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This book attaches great importance to the self-connection and emergence of the internal context of Chuanshan's poetics. From the perspective of "qingji" ("the yin and yang of the lover" and "poetry's emotion, several elements"), it explores the "system" inherent in Chuanshan's poetics itself, and demonstrates that it is a dynamic system with "poetry" that is consistent and highly organic and vital. This book also strives to place Chuanshan's poetics within the "main emotion" tradition of classical poetry, especially with the tradition of poetic theory since the Yuan and Ming Dynasties that "focuses on the Tang Dynasty and deposes the Song Dynasty", "focuses on emotion and rejects theory", and "valus emotions and thoughts over facts". In this "internal context" dominated by diachronic cultural inheritance, we trace its origins, clarify its changes, and gain perspective on the value of Chuanshan's poetics.

Modern Chinese novels have been shrouded in the shadow of death since their very beginning, and are full of time anxiety and survival anxiety. This book uses a variety of classic literary theoretical research and analysis methods such as case interpretation, comparative research, external research, and mutual verification of cause and effect. It takes the death narrative in modern Chinese novels as the entry point to study the spiritual pursuit of modern writers and the aesthetic orientation of novels, as well as the dilemma of the awakening of life consciousness and ideological enlightenment of modern writers. It explores the spiritual connotation of death writing in modern novels, the transformation of death narrative perspectives and different discourse characteristics, and summarizes the aesthetic style and deep cultural metaphors of death narratives in modern novels.

This book integrates a group of writers who were active in literary creation in English and Chinese from the 1930s to the 1950s into a group from the previous scattered attention. The author selected seven writers except Lin Yutang, who has been relatively well-researched so far, and started with their representative works to study their creative characteristics and cultural thinking characteristics, as well as the image of China they objectively established in the English-speaking world. The book proceeds from the inside to the outside, layer by layer, and then explores the impact of these bilingual writers on Chinese and foreign cultural and literary exchanges, thereby providing a worthy reference model for today's Chinese literature and the overseas spread of Chinese culture.

Combining the regional cultural characteristics of Fujian, this book takes an overall look at Chen Shi, a Fujian survivor writer in the late Ming and early Qing dynasties, and his circle of survivor friends, explores the survivor identity consciousness contained in Chen Shi's writings, and discusses the mental characteristics and spiritual situation of the Fujian survivor literary people in the late Ming and early Qing dynasties. The book is divided into eight chapters, which respectively research and discuss Chen Shi's family background, academic career, ups and downs in officialdom, versions of his writings, friendships, and the ideological connotation and artistic achievements of his writings. The focus is on Chen Shi's role in the Change of Dynasty from the perspective of memory and identity. In addition, from the perspective of the integration and transmission of resorts, holy places and Daoshan cultural spirit, the contribution of the survivors' literati represented by Chen Shi in the late Ming and early Qing dynasties to the inheritance and dissemination of traditional national culture and Fujian regional literature was analyzed.

This book is the result of a National Social Science Fund project and is the first special research work on minority female poets. This book takes the Bai female poets of the Dali area from the Yuan Dynasty to the Republic of China as the research object. It conducts in-depth research on 23 female poets and their works, discusses the reasons for the formation of Bai female poets, reveals the theme content of poetry, and the connotation and characteristics of artistic aesthetics. It examines the poetry creation of Bai female poets and ancient Chinese female literature, and points out the value and status of Bai female poets in the history of ancient literature.

This book takes the surviving poetic works of the Northern Song Dynasty poet Guo Xiangzheng as the research object. It first adopts the method of "knowing people and analyzing the world" to outline Guo Xiangzheng's career and life path wandering between the two ends of "official" and "hidden", in order to interpret the reasons for the formation of Guo Xiangzheng's unique personality and his open poetry style in the context of the evolution of scholarly style in the Song Dynasty. Then, this book describes the original style of Guo Xiangzheng's poems from many aspects such as content, genre, imagery, organization, style, etc., While interpreting the artistry of his poems, it also uses these poems as annotations to Guo Xiangzheng's mental journey, in order to show the poet's beautiful feelings of conveying his heart through poetry and loving poetry as life.

This book discusses several aspects of the narrative of "Zuo Zhuan" from the perspective of the Spring and Autumn Dynasty clan. If you are a professional, you can read Chapter 5, which sorts out several groups of keywords in literary research; if you want to do in-depth research on this issue, you can read Chapter 1, where there are more deficiencies that need to be explored; if you have just come into contact with "Zuo Zhuan", you can read Chapter 2, where the analysis of the narrative structure can provide a reading method; if you just happen to meet it, read Chapter 4, where people and things are explained in a relatively systematic manner. There are some personal emotions in the book. Why do so many people look up to the Three Dynasties? Why is the Spring and Autumn Period not a carnival of the Six Dynasties? Even why "the death of Qin must lead to Chu" is such a disorganized existence. If someone reads or re-read "Zuo Zhuan" because of this little book, it will be a great blessing.

This book is the first work in the field of modern Chinese literature research to discuss modern literary historical materials from the perspective of "historical material criticism." It is a relatively complete summary and reflection on the content, norms, methods, and values ​​of modern literary historical material criticism using critical thinking. The author strives to reconstruct modern Chinese literary historiography with the theory of "historical material criticism." This book has certain innovations in the systematization of modern literary historical material knowledge, the integration of historical material methods, the hierarchical construction of historical material critical theory, the integration of historical material critical methods, and the analysis of specific historical material critical techniques. It is an important domestic treatise on the use of critical thinking to study modern literary historical materials, and has theoretical depth and methodological value.

This book is a special collection of materials with the theme of the study of Chinese classical novels. It contains 79 rare materials on the study of Chinese classical novels by Western scholars from the 18th century to the mid-20th century. It takes into account documents of different themes, different periods and different languages, in order to fully reflect the early Western academic circles' study of Chinese classical novels. The book is organized into ten categories according to the themes of Western academic research on Chinese classical novels. The articles included in each theme are arranged in chronological order, and each article is preceded by a title explanation, introducing the author's life, selected version, origin, main academic viewpoints and academic influence, etc.

The story of Adam and Eve is like the shadow of human beings as a whole, which continues to exist in religion, literature, art, and philosophy. It is not only a hymn to human responsibility, but also a dark allegory about the tragic situation of human beings. Stephen Greenblatt builds a bridge between human origins and modern civilization by tracing back the story's immense value, revealing its rich allegory, sexual and moral conflicts, virulent misogyny, and profound moral insights, all the while tracing the story's post-Darwinian persistence in contemporary times, triggering our thinking about issues such as freedom of marriage, women's rights, and the measure of freedom in today's society.

"Oriental Literature Research Collection" is a publication sponsored by the Oriental Literature Research Center of Peking University, a key research base for humanities and social sciences of the Ministry of Education. It is a concentrated reflection of its academic achievements over the years. Most of the papers included in each issue are the latest achievements published at academic conferences related to Oriental literature in the current year or the previous year. To a certain extent, they represent the academic level of the domestic Oriental literature research field. This collection is mainly divided into five parts: comprehensive research, literary sociology research, narrative research, female literature research, and book reviews.

"The Medieval Reception of Ming Dynasty Poetry" is a topic worthy of in-depth study. The Middle Ages here refers specifically to the Han, Wei and Six Dynasties periods. The literati of the Ming Dynasty and the literati of the Middle Ages belong to different historical contexts, but in pursuing creative standards and exploring the source of creative inspiration, they have resonances from different generations. This book examines the reception of medieval poets and poems by Ming Dynasty poetic commentators Yang Shen, Xie Zhen, Wang Shizhen, Hu Yinglin, Xu Xueyi, and Yuan Hongdao from the perspective of reception aesthetics. This is not only a way to explore the characteristics of Ming Dynasty poetics, but also a way to study the influence of medieval poetry on later generations.

Pat Barker is one of the few female novelists with war themes in the contemporary British literary world. This book focuses on the study of six of Buck's novels set in the First World War, and systematically elaborates on the traumatic narratives in Buck's works and the cultural significance of such narratives. Starting from the dual perspectives of the appearance and implicitness of the existence of things, the book analyzes the retrospective and historical perspectives, non-textual and textual media, bottom-up and top-down concepts, special and general considerations, and different paths of art and science in the novel. It presents the dynamic development of the characters and the complexity of their inner world in the social and historical context at that time, revealing Buck's postmodern stance to challenge cultural stereotypes and conventions, emphasizing exploration under tension and inclusive and open dialogue.

Guo Moruo was a famous Chinese writer, revolutionary and important national leader in the 20th century. However, in recent years, the understanding of Guo Moruo in academic circles and among the public has been skewed, and Guo Moruo has been portrayed as a "two-faced man" and a "little grasshopper". Many remarks are based on untrue words. This book conducts an in-depth analysis of various "rumors" and "slanders" about Guo Moruo's literary creation, academic research and other issues over a period of time, and clarifies the untrue words that have been placed on Guo Moruo. At the same time, it analyzes the causes of several major "rumors" and "slanders", restores the true colors of historical events, and presents readers with different aspects of the life of a celebrity who adhered to Marxist ideals and made great contributions to the Chinese revolution.

This book studies the transformation of old and new ci studies. It can be said to be the first monograph in the field of ci study to explore the changes between ancient and modern times and the transformation between old and new. From the perspective of aristocratic families, societies and universities, the book collects and excavates historical materials as much as possible, pays attention to repeated original details, and strives to return to the historical scene to discuss the transformation of Ci studies, including in-depth discussions on Ci studies ideas and Ci study methods, and an appropriate interpretation of the Ci works involved.

This book starts with literary works and film cases, and attempts to discuss the fluidity of the socialist literary and artistic field configuration and the hybrid nature of the literary and artistic ecological structure in the 1950s and 1960s. On the one hand, this book provides a historical perspective on the in-depth participation and long-term influence of various literary and artistic forces in the construction of the literary and artistic field; on the other hand, it also places the construction of socialist literary and artistic identity in a broader world pattern for understanding and reflection. Those elusive ideal literary and artistic forms that need to be achieved, those abstract, contradictory, and unpredictable discourse operating mechanisms may gradually emerge from this.

The Liu family in Pengcheng in the Southern Dynasties was one of the literary families that produced the most writers and had the greatest influence in the Southern Dynasties. "There were seventy brothers and nephews at that time, and they were all capable of writing, which was unprecedented in modern times" ("Liang Shu Biography of Liu Xiaochuo"). The Liu family was an important promoter of the development and changes of literature in the Southern Dynasties. Its family literature can be said to be a microcosm of the entire literary history of the Southern Dynasties. It completely reflects the evolution trajectory from Yuanjia literature to Yongming literature to Liang-Chen literature, connecting the Wei and Jin Dynasties to the Sui and Tang Dynasties. This book systematically explains the literary achievements of the Liu family, especially the Liu family's creative genres, creative techniques and creative characteristics.

"Chang'an Academic" is a comprehensive journal on Chinese language and literature research, serving the construction and development of Chinese language and literature disciplines. The content included in the collection involves the content of secondary disciplines under the first-level discipline of Chinese language and literature, including language studies, literary studies (ancient literature, modern and contemporary literature, literary theory and foreign literature, etc.), Philology, etc., In addition to book reviews and other content. The book mainly publishes the latest research results in various disciplines such as Chinese language and literature, aiming to strengthen academic exchanges, display cutting-edge results, and promote the development of Chinese language and literature research.

This book selects about 400 illustrations from early Western translations of Chinese classical novels from the 18th century to the early 20th century, compiles them into a volume, and photocopies them for publication. It is a special collection of documents focusing on the illustrations of Western translations of Chinese classical novels. Spanish translations of Chinese classical novels are an important medium for Western readers to understand Chinese novels and Chinese culture. The illustrations, like the annotations, play an important role in helping readers understand. From the quasi-woodcut-style illustrations in the 1761 English translation of Passy's "The Legend of Haoqiu" to the exquisite novel illustrations printed with lithography technology in the late 19th century, illustrations in Western translations of Chinese novels have experienced long-term development, promoting the spread of Chinese classical novels in the West, and they themselves also form a part of Western Sinology research.

This book takes Fu Yingren, a Manchu folk storyteller, as the research object. It integrates the texts told by him and other scattered materials (including interviews and memoirs of scholars) to construct the academic history of "Thousand Storytellers". The book is divided into two parts. The first part conducts detailed archival research on the myths, stories, Manchu legends and other text materials told by Fu Yingren, and discusses the process of Fu Yingren as the narrator in a specific historical period, and the process of discovering, recording, and organizing his texts, as well as As a writer, he played an important role in Manchu folk culture; the following part is the current relatively complete and comprehensive research result of "Donghaiwo Collection". The author focuses on the text, variations, inheritors and related religious and folk customs of "Donghaiwo Collection".

This book clarifies the process and stage characteristics of the spread of Haruki Murakami's novels in China, describes the main themes in Haruki Murakami's novels, analyzes the economic and cultural context of the spread of Haruki Murakami's novels in China, and then points out why Haruki Murakami is popular in China and set off "village fever". The book classifies and briefly introduces Murakami's works, and then analyzes Murakami's consumption needs and consumption paths based on the way Murakami's audience obtains information and views on Murakami. It also points out that the Chinese media's promotion of Murakami's historical views is one of the important reasons for his popularity in China.

Yasushi Inoue is the leader of the Japanese literary world after Kawabata Yasunari, and he was also a popular candidate for the Nobel Prize in Literature. His novels with Chinese themes such as "Dunhuang", "Lolan" and "Tian Ping Zhi Zhi" are very popular. Inoue Yasushi's youth coincided with the rampant Japanese militarism. He wrote his personal destiny and the pulse of the times into his poems, but he always insisted that poetry should not serve politics. Junichi Miyazaki used empirical research methods to trace the life trajectory of Yasushi Inoue when he was young, analyzed poems with important node significance, and clarified the origin of the two characteristics of Inoue's literature, the prose nature and the perspective of bystanders, which provided a useful perspective for re-evaluating Yasushi Inoue's literary status.

This book is a monograph that studies the literary thoughts of Lu Wenfu, a famous modern and contemporary Chinese writer. It is divided into three parts: upper, middle and lower parts. The first part discusses Lu Wenfu's literary literacy and dual perspective, specifically discusses the impact of personal experience and work environment on the formation of dual perspective, as well as the connotation analysis and creative research value of dual perspective. The middle section discusses the creative process of dual perspectives in four stages, including the "seeker" stage, "taking off in suffering", "the world in dreams", and "seeing the way to go". The second part discusses the construction of realist literature and novel aesthetics, focusing on the analysis of the relationship between dual perspectives and novel aesthetics, the ideological significance, theoretical connotation and textual expression of "thinking for readers", and then analyzes the contribution of Lu Wenfu's creation to the realist literary tradition, as well as to the development of Suzhou literature and local culture.

This book aims at readers' pain points of "lack of systematic methods, no reference in writing, and inability to understand deep connotations" in literary learning. It uses the horizontal and vertical coordinate system based on time and classification as the core method to build a clear cognitive map of literary history. The book focuses on many classic texts from different historical stages such as "Zuo Zhuan", "The Analects of Confucius" and "Warring States Policy". On the one hand, it deeply analyzes their artistic characteristics such as narrative techniques and characterization, and sorts out the evolution of literary genres and characteristics of the times, helping readers gain insight into the social background and deeper meaning of the works and improve their reading comprehension. On the other hand, it refines the writing wisdom of ancient writers, such as the conciseness and implicitness of "Zuo Zhuan" and the exaggerated elaboration of "Warring States Policy", providing readers with writing skills that can be directly used for reference.

This book uses cultural and literary theories such as cultural communication and comparative literature, and based on the detailed historical data on the relationship between Western culture and East Asian modern literature, and discusses the historical evolution and characteristics of Western culture from the broad perspective of world history, society and culture.

"Etymology" is a monograph on word theory written by Zhang Yan in the late Song Dynasty and early Yuan Dynasty. At that time, the Song Dynasty died, and Zhang Yan's life experience was ups and downs, so he wrote this book while wandering. The book analyzes the five tones and twelve temperaments, the rhythm and the sound, and the palace tone and color, and analyzes the essence and principles, covering chapters such as composition, syntax, and clearing. It is a classic in the field of Ci poetry and has a profound influence on later generations.

Susan Sontag is a famous American literary critic and novelist. She has a great influence on the American cultural world. To a certain extent, it also reflects the changes and debates in American cultural trends. This book takes the American cultural radicalism in the 1960s as the research background, and based on Sontag's own experience and her "Aesthetics of Silence", "Against Interpretation", "Style of Radical Will" and her literary colleagues of the same period or writers and scholars who had a significant impact on her ideological formation.

Eliza Marianne Barthes was a famous British critic in the 20th century. "Greek Tyranny over Germany" is her masterpiece and her most influential work. By describing and analyzing the entanglement between Winckelmann, Lessing, Goethe, Schiller, Heine and other German writers in the fields of art and poetry with ancient Greece, this book studies the influence of Greek art and poetry on great German writers since the 18th century, revealing an extremely strange, subtle, and decisive process of the German national soul.

"Canglang Poetry" is a poetry theory work written by Yan Yu in the Southern Song Dynasty. Using Zen as a metaphor for poetry, he put forward poetic viewpoints such as "wonderful enlightenment" and "interest", and discussed the system, rhythm, and creation of poetry, which influenced the creation and theoretical development of poetry in later generations.

This book is the second in the "Literature Museum·Academic Youth" series. It is compiled and selected by the Museum of Modern Literature in China. It includes five award-winning essays from the 12th Tang Tao Youth Literature Research Award. It focuses on the research results of a group of young scholars with both practical concerns and historical awareness on modern and contemporary Chinese literature and literary criticism, and promotes the cutting-edge force of modern and contemporary Chinese literature research to the academic community.

This book is one of the "General History of Chinese Literature Series". This series is hosted by the Institute of Literature of the Chinese Academy of Social Sciences and co-edited by Peking University and Nanjing Normal University. Those who participated in the writing are all domestic first-class experts. This literary history series has rich and detailed materials, accurate and sufficient narratives. Based on a comprehensive and scientific analysis and evaluation of writers and works, it summarizes the achievements and shortcomings of literary creation, clarifies the historical process of the formation of various literary phenomena and the relationship between their inheritance and development, describes the trajectory of literary development in different periods, and reveals the macro trend of Chinese literary history. This book introduces the literary history of the Tang Dynasty to readers. The first volume is edited by Qiao Xiangzhong and Chen Tiemin, and the second volume is edited by Wu Gengshun and Dong Naibin. It is hereby dedicated to the majority of classical literature research scholars and lovers.

"History of Song Dynasty Literature", compiled by the Institute of Literature of the Chinese Academy of Social Sciences and edited by Sun Wang and Chang Guowu, is one of the "General History of Chinese Literature Series". The executive editors are Chang Guowu, Liu Naichang, Zhong Ling, and Cao Jiping. The authors include Chang Guowu, Liu Naichang, Zhong Ling, Cao Jiping, Zhou Huiquan, Wang Zhaopeng, Yu Beishan and other academic celebrities. The book is comprehensive in content, rich in material, and fair in evaluation. It explains the basic aspects of the literary history of the Song Dynasty in a relatively comprehensive way. It has been widely praised since its publication.

This book starts with the relationship between officials in the Ming Dynasty and literary power. On the basis of existing research results, it aims at the existing problems and deficiencies in current research, guided by Bourdieu's field theory, and comprehensively uses a variety of research methods, from the aspects of cultural legitimacy, strategy implementation, literary classics, publishing and communication, and combines mainstream academic research. By taking factors such as the turning point, the Hanlin complex, and the literary tradition of Lang Shu, it deeply reveals the relationship between Lang Shu officials and literary power in the Ming Dynasty and its implications, and systematically examines the trajectory and dynamics of the development and evolution of literature in the Ming Dynasty, so as to enrich the connotation of literary research in the Ming Dynasty, in the hope of providing a relatively new theoretical support and research perspective for the study of ancient literature.

This book uses the theories and methods of Chinese rhetoric to show the style of Su Shi's prose rhetoric, explores the motivations of Su Shi's prose rhetoric, and sorts out the inheritance and innovation of Su Shi's prose rhetoric on predecessors and its influence on later generations. The introduction part outlines the current situation of research on Su Shi's prose rhetoric and introduces the research methods of this topic. The first three chapters examine the style, causes and achievements of Su Shi's prose rhetoric from multiple angles and levels, including phonetic rhetoric, lexical rhetoric, syntactic rhetoric, rhetoric use and discourse rhetoric. The last four chapters, in connection with the subject matter and genre of Su Shi's prose, explore the inheritance and innovation of Su Shi's prose from previous generations in terms of rhetorical techniques and genre styles, and do a special study on the impact of Su Shi's prose rhetoric on later generations. The conclusion briefly describes the status, contribution and influence of Su Shi's prose rhetoric in the history of ancient prose rhetoric.

This book is a work of literary theory and an interpretation of Ba Jin's "Random Thoughts" by young writer Jin Xiaoan. It uses popular language to explain the literary connotation and contemporary significance contained in Ba Jin's classic work. Ba Jin's "Random Thoughts" has five episodes in total, namely "Random Thoughts", "Exploration Collection", "Sickness Collection", "Truth Collection" and "Untitled Collection". The author excerpts and interprets the golden sentences in Ba Jin's original text, reveals the background of the times, and leads readers to approach and understand Ba Jin in simple and profound terms.

"Shi Pin" is the first Chinese poetry theory work, written by Zhong Rong during the Qi and Liang Dynasties. "Shipin" evaluates more than 120 poets from the Han Dynasty to the Qi and Liang Dynasties, divided into upper, middle and lower grades. The poets, their origins and systems are traced back to the six arts, so they are profound and far-reaching. Among them, the historical view of poetry, the theory of poetry's origin, the theory of poetry's essence, the theory of poetic style, the theory of creation, the aesthetics of poetry, as well as the historical criticism, comparative criticism, judgment criticism, excerpt criticism, and material criticism of "Shi Pin" have been passed down to generations and have influenced future generations. They have had a significant impact on the development of Chinese literary theory, poetry theory, and Japanese waka theory, and have the significance of laying the foundation for poetics. "Shi Pin Notes" is based on the earliest extant Yuan Dynasty journal "Shi Pin" written by Song Zhang Ruyu's "Research on Mr. Shantang's Qun Shu". It consults more than 50 editions at home and abroad after the Ming Dynasty and Zhengde, corrects errors in words, annotates allusions and quotes, and provides precise and detailed explanations. This book is both a book of commentary and a book of research.

Duanmu Hongliang said: "If there is a so-called 'Encyclopedia School' in China, then Mr. Xidi (Zheng Zhenduo) is the most outstanding one." Indeed, Mr. Zheng Zhenduo made pioneering contributions to the collection, compilation and academic research of historical materials such as Chinese classical literature, folk literature, and opera. The content of this book starts from the mid-Shang Dynasty in the 4th century BC and ends with the New Literature Movement in the early 20th century. It not only involves literature, but also history, ancient books, texts, paintings, etc. It provides a systematic review of Chinese literature in the past dynasties. It is a classic work that has been circulated for nearly a hundred years and has an enduring influence. The book not only contains Mr. Zheng Zhenduo's vivid oral expressions, but also contains many magical touches. It is an ideal reading to enrich the reserve of literary knowledge and improve literary accomplishment.

This book is a cultural reading that interprets the chivalrous poems of the Tang Dynasty and is suitable for readers who are interested in Tang poetry and chivalrous culture. Chivalrous poems in the Tang Dynasty take the chivalrous spirit as the theme and are important texts for understanding the social style and aesthetic taste of the Tang Dynasty. In the poems, knights travel around the world and guard frontier fortresses. They are either graceful or suave, or powerful and tragic. They are the embodiment of the martial arts culture of the Tang Dynasty and the literati's ideals of meritorious service. They also had a profound impact on the creation of martial arts literature in later generations. This book starts from the origin of the chivalrous spirit, from the chivalrous biographies of the pre-Qin and Han Dynasties to the chivalrous poems of the Wei, Jin and Six Dynasties, and then reaches its peak in the Tang Dynasty. The styles of chivalrous poems also vary in different periods, from the heroic and unrestrained in the early Tang Dynasty to The sadness and desolation of the late Tang Dynasty, these changes echoed the rise and fall of social politics; in addition, the rich types of knights - ancient knights, dandies, unruly prodigals, heroines and barbarians, etc., Further demonstrated the diverse vitality of the Tang Dynasty society. Open this book to appreciate the charm of chivalrous poems in the Tang Dynasty and explore the inheritance of chivalrous spirit.

Abai Kunanbayev (1845-1904), a great Kazakh thinker, writer, composer, philosopher, and educator. He is a representative figure in Kazakh literature. Because Abai's political ideals and thoughts on promoting human spiritual civilization and social development are mainly expressed by his artistically charming poems, Abai is respected as a poet by the Kazakh people. It was based on this that UNESCO listed Abai among the world's celebrities in 1995 and called him a great poet. This book combs through early Abay studies and briefly introduces the works of Mukhtar Auezov, the founder of Abay studies, and the author's own exploration results. This book helps readers gain a more comprehensive understanding of Abai and his poetry of various genres, the role his creative activities played in promoting the development of Kazakh literature in our country, and his influence around the world.

This book takes as the research object the method, characteristics, content and significance of the "Novelist Category" academic criticism in the "Sikuquanshu General Catalog". From the aspects of traditional bibliographic thought and the political and religious intentions of the Qing Dynasty, based on the theory of document value distinction and bibliographic control, we analyze the compilation situation, ideological form, knowledge pedigree, operating mechanism and value destination of the "novelist category" academic criticism in the "Sikuquanshu General Catalog", and explore the reading history value and historical significance of the "novelist category" academic criticism in the "Sikuquanshu General Catalog".

This book mainly focuses on the study of Six Dynasties studies in the late Qing Dynasty and the early Republic of China, including the study of the historical culture and academic culture of the Six Dynasties during this period, with a special focus on the study of Six Dynasties literature. Based on the academic perspective of "modernity", starting from the pioneering research on modern Six Dynasties studies by Zhang Taiyan, Liu Shipei and others, it gradually displays the research achievements of Six Dynasties Studies from the late Qing Dynasty and the early Republic of China until the founding of the People's Republic of China. For the convenience and completeness of writing, this book adopts a vertical and horizontal research method. On the one hand, the theme discussion is used as the outline, and on the other hand, the discussion of the same theme is slightly chronological. It not only discusses the academic historical achievements of the scholars who studied Six Dynasties Studies, but also provides an overall grasp of the theme research of Six Dynasties Studies.

This book takes the writers' collections as the starting point. By sorting out and analyzing the collections of Hu Shi, Lu Xun, Yu Dafu, Zhu Ziqing, Ba Jin, Zhang Tianyi, and Sun Li, it studies their personalities, attitudes toward collecting books, aesthetic tastes, literary creations, cultural visions, and literary interactions. It examines where the writers' artistic ideas come from, and hopes to present the writers' knowledge structure and ideological pedigree.

This is a story class training system specially developed for local creators. In the practice of front-line screenwriting and writing teaching for many years, teacher Liu Liduo is well versed in the rules and needs of China's story industry, as well as the bottlenecks and confusions of domestic creators. Through this book, she aims to use the insights of insiders to draw novices into the story gate and push it to the public consumers. This set of quite hard-core courses will "straight to the heart" like Zen, pulling ordinary people into the door of stories in one fell swoop - 7 main courses are linked together, and original story creation plans that adapt to Chinese people's thinking are proposed; 14 assignments surround the main course, like meticulous needlework With your feet, you sew the theory into the end of your pen. As long as you complete it carefully, you will be able to witness the birth of the first story in your life. In addition, there are a large number of practical materials such as book lists, questionnaires, tips, etc. To help you find your style, find your positioning, determine your track, and plan a writing path with clear prospects. All of this will help you create a story that excites the market-maybe it's the next talked-about story IP!

This is a work of literary theory. Taking twenty classic literary works as examples, the author leads readers from BC epics to contemporary novels, revealing the amazing innovations that make classics classics: How does Homer's "Iliad" inspire readers with courage during the reading process? How did Shakespeare, who was deeply grieved by the loss of his son, use "Hamlet" to create a new healing model and help the audience overcome the nightmare of avoidance and guilt? The author attempts to explain through this book that the invention of literature can trigger readers' new thinking patterns, and also provides corresponding reading suggestions based on different themes. Young readers can learn about the author's latest research results from this book, which has certain publication value.

This book takes ancient classical Chinese novels as the research scope, and takes writings in troubled times as the center of interpretation. Starting from a macro perspective that combines history, culture, and literature, this book conducts systematic, organized, and comprehensive research on many classical Chinese novels in the past dynasties around the historical phenomenon of "troubled times". It not only comprehensively sorts out the overall appearance of troubled times. , It also reveals the social factors that caused human tragedies, and explores people's life desires and survival ideals in troubled times, and extracts the theme connotation, artistic expression characteristics and literary value of ancient novels written in troubled times, so that the basic content and spiritual connotation of ancient novels written in troubled times can be fully explained and rigorously demonstrated.

The late Qing Dynasty and the early Republic of China was a period of great social change and an important turning point in literary history. The author of this book divides the literature at that time into two categories: one is ancient literature, represented by Wang Kaiyun, Zhang Taiyan, Liu Shipei, Chen Yan, Wang Guowei, Wu Meicun, etc.; One is new literature, represented by Kang Youwei, Liang Qichao, Yan Fu, Zhang Shizhao, and Hu Shi. This book is a masterpiece of the chronological literary history that takes the literature of this period as its content. The author has an in-depth exploration of the historical background and ideological roots of these representative figures. This book's "Compilation" describes ancient times, medieval times, modern times, and modern times, followed by modern literature. This is precisely to understand the changes between ancient and modern times. What is discussed in the book, "beginning with Wang Kaiyun and ending with Hu Shizhi," is mainly about modern literature and the so-called "old literature" after entering the twentieth century.

"History of Vernacular Literature" is the history of vernacular literature discussed by Hu Shi, and it also has a pioneering and milestone status in the history of Chinese literature. The author uses a brand-new idea and structural framework to reveal the laws and characteristics of the development of Chinese literature. His breakthrough achievements are specifically reflected in: breaking the narrow limits of previous humanistic history research, extending his horizons to a broad field beyond the works of classic writers, and greatly broadening the connotation of Chinese literary history; in terms of research methods, he pays attention to vertical examination and horizontal comparison; he jumps out of traditional thinking prejudices and evaluates ancient Chinese literature with new aesthetics and values.

"Yuanbai Poems and Notes" takes the poems of Yuan Zhen and Bai Juyi as the research object, and respectively discusses Bai Juyi's "Song of Everlasting Sorrow" and "Pipa Xing", Yuan Zhen's "Lianchang Palace Ci" and "Erotic Poems and Mourning Poems", as well as the largest "New Yuefu" and "Ancient Yuefu" among the "Yuanbai Poems", with a total of six chapters and five appendices, totaling 250,000 words. Chen Yinke believes that Tang poetry is closely related to the author's social class and political life, and "Yuanbai poetry" has historical data characteristics that other Tang poetry does not have. This is not only related to the Mid-Tang Dynasty where Bai Juyi and Yuan Zhen lived, but also related to the content and quantity of "Yuanbai poetry". The author uses textual research to verify the most important poetic works of Yuan Zhen and Bai Juyi, and uses Tang poetry to examine Tang history, while also covering many issues such as the system, utensils, customs, and literary trends of the Tang Dynasty. It has a profound impact on the study of Tang Dynasty literature.

The book "General Theory of Ci" has nine chapters. The first five chapters discuss the style, rhythm and practice of Ci. The last four chapters describe the history and poets of Ci from the Tang, Song, Yuan, Ming and Qing Dynasties, and make detailed comments on the works of representative poets from the Tang, Five Dynasties to the Ming and Qing Dynasties. Whether it is for beginners or researchers, this book is a rare masterpiece and has great research value.