writers, analyzing the specific performance of Chinese writing by Russian overseas writers from three levels: Chinese nature and folk customs, Chinese cities, and Chinese people, and exploring the intrinsic connection between Russian overseas writers and Chinese cultural spirit. Finally, it is realized that: the Chinese writing of Russian overseas writers in China is a special product in a special era, an important window for us to understand Russian culture and national character, and an important comparison object for us to observe Russian overseas literature in Europe and the United States.

Guo Zizhang, a late scholar of Yangming Dynasty, had outstanding political achievements, rich writings and profound philosophical thoughts. This book outlines Guo Zizhang's life story from historical materials, Guo Zizhang's writings and the accounts of his friends, clearly showing the development of Guo Zizhang's thoughts and the interpersonal communication situation in the society at that time; combined with Guo Zizhang's writings, it conducts an in-depth examination of the regional cultural characteristics of various places, highlighting Guo Zizhang's achievements in local chronicles and literary documents; it examines Guo Zizhang's literary works, and analyzes his poetry, practical essays, notebook novels and other literary creations. Cultural connotation and aesthetic characteristics; Extract the poetic thoughts from Guo Zizhang's "Yuzhang Poetry Talk" and related discussions, and affirm his efforts to pioneer the "Pan-Jiangxi Poetry School" view, reconstruct the regional poetic system, and construct the poetic tradition with regional concepts; explore Guo Zizhang's philosophical thoughts as a successor to Yangming's philosophy of mind, and believe that he adopts an eclectic strategy for Confucianism, Buddhism, and Taoism, and has a distinct idea of "the integration of three religions", which is a wonderful summary of the century-old Wang Xue in central Guizhou. This book comprehensively and systematically examines Guo Zizhang's ideological connotation and achievements in various aspects of literature, literature, and philosophy, and contributes to deepening and expanding the study of Guo Zizhang and Ming Dynasty literature and philosophy from multiple perspectives.

This book takes the magazine "Contemporary" as the research object. While conducting microscopic research on the individual cases of "Contemporary", it also expands its focus to the analysis and investigation of the entire contemporary literature. During the research process, we not only paid attention to the intertextual relationship between "Contemporary" and Chinese contemporary realist literature, and used "Contemporary" to identify the composition and evolution process of contemporary realist literature. At the same time, we interpreted "Contemporary" from a social and historical perspective and examined the power structure within the literary production system. This book uses literary journals to see through the complex aspects of literary history at one stage, and while sorting out its evolution, it also observes the historical process of contemporary literature.

This book examines the historical background, representative figures, sources of tunes, and ideological connotations of the school music movement, and deeply explains the salient features of school music and songs in terms of structural patterns, rhythm, language styles, and syntactic structures. It describes in detail its special value in advocating military and national educational ideas, shaping modern national consciousness, and rebuilding the concept of modern nation-states. It explores the inner connection between school music and songs and the modern dissemination of Chinese poetry, and believes that school music and songs play an important role in the transformation of Chinese poetry from classical to modern.

In today's world where the global system is being restructured and nation-states are fiercely competing, how to tell the "China story" well so that the people know themselves and the world knows China has become an important issue of wide concern. This book is based on the "diversity and unity" pattern of the Chinese nation and its cross-cultural exchanges with other nations around the world, sorting out and summarizing the anthropological story of China. The entire book includes disciplinary reflections on the localization of anthropology after the spread of Western learning to the East, as well as related case studies. It includes an overall discussion of multi-ethnic China and field research on the relationship between Yi and Xia, as well as cross-civilization comparisons using North America, Britain, Russia and other places as examples.

This book provides an in-depth interpretation of the text of "Book of Rites and Justice" and systematically reveals its achievements in text collation, text interpretation, exegesis of words and sentences, textual research on names and rituals, and elucidation of ritual thoughts and political thoughts. At the same time, necessary discussions or corrections will be made on some errors or deficiencies in the collation, textual research and interpretation, exegesis, famous objects, and ritual research.

This book studies Mao Dun's novel creation in the ten years from 1927 to 1936 from the perspectives of political history, military history, economic history, cultural history, and social history. Focusing on the axis of "Midnight", this paper comprehensively examines Mao Dun's early revolutionary literature and creations during the "Left-Left Alliance" period, and focuses on presenting the intertextual relationship between these works. It then explores the potential connection between Mao Dun's novel creation and the National Revolution, and presents Mao Dun's choices between various complex forces such as the left wing of the Kuomintang and the "Trotskyists", as well as his complex spiritual journey as a left-wing intellectual.

Zhu Derun was a famous painter and writer in the Yuan Dynasty. His paintings are widely circulated, but his literary achievements are rarely known. This book systematically examines Zhu Derun's literary creation process, stylistic characteristics, literary thoughts, etc., And believes that his literary creation style is changeable, profound, lyrical, illuminating reality, feeling the past and lamenting the present, and is unique. He is the spiritual light of Yuan Dynasty literature and has high artistic value.

This book treats contemporary literature with a history of more than 70 years as a whole, divided into three parts: upper, middle and lower, to conduct a comprehensive and systematic discussion of the "historicization" of its research. The first part, "The ontological composition and knowledge genealogy of historicization", mainly examines "what is" the historicization of contemporary literature, and organizes the ontological composition and knowledge genealogy of its "triad" (i. E., Mainstream ideological literature, elite literature, and popular literature), and then explains the relevant evaluation mechanisms and criteria from the perspective of time and space expansion. The middle volume "Main Paths and Research Methods of Historicization" analyzes "how to historicize", including the narrative paradigm, canonization selection, literary history compilation, as well as the collection and arrangement, screening and analysis of historical materials. The next part, "Discussions on Historicization-Related Topics," mainly conducts a sample analysis of relevant important issues from the perspectives of historicization and politics, revolution, literature, criticism, old-style poetry, and knowledge and education. Each section has both relative independence and internal logical connections. This is closely linked to the "ontology" and "practice" of historicization, and revolves around the two dimensions and directions of "what is historicization" and "how to historicize".

This book mainly takes the geographical space of the American South in the novels of African American writer Toni Morrison as the entry point to study the relationship between the specific writing of geographical space and the political imagination of the work. This book explores Morrison's novels from four aspects: the relationship between black youth's physical practice and racial identity, historical memory and political ideals, the ethical concerns of diaspora groups in the era of globalization, and the special significance of the American South to contemporary black groups under the perspective of modernity. The study found that the southern geographical space in Morrison's novels has obvious political imagination and appeal. From the early shaping of the black spiritual home to the mid-term exploration of diverse residential areas, to the later conception of an ideal home, the meaning of this space shows a tendency to return from the later to the early stages, making the writer's spatial conception of the American South form an approximate ring structure. Finally, this book believes that the fictional American South embodies Morrison's concern for the historical and realistic situation of the black group and his emphasis on black culture. The three-dimensional and diverse space exploration in the work also presents the writer's complex mentality as a minority elite while defending the interests of the ethnic group and the nation-state.

In the development process of Internet literature, brilliant Internet writers have emerged. "Online Literature Writers" is based on the collection of a large amount of research data, and based on the principle of "let the materials speak for themselves", it provides in-depth and easy-to-understand reviews and explanations of famous early Internet literature writers and works. This book provides a descriptive description and review of several generations of Internet writers, aiming to collect data, screen documents, and leave a history through "field research" in "cyberspace". It is worth noting that many of the original information recorded in the book about the lives of early websites, such as the lives of writers, the spread of their works, and readers' reactions, have disappeared or will soon disappear from the web. Therefore, this book's objective record of "in-depth on-site and long-term follow-up" undoubtedly has the historical value of "on-the-spot experience" and "empirical research". In addition, this book theoretically sorts out the continuous transformation and upgrading of online writers and the online literature production system; it also questions and explores the creative methods and living conditions of online writers at a value-rational level. In short, this book provides a large amount of first-hand information for ordinary readers and related researchers to have an in-depth understanding of the works of Internet writers. From the perspective of literary development theory, this book can also be said to be a "history of growth" and "history of the soul" of early Internet writers.

Based on a close reading of the text, this book attempts to enter the microcosm of Northeastern literature, and gradually discover the complete style of the Northeastern literature system in the individual Northeastern writers. Combining the overall development history of regional literature and the overall development status of Chinese literature, it explores the special operating rules of Northeastern literature itself, and explores the tenacious and tenacious literary exploration spirit of Northeastern writers under the basic condition of "low literary style." The whole book focuses on Northeastern literature since the 20th century, taking into account both contemporary nature and diversity in the selection of writers, focusing on examining the intrinsic relationship between Northeastern writers and Northeastern regional culture, and striving to clarify the value and significance of Northeastern writers' creations in the history of modern and contemporary Chinese literature.

Fa Shishan (1752-813), a writer in the Qing Dynasty. His surname was Wu Yao, his original name was Yunchang, his courtesy name was Kaiwen, and his nicknames were Shifan, Wumen, Taolu, and Xiaoxiya Jushi. In the 45th year of Qianlong's reign, he became a Jinshi and was awarded the title of "Review". Emperor Qianlong highly praised his talent and gave him the name "Fashi Shan", which means "working hard and making a difference" in Manchu. Fa Shishan once participated in the compilation of Wuyingdian branch's "Sikuquanshu". "Research on Fa Shishan" is a comprehensive study of Fa Shishan, a poet in the Qing Dynasty. During the Qiang-Jia period, poetic activities were frequent, and the literary ecology showed a diversified trend. During this period, French practiced his best and had extensive contacts. He became an active advocate and participant in poetic activities at that time. He also took the opportunity of "Poetry Niche Picture", "Xiya Ya Collection", "Wumen Poetry Talk", etc. To launch a series of poetic activities. This established an indispensable platform for establishing his position in the Qianjia poetry circle, and also enriched the Qianjia literary ecology.

This book takes the "New Woman" image constructed by the modern women's liberation movement in China as the research object. It combines the relevant remarks of the late Qing Dynasty intellectual elites, multiple feedbacks from newspapers and public opinion, and related novels and texts showing the image of the "New Woman". By sorting out the external reasons and internal motivations for the formation of the modern women's liberation movement, this book strives to show the complex aspects of how the intellectual elite, often male intellectual elites, have absolute say in the construction of the "New Woman" image, and how the majority of female groups cope with, break through, and grow under the multiple intersections of nationality and gender. By sorting out, integrating, and interpreting the construction, imagination, and practice of "new women" both inside and outside literary writing in the late Qing Dynasty, it will help us form a more coherent, profound, and comprehensive understanding of the modern women's liberation movement more than a hundred years ago.

"Fu Studies: Criticism and Style" is based on the academic concept of "the study of literary history in process", and strives to return to the context of ancient Chinese literary criticism and stylistics to explore the most distinctive literary styles. It focuses on the form of fu criticism, the creation mechanism of rhymed fu, stylistic concepts, regional fu studies, and fugue methodology.

This book captures the representative topics of the emergence, acceptance, evolution and development of the quatrains in the theory of poetry, closely relies on different critical materials to establish the argument, and clarifies the internal situation of the acceptance and evolution of the quatrains of the theory of poetry. Taking the historical acceptance and innovative development of individual cases as clues, and using the numerous origins on the clues as support, it reveals the rich connotations of the occurrence, development, evolution and innovation of the quatrains.

"Total historical consciousness" is a development and implementation of the great literary concept. The whole history examines the cultural existence and spiritual context of literature in "big history". This book was originally the introduction written by Mr. Yang Yi for the National Publishing Fund's key project "The Complete History of Chinese Literature in the 20th Century." It is an important essay by Mr. Yang Yi on the great historical view of literature. It can be regarded as a brief history of literature and a research outline. The appendix contains an interview with Mr. Yang Yi on the great historical view of literature. In-depth discovery of the rich composition of the entire history of literature, rich blood and rich testimonies of historical life, showing the spirit and style of the modern great country's century-old literary rebirth.

This book is revised based on the author's doctoral thesis. This book focuses on the literary thought of the famous Latin American writer García Márquez, focusing on examining and discussing the ideological issues of his magical realism literary thought from the theoretical perspective of postcolonial and postmodern literature. The author uses race, power and cultural identity as the starting point to examine Marquez's works. The whole book sorts out the research focus from the post-colonial landscape, magical realism style, changes in power structure and identity. Finally, it combs the influence and spread of Marquez on contemporary Chinese literature, comprehensively presenting the thoughts and social significance of Marquez's literary creation, which has certain theoretical value and practical significance.

Zhu Tingzhen's "Xiaoyuan Poetry Talk" in the late Qing Dynasty combines the best of ancient and modern times, deepens traditional propositions, and collects the culmination of previous poetic theories. It is known as "the crown of ancient Yunnan literary theory" and has high theoretical value. This book is based on Zhu Tingzhen's "Xiaoyuan Poems and Talks (Mr. Xiaoyuan's own banknote edition)" in the sixth year of Guangxu's reign (1880) in the Yunnan Library, and is based on the first edition of the Yunnan Series in the tenth year of Guangxu's reign (1884). Drawing on the experience of predecessors such as Guo Shaoyu and Zhang Guoqing, we supplemented the shortcomings of the existing edition, and used a combination of proofreading and annotation to explain the names of people, places, proper nouns in literary theory, religious nouns, etc. Involved in Xiaoyuan's poems. The compilation and publication of this book will be of great value to the study of ancient Yunnan literary theory.

This book focuses on using the theory of narrative voice represented by Susan S. Lancer, combined with methods such as neo-Marxist ideological analysis and reader response criticism, to theoretically clarify the relationship between narrative voice and its related elements. Based on this, combined with narrative form and ideology, it conducts a comprehensive analysis of the narrative voice in the novels of representative female writers in the history of modern Chinese literature.

This book combines a macro overview with staged specific discussions to conduct an in-depth study of the research trends in literary and art theory and scholars' thoughts and writings since the founding of New China. It uses a "preface" to outline the evolution of contemporary Chinese literary and art theory research, discusses the respective characteristics of different periods in chapters, and evaluates the value of scholars' writings. It synthesizes and deduces a large amount of literature, and is targeted at hot issues in contemporary literary and art theory research and scholars' discussions.

Hong Liangji was a master of Pu Xue in the Qing Dynasty and a giant in literary circles during the Qian and Jiaqing Dynasties. He was famous for his textual research on his poems and chapters. This book explains Hong Liangji's poetic theory from four aspects: element theory, ontology, function theory and creation theory. Combining Hong Liangji's literary activities, ideological personality and creative mentality, this paper conducts a classification study on the themes of his poetry, reveals the artistic achievements and aesthetic features of his poetry creation, and then grasps the trajectory of the evolution of his poetry style, so as to gain a glimpse of the typical characteristics of the Qianjia scholar poets' creations. Analyze Hong Liangji's other literary creations and academic research, and place them in the context of the Qianjia literary world to assess his status and influence in literary history.

National identity is one of the important topics of current concern in the field of social sciences. The national identity of the United States includes civil identity and national identity. It has long adhered to the orthodoxy of WASP (White Anglo-Saxon Protestant) as the national identity, and granted citizenship to ethnic minorities based on their degree of naturalization, making the country an exclusive and hierarchical political community, causing conflicts among African Americans in national identity. Gwendolyn Brooks is an important African American poet in the 20th century. "Flowers of Fury" is a metaphorical summary of her poetic life: her exquisite skills integrating modernism and black dialect tradition, and her radical thoughts that actively intervene in black liberation. This book systematically combs Brooks' poetry creation spanning the 1940s to the 1990s, combining the race relations model, black social movements, racial political trends in the United States in different periods, as well as the poet's own poetic evolution, summarizing the spatial form, spatial experience, and spatial cognition in a specific period, and expounding the different demands and strategic construction of national identity directed by spatial narratives. Through Brooks's consistent research on the dynamic relationship between spatial narrative and national identity, this book summarizes the poet's artistic aesthetics, poetic concepts, and social thoughts, and uses this as a prism to examine the issue of national identity in contemporary American society and its historical evolution.

The late Qing Dynasty and the early Republic of China were a critical period for Chinese literature to transform from tradition to modernity, among which the achievements of new novels were the most significant. Its outstanding feature is that during this period, various private bookstores competed for prominence and edited and published the "Shuobu Series", which fully reflected the great achievements of the revolution in the novel world. This book is the first to carry out a comprehensive and systematic narration of hundreds of works in the "Shuobu Series" published by more than 20 publishing organizations in the late Qing Dynasty and the early Republic of China. This is a quite innovative research work. This book is based on the "Shuobu Series" published by various publishing units, with the works in each series as the heading, and according to the publication time of the various "Shuobu Series", it narrates the authors (authors and translators), various versions, chapter lists (full or excerpted), prefaces and postscripts (full or excerpted) of each work, as well as other related documents such as reviews, works advertisements and other information. It has important historical and academic value.

This book collects special articles on the study of Wu Sijing's poetry by Xie Mian, Cheng Guangwei, Zhou Xiaofeng, Luo Zhenya, Liu Shijie, Wu Xiao, Zhang Deming, Jiang Yuqin, Zhang Jian, Shi Libin, Qiu Jinghua, Yi Bin, Lu Zhen, Liu Bo, Chen Peihao and other academic colleagues, and includes them respectively. It is included in albums such as "Come Together, Persistence, Exploration, and Echo", which covers the impressions and perceptions of Mr. Wu Sijing by his contemporaries. Young and middle-aged scholars discuss his poetry criticism and theoretical construction, research on the history of poetry, etc., And also includes interviews and academic chronicles with high data value.

"Revolution" runs through the social, historical and cultural process of China in the 20th century, and has a great impact on the generation, dissemination and acceptance of new poetry. "Revolution" is both the reference and the object of research on new poetry. However, the existing research results are mostly under the shadow of traditional revolutionary concepts and lack transcendence. There is a lack of research on the complexity and richness of the revolutionary discourse of new poetry. The significance of "revolution" to new poetry is: first, revolution as the external situation of new poetry; second, revolution as the core vocabulary of new poetry writing and expression of the universal pursuit of modern Chinese poetry; third, revolution as the characteristic consequence of new poetry. Revolutionary discourse includes a set of related vocabulary with revolution as the core word, and also includes the production, dissemination and effectiveness of this set of vocabulary in society. "Discourse" is a structure of linguistic expression as well as a behavior or practice. The influence or role of revolutionary discourse in the generation and development of modern Chinese literature, especially new poetry, has not yet been fully recognized or explained. Based on the comprehensive review, this topic selects eight representative new poetry poets, including He Qifang, Bian Zhilin, Feng Zhi, Ai Qing, Lu Yuan, Fei Ming, Xu Yunuo, and Mu Dan, to carefully read and analyze their poetry creation and poetic concepts, and combine each person's literary life and poetry creation experience to explore the complex impact of revolutionary discourse on creation, dissemination, and acceptance, thereby exploring the construction and practice of the poetics of revolutionary discourse in New Poetry over the past century and modern Chinese poetry. This topic combines macro theory with case study, historical analysis and realistic concern, and uses revolutionary discourse as the key words to explain the evolution trajectory, characteristics and enlightenment of modernity in China over the past century.

This book takes the novel creation in Hebei since modern times as the research object, and comprehensively and in detail discusses the historical style of novel creation in Hebei over the past century. The book is divided into three parts: upper, middle and lower parts: the upper part sorts out the development of modern novels in Hebei, while the middle and lower parts sort out the history and current situation of contemporary novels in Hebei; each part provides an in-depth and full explanation of the works of representative writers. The whole book pays attention to the collection of historical materials and careful reading of texts, and has the characteristics of using history as the basis for theory and theory to derive from history. It is a monograph on the history of local novels with considerable academic value.

"These works were in a 'marginal' position at the time... But they were 'advanced', and at a certain moment when the trends of the times changed, their value would be re-recognized." (Qian Liqun's words) As part of the "Qian Liqun Modern Literature Course" series, this book "Ten New Readings of Modern Novels" was first "unpacked" and compiled from the "Research on Novels of the 1940s" course offered by Professor Qian Liqun at Peking University in the fall semester of 1995. Nearly 30 years later, Professor Wu Xiaodong from the Chinese Department of Peking University, who personally participated in this seminar, led a new generation of students to reinterpret these works under the aura of their predecessors, adding new interpretations of texts by graduate students majoring in modern literature, and contributing a new methodological perspective. The two-generation relay class selects 10 classic Chinese writers of modern literature: Xiao Hong, Li Tuozhi, Shen Congwen, Duanmu Hongliang, Lu Ling, Feng Zhi, Fei Ming, Bian Zhilin, Zhang Ailing, and Wang Zengqi, and starts from Xiao Hong's "Back Garden" The discussion of human existence, whether Zhang Ailing's "Blockade" has "overflow of meaning", to the reading of the old and new versions of Wang Zengqi's "Yi Bing"... Return to the literary scene in the form of classroom records and equal exchanges between teachers and students. Reject heroism, penetrate the ruins of war, discover the value and beauty of daily life in the flames of war, and care about the living conditions of individuals... Both generations of scholars have made their own interpretations of the connotation of classics, and they have also witnessed the enduring popularity of our modern literary classics.

One sentence summarizes the greatness of Jin Yong's martial arts novels: He created works that influenced countless people, and imagined another China in the martial arts world and Jianghu society. Regardless of the key content or main features, this book reveals the hidden Jin Yong from the following three aspects, provides unexpected and natural interpretation methods, and gives readers a satisfying novel reading experience: The author of martial arts novels - The ups and downs of Jin Yong's life Experience, strong personality characteristics and conscious pursuit of writing; novel creation background - Jin Yong's special personal situation and complex era conditions when he was engaged in writing martial arts novels; martial arts novel text - the distinctive literary characteristics and rich textual connotations created by Jin Yong's pen. This book can be regarded as an excellent guide and mind map for understanding and understanding Jin Yong's martial arts novels.

"Yaolan Poetry" is an important poetic work by Yan Tingzhong, a famous Yunnan poet in the late Qing Dynasty. This book is based on "Yaolan Poetry" collected in the Yunnan Provincial Library, with detailed collation, annotations and supplements. It also compiles Yan Tingzhong's biography, poetry prefaces and other relevant important documents. This book is the first systematic compilation of "Yaolan Shihua".

This book is a collection of Professor Li Yi's academic and ideological texts. These texts revolve around the main areas of his academic thought and are edited with "poetry and history" as the basic clue. They are divided into: My Story, Human Relationships, Knowing People and Commenting on the World, The World, Poetry and the Dragon, My Land and My People, Cultivating People for a Hundred Years, Cultural Observation, Academic Methods, etc., Which generally display some of the key points of Li Yi's ideological exploration over the past 30 years. In the author's own words, what he yearns for is "thoughts are lightning in the dark night, the first ray of light at dawn..." And although the words of these fragments of thoughts are nothing more than "spiritual meteors", "it quickly cuts across the dark sky, giving us real panic and shock. Without these fleeting flashes, other narratives have lost their meaning, and are just boring chatter."

This book comprehensively collects and summarizes the works on writers of the Han, Wei and Six Dynasties and their works, starting from Jiayi of the Han Dynasty and ending in the Sui and Yan Dynasties. The book contains the abstracts of more than 2,100 works on 116 writers and their works, including academic works on writers of the Han, Wei and Six Dynasties and their works officially published in China from 1900 to 2015, submitted doctoral theses and postdoctoral research outbound reports; the abstracts of each writer and his works are also organized in the order of publication (or submission) time, striving to present the academic history of thematic research (or case studies) on the writers of the Han, Wei and Six Dynasties and their works.

This book demonstrates for the first time the two-way relationship between world literature and modern Chinese literature: world literature has influenced the formation of modern Chinese literary classics, and the overseas spread of modern Chinese literature has enriched the treasure house of world literature. This book believes that world literature is not a fixed concept, but a concept of travel; world literature is not a collection of literature from various countries/nationalities, but refers to literature with global significance; the evaluation of world literature classics should follow certain universal standards; the barriers of Western centrism should be broken through in the process of writing the history of world literature; Chinese literature should be promoted to the world by constantly speaking out in the world; when determining world literature classics, both its classicity and readability should be taken into consideration.

This book strives to present the historical trajectory of Lu Xun's spread in Taiwan intuitively and completely by carefully sorting out the historical documents that Lu Xun spread and received in Taiwan. It also provides an objective evaluation and in-depth theoretical explanation of the historical facts, and summarizes Lu Xun's special significance in the development of Taiwanese literature and culture. The experience of "Taiwan Lu Xun" suggested in this book can not only provide a new dimension of thinking for the study of Lu Xun and modern Chinese literature, but also enrich the historical details and spiritual aspects of the images of "Chinese Lu Xun" and "East Asian Lu Xun", which is of great significance for re-outlining Lu Xun's influence in East Asia.

In Heaney's poetry, the landscape presented through memory, history and language establishes the multiple identities of Heaney as an Irishman, an Irish poet, an Irish Catholic, and an English poet. At the same time, it brings a broader perspective to dealing with identity issues in the real contradictions of Northern Ireland, and opens up a space conducive to communication and discussion. The poet also tries to open up the boundaries of politics with the integration of history, presenting a new writing paradigm that can not only respond to the real contradictions in Northern Ireland but also reflect the aesthetic value of poetry, and is committed to establishing a future-oriented imaginary world in literary works. At the same time, the construction of multiple identities in poetry creates a space that transcends the binary opposition of ethnicity and religion and includes different cultures, different politics, and different ideologies. It promotes the artistic creation of poets and provides a new paradigm for the writing of literary creators who suffer from cultural divisions in the world.

This book starts from the perspective of animal studies and is compatible with theories such as Marxism, feminism, postcolonial studies, ecocriticism, psychoanalysis, new historicism, posthumanism and cognitive ethology. It focuses on animal books in contemporary new English novels such as Coetzee's "Animal Lives", Sinha's "Animal People", Atwood's "Oryx and Crake", Martel's "Life of Pi", Wynton's "The Shallows" and so on. Write, explore the relationship between literary representations and symbolic meanings of animals and real animals, explain how different perceptions of animals affect their destiny in human society and humans themselves, analyze how literature and art can speak for animals without falling into the trap of anthropocentric imagination, trace the role that animals play in shaping human personality and the process of civilization, and put this tracing in the current real context to observe its significance.

Through an in-depth textual reading of a series of representative novels by the famous writer Zhang Ping, such as "Sister", "Sacrifice to Wife", "Fashao Fenxi", "Skynet", "Decision", "Orphan's Tears", "National Cadres" and "Reliving Life", etc., On the one hand, it combines relevant biographical information, and on the other hand, it also incorporates the writer into the overall development and evolution of literary trends in the new era. It conducts a comprehensive and comprehensive study, and finally refines and summarizes the basic characteristics of Zhang Ping's literary writing. Zhang Ping's novel creation has gone through three different stages of development: the "Family Tragedy" series, "Social Issues Literature" and "Political Novels". He holds a literary view of writing for the common people and pays more attention to expressing the common people's livelihood sufferings. In terms of creative type, he is an excellent experiential writer. His literary creations are always closely related to important practical issues, and he always pays in-depth attention to and thinks about the sharp and fierce central conflicts of the times. In short, Zhang Ping is not only a writer of main themes, but also an excellent critical realist writer. In his long-term writing process, he not only created a series of characters with human depth, but also formed some special personalized characteristics in literary form.

This book is the 18th series of "New Horizons in the Humanities" research papers edited by famous domestic scholars Shi Zhongyi, Yin Xiaohuang and others. The manuscripts mainly include philosophical research, poetic research, French literature research, Canadian Quebec literature research, Japanese literature research and other columns, including literature and art. Discussions on the current controversial issues of modernity and postmodernity in the field, artistic analysis and cultural interpretation of foreign literary works, and the reception of domestic translations, as well as papers exploring the philosophical issues of "problemology", etc. The research methods and perspectives used include comparative literature, literary communication, psychoanalysis, etc. Rich in content and highly academic, it is at the forefront of theoretical research on literature and art.

This book takes Lu Xun's discourse as a whole as the research object, and systematically describes and condenses the multiple "schemas" in Lu Xun's discourse from multiple dimensions: the dual structure model of national discourse and personal discourse, the "relationship body" and "space-time body" model of "Iron House", the "returnee-old friend-story" structural model of the homecoming novel, the "double vortex" dynamic derivative schema of Lu Xun's discourse practice, and the life philosophy schema of "outside the world - resistance to the world/inside the body - introspection", etc. On this basis, it deeply explores the occurrence of Lu Xun's discourse, the practice of Lu Xun's discourse, the origin of Lu Xun's discourse system, the isomorphism of Lu Xun's discourse model and survival mode, etc., And promotes the systematization of Lu Xun's discourse research. Among them, this book creatively reinterprets the "two centers" of Lu Xun's discourse using the "double vortex" diagram, discovers the systematic relationship and dynamic derivation of Lu Xun's discourse, and thus redraws Lu Xun's spiritual image with reflexivity as the center and paradox as balance.

The palace culture runs through the development of Ci in the Tang and Five Dynasties, and is of great significance to the construction of the history of Ci style. This book starts from the origin of Ci, takes the different development stages of the Tang and Five Dynasties as a cross-section, and explores the relationship between court culture and the development and evolution of Ci in the Tang and Five Dynasties. It specifically discusses five issues: the palace culture of the Sui Dynasty and the early Tang Dynasty and the precise origin of Ci style. The court culture of the prosperous Tang Dynasty promoted the formation of Ci style, the court culture of the Mid-Tang Dynasty gave the Ci style transitional characteristics, the court culture of Xishu in the Late Tang Dynasty established the basic paradigm of Ci style, and the court culture of the Southern Tang Dynasty contributed to the prosperity of Ci style in the Five Dynasties. The poetry of the Tang and Five Dynasties takes palace culture as its main theme and has distinct attributes of palace culture. On the contrary, the court culture not only gave birth to the style of poetry, but also effectively promoted the development, shaping and prosperity of poetry in the Tang and Five Dynasties, thus ushering in the prosperity of Song poetry.

This book places the May Fourth novel genre in the broad perspective of comparison between Chinese and Western Enlightenment, examines the Enlightenment characteristics of novel creation by the "Literary Research Society" and the Enlightenment strategies of rural realistic novels, analyzes the Enlightenment writing of romantic lyrical novels, discusses the influence of the Western Enlightenment movement on May Fourth literature, and discusses the inner power of Eastern culture displayed in the May Fourth Enlightenment novels, thereby highlighting the unique value of the May Fourth Enlightenment novels.

The poem "The Waste Land" by Thomas S. Eliot has become obscure and difficult to understand due to its rich citations and the mixture of multiple languages. However, as the original Chinese translator of the poem "The Waste Land", Mr. Zhao Luorui believes that "this poem is very suitable for translation by literal translation" because "literal translation can more faithfully reflect the original work." On the basis of studying Eliot's theory of poetry and poetics and the seven Chinese translations of "The Waste Land", the author and the members of the research team conducted a preliminary review, analysis and discussion of Mr. Zhao Luorui's theory and practice of literal translation in literary translation. They paid special attention to Mr. Zhao Luorui's uniqueness in translating Eliot's poetic references and hoped to make his own contribution to the teaching and research of domestic British and American poetry in the understanding and translation of Eliot's poetic references and their intertextuality.

On the basis of sorting out the evolution of poetry in the late Ming Dynasty, this book explores the development trajectory of poetry in the late Ming Dynasty from the perspective of the poet's mentality. It analyzes the reasons why the poetry style in the late Ming Dynasty changed from "retro" to "spiritual" and the late Ming poets' reflections on "teacher's heart" and "learning from the past". It also discusses the creation of patriotic poetry in the late Ming Dynasty. This book focuses on studying the impact of the mentality of mainstream poets in the late Ming Dynasty on the direction of poetry, in order to accurately grasp the inheritance and new changes in the poetic style of the late Ming Dynasty. In addition, this book also conducts an in-depth analysis of creative groups such as boudoir women, brothel women and "female mountain people" from the perspective of the awakening of women's consciousness in the late Ming Dynasty, and summarizes the new trends in the development of women's poetry in the late Ming Dynasty.

This book takes the cross-cultural communication of Song poetry in North America as the object of investigation, uses academic history and discourse analysis as the basic perspective, and takes the development history, research fields, main characteristics, and research methods of Song poetry research results in North American Sinology circles as its scope of discussion. The North American Sinology community mainly discusses five aspects: the categories of Song poetry, the "self" of Song poetry, the "revolution" of Song poetry, the relationship between Song poetry and politics, and the relationship between Song poetry and Buddhism and Taoism. It shows distinctive research characteristics, that is, it emphasizes the restoration of historical and cultural context, is good at comparing China and the West, pays attention to interdisciplinary investigation, and is extremely good at text reading, which provides Chinese scholars with lessons from outside the region.