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This book is a new prose book by writer Jiang Limin. His prose essays are characterized by freshness, naturalness, and unique insight. This is the result of his insistence on paying attention to reality, writing sincerely, and seeing people's true feelings. The "Yun", "Temperament", "Random Talk" and "Xingyin" articles selected in this book reveal the author's self and soul, chant his personality and special knowledge, are full of deep feelings and righteousness, and are readable and durable.

A good man is like a cup of hot coffee. I am interested in you, but you are not interested in me. Look at those purebred gentlemen. Their parents will not accept gifts this year... Fashion is like a pair of torn woolen pants. Internet writer, how much does your pig head cost per pound? There are bitches everywhere. When a man with a coquettish "lower body" is tender, the world becomes feverish. Don't borrow money from me. What kind of dish is "fainting"? In fact, I am very bad. I love "haha". I am not "55..." Brother, your brother didn't have money at that time. The girl who seduced me.

"Women who read never grow old" is a collection of essays by Pan Xiaoping, a famous writer in our province. The whole book is divided into seven parts: "Modern Housewives", "Scholar's Rumblings", "The World Talks About Money", "Best-Seller Talk", "The Literary World" and "Outside the Circle". From the daily necessities of daily life to the elegance and customs of calligraphy and painting in studying and studying, the author picks them up and talks about them eloquently. Her profound academic background and humanistic reserve endow the author with a unique literati temperament and writing skills; while her straightforward "feminine" style of doing things makes her writing and thoughts full of personality.

Mr. Feng Zikai's writings and paintings are a masterpiece. This book is a derivative of the exchanges with his family during the editing process of Feng Zikai's collection. The manuscripts are a collection of prose chapters and wonderful paintings from Feng Zikai's travels, and are compiled into a book. The book touches on the great rivers and mountains of the motherland. Feng Zikai's writing is full of fun and unique flavor. It is accompanied by corresponding cartoons and has a far-reaching artistic conception. Write about Huangshan, old Shanghai, Jingdezhen, Lushan, Hangzhou, Yangzhou, the Forbidden City and other places. With a unique discernment, follow Feng Zikai's footsteps, travel all over the green mountains, and cultivate your mind. The writing explores history and uses close-range metaphors, often making a big difference out of the small, with an extravagant flavor; the painting is unique and witty, with subtle emotions and full of interesting writing. Painting people's feet are marked by clogs everywhere, carrying all the romances of the past and present on one shoulder. Well worth reading.

This book is first of all a semi-autobiographical work, using poetry to condense the author's life records of more than twenty years; in addition, the important spiritual essence of this book is the deep concern for "people". This is true whether you are writing about disadvantaged groups, writing about all aspects of society, or imagining history, thinking about philosophy and beliefs. The works are not sorted by time, but roughly by content. The language is relatively popular and fluent, and the reading has charm, depth and strength. Although it does not have advanced literary skills, it is quite rich in thought.

As a tunnel blaster, Chen Nianxi dived to a depth of 5,000 meters in the earth, blasting open mountains with explosives and pickaxes, and chiseling out gold, silver, copper, iron, and nickel. Along with him were Wang Er, Decheng, Xiao Zhazi and others who had the same low fate. Later, some people ran into a cloud of blood mist in the explosion, and some were cut in half by the air waves. Only he was relatively lucky, leaving only a dislocated cervical spine, pneumoconiosis, and a deaf right ear. Opening "To Live is to Shout to the Sky", these tragic and blazing lives will appear in front of you one by one. Hard work, unpredictable life and death, every story is as hard and black as the stones Chen Nianxi knocked down deep in the mine.

"The Vast West Road" contains not only passionate praise for the great rivers and mountains of the motherland, but also true nostalgia for the homeland of life. Whether he is describing the mountains and rivers of his motherland, things in his hometown, or his childhood memories, the author vividly depicts the magnificent landscapes in various parts of the motherland and his feelings about the vicissitudes of the countryside with tense brushstrokes, line drawing techniques, honest narratives, and delicate expressions.

"Citizens of the Earth" is a new collection of essays by Jiangsu writer Zhang Yangyang after "Letters from Grass and Trees". This book is a collection of works about insects and beasts. This book is written fluently and has high aesthetic value. The book selects 52 common plants in daily life, such as sheep, foxes, turtles, frogs, snakes, camels, hares, pigeons, hoopoe, ants, snails, etc. The author uses delicate writing to recreate an animal world full of life, poetic space and authenticity for readers.

"Tea Party" is a collection of essays by the famous poet and painter Plantago. The book is divided into two volumes. The first volume includes articles related to "drinking tea" such as "Memories of Tea", "Five Notes on the Meaning of Tea", "Good Things Come in Pairs", "Steamed Green Idle Brushwork", "Jasmine Tea", etc. The second volume includes articles related to "poems and words" such as "Chengnan Singing" and "Album Night". "Tea Party" presents us with various aspects and aspects of the world of literati, and has high artistic and literary value.

Whether in the military camp in southern Xinjiang or on my journey beyond the Great Wall, I often dream of my hometown. Hometown is really like a huge magnet, firmly attracting the hearts of wanderers from far away.

This book selects various prose articles by modern literary masters and compiles them into a collection. The content is mainly divided into six parts: the first part is leisurely and beautiful, mainly focusing on some local characteristics, scenery and customs; the second part is a snapshot of the old times, including your old memories and some impressive things you have seen and heard; the third part is leisurely and elegant, mainly based on personal interests and hobbies and some very interesting life records. The fourth part is about seeing things and reflecting on them, and expressing thoughts and feelings through objects and emotions, scenery and emotions; the fifth part is about reminiscing about old friends, through everyone's eyes, to understand the sincerity of people in that era and the deep friendship that strengthened each other; the last part is about the traces of travel, the scenery, customs and customs of foreign countries, and the author's own feelings. These six parts show almost all aspects of people's lives during that period, which can be called a chronicle of the Republic of China.

When I first opened the bottle, the smell in the bottle was unpleasant, noisy and harsh, like a beauty who hasn't rinsed her teeth after getting up. Connoisseurs say to let the wine "breathe". Breathing is not limited to red wine, it is breathed by all vegetation, and it is at its peak at midnight.

Parents, neighbors, children, wind, grass, glass, matches, seeds, birds, breath, doves, wolves...

What I feel about writing is having something to say. These are good words. As far as personal creation is concerned, I interpret "good words" as simplicity and simplicity. This means lowering your attitude as a human being, experiencing life humbly and truly, feeling the kindness and optimism revealed by ordinary workers in difficulties, without being pretentious, monstrous, or arrogant. I believe that readers will understand everything. Say the words plainly and simply, when they are obviously sincere. Under this literary value orientation, oneself is not important, and even the external form of literature is not important. What matters is life, including the destiny of the country and the nation, and the prospects of the common people of the country. This determines the goodness of the content of the work. And simplicity itself is beauty. Those peasants who stood on the mountain ridges and sang folk songs did not put any makeup on them, nor did they include anything they did not understand in their lyrics and music. But folk songs are often the most moving works of art.

When the deep love sparkles and the inescapable mood is as joyful as yesterday, the originally warm family starts a tearing showdown amidst the complicated oppression and entanglements: the brother who has traveled far away, the mother who passed away suddenly, who suffered from Alzheimer's disease in his later years, and who was He defrauded his father of all his money, and he began a period of unstoppable traveling between places... This is a very personal sacrifice by Guo Qiangsheng to himself, loneliness, native family, and love, recording the pains and marks, struggles and difficulties in the vicissitudes of life. Because of his candid and selfless self-disclosure, he not only wrote fifty years of stories in one year, but even dried them in the sun and left them with stains, which moved people's hearts and lungs invisibly. A few words can crush the pain and exude a gentle atmosphere in the deep brushwork.

The manuscript takes the literature research on ancient Chinese rap literature since the 20th century as the object of discussion, and provides a comprehensive and in-depth review and summary of the research status and academic achievements in this field for more than a hundred years. The first part combs and summarizes the research process of Chinese rap literature literature since the 20th century from a vertical aspect, divides the research process of more than one hundred years into five historical stages, and discusses the important results and research characteristics of each stage. The research on Chinese rap literature literature in Hong Kong, Taiwan and overseas regions is examined separately due to the special circumstances. The second part summarizes and analyzes the results of research on ancient Chinese rap literature since the 20th century from a horizontal perspective. It is divided into Dunhuang rap literature, Zhugongdiao, Tanci, Baojuan, Zidi Shu, storytelling and rap literature chronicles for detailed and in-depth investigation respectively.

Guided by Marxist theoretical methods, this book draws on and absorbs specific theoretical methods of traditional literary and artistic literature and historiography, and uses multidisciplinary knowledge and technical means to conduct comprehensive collection, excavation, and systematic research on the sources, distribution, historical changes, and value utilization of Yan'an's literary and artistic literature and historical materials. It is expected that through the systematic compilation and research of Yan'an literature and art documents and historical materials, it can provide authentic and reliable documentary and historical material services and utilization for the study of Yan'an literature and art, and make up for the weaknesses or deficiencies in the collection and research of relevant documents in the process of Yan'an literature and art research. In this way, while promoting and deepening the academic research on modern and contemporary Chinese literature and its revolutionary literature and art, we will also explore and construct the historical research on literature and art in Yan'an with its own characteristics, as well as the disciplinary system and academic discourse of Yan'an literature and art research.

Ji Juwei (1848-1920), a native of Xianxian County, Zhili Province, the fifth grandson of Ji Xiaolan, was a famous scholar in the late Qing Dynasty and the early Republic of China. Ji Juwei's "The Leftover Manuscripts of Boju" has two versions. One is the "The Leftover Manuscripts of Boju" compiled by his sons-in-law Wang Luanxiang and Liu Zongyi after his death, and published in the 14th year of the Republic of China (1925). The second is Liu Zongyi's unified version of "Boju's Left Manuscripts" and "Boju's Left Manuscripts" and "Continuation of Boju's Left Manuscripts", published in the 31st year of the Republic of China (1942). There are only more than 20 poems and a few essays, totaling only 20,000 words. In this compilation, in addition to re-punctuating and organizing the original materials, various lost texts were also recorded, totaling about 100,000 words. These lost articles include Ji Juwei's scattered poems and essays. In particular, more than 130 kinds of Ji Juwei's manuscripts have been added to the collection of Ji Juwei's son-in-law Wang Luanxiang's grandson (Duan Wei). The contents of the lost articles include a large number of remarks by scholars such as Zhang Zhidong, Duan Fang, Liang Dingfen, Shen Zengzhi, Wang Kangnian, Wang Luanxiang, etc., Involving various academies in Wuchang, the 1898 Coup of 18, Wuchang Uprising, Zhang Xun's restoration, etc., And have important historical value. Various notes in the appendix of this book record Ji Juwei's remarks and anecdotes, hoping to give readers a more comprehensive understanding of the spiritual realm of this northern great Confucian.

The Shanghai Drama Society (1938-1941, 1946-1948) was a progressive professional theater troupe directly led by the Communist Party of China. It was a banner of Shanghai's theater movement during the isolation period and after the war, and it also occupies a unique position in the history of Chinese drama. This book is the first concentrated, in-depth, and systematic study of the Shanghai Theater Society, and has academic significance to fill the gaps. The book has a total of 400,000 words and is divided into three parts (a total of 12 chapters). It explores the characteristics, achievements and historical limitations of the Shanghai Theater Society from three aspects: theater organization, repertoire construction and stage art. Based on specific and in-depth case studies, this book comprehensively uses the research methods of drama, history, and sociology, and takes this unique and typical theater troupe as the starting point to conduct a three-dimensional examination and multi-dimensional interpretation of the artistic composition, internal and external relationships, and production system of the dialogue drama, thereby exploring and revealing the cultural logic and historical motivations of the development, differentiation, maturity, and variation of modern drama from a new perspective. This has reference value in academic theory and methodology for future theater troupe research and even drama history research. The "Appendix" at the back of the book contains a detailed chronology of the Shanghai Theater Arts Society's activities, a list of performances, etc., Which not only supports the main text, but also has important historical value in itself.

This book contains all of Ji Xianlin's prose works, including all the first three volumes of "The Complete Works of Ji Xianlin" published by Foreign Language Research Press, plus two additional parts. One part is some articles provided by Ji Cheng that are not collected in the complete collection, and some articles in "Miscellaneous Memories of the Cowshed". A total of 4 volumes.

This book contains all of Ji Xianlin's prose works, including all the first three volumes of "The Complete Works of Ji Xianlin" published by Foreign Language Research Press, plus two additional parts. One part is some articles provided by Ji Cheng that are not collected in the complete collection, and some articles in "Miscellaneous Memories of the Cowshed". A total of 4 volumes.

This book contains all of Ji Xianlin's prose works, including all the first three volumes of "The Complete Works of Ji Xianlin" published by Foreign Language Research Press, plus two additional parts. One part is some articles provided by Ji Cheng that are not collected in the complete collection, and some articles in "Miscellaneous Memories of the Cowshed". A total of 4 volumes.

This book contains all of Ji Xianlin's prose works, including all the first three volumes of "The Complete Works of Ji Xianlin" published by Foreign Language Research Press, plus two additional parts. One part is some articles provided by Ji Cheng that are not collected in the complete collection, and some articles in "Miscellaneous Memories of the Cowshed". A total of 4 volumes.

In the form of prose and beautiful words, this book truly describes the author's experiences from childhood. There are no magnificent scenes in the book, but strong folk customs and local flavor can be seen everywhere. Some objects, scenery, and events are recorded in detail in addition to words, and many of them have disappeared from our sight. Traveling thousands of miles and measuring the world with your feet, this kind of travel diary can be used as a reference for travelers. Seeing the world with your eyes and understanding it with your heart, so that every reader can gain something more or less, is the original intention of the author of this book.

This is a book I wrote about a friend. This is a book written by a friend of mine. This is a book planned, edited, designed and published by a friend. Friends, the wealth of life. With friends by your side, life becomes rich and colorful; with friends by your side, the road of life becomes smooth and open. I borrow this book to express my gratitude to many teachers and friends for their cultivation, help and love at all stages of my life over the past sixty years.

This book is the work of Yan Fenghua, executive vice chairman of the Guangxi Writers Association. The author tells the history and development of Longzhou in the form of prose, shows the customs and charming charm of Longzhou, and embodies the spirit and feelings of Longzhou people. The language of the book is simple and beautiful, showing readers a beautiful flower of southern Xinjiang.

This book is a new prose book by writer Jiang Limin. Jiang Limin's prose is characterized by freshness and refinement, natural freedom and unique insight. This is the result of his insistence on paying attention to reality, writing sincerely, and seeing people's true feelings. Jiang Limin believes that although prose is the most free, broad and convenient style of writing (so much so that it is often misunderstood as being easy to write, but in fact it is just as easy to write and difficult to work as poetry); no matter what style or school the author is, the things he produces must eventually have a distinctive personality, rich emotions, authenticity and unique understanding. The "Yun Yun", "Temperance", "Man Tan" and "Xing Yin" selected articles in this book reveal Jiang Limin's self and soul; sing about her personality and special knowledge; and are full of deep affection and righteousness. Readable and durable.

This book is a collection of modern essays that collects the author's works in his spare time while working in Huaishang District in recent years. Each article expresses the author's love for life, concern for society, praise for friendship and family, and insights into surrounding things and familiar people and objects in a sincere, simple, delicate and beautiful writing style.

This collection of essays won the National Outstanding Prose Essay Award of the Fourth Section Lu Xun Literature Award in 2007. Award-winning review of this collection of essays: A spectacular volume of prose. Han Shaogong persisted in promoting understanding of China in human affairs, and with his honest observation and broad thinking, he discovered and reconstructed the rich meaning of local life in the contemporary context.

This book is a collection of essays on natural themes by the famous writer Baoji Yuanye. The style of Balji Yuanye's works is bold, humorous, wise and simple. This book includes famous works such as "Horses Like White Lotuses", "Siberia's Able Mother" and "Eagle Flying". The book has a total of about 100,000 words.

In the entire cultural history of China in the 20th century, Guo Moruo has a special status. His historical research, his ancient writing research, his archaeological research, etc., Have an irreplaceable position in the field of cultural construction and academic construction in China in the 20th century. This book covers all of Mr. Guo Moruo's early works, and truly and comprehensively records Mr. Guo Moruo's entire journey from his youth to the road of revolution.

This is a series of books written by Guo Moruo Lao on the philosophical thoughts of ancient Chinese sages. The contents include: 1. Self-criticism of ancient research; 2. Criticism of Confucius and Mo; 3. Criticism of the eight schools of Confucianism; 4. Criticism of the Huang-Lao School of Jixia; 5. Criticism of Zhuangzi; 6. Criticism of Xunzi; 7. Criticism of famous debate trends; 8. Criticism of early Legalists; 9. Criticism of Han Feizi; 10. Criticism of Lu Buwei and the Qin Dynasty. This book lays out a relatively complete outline of the institutions of ancient Chinese society, its transformation, and the ideological reflection of the transformation process, and adopts a historical materialist stance.

This book is written by Guo Moruo, a famous Chinese writer, poet, playwright, historian, archaeologist, paleographer, social activist, and one of the founders of new poetry. The first president of the Chinese Academy of Sciences, the first president of the University of Science and Technology of China, and a foreign academician of the Soviet Academy of Sciences. He once served as director of the Department of Philosophy and Social Sciences of the Chinese Academy of Sciences, director of the First Institute of History, chairman of the Chinese People's Committee for Defense of World Peace, honorary president of the China-Japan Friendship Association, chairman of the China Federation of Literary and Art Circles, and other important positions. He was elected as a member of the 9th, 10th, and 11th Central Committee of the Communist Party of China, and as vice chairman of the 2nd, 3rd, and 5th National Committee of the Chinese People's Political Consultative Conference.

Kind? What is kindness? People have become strangers to kindness. The content of the article is thought-provoking...

The author has dabbled in many subjects, so he has taken notes on his insights in the form of short essays, including those about life and career, such as "To convince people by kindness", "Judge people by their appearance", "Judging people by their words", etc.; There are those about reading experience, such as "Long Songs When Crying", "More Cowardly in Being Close to Hometown", etc.; And about management feelings, such as "Training does not compensate for training", "Performance has merit but it is invalid", etc. The writing style is interesting and diverse, and the thoughts are concise and well-cited, making it a worthwhile read.

This book collects dozens of essays by the author such as "Journey of Love", "Love to Mother", "Family in a Small Town", "Old Home", and "Father".

On the first day we came to the island, the instructor took us recruits to visit the club. I looked at this seed box and was stunned.

It discusses the relationship between the body and the closely related objects in life, and the body and the surrounding world, revealing the tension that exists between modern civilization and the body.

This book is a collection of prose essays, including travel notes, miscellaneous notes, work reviews, character memories, etc.

This book is a long essay that not only vividly reproduces the scene of the Majiang naval battle more than a hundred years ago, but also carefully explores the many complex threads hidden behind this historical event. Revolving around a half-hour battle, the work involves a series of famous historical figures, such as Zuo Zongtang, Shen Baozhen, Lin Zexu, Zhang Peilun, Li Hongzhang, He Jing, etc. This book is richly illustrated with both pictures and text. It not only has a grand and broad historical vision, but also depicts and speculates on historical nuances and personal emotions. It is undoubtedly of great and far-reaching significance to clarify the context of success and failure through the smoke and dust of history, illuminate the complex inner world of the characters in major historical events, and promote the spirit of patriotism.

Keen artistic feelings, rich imagination and association, sharp cutting-edge approach, calm and tranquil writing style, free and easy language with outstanding literary talent. What we read here is another Nanfan: picking up ordinary little things in daily life, maybe just out of habit, turning them over and over, tasting them, and even taking them apart to explore them with interest. In relaxed reading, we get fresh insights and calm and elegant artistic enjoyment.

Perhaps, most people live like the author. Although they are not smart, they are sincere; although they make mistakes, they are calm. If it takes time, give yourself some time. It's not a big deal to live unwisely. In this world, smart people understand chaos, but you and I would rather be awake.

People come and go; cars go and come again. I wandered on this bridge where cars and people came, as if I was looking for something here. What am I looking for here? Are you looking for the reflection of the mountain in this mighty river? A reflection of the city? Are you looking for human footprints on the stone streets of Jiang Town? The footprints of the town? I'm at a loss.

It was a pair of hands wielding coal picks and steel guns that actually picked up a pen. Therefore, there is such a rough man among the literati.

The road is found by people. The road is at your feet. There are many kinds of roads in the world. There are railways, highways, mountain roads and other roads. These roads are like the blood from childhood, pervading every intention in the world.

Mr. Yu Qiuyu majored in aesthetics in his early years and served as the chairman of the doctoral defense committee in aesthetics at Fudan University. His aesthetic thinking connects China and the West, spanning ancient and modern times, forming an original and complete system of cultural aesthetics. In this aesthetic system, there is not only a bird's-eye view of the development of art, but also the aesthetic appreciation of specific writers' works; not only the careful appreciation of literature, calligraphy, Kunqu Opera, Pu'er tea, and natural and humanistic landscapes, but also the macroscopic grasp of the essence and characteristics of beauty; not only the meticulous examination of artistic creation, but also the ultimate concern for aesthetic ethics, ecological beautification, and personality aesthetics. These thinking results are expressed in perceptual language full of literary grace, sweeping away the gray and dull atmosphere of general theory. Everywhere is green mountains and green waters, full of vitality, which is of great significance for art appreciation and creation, beautification of life and personality.

This book consists of three parts: Yashe essays, Qiushi essays and Shiqiu essays. Whether discussing matters or analyzing life, the author's writings on both big and small events have a unique flavor, making the reading lively, interesting, concise and smooth. There is a sharp depth and strength in it, and I still feel that I have not finished it. In addition to analysis and judgment, Liang Shiqiu's essays also contain a kind of intelligent ridicule. They are not looking at the world with indifference, nor are they cynical and fanatical, but they are observing all things in the world affectionately. He is also self-deprecating and sarcastic, but even with sarcastic words, we can still feel the kindness in his heart and the kind of tolerance that can only be cultivated through experience and knowledge.

"Remembering the Past in the Elegant House" is Mr. Liang Shiqiu's most important work in his later years. It contains memories of his childhood and student days, as well as deep memories of his relatives, friends, teachers and friends. The latter volume, "Memories of Sophora Garden," looks back on every detail of his life with his wife, Ms. Cheng Jishu. His words are gentle and calm, and his emotions are deeply touching.

"Ya She Essay" is a miracle in the history of modern Chinese prose. Liang Shiqiu seems to have jumped out of the directness of the times and real social life, and concentrated on describing human nature. These sketches naturally reveal Liang Shiqiu's feelings of love and hatred, as well as vivid metaphors, but this kind of emotion and imagination are controlled by reason, and the rational factor also adds a philosophical connotation to the article. The author spreads the wings of his imagination based on his own life experience and his love and hate on this topic, thus making this style of writing somewhere between a pure and beautiful work of art and a logically argumentative paper. The book is divided into four parts: "Yashe Sketch", "Yashe Sketch Continuation", "Yashe Sketch Episode Three" and "Yashe Sketch Episode Four". "These four parts taken together are a comprehensive review of Liang Shiqiu's prose, perfectly presenting the appearance of the classic "Ya She Xiao Xiao".

"Talk about Eating in the Elegant House" is a selected collection of Liang Shiqiu's representative prose series "The Elegant House". Liang Shiqiu laughed at himself for being greedy, and wrote countless articles about food throughout his life. These articles contain strong feelings about his hometown and are classic works by famous writers on food. Liang Shiqiu, a master of prose of a generation, left us not only the taste on the tip of the tongue, but also the taste of history, human feelings, hometown and memory.