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This book takes "Poetry has no meaning" as its program, and from the perspective of hermeneutics, it systematically sorts out and analyzes the ideas and characteristics of multiple interpretations in Chinese poetics. The first part analyzes the four prerequisites for the formation of multiple interpretations, namely the stipulations of text, readers, philosophy, and aesthetics; the middle part analyzes the formation process of the proposition "Poetry has no explanation", and the second part summarizes the three major characteristics of multiple interpretations, namely aestheticism, mysticism, and experientialism. The whole book has solid and rich historical materials and strict and powerful logic.

This book introduces in detail the author, content, artistic achievements and influence of world famous works on world culture. With a volume in hand, you can see all the classics.

This book is the first part of the series of poetry exchanges between China and North Korea in the Ming Dynasty (Hongwu to Zhengde). It arranges various materials on poetry exchanges between China and North Korea in the form of "chronological month and day", and most of the materials are tied to specific dates after textual research. This book guarantees to reflect the comprehensiveness of poetry exchanges between China and North Korea in the early Ming Dynasty at a macro level. It also ensures to reflect the systematicity of poetry exchanges between China and North Korea in the early Ming Dynasty at a micro level, objectively and thoroughly reflecting the prosperity of poetry exchanges between China and North Korea in the early Ming Dynasty.

This book is the culmination of the author's many years of academic achievements. From a new perspective of traditional culture, this book examines the six classical Chinese novels "The Romance of the Three Kingdoms", "Water Margin", "Journey to the West", "The Plum in the Golden Vase", "The Scholars" and "A Dream of Red Mansions".

As a winner of the Russian Booker Prize for Literature and a candidate for the Nobel Prize for Literature, Liu Ulitskaya has long been a leading figure in contemporary Russian female literature. Contemporary Russian women's literature is a very special existence in contemporary world literature. It deconstructs the traditional stereotype of so-called "female literature" in a unique way and is a large-scale re-metaphor and symbol of contemporary women. These innovations are directly reflected in the jumps and disorder in language description, content structure, and time and space narration, causing great obstacles for readers and researchers to correctly interpret the connotation of the work. The "linguistic turn" in humanities research in the 20th century has given great space to the linguistic research of literature. However, due to the existence of various academic barriers and the long-term separation of linguistic research and literary research, this series of monographs systematically studies contemporary Russian women's literature from the perspective of linguistics. From the perspective of literary rhetoric, the rhetorical appearance of Ulitskaya's novels and the entire artistic expression system of the works are comprehensively grasped and investigated through text analysis.

Known as the "Three Musketeers of British Literature", Martin Amis, Ian McEwan and Julian Barnes all have profound urban cultural backgrounds and focus on contemporary London. Therefore, their works profoundly display the inherent contradictions and dilemmas of contemporary Western urban culture from multiple aspects, pointing out the spiritual disaster in Western urban culture caused by the overflow of instrumental rationality. This study carefully interprets the texts of the three writers, systematically and comprehensively explores the multiple dilemmas of contemporary Western urban culture from three aspects: the decline of ethics in contemporary Western culture, the value dilemma in contemporary Western culture, and the emotional ecology in contemporary Western culture. It also sorts out the value system and thinking logic behind the superficial prosperity of Western society, and reveals the ideological reality and spiritual reality behind the gorgeous appearance. This achievement constructs a multi-dimensional approach to Western cultural communication and cognition, and has important reference significance for how my country constructs a healthy value orientation.

"On Poetry of the Three Great Masters of the Tang Dynasty" focuses on the poetry creation activities of Li Bai, Wang Wei, and Du Fu. It focuses on the development and changes of poetic styles and takes the respective characteristics of the three great masters as the starting point. The "laughter" in Li Bai's poems, the structure of the song lines, metaphors and true rhetoric, Du Fu's seven rhymes, song lines, poetry compositions, and his status in the "history of poetry". In particular, Wang Wei's paintings and poetry are combined to study, and the reasons for the common emergence of the three great masters are explored. This book also compares the three poets in detail, from their poetic style to style, such as the comparison of the five- and seven-character quatrains of Li Bai and Wang Wei, the comparison of the keywords that the three poets like to use, etc., And then extracts the inner roots of the peak situation of the poetry world in the prosperous Tang Dynasty.

In the past sixty years or so, the study of modern Chinese literature overseas has grown from scratch to a style of its own. Although its marginal position has not changed, the landscape of the discipline has gradually been clarified. It meditates on and debates various possible and impossible "encounters", shuttles among various topics and methods, casts huge variables on "China", "modernity" and "literature", and at the same time reveals details that cannot be concealed. The research paradigms opened by Sinology, China Studies and even Western Anthropology are both founded and broken by them. The confrontation between theoretical demands and reality is not only seen at the level of geography and theory, but also leaves an ethical space for calling a new round of literary criticism. The "globalization of Chinese literature" is destined to have twists and turns. Only by historically rethinking and reconstructing this special history of reading and criticism can we get closer to the West and China in a non-geographic sense, and see from them an academic community and literary republic based on the imaginary interface.

"Essays on Poetry" is the representative work of Mr. Miao Yue, a famous literary historian in my country. It is a classic short book about the art of Chinese classical poetry. It has subtle insights and beautiful diction. It has been appreciated and respected by readers since its publication and has been reprinted many times. Based on the eleven articles in the previous edition, this updated edition adds more than 30 of Miao Yue's classic literature essays, more comprehensively demonstrating the magnanimity and charm of Mr. Miao Yue's classical literature research. Ye Jiaying once recalled: "My admiration for Mr. Miao began when I first read his book "Collections of Poems" more than 30 years ago. There were two works on poetry that I admired most at that time, one was Wang Guowei's "Human Words", and the other was Mr. Wang's "Collections of Poems". "". I think these two books have some common features, that is, they are works that not only appeal to people's minds, but also appeal to people's hearts. Their works are full of deep and thoughtful experiences and spiritual inspiration."

One is a noble son of ancient fresh love poems, and the other is a romantic love brother of the Republic of China. Although the two live in different eras, their birth backgrounds, views on love, deep-rooted romance, and endings and fates are all similar, but they also have their own unique personal characteristics. What would Xu Zhimo say when he met Nalan Rongruo? Will they become buddies or will they hate each other? This book tells you the legendary lives of Nalan Rongruo and Xu Zhimo, analyzing their views and approaches to love and friendship, and their different attitudes toward life, the future, and ideals through their poems. It also tells about their similarities and unique charm through the collision of Xu Zhimo's Crescent School poetry and Nalan Rongruo's distinctive words.

The contents of this book include: Who is the author of "Dream of Red Mansions" - a discussion with Comrade Dai Bufan; On the formation and development of Jia Baoyu's rebellious character; On Lin Daiyu's character and her love tragedy; On Xue Baochai's character and its mark of the times; On Yuanchun's sealing and life tragedy, etc.

When searching and exploring in the spiritual home of Dream of Red Mansions, you can ignore the external noise. It is peaceful and fulfilling. There is no end to the search and exploration. It may not be expressed in words or appeal to the soul. Dream of Red Mansions is such a work that as long as you never forget to take it with you, it will never leave you to nourish your spirit and soothe your soul.

This book is the product of the author's many years of hard work on the four major Chinese classics. The name of the book is "Dissertation". Firstly, the characters in the book are not limited to certain standards, but only based on feelings; secondly, they do not make comprehensive comments on the selected characters, but discuss one thing or many things, criticizing the characters and deriding the times.

The new edition of "Jin Ping Mei in the Eyes of Famous Masters" retains the essence of the original book, with particular emphasis on the concept of "famous masters" to highlight the classic significance and academic value of the book. On the other hand, most of the classic articles included in the book are very old, and it is not easy for current readers to find them. After being compiled into a volume, it also provides convenience for people's use. In addition to "famous", another criterion for our selection of articles is "practical", that is to say, the selected articles should have a certain value as information and should not be limited to general analysis and interpretation. This is to help more readers discover "Jin Ping Mei" "in their own eyes" with the help of these materials. Some of the newer texts appropriately added to the book were selected based on this principle. As for the pictures inserted with the article, although they are not without suspicion of following fashion, I believe it is still beneficial for readers to read this book and even study "Jin Ping Mei". This is also our original intention to launch the "Picture and Text Classics" series.

"Zuo Zhuan" is one of the important classics that inherits the excellent traditional Chinese culture. It has many commentaries and has high academic value. This book brings together the handed down commentaries on Zuozhuan into one book. The recorded comments date back to the Song Dynasty at least, and are mainly comments by Ming and Qing dynasties. More than 70 authors are quoted in this book. It provides a wealth of literature for the study of Zuozhuan and commentaries. It is expected to enable researchers to fully realize the important value of commentaries on Zuozhuan, attract the attention of academic circles, and open up a new field of study of Zuozhuan. At the same time, collecting numerous materials in one book can not only save researchers the effort of collecting, but also help researchers draw credible conclusions through comparison and identification.

The century-long course of the 20th century was not only a century of hesitation and confusion, a century of hardship and pain in the Russian and Soviet intellectual circles, but also a century of exploration and pursuit, a century of subversion and innovation. During this period, people's world outlook, values, aesthetics and ways of thinking have undergone tremendous changes. This book is my country's first academic monograph to conduct a complete study of Russian and Soviet literary criticism theories in the 20th century. It provides a relatively comprehensive discussion of the major Russian and Soviet literary criticism theoretical schools within the territory of the former Soviet Union and in exile, especially some critics who were little-known in the past and their representative achievements. We try to review this historical picture of literary criticism theory from a methodological perspective, and try to use the methods of religious and aesthetic criticism theory to analyze specific literary works as much as possible, in order to achieve the purpose of integrating theory with practice and reveal the guiding role of literary criticism theory in literary creation. This book provides a valuable reference for reflecting on the relationship between Russian and Soviet literature and ideology in the 20th century, understanding the origins of modern Western literary criticism theory, and perceiving the spiritual life of the Russian nation in the 20th century.

The play "Mourning" by Eugene O'Neill, a leading American dramatist in the 20th century, has always been the focus of drama criticism. The academic circles have explored the source of the tragedy of the Mennan family in the trilogy from various angles and with novel methods. However, among the numerous reviews, there are relatively few works that systematically analyze the origins of the Meng family's tragedy from the perspective of normal love. Looking at Eugene O'Neill's drama creations, more than 40 of his 50 or so works describe love from the front or side. What O'Neill describes is not the naked desires between people, but what he pursues and deeply explores is the true feelings between people. This book aims to unearth the tragic roots of the Mennan family in "Mourning" and explore O'Neill's original intention to replace the "external supernatural view of fate believed by the Greeks" with the modern psychological view of "internal factors" of people, that is, to find out the essence of this "psychological factor" that affects the fate of modern people. In view of this, the author of this book compares and analyzes the "Lamentation" trilogy with the "Oresteia" trilogy of the ancient Greek tragic poet Aeschylus, pointing out that while the characters and structures in the two trilogies are basically similar, Aeschylus highlights the theme of "fate"; correspondingly, the modern playwright Eugene O'Neill places more emphasis on "psychological factors." This "psychological factor" is expressed as "love" in "Mourning". It is the mishandling of love by the Meng family: a series of love distortion processes from the beauty of love → the lack and suppression of love → the distortion and mutation of love → love turning into hate, which led to the tragedy of love in the Meng Nan family and became the "mourning of love", which is the theme of this book.

The Tang and Song Dynasties were an era when poetic monks emerged in large numbers. Poetry creation and poetry theory made great achievements. Representative works in poetry, such as Wang Fanzhi's Poems of the Tang Dynasty and Hanshan Poems, were more prominent in theory. The main existing monk poetry styles include Jiao Ran's "Poetry Style" and so on. The monks' poetic words are also rich, which at least reflects the social atmosphere of monks' enthusiasm for poetry. This book takes this as the main research object, and is supplemented by other monks' poetic theories.

Speaking of Tang poetry and Song lyrics, it always makes people feel good. This book analyzes Tang poetry and Song lyrics with beautiful artistic conception and delicate writing style. With a sincere heart and deep characterization, this book presents several ups and downs, evocative and classic emotional stories contained in Tang poetry and Song lyrics and the lives of famous poets and poets related to them in the form of beautiful articles, presenting readers with a gorgeous literary feast of poetry and lyrics.

Speaking of Tang poetry and Song lyrics, it always makes people feel good. This book analyzes Tang poetry and Song lyrics with beautiful artistic conception and delicate writing style. With a sincere heart and deep characterization, this book presents several ups and downs, evocative and classic emotional stories contained in Tang poetry and Song lyrics and the lives of famous poets and poets related to them in the form of beautiful articles, presenting readers with a gorgeous literary feast of poetry and lyrics.

This book is a long introduction that provides an in-depth and comprehensive analysis of Hemingway's works. With his expertise in "historical reading" and "literary reading", Yang Zhao peeled off the cocoon and uncovered the huge iceberg hidden under Hemingway's words, cracked the code of his extremely concise aesthetic style, and elucidated the noble personality value conveyed in "The Old Man and the Sea". The appendix "The Old Man and the Sea" is a classic work by Nobel Prize winner Hemingway. It takes the story of the old man fighting a big fish as the core, condenses the minimalist scene into a metaphor of human beings' loneliness and desperation, and depicts Shen Yong's perseverance and resistance.

This book is part of the author's many years of research on the Book of Songs. It contains a total of ten papers, covering the study of the Book of Songs in China, Japan and Korea. According to its nature, it is divided into three parts: Commentary, General Theory, and Japanese and Korean chapters. The commentaries include: the interpretation of the Book of Songs and its pros and cons in "Commentary on Mao's Poems", and the commentary on the punctuation version of "Commentary on the Thirteen Classics". Several issues in "Mao's Poems on Justice" and other articles; the general chapter includes: "Shangbo 1. An examination of the interpretation of "Guanyong" in "On Confucius' Poetry", an examination of Shu Xi's poems to supplement the lost poems, an examination of the fragments of Dunhuang's "Mao Shiyin" No. 2729 Collected in London, etc. The Japanese and Korean chapters include: a study of Qingyuan Xuanxian's "Mao's Poems": focusing on the relationship with "Annotations on Mao's Poems", an examination of Joseon Jeongjo's "Lecture Notes on the Book of Songs", etc. The scope of this book's discussion, in terms of era, ranges from the Chu Bamboo Book of the Warring States Period to the modern punctuation edition "Annotations on Mao's Poems"; in terms of region, it covers China, Japan, and Korea. Compared with previous studies of "The Book of Songs", this book has expanded its research horizons and research fields and can be used as a reference.

"Fourteen Poets" focuses on the image of "spring" and the experience of "youth", using ancient poetry to explain five life events: friendship, loneliness, lust, death, and separation, and two attitudes toward life: desire and acceptance. The book is divided into seven chapters based on these themes. Each chapter selects two poets to explain their literary appearance and poet's personal temperament under this theme. In the comparison of the two poets, different interpretations of poetry are presented, showing the contradictions and possibilities of life. The author integrates the academic method of knowing people and analyzing the world with the analytical language of modern psychology, and interprets it on the basis of inheriting the annotations of classic notes. He aims to discover the helpfulness of classical poetry on real issues in life, inspire readers to resonate deep in their hearts, and evoke profound life experiences.

This book not only has concise language and concise meaning, but also runs through China and the West in the explanation process, citing the words of famous Western writers and thinkers such as Goethe, Carlyle, Arnold, and Shakespeare to annotate certain scriptures. In the annotations, the Chinese characters and Chinese dynasties appearing in the book are compared horizontally with characters and time periods with similar characteristics in Western history, helping Westerners who know little about Chinese culture to better grasp the content of Confucian classics.

This book aims to comparatively study cultural studies and Chinese and Western cultures, and explore the development direction of Chinese culture. It had a major influence on the cultural and ideological circles of the 1930s and 1940s, and it still has an inspiring and guiding role to this day. Chen Xujing used the theories of Western anthropology, sociology and cultural studies to put forward fundamental concepts about culture. Based on this, he introduced and studied the three factions on Chinese and Western cultural issues at that time, namely those who advocated the full acceptance of Western culture, those who advocated returning to China's inherent culture, and those who advocated compromise, thereby exploring where the way out for Chinese culture lies.

The Analects is a classic that records the words and deeds of Confucius and several of his disciples. Therefore, there are so many old annotated versions of The Analects of Confucius and the divergence of interpretations that few other books can match them. Nowadays, various annotated versions of modern languages ​​and texts are constantly coming out, and they are added with various interpretations, making them more and more complicated. In order to meet the needs of this book for reading classic texts in college classes, this editor adopts the method of collecting several important old annotations and supplementing them with a small number of modern interpretations. The editor himself only rarely expresses his views on individual annotations, and uses modern styles to explain the meaning of words as little as possible.

"Zhuangzi" is an important pre-Qin classic. It has always been loved and valued by people for its rich content, profound philosophy, and unbridled writing style. This book selects representative articles from "Zhuangzi" and annotates them for easy reading. For the selected articles, there are explanations, cultural history expansion, literary history links, collection reviews, etc., Which are of great help in grasping the thoughts of "Zhuangzi".

"Zhuangzi" is an important pre-Qin classic. It has always been loved and valued by people for its rich content, profound philosophy, and unbridled writing style. This book selects representative articles from "Zhuangzi" and annotates them for easy reading. For the selected articles, there are explanations, cultural history expansion, literary history links, collection reviews, etc., Which are of great help in grasping the thoughts of "Zhuangzi".

What kind of writers are French modern classics? What defines a modern classic? Sartre, Beauvoir, Camus, Duras, Roland Barthes, Sagan, Robbe-Grillet, Le Clézio, and Milan Kundera, this group of writers born in the 20th century, inherited the French novel tradition in a breakthrough way, and also used their own way to perfectly interpret the modern French novel tradition established by Flaubert, Proust, and Gide. They opened an important era in the history of French literature and even in the history of thought, the so-called era of Sartre. It was in this era that words showed their final dazzling power, continuing a French literary myth that pitted sensuality against the sense of death. They established a modern written legend.

This book is a reading guidance book for junior high school students. Using classics as reading materials, students can deepen their understanding of classics, improve their interest in reading, and practice their writing and expression skills through fill-in-the-blanks, reading comprehension, and writing with pictures. The text is equipped with illustrations, which are exquisite and lively, and can train students' associative ability.

Keigo Higashino's novels can resonate with people in contemporary times because his novels unbiasedly address people's various inner confusions. The author of "What are we talking about when we talk about Keigo Higashino" pointed out that Keigo Higashino's mystery novels express an ideal, which is to comfort the hearts of the humble who are threatened by death. This ideal belongs to all human beings who truly feel the plight of life. The humble people in his works are in opposition to modern society, resisting technological rationality and the surveillance system that accompanies it. "What Are We Talking About When We Talk about Keigo Higashino" is a book that uses Keigo Higashino's novels to find answers for us, telling people how to realize their own value and achieve happiness in life.

"Human Words" is a work of literary criticism written by the famous Chinese studies master Wang Guowei. It was written in 1908-1909. It is Wang Guowei's review of old Chinese literature from a new perspective after receiving the baptism of Western aesthetic ideas. Published in "Journal of Chinese Culture", it is a famous work on poetry in modern China. "Appreciation of the Complete Works of Human Words" is a landmark work in Chinese classical literary criticism. As an epoch-making work in the history of China's development, the book has novel views, incisive arguments, and a self-contained system, embodying the literary and aesthetic thoughts of the famous scholar Wang Guowei. Each article is full of witty words and unique insights. It not only comments on the poetry works, but also comments on the life circumstances, gains and losses of the poets of the past generations. It can be described as a rare classic of Chinese studies and a masterpiece of aesthetics. The author Wang Guowei is even known as "the end of Chinese academics in the past three hundred years and the founder of academics in the past eighty years."

"The paintings of Liang Chun are all covered with fragrance" is Cao Xueqin's hint to Qin Keqing's fate in "A Dream of Red Mansions". Starting from the study of Qin Keqing, Liu Xinwu discussed the causes of death of Qin Keqing, Jia Yuanchun, and Miaoyu, and also included the unexplained insights from the research on "Redology" for more than a hundred years, including Qin Keqing's origin and last words, the foretellings of the four fairies in Taixu Illusion, etc. He also wrote his research results into three novels about Qin Keqing, Jia Yuanchun, and Miaoyu. These academic novels are based on solid textual research, with flesh-and-blood characters, ups and downs of plots, and rich and vivid details. Experts can understand the rules, and laymen can watch the excitement. This book also contains many "Red Studies" treatises and essays. The writing style is lively and lively. Reading is like sucking an olive, with rich aftertaste and far-reaching implications. This is a monograph on "Red Studies" and a leisurely book that is refreshing and enjoyable.

This book is a synopsis of the Song and Yuan Dynasty notes, including one type from the Five Dynasties, 140 types from the Song Dynasty, and 15 types from the Yuan Dynasty. The important ones from the Song and Yuan Dynasties are basically covered. There are also four types of notes from the Ming Dynasty and related compilation notes and textual examinations are attached at the end. It not only involves many common and well-known notes, but also introduces and analyzes rare notes and lost notes, giving people a glimpse of the original work. It not only introduces the author and content of the notes, but also excavates and verifies the writing process and documentary value of the notes, and interprets their complete authenticity.

This book was published by Higher Education Press in 1996 and reprinted by Tianjin Education Press in 2005. It has been edited by the author and included in "Collected Works of Sun Changwu". This book is divided into twelve chapters, describing in detail the various manifestations of Avalokitesvara and Vimalakīrti in Chinese literature, and preliminary discussion of the significance of these manifestations. The scope is mainly before the Song Dynasty.

The Book of Songs, as a classic, was produced during the period of "the coming of human culture" and constructed the cultural traditions and national character of the Chinese people. This book talks about "The Book of Songs" in detail in the form of special topics. It stands at the height of how ancient civilization came into being and reproduces the great beauty of Chinese ritual and music civilization from the Western Zhou Dynasty to the Spring and Autumn Period. It pays attention to the hearts and destiny of ordinary people, and describes the psychology of women's marriage and love in detail, with a deep sense of reality and humanity. The whole book is printed in color, and the text is accompanied by 42 hand-drawn pictures by modern people, which can help you learn more about the names of birds, animals, and plants, making the reading journey enjoyable.

This book is a lecture notes on Su Dongpo's poetry written by Professor Chen Zhanquan when he was giving lectures at Xuehai Library in Hong Kong. The whole book expounds the life story of Su Dongpo, selects and chronologically selects his poems, and adds notes and corrections. In addition to collecting the opinions of various scholars, the book also contains annotations within the annotations and sparse within the annotations. The explanations are extremely detailed. It is indeed a masterpiece that provides an in-depth understanding of Su Dongpo as a person and his poems.

This book is a general work on the interpretation of Chinese myths. It explains four modes of interpreting myths and shows the characteristics of various myth theories. This book explains four modes of interpreting myths through a large number of vivid and interesting mythological stories, helping readers easily grasp the inner logic of different interpretation methods. Relevant original texts are attached next to the text for reference. Many pictures of mythological characters are inserted throughout the book to enhance the pleasure of reading. It is a must-read general introduction to the interpretation of Chinese mythology.

"Thirty Poems" is the work of Yuan Haowen (Yishan), a writer of the Jin Dynasty. It embodies his poetic views and is an important work in the history of literary theory and criticism. This book is Professor Chen Zhanquan's annotation and elucidation of "Thirty Poems" and Yuan's other thirteen poems. The content is well-quoted, the exposition is rigorous, the research is detailed, and there are sometimes precise case studies. It is the best reference book for studying the poems and quatrains of Yuan Yishan.

This book provides in-depth and detailed analysis and evaluation of these works with a broad vision and objective attitude. Although the authors such as Liang Qichao and Huang Shizhong are familiar to people, their contributions to Cantonese writing are rarely known; while Zheng Guangong, Liao Entao, Chen Ronggon, etc., Although they have important positions in Cantonese writing or mother tongue education, have rarely attracted the attention of researchers. This book just fills this academic gap.

"Who is the best martial artist in the world in Jin Yong's novels?" "The martial arts masters in Jin Yong's novels are not as good as each generation?" "Which one is better, the Dugu Nine Swords or the Epee Sword Technique?" "Do you know that the top martial arts masters can hit many with one palm? How far, how high can you jump with one jump, how fast can you run, how many kilograms can you hit with one punch? ""Which one is more skilled in martial arts, the sweeping monk, Dugu Qiubai or Dongfang Bubai? Guo Jing, Yang Guo or Zhang Wuji, who has stronger martial arts?"

There are more than thirty articles in the book, ranging from Yao, Shun, and Yu to the late Qing Dynasty, and the style is arranged in chronological order. Qian Mu measured literature by the standards of "history" and "people". In his lectures, he put forward many new ideas on specific dynasties and literary changes, and also examined and explained some major differences and misunderstandings in the history of ancient Chinese literature. Ye Long, who has studied under Qian Mu for many years, compiled the class notes from 60 years ago, searched for omissions and added annotations, and compiled this book.

A Dream of Red Mansions is not only one of the "Four Great Classics", but also a rich treasure house of knowledge. Its content and writing form reflect the author's profound life experience and knowledge accumulation, as well as the author's exquisite and superb creative ability. In the face of this treasure house, the author of this book starts from the text and traces the roots of various issues in current redology research, trying to provide a more authentic world of redology for fans of redology.

Tang poetry and Song lyrics are the pinnacle of the beauty of Chinese characters. What is the story behind each famous piece? How can each of the big shots be so happy and happy? If you read poetry from a different angle, you will find a different poetic meaning. The super angry young man Luo Binwang, the eternal love sage Du Fu, the great counterattack Gao Shi, the perfect male god Wang Wei, the literary uncle Meng Haoran, the prodigal son Wen Tingyun, the heroine Li Qingzhao, the all-round genius Xin Qiji... Thirty poetry masters, involving nearly three hundred poetry classics. The book is meticulously researched, integrating poetry and history, linking up the dazzling moments in the literary world of the Tang and Song Dynasties, from which we can glimpse a passionate history with ups and downs. This "poetry novel" is very enjoyable to read, and it is a literary arena that has never been seen before. This is a tribute work by "Young Angry Horse", a hardcore lover of Tang poetry and Song lyrics and a popular WeChat public account. Just turn the page and read it.

"Literary archeology" and "hidden structure" are two academic concepts proposed in this book, which are unprecedented. In fact, conscious transplantation is common in literary creation, and pure transplantation is not worthy of praise. However, Jin Yong transplanted the prototypes, plots, and story structures and props from Chinese and Western novels in his martial arts novels, and modified them to a great extent and created them. Even the same character and the same plot have many variations, which is dizzying and breathtaking.

This book is the sixth and last book in the "Xiao Tian Poems" series. This book mainly appreciates the poetry of the Song, Yuan, Ming and Qing dynasties, and modern times. Jiang Kui, Yuan Haowen, Ma Zhiyuan, Wang Mian, Tang Yin... Whether they are poets recognized as having great achievements or poems that have been selected into various collections countless times, this book shows a different beauty one by one. The author Zhou Xiaotian is a professor at the School of Liberal Arts of Sichuan University. He has been devoted to classical literature for a long time and has won the "Lu Xun Literature Award" Poetry Award. With a broad education and an eye for discovering beauty, the author selects very representative poets and their works from the vast sea of ​​poets and poems in the Tang Dynasty, and introduces classical beauty into modern life. Zhou Xiaotian's explanation is simple and easy to understand, and he quotes from classics. The appreciation of poetry in this article is well-written and unique.

From the ancient "Gilgamesh" to Haruki Murakami's "1Q84", from Huxley's "Brave New World" to J. K. Rowling's "Harry Potter and the Philosopher's Stone", there are countless fictional imaginary worlds in the long history of human literature. In "The Great Fiction", American professional book critic Laura Miller leads us across the four thousand years of human literary creation, visiting 96 fantasy worlds created by 96 outstanding writers, deeply analyzing the birth process of these extraordinary ideas, and also showing the fascinating charm of the fictional literary world across time and space.

In the final analysis, the collapse of the Rongguo Mansion is actually the collapse of the economy. The unfolding of the story of "A Dream of Red Mansions" is closely related to economic issues. However, economic issues are only a hidden existence in the novel, which is the background of the novel. Of course, when the plot requires it, it emerges and becomes the content of the novel's story. "Economic Issues in the Rongguo Mansion" analyzes eight issues including Lin Daiyu's obsession with family property, why Li Wan was not a family member, Wang Xifeng and monthly money management, and the stewardship class in the Jia Mansion. The author handles the case like a detective, with novel angles, strict logic, and penetrating analysis, which makes the case amazing.

The book is divided into ten units. Each unit begins with a short story derived from unearthed bamboo slips and silk documents, which restores the specific scenes of life in the Han Dynasty. It is followed by a short popular science text that provides a more detailed and vivid explanation of the social life and material culture of the Han Dynasty. The author imitates Mr. Shi Jingqian's attitude towards history and Mr. Yasushi Inoue's novel techniques, and builds a bridge between the academic and the popular through the use of pictures and texts, so that readers can not only appreciate the wonderful stories hidden in the bamboo slips, but also gain knowledge about the basic necessities, food, housing and transportation of the Han Dynasty society.