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This book is a collection of essays jointly created by 46 famous contemporary writers and new literary talents including Wang Meng, Zhang Wei, Alai, Xiao Fuxing, Han Shaogong, Liu Liangcheng, Zhou Xiaofeng, and Su Cangsang to interpret "Happiness in life depends on deep affection and love." These writers have won various literary awards such as the Mao Dun Literature Award, the Lu Xun Literature Award, the National Ethnic Minority Literary Creation Horse Award, the People's Literature Award, the Bing Xin Prose Award, the Sun Li Prose Award, the Sanmao Prose Award, and the Dadi Literature Award. The content of the book is divided into five chapters, namely: Dressed in white, with a brocade in my heart - some insights, sending "heartbeats" across the sea of stars, the years have become monuments - some memories, sending "past events" to Feihong Xuedui, misty life - some feelings, sending "beautiful" to read all over the world, it is you who wrote the pen - some deep feelings, sending "dear", the journey is long and lost, and there will be a destination in the end - Missing, "Hometown" The writers share the various sentiments of life with truly touching and philosophical words, allowing us to understand: the tranquility and calmness, abundance and happiness of life lie in maintaining deep affection and love for the people, things and things around us. Every time loneliness or sadness strikes, we rely on these gentle and tenacious forces to resist us.

This book is a collection of essays by the famous writer Ye Zhaoyan, written for everyone who is as bright as spring in ordinary times. There are five chapters in the book, which are: "Everything in the past is a prologue" - Memory of youth "Wherever the heart goes, it is hometown" - Scenery of hometown "I enjoyed new knowledge when I was young, and missed old friends in middle age" - Missing friends "Blow out the reading lamp, and the whole body is covered with moon" - Ideal sentiments "The smoke of fireworks in the world is the most soothing to the human heart" - Fireworks are rolling. In his writings, whether he is talking about the ancient city of Nanjing, gossiping about cultural celebrities, or reminiscing about relatives and friends, he appears to be knowledgeable, frank and sincere, exuding a peaceful and elegant atmosphere. The writing is plain and simple, and has no distance from the readers. It captures the warm and deep love for life in the mundane and subtle aspects of life.

"Letters of Zhou Zuoren" contains a collection of private letters between Zhou Zuoren and his friends. Zhou Zuoren said: "The content of this collection can be roughly divided into two parts, one is the book and the other is the letter." From it, we can not only know Zhou Zuoren's interests and hobbies, but also know the distance between him and his friends, and learn about the social status, customs and folk customs of the time from the side, which is very interesting.

A Chinese version of "The Fruit of Life" explores the treasures of love hidden in the long river of time through 42 letters written by Ms. He Shuzhen, the mother of Chua Lam's illustrator Su Meilu, who misses her late husband. The trivial experiences in life, the countless scenery throughout the year, and the small trees planted in the garden during her lifetime have all become indelible witnesses of 53 years of love through the writing of He Shuzhen. This book restores to us a pure love story that is not changed by time or changes in time and space, which is especially precious and shocking in today's era and world.

This book is in the form of an essay, divided into three parts, introducing readers to what the author has seen, felt and thought in his work, travels and life. The writing style is plain and friendly, and it narrates the life journey of a female writer. Just as the author said: Micro thoughts, micro thoughts, micro words, micro deeds, and even micro articles, those ordinary, trivial, and small things that happen every moment, like thousands of willow silks swaying in the wind, describe the vivid and rich appearance of the world.

Zhou Zuoren's prose style is peaceful and tranquil, clear and elegant, and his essays are leisurely, humorous, and quaint. However, the two topics he discusses in his articles are always literature and current affairs. The articles in "Yongri Collection" are written around the author's writing themes - literature and current affairs. They are the author's continuation or in-depth thinking on these two aspects, reflecting his anti-ethical thoughts and humanitarian spirit, and showing the depth of Zhou Zuoren's thoughts and the beauty of his articles.

This is a collection of essays with the theme of embracing life. The author condenses his life experience and insights from studying abroad for eight years into words, which include not only insights into every detail of life, but also film reviews from a unique perspective. There are both essays with flashes of inspiration and reading perspectives that keep you from putting the book down. It embodies the independence and wisdom of contemporary intellectual women, and also reflects the impact of multiculturalism on contemporary people's ideas.

"Tanhu Collection" contains a large number of Mr. Zhou Zuoren's prose works, "comments on all human affairs". These works are rich in content, covering a wide range of topics, and the writing style is vivid and smooth. They may seem disorganized but contain exquisite details, which fully demonstrates the author's ability to control words. It has high literary quality, artistic quality and readability. The article has a clear stance and fierce language, fully demonstrating the appearance of a social critic.

"Ye Du Chao" contains nearly 50 essays by Zhou Zuoren, which can be regarded as works of cultural criticism. Among Zhou Zuoren's many works, "Ye Du Chao" has a particularly important position, because from the beginning of "Ye Du Chao", Zhou Zuoren established his own mature and stereotyped style.

"Yaotang Quotations" contains 50 essays written by Zhou Zuoren around 1940. It is a new attempt in his prose writing style. It is short in length and is close to "notes written by predecessors". Zhou Zuoren said: "Originally, according to the old rules of Confucianism and Buddhism, quotations are the daily words and deeds of the master recorded by his disciples. Wang Zhongyan of Yangzi wrote the book himself, which is very criticized by future generations. Why should we learn it again? This so-called quotation is actually just a name with the same name, and there is no similarity in content. This is what we should do It needs to be explained. "As for the name of the Herbal Medicine Hall, it is meaningless, but it can be said that there is some reason why there is no other name here. Even if it is meaningful, it is fair to say that the articles are not meant to be critical, but the books mentioned in them are all ancient Chinese books, especially there are many notes. These articles all reveal the author's comments and sorting out of ideological and cultural aspects, from which we can see some flashes of the author's thoughts, which should be read frequently and always new.

Zhou Zuoren said in the preface: This book contains four parts, namely, 1, "Memories of Old Books" with 28 chapters, 2, "Reminiscences of Old Books" with 44 chapters, 3 with "Reading Books and Occasion Notes" with 61 chapters, 4, "Reading Books and Remaining Notes" with 58 chapters, for a total of 191 chapters. "A Corner of the Study" contains nearly 200 reading notes by Zhou Zuoren. The content is short and flexible, some even less than ten lines, and involves many ancient books. It reflects Zhou Zuoren's thinking and analysis of traditional Chinese culture to a large extent. It also introduces the customs and characters of his hometown of Shaoxing. From it, we can feel Zhou Zuoren's longing for his hometown. It is also an excellent custom chronicle. He integrates modern thoughts into the comments on ancient books, which makes it very enjoyable to read and different from other casual readings.

"Yao Tang Zawen" contains a total of twenty-seven articles, including fifteen articles written in the 29th year of the Republic of China, and twelve articles written later by the author. It was originally named "Yilaoxuan Notes" and was later renamed "Yao Tang Zawen". The content is all-encompassing. It is Zhou Zuoren's combing of his own thoughts when he was stranded in the enemy-occupied area at that time, including the traditional future of Chinese literature, women's studies, enlightenment, morality, Chinese thoughts, as well as memories of studying abroad and feelings about old friends.

"Talking about the Dragon" contains several essays by Zhou Zuoren, the contents of which are "slightly related to literature and art", including literary criticism, commemorations of writers, Chinese and foreign folk songs, Japanese ancient history and short poems, Greek myths and short poems, obscene ballads, translation issues, etc. It is also the main work of Zhou Zuoren as a literary theorist. Since then, his essay writing has been more closely related to "Tan Long Ji" in terms of his points of interest and approach.

"Lu Xun's Youth" is a collection of commemorative texts written by Zhou Zuoren at the invitation of newspapers and magazines on the 20th anniversary of Lu Xun's death. In addition to the "Lu Xun's Hometown" and "Characters in Lu Xun's Novels" he has written, some new content has also been added. Zhou Zuoren, the second brother of Lu Xun, is an encyclopedic figure in the history of modern Chinese literature and one of the people who knows Lu Xun best. Therefore, this book is different from other works about Lu Xun. It more systematically introduces Lu Xun's early life, academic interests, and the foundation of his thoughts, etc., Allowing readers to understand a different Lu Xun.

"Bitter Tea Essays" contains fifty-one articles by Zhou Zuoren, most of which are essays. The articles mostly emphasize the freedom and independence of thought, and there are quite a few counter-criticisms directed at other people's criticisms, which is unprecedented. It is called bitter tea, which shows the bitterness of its heart and the bitterness of its writing. Zhou Zuoren appreciated the state of "being happy after enduring things", which is like drinking bitter tea. It is painful but refreshing, but it is the pitiful point of adults. You all know the taste of it. "Tolerance is a word, the door to all the wonderful things. When you are an official, especially when you are doing things first, if you can be more tolerant in addition to being honest and diligent, there is nothing you can do. "Book" says, there must be tolerance to be helpful. This is the root of things. The proverb says, "Tolerance is the enemy of disaster." Shaoling poem says, "Tolerance is a joy."

"Woodchip Collection" takes themes such as nostalgia, famous things and customs, plants, trees, insects and fish as its themes. It tells the stories of old friends Cai Jiemin, Qian Xuandong, Greek mythology, northern and southern snacks, lunar and fishing calendars, bats, owls, crows and other topics, covering everything. This book does not have long essays or a large number of quotations from ancient texts. The articles are concise and clear, sometimes mixed with humorous remarks. It is a representative work of Zhou Zuoren's later prose.

This set includes two red literary classics, "Lovely China" and "Superfluous Words". Among them, "Lovely China" is Fang Zhimin's prose and his last work. Written in prison in 1935. The author summarizes China's tragic history from the May 4th Movement to the Second Civil Revolutionary War based on personal experience, and angrily accuses imperialism of various crimes that wantonly bully the Chinese people. Full of patriotic passion, he symbolically compared the motherland to "the mother who gave birth to us" and firmly believed that the Chinese nation would be saved from the war.

Sun Fuxi, modern essayist and artist. Born in a freelance family in Shaoxing, Zhejiang, he is a young man full of talent and vitality. His twenty years of prose creation not only left some beautiful works for future generations, but also provided good experience for prose creation. Among modern Chinese prose writers, they have high artistic achievements. This book selects Sun Fuxi's classic prose works, such as "Farewell" and "Sunrise on the Mediterranean", etc., Aiming to let more people appreciate classic literary works and improve their own literary appreciation level.

This book is a collection of essays written by Ma Jiahui in his middle age. It is also a long memory about family and travels. Life, love, travel... Ma Jiahui has written all his thoughts, feelings and understandings here. It is not only an understanding and commentary on the various aspects of life, but also a portrayal of the mood of looking back at the years in stages. From a boy to an uncle, it is a period of growth and maturity that is visible to the naked eye. Many people look forward to maturity but are afraid of growth. In this book, you can vaguely see the maturity and growth of a middle-aged man. It is light, sharp, humorous and lively, and is full of touching and emotional aspects of daily life. From a boy to an uncle, it seems like an instant. The years are majestic, the steps are staggering, and all kinds of feelings come to mind. Half a life has passed, and the years are imprinted here, and we step forward and look back occasionally, but we still do not forget to move on.

"The Fading Back" is a collection of essays with a distinctive personal style. There are 33 articles in the book, which are roughly divided into three categories: The first category includes senior writers such as Ye Shengtao, Ba Jin, Shen Congwen, Duanmu Hongliang, Sun Li, Yang Mo, etc. "I am fortunate to have met them and edited books and articles for them. Their influence on me can be called "As my literature teachers"; the second category includes Bai Hua, Wang Meng, Zhang Yigong, Li Shifei, Su Du, etc., "Who are both my friends and teachers, teachers and friends"; the third category are the author's confidants who have been friends throughout his life and "accompany me throughout my life through bumps and bumps."

"Don't Miss the Sunshine When It Rains" is a collection of personal essays by Zeng Huijun. The first part, "Colorful Light", is about personal life insights and spiritual essays. It mainly writes about views and insights on the little events in daily life, encouraging and comforting readers to love life and live every day positively. Warm and delicate, full of soothing power. The second part, "The Shining Days," is the author's memories of his hometown and childhood life, describing the joyful life in a small town in western Guangdong as well as his relatives and friends there during his childhood. The writing style is simple and fresh, and the feelings are sincere and honest, expressing the author's love for his hometown and his infinite attachment to his relatives.

"Back" was originally a collection of Zhu Ziqing's essays published by Kaiming Bookstore in 1928. In addition to the complete collection, this new edition also selects famous pieces from the prose collection such as "Traces", "You and Me", "Miscellaneous Notes on European Travel", and "Miscellaneous Notes on London"; it also adds 8 representative modern poems by Zhu Ziqing, showing a rich and diverse literary master.

Her husband Xiaohu died of cancer, and the family of three became two. In the process of accompanying her son to grow up, Jinyujiang recorded in words and paintings how they stepped out of the haze of losing their beloved and regained their life... "Mom, why did Dad have to go to Planet Huhu?" "Because the little monsters in dad's belly were so bad, they sucked away all the energy balls from dad, so dad flew back to Huhu Planet to replenish energy." "Then when will he come back?" I paused for a few seconds because Peanut asked me this for the first time. "Peanut, mom tells you that dad can't come back, but when Peanut grows up, he can visit his dad. Peanut can also write letters to dad like mom. Did you know? Dad often goes to the starry sky post office on Huhu Planet to see if anyone has sent him a letter." For everyone who has loved, cried, or lost, I hope this book can illuminate the way forward in your life journey.

"The Growth of a Common Girl" is the most representative collection of prose stories by Taiwanese writer Jiang E. It writes the growth story of an ordinary girl in Tainan in refreshing and concise words: the fun daily life with grandma, the life of a follower in a Chinese medicine pharmacy, piano learning, scientific experiments alone in the afternoon, the education of love, the initial enlightenment of female consciousness, and the inner theater of children, etc. In various details of life that can and cannot be told to others, it describes how a girl grows up little by little, slowly glimpses and enters the adult world, examines the many upbringings and constraints that have happened to herself, such as family affection, love, marriage, ethics, worldliness, etc., And gradually becomes self-aware, comfortable, real and relaxed. No matter how hard it is to cry in life, there is never a moment when we don't look forward to joy. Adults and children work together to protect the warmth and liveliness of their home, and also cope with the absurdity of the times. The twenty-eight essays, which are light, stretched, funny and lovely, not only recall childhood memories, but also show the contrast of thoughts and emotions between the past and the present, providing a broader perspective to understand women who grew up in this era and environment. "The Raising of a Common Girl" is not only the growth history of an ordinary girl, but also a true portrayal of all contemporary women who live seriously between the new and the old times. They no longer follow the blueprint of a good and lucky woman, and choose a more comfortable way of life. Everyone's growth has both the mark of the times and the logic of life itself. Looking back on the past is to record growth, but also to clarify the past and make peace with this ordinary self.

This book is Jiang Kan's brand new collection of essays on life in the mountains. In order to be reunited with her husband and to cultivate her body and mind, she moved to Mount Putuo. With the mountain behind her and the sea facing her, the world is surrounded by Buddhist lanterns, monks, nuns and laypeople. It is bright and quiet. There is no place like Putuo that can accommodate these completely opposite artistic conceptions at the same time. She shares life in the mountains, meets good people in the mountains, and visits Buddhist temples in the mountains. She is everywhere in Putuo Mountain. But I know that I will adapt to the new life soon, just like when I was in college and then went to Australia. The day I left, I cried and couldn't stop. I turned around and found my own fun and immersed myself in the new world. Yes, there is nothing to cry about. Leaving is not out of disgust, successful transformation, or to beautify or sublimate the past. Leaving is simply because I want to try a new beginning and need a new toss, that's all. I thank myself that no matter how troubled and sad I am, I always have a sparkling place in my heart, which supports me to keep my vitality alive.

Zhou Gongzi, an enthusiast of Tang poetry and Song lyrics and a lover of storytelling, will take you to experience the shining stars of the Tang Dynasty. Meng Haoran who is indifferent and relaxed, Li Bai who is bold and confident, Du Fu who is patriotic and concerned about the people, Han Yu who never gives up, Bai Juyi who is famous for his optimism, Li Shangyin who is affectionate and comforting... The bright and shining stars of poetry seem to travel through time and space in the author's writing, talking to you with funny words, gathering in emotional meetings, and flowing into the world. The author integrates poetry, history, and biography in the book, with detailed research and detailed research. He uses nearly 300 classic Tang poems to connect the poets' flesh-and-blood, joyful lives. A unique poetry reading, a beautiful and enjoyable biography of a poet. Just read it.

This book selects several classic prose works by Mr. Wang Zengqi from various periods, such as "Let Things Happen", "Human Plants", "Rain in Kunming", "Tea House", etc. His prose is narrative, lyrical, and explanatory. These prose writing techniques are delicate, the structure is smooth, the organization is clear, the content is rich and colorful, and the language is fluent and beautiful. The prose is permeated with the author's rich social life and complex inner world. This collection of essays is typical and exquisite, highly readable and worth savoring.

"Microphone Audition" is a collection of short essays by Huang Guojun. The original traditional Chinese version was published in 2002. This collection of essays covers a wide range of topics. It uses a relaxed style to tell what new knowledge, anecdotes, strange people, and strange things are there to make readers laugh. It makes the theme more vivid and vivid with its own jokes that alternate between fiction and reality. It also talks about its own unique interpretation of life, art, and life. The reading of the whole book is different from the delicate and sensitive style of Huang Guojun's novels. His prose contains a high density of humor and wit in a short space. Behind the humor, it is actually the sharpest analysis of some social phenomena of the year.

The first part, "Son of Destiny: Fruit," records the growth of his son in the form of prose, as well as the pain and joy of being a father... Compared to the first part, which is in the form of a memoir or life essay, the completely fictional second part, "Descartes' Daughter," is a reflection. I deliberately added many annotations and wrote it as if it were a biography translated from a foreign language, but the perspective is subjective, that is, a father's perspective. After constructing an imaginary daughter, I thought I might as well construct an imaginary son, so I came up with the idea for the third part. This non-existent son flower is the contrast of the real son fruit. As a "younger brother," I wonder what the possibilities are for a "completely different other son." Maybe he was just the adult me ​​trying to regain my youthful pretense. --Dong Qizhang

Kuyuzhai is the name of Zhou Zuoren's study. In the 1920s and 1930s, a special group of literati was formed with Zhou Zuoren as the core. They are very different from the left-wing intellectuals led by Lu Xun, and also different from the so-called liberal intellectuals represented by Hu Shi. In the form of essays, this book freely, vividly and vividly describes the cultural psychology, value choices, life attitude and social orientation of this group of literati. This book is a revised version of the author's old work. On the basis of the old edition, the author has modified and polished some of the textual expressions, added three chapters, "The Fifth Disciple", "Buddhist Scenery" and "With Lucianos", and deleted the "Postscript". It is obvious that more than ten years after the first edition, the author of this book has deepened his understanding of Zhou Zuoren and his historical influence.

This book selects the annual masterpieces of writers who are currently very active, including Sun Yu, Acheng, Ning Ken, Ekber, Li Xiuwen, Renlin, Zhu Yong, Tunu, Hu Zhufeng, etc. There are also outstanding works by post-1980s writers such as Jingda, Liu Xingyuan, Sunan, Wang Fang, Song Changzheng, and Jiang Xu. They use highly personalized and exquisite words to explain human nature, face life directly, and reach straight to the soul.

This book has a total of twenty-five chapters, vividly describing the natural ecology, agricultural production, villagers' lives, customs and culture, characters' emotions, and social forms in the Dabie Mountains in eastern Hubei in the 1960s and 1970s, with a simple and concise writing style, an immersive picture, and a sublimated positive outlook on life. It is like a refreshing wind. Coinciding with the tide of rural revitalization and development, this book reshapes the understanding of rural life. Carefully savor every memory of the Dabie Mountains, and the feeling of returning to nature, dreaming back to childhood, and having an epiphany about life emerges spontaneously!

This book contains the author's education and teaching experiences, literary and art reviews and appreciation articles, as well as several essays. The author covers a variety of topics and his writing methods are also flexible. Many of them are based on his feelings and events, making the reading unique and thought-provoking. What is commendable is that the author is full of patriotism and love for his family, and his words are infiltrated with praise for his hometown. For example, the included chapter "Zhumadian Cultural Legend" is only intended to let people understand Zhumadian, praise Zhumadian, and cheer for Zhumadian, so that this emerging and vibrant city can shine with new brilliance and create new historical glory.

Kong Denan is a person who is extremely eager to express his thoughts and emotions through words. This book excerpts the original copywriting he created in the past two years. These copywritings are simple yet profound, delicate and moving, and have been widely reprinted on major online platforms. Black characters on white paper, between the lines, there are a few words that are touching, and a few light strokes are touching the heart. The whole book is full of Kong Denan's countless sleepless nights writing words and countless readers who feel the same way as him.

Feng Tang and his mother's 365 life philosophies: Only when you understand your life can you live happily. This book contains Feng Tang's life wisdom quotes, walking in the world, cultivating a clear and strong heart: don't be anxious, don't be afraid, be "shameless", and do it to the end. It tells the affectionate and interesting stories between Feng Tang and his parents, brothers and sisters, and reveals more wonderful quotes from internet celebrity moms.

This book is a collection of essays, and most of the articles included are poetic presentations of the author's hometown, expressing the author's love for his relatives, and revealing the author's own life experience and rich inner world. The text is dense and meticulous, full of affection and eloquent, as if recounting family life, reflecting the author's literary accomplishment and thinking about life, finding profundity in the ordinary, and seeing true feelings in the indifferent.

In the countryside, there are countless tragedies of life. As individuals, they complete their lives in a hurry, leaving people with nothing more than talk after dinner. But life itself is equal. Good or bad life should have its own annual rings. No one records them, but I remembered these past events at night in a foreign land.

This book is the third collection of essays published by He Longfei, a writer in Fuling, Chongqing, after "The Rhyme of Lotus in the Shade of Pines" and "The Words of Planting Melons, Planting Beans, Planting Melons". This collection of essays has a total of 144 articles and more than 300,000 words. According to its content, it is divided into five short collections: "Nostalgia", "Boundless Love", "Fleeting Shadows", "Leisure and Ease" and "Only Fragments".

This book is a heart-warming work of 2022 by the well-known writer Xiao Fuxing. It personally selects his famous prose works written in different periods, and specially includes sixteen new works that have never been collected and published. This is a work that laments the flow of time and the changes in destiny, with "time" as the theme and clue. It can be said that time is the protagonist of this work. The author Xiao Fuxing wanders in the past years, where he has his relatives, his hometown, and his compound. There was his bright moon there, and all the warmth he had ever felt. He spent the rest of his life walking around and never actually got out of those good years.

The book contains 31 letters. These letters come from female readers of different ages. They talk about the life problems they encounter from the perspectives of their original families, close lovers, mother-in-law and daughter-in-law relationships, and share their difficulties, boredom, depression, or entangled moods with the author, showing their true selves in the form of letters. The author answered the questions one by one in his reply. The author uses professional psychological knowledge and life experience to rationally and thoroughly analyze the roots of various negative emotions, and imparts specific countermeasures, so that readers who are trapped can gain courage and strength, regain their confidence, and live a happy life. Open this book, see others, and meet yourself.

"Even if there are drums and music and feasts in the world, eating, drinking, and combing one's hair with clean water are still the root of the joy of life and the end of my love." "Fireworks are gentle, the world is white" is written by Yun Jinghang, a post-90s youth literature writer on the fifteenth day of the year. A new collection of pure and beautiful prose works in 2018, with nearly 40 beautiful essays in the book, divided into five series: "A Bowl of Human World", "Heaven and Earth Sand Gull", "Young Midsummer", "Gentle Fireworks" and "Sunlight Ephemera", about life, youth and growth. The writer dives into the warm interior of memory, reshapes the impression and possibility of youthful writing, brings the breath of beauty of words, and in the clear light, makes people embrace a snow-white world. The writing style is fresh, soft and affectionate, and the people and events recorded are fascinating and very touching. Each article is carefully selected by the author, and the lines are pure and beautiful. It contains many award-winning articles. It is an excellent book for young people to read beautiful articles.

This book contains twelve essays by Zhu Yong about the Forbidden City. The Forbidden City is both a witness and a participant in history. The changes in human life behind these distant histories are far beyond what ordinary tourists can understand after just a moment's pause. The writer's beautiful writing on the Forbidden City's calligraphy, paintings, architecture, and historical figures relives and continues the historical memory of the Forbidden City, and also tells the story of a rich and colorful chapter in Chinese civilization. This book is a classic of Zhu Yong's prose writing in recent years. It comprehensively demonstrates Zhu Yong's determination to pursue prose writing to become more open, closer to human nature and people's hearts, and more down-to-earth. In Zhu Yong's prose, there are no articles filled with empty adjectives. He got rid of the constraints imposed on him by both the era and the prose tradition, and freely deployed his troops in the world of words.

This book is a bound volume of Zhu Yong's classic works "The Beauty of Antiquities in the Forbidden City 2" and "The Beauty of Antiquities in the Forbidden City 3". This is not an academic work on art history, but a spiritual journey to find roots. It may let us know how these ancient works of art were born, and what kind of ups and downs they experienced before arriving in front of us. Facing those long-lasting ink marks, both you and I will feel our hearts beat. In addition to marveling at the amazing techniques of ancient artists, I also think of the stories behind those pages, and the people and things that appeared and disappeared in the Forbidden City emerge. Please follow Zhu Yong, starting from the calligraphy and painting in front of you, and working backwards step by step, just like traveling against the light, to find their original traces. The book contains nearly 100 high-definition detailed pictures of rare ancient paintings from the Forbidden City and museums at home and abroad.

"Out of the way, let me sing about the 1980s" takes the form of twelve chapters of "memory fragments" to recall the beautiful memories of the artistic youth in the 1980s and 1990s about campus, about movies, about reading, about football, about letter writing, about storytelling, about computers, etc. The style is humorous and rich in details. Since its publication, it has become a bedside book for generations of literary young people. In April 2008, "Memory Fragments 2.0" Was published and launched by our publisher. It has been reprinted many times and has been well received. In 2012, a new "Illustrated Commemorative Edition" (Memory 3.0) Was launched, which added twelve illustrations drawn by Wang Zengyan and a substantial new postscript.

It includes Xu Dishan's prose, letters, prefaces and postscripts, speeches, literary theory and other works, such as "Spiritual Rain in the Empty Mountain", "Undeliverable Mail", "Undeliverable Mail (Continued)", "Falling Bamboo Slips in a Dangerous Nest", "Shangjingshan", "Letter from a Traveler in India", "Reading Talk", "Bookworms in Oxford", "Republic of China", "Youth Day Speech to Youth", "Chinese Essence and Chinese Studies", "Conditions for the Creation of a Great Nation", etc., Which are all well-known works. Xu Dishan's prose is refined and timeless, simple and fresh, rich in philosophy and rich in exotic colors. He uses natural entities to describe and discuss at the same time to express his understanding of life. When writing about what happens around him in reality, he often starts with a record and ends with his own philosophy.

Yu Dafu's prose has unique personality characteristics. In his works, he describes his personal thoughts, life, and even trivial and intimate details in detail without any scruples. His autobiographical writings are frank and passionate, showing himself transparently and openly to readers. The autobiographical color is rich and strong. His prose also has a strong melancholy and sentimental mood, which increases the artistic appeal of the work. Yu Dafu is a poet, and his prose also has the style of a soul-stirring poem. The informal and indulgent lyrical style, the rhythm and mood of the soul-stirring poem, unabashedly express the role of a talented intellectual in society. The depression, sentimentality, melancholy, and fragility in the meeting are blended with the beautiful and meaningful landscapes in the work. The emotion is used to express the pen and the emotion is embedded in the scenery, forming a slightly morbid melancholy beauty, which also shows the author's profound knowledge and artistic skills. It can be said that Yu Dafu's creations are in response to the nerves of the times and represent the thoughts, emotions and inner feelings of some intellectuals at that time.

This volume selects several essays by Sun Li and more than twenty exquisite illustrations. As a writer with conscious stylistic awareness and the founder of the "Lotus Lake School", Sun Li's prose can be said to be unique in the literary world, bearing the author's distinct personal style imprint. Whether writing about people or events, he cherishes words as much as gold, and at the same time is full of deep and sincere emotions. His writing is concise and restrained, but does not affect the richness of details. His creative features of implication and meaning have attracted many literary lovers to follow and imitate, and have a wide and profound impact on readers.

In the endless dark night, everyone is a lonely little beast. Under the night, they take off the defense and armor of the day, and "Night Listening" is this gentle harbor, recording and listening to the moods, feelings, and stories of thousands of people, giving you endless tenderness and tolerance. Here, you can be less strong and less brave. This book will record our common experiences and different cities from the four major themes of self, emotion, life, and life, and describe the various tastes in life. All forms and phenomena in the world are gifts from life. With one heart and two people, three meals and four seasons, I would like to accompany you to heal the loneliness in the world and accompany you to love this warm and cold world. More than 50 million travelers meet on the planet "Yeting". If you desire, I will protect you; if you talk, I will listen. Good night, I'm here--

This book selects 32 philosophical essays by Liang Xiaosheng, the winner of the 10th Mao Dun Literature Award, including life and ideals, dilemmas and sincere insights of life. It allows us to know that life is for living moment by moment. Ordinary life is what life is like. When considering gains and losses, we must take up but also let go. The world is complicated and the only thing we can change is ourselves.