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This book is a collection of poems based on the author's diachronic ideas. It brings together a period of the author's mental journey; from themes such as wandering, time, because, life and destiny, salvation, love, writing, etc., It condenses the author's true feelings of poetic life and poetic world.

Yan Ruzhen wrote many poems and essays throughout his life, and he also wrote numerous works. The "Paradise Poetry Manuscript" published during the Daoguang period inevitably omitted many poems and essays. Some poems will be added during this compilation. For example: "Continuation of Hannan County Chronicles" majored by Yan Ruzhen, Volume 29 contains poems such as "Visiting Tiantai Mountain", "Zhanba Jinchiyuan", "Qing Master Daolin Temple", "Winter Night Passing Jitou Pass", "Dingjun Mountain Visiting Zhuge Wuhou Temple". But in Volume 29, "Two Poems to Show the Students of the Academy" and "Paradise Poetry Manuscript" are titled "To Show the Students of the Fuwen Academy in Xunyang", Xunyang is today's Xunyang County, Ankang City. Volume 13 of Guangxu's "Xunyang County Chronicles" "Art and Literature Chronicles" contains four poems "Xunzhou Bamboo Branch Poems" in addition to "Two Poems by Students of Shifu Academy". This group of poems was written when Yan was appointed magistrate of Xunyang County, that is, between the sixth and eighth years of Jiaqing (1801-1803).

This is a military poet who imagines a heroic military life but has never been involved in a war. Please read this song "Zuoma Bianguan": "In the slanting light of the clouds and mountains, the lake is calm. Zuma Bianguan is wide, and there is no smoke for a while." The grassland, green mountains, and white clouds are all in this sunset. The windless lake is extremely calm. Only when a bird passes by will it cause a ripple, and then it will become calm again. There was no smoke in the vast border of the motherland for a while. In fact, a peaceful and prosperous age with smoke everywhere is a great thing for all people in the world. Therefore, when there was no war, the poet changed his career and returned to his hometown.

"River of Life: Collection of Poems by Yu Gong" is a personal collection of poems by the poet Yu Gong. The collection of poems is divided into eight volumes: River of Life, In My Life, Bells Ring Softly, Heavenly Book, Songs Across the Sky, Between Coming and Going, Business Cards, and Window. It contains one hundred and sixty poems written by Yu Gong in recent years. Most of his poetry works are based on daily life and stories around him, integrating life insights, emotional experiences, and philosophical thinking to release positive energy with a peaceful mind.

The author writes about the magnificence and beauty of the earth; he writes about the people on the earth, the things on the earth, and everything that happens on the earth. Praise the truth, goodness and beauty of the earth, and write down the falsehood, evil and ugliness on the earth. I wrote it with my heart, so I wrote a collection of poems.

This book is a collection of poems written by Mr. Kaiyun Kai.

This is an anthology of poems about the author himself.

This book is a collection of poems. The manuscript selects more than a hundred poems written by the author, which eulogize the glorious and long history and culture of the Chinese nation, praise the beautiful rivers and mountains of the motherland and the earth-shaking changes in people's lives, and look forward to and long for the beautiful tomorrow of the motherland and the life prospects of young people with full of romanticism.

"Red Candle" was published in 1923. It is a famous collection of poems in modern Chinese literature and Wen Yiduo's first collection of poems, with a total of 62 poems. His poems may express the poet's patriotism, criticize the darkness under feudal rule, reflect the suffering of working people, or depict the beauty of nature. The concept is exquisite, the imagination is novel, and the language is vivid. "Dead Water" was published in 1928. It was Wen Yiduo's second poetry collection and included 28 new poems written after the collection "Red Candle". It is more mature in terms of depth of thought, breadth of subject matter, and expression techniques, and expresses the sorrow for China's poverty, backwardness, and turmoil. The collection of poems runs through broad and profound patriotic feelings. Wen Yiduo's poetry collection was selected into the Ministry of Education's recommended books. The main selections of the poetry collection are also from "Red Candle" and "Dead Water".

This book is the most comprehensive collection of poems created by Wang Zengqi since 1941 and is the most comprehensive collection of poems to date. It includes lost poems that the author has published and has collected successively. It also includes books from his essays, novels, and letters, as well as a newly discovered word and poem, totaling 259 poems. In addition, according to the author's own characteristics, this book appropriately includes 25 of the author's paintings (including front inserts and in-text illustrations), which vividly restores the author's poetry writing scenes, with pictures and texts, allowing readers to appreciate the author's multi-faceted artistic talents.

"Attempt Collection", published in 1920, is the first collection of vernacular poems in the history of modern Chinese literature. It ushered in the new literary movement and is a pioneering text. The content is divided into three parts, with "Qu Guoji" attached. The first volume has not yet been born out of the old-style poetry, while the second and third volumes are bold innovations in free verse. "Trial Collection" was first published in 1920 and sold over 10,000 copies as soon as it was released. Hu Shi also invited scholars and poets to add and delete poems to the selected edition, and attached a preface to the new edition until the fourth edition was finalized and passed down to future generations. It has been nearly a hundred years since the first edition of "Anthology". During this century, literary and theoretical circles have widely debated its significance and value. It is a veritable must-read classic in the collection of modern Chinese poetry.

This book contains more than 120 newly created poems by the poet. The author transforms desolation into youthful enthusiasm, makes migration into the running of youth, rides away, and builds the frontier of his own poetry.

This is a smart and beautiful collection of essays on flowers and plants. The author takes flowers as the theme and uses classical poetry to lead readers into the changes of flowers blooming and falling in the four seasons of the world. Not only to observe the vegetation, wind and moon, but also to express feelings about worldly things. Thirty exquisite texts, with flowers and plants as the skin, poetry as the bones, and elegant meanings in the pen, unfold for you a charming picture of fallen flowers!

"The Wind Too Late" is Xi Si's first collection of poems. It was written while traveling to various places from the late spring of 2019 to the early autumn of 2020. The book contains nearly a hundred poems, including both long and short poems, mostly hazy poems.

Poems are like red beans. Some fall into your fingers inadvertently, some require effort to pick up, and some just jump into your eyes, and it is difficult to distinguish them when a gust of wind passes by. As you collect more, you have higher requirements for color and texture, and the difficulty of picking naturally becomes greater. It takes a long, long time to get one that you are satisfied with. Needless to say, there is no need to explain the hard work, and only you know the joy.

This book brings together more than 200 excellent poetry works, all of which were published in 2018 and selected from more than ten publicly distributed poetry publications across the country. Among them, there are senior poets such as the "Poetry Demon" Luo Luo and Mang Ke, the representative poet of Misty Poems; Zhang Xinquan, who won the first Lu Xun Literature Award; young and middle-aged poets such as Lei Pingyang, Wang Xiaoni, Yu Jian, Zang Di, Shen Wei, Da Jie, Hu Xian, Chen Xianfa, Shang Zhongmin, and Li Nan; and young poets born in the 1980s and 1990s such as Li Borong, Yu Youyou, Xin Yi, Yu Zhen, and Zhu Guangming. The works have diverse themes and different poetic styles, which basically reflect the staged creation level of Chinese poetry and the general style of the current poetry world.

"Didi Runs Deeply Affectionately: A Collection of Winning Works from the First Never Split Pear Cup Global Love Poetry Competition" was written by two authors, Liang Ping and Zhou Lifeng. This award-winning collection of love poems brings together outstanding love poems by domestic poets. These works have different styles, but they all praise the beauty of love from different angles. There are both eloquent series of poems and independent chapters that are carefully polished, restrained and restrained. This award-winning collection of love poems not only interprets the eternal theme of "love", but also presents the poets' extraordinary writing skills.

"Zhimo's Poems" is Xu Zhimo's first collection of poems. The first edition in August 1925 was a vertically arranged version imitating Song Dynasty thread binding. In 1928, Shanghai Crescent Bookstore republished it in horizontal paperback format. Compared with the first edition, 15 poems have been deleted and 1 has been added, for a total of 41 poems, of which only 1 stanza of the 18-stanza "Sayannara" is retained. "Collection of Tigers" is Xu Zhimo's collection of poems with the highest artistic achievement. Published by Crescent Bookstore in August 1931, containing 34 poems. "Goodbye Cambridge", "I Don't Know Which Direction the Wind Blows", "In the Mountains", "Autumn Moon", "Two Moons", etc. All come from this collection of poems. The best poems written by Zhimo are lyrical poems, which are swaying, lingering and intoxicating. The poetry is also perfectly unified with poetry. It can be called a classic of modern new poetry.

"Goddess" is Guo Moruo's masterpiece. Includes Guo Moruo's major poems from 1919 to 1921. Together with the preface, there are 57 chapters in total. Most of them were written by Guo Moruo when he was studying in Japan. Among the representative poems are "Phoenix Nirvana", "Rebirth of the Goddess", "Coal in the Furnace", "Sunrise" and "Earth, My Mother!" ""Tengu", "Good Morning", etc. The content uses mythological themes, poetic drama genres, symbolic techniques, etc. To reflect reality. Guo Moruo has a profound foundation in Chinese studies and is familiar with fables, myths and allusions. His poems can be a channel for modern people to return to tradition. At the same time, he is familiar with the latest scientific, philosophical, cultural and other advances in the West, so his poems have a strong modernity. In terms of poetry form, it broke through the shackles of old styles and created a vigorous and unrestrained free verse style, which opened up a new world for the development of free verse after the "May Fourth Movement" and became the foundation of new Chinese poetry.

This is a collection of poems covering all aspects of life. The purpose of life is to taste the ups and downs of the world, go through hardships and hardships, seek a glimmer of light, and win the warmth of spring. Therefore, in the adventures of the human world, the author cares about the complicated affairs of the world day and night, sings about unforgettable love, and experiences all kinds of changes in his heart, whether small or vast, inferiority, pride, tenderness, or pride.

Poetry is the flavor of life that a poet cannot hide. Flowers bloom and fruits bloom, and the fragrance comes naturally. The philosopher Mr. Jin Yuelin once said: "I like the sweetness mixed with other things." If this sentence is converted into an understanding of poetry, can it be said like this: I like the poetry naturally revealed by a person with an abundant life.

In this era when fish want to fly and birds want to swim, it should be a satisfying thing to make a small stone. It can lie quietly in the mountain valleys and let the streams wash away, or it can be buried deep in the soil and pave a colorful road for the world to walk on. Someone once asked: Do you regret it? Did you miss a lot? I didn't think about it: I didn't have any regrets, no matter what role I played, I was loyal, clean and responsible. Leaving is to bring back a better version of yourself. For a while, I was always asked why I didn't update my circle of friends? In fact, the circle of friends is not for updating. Most of the time, it is to look at the noise, right and wrong, right and wrong in silence. Or, treat your circle of friends as a mirror and look at yourself in the mirror. Sometimes, maybe it's just an empty mirror, nothing more. Only when your mind is calm and empty can you hear your own voice and see the true nature of all things. Life often moves in a hurry, so we must slowly learn to stop and laugh at the wind and clouds, sit down and enjoy the flowers blooming, calm down and be as calm as the sea, settle down and watch at ease. Live your life quietly. If your heart doesn't move, the wind will do nothing.

Li Qingzhao's lyrics, poems and articles occupy an important position that cannot be ignored in the historical corridor of ancient Chinese literature. "Li Qingzhao's Collection and Annotations" carefully and comprehensively organizes his works, provides detailed annotations, and appendixes with detailed information and chronology. Since its publication by our company, it has been widely recognized and praised by readers and has been reprinted several times. It is now included in the "Collection of Ancient Chinese Famous Masters" series.

"Looking at the Homeland in the Wind" is a collection of poems by the author, which focuses on the following aspects: first, the thoughts of family and country, second, the ambition of the military, third, the affection of human relations, and fourth, leisure and elegance. This not only shows the richness of the author's spiritual world, but also the broad range of themes in his lyrics. He followed the mainstream of Ci, but did not stick to certain theories. It can be said that he learned from many teachers and learned from their strengths to form his own artistic world.

This manuscript is the latest collection of poems by poet Hu Hao. It contains more than 100 poems written and published by the poet in recent years. The language of his poetry is concise, concise and full of personality. The text presents a beautiful, affectionate, clear and romantic style, as well as the strictness and solemnity of the neoclassical style. Writers and critics such as Qiu Huadong, Li Shaojun, Wang Gang, and Zhang Zhe all spoke highly of his creations.

"Fishing the Moon in Peach Pond" is another collection of poems from Chen Liangji's "Folding Years". This government official who has been participating in and promoting the reform and development of China's social security system has persisted in writing despite his tedious work, and created a number of poetry works that are in line with the spirit of the times and integrated with society and people's livelihood. Browsing through the more than 290 poems in this book, the state of melancholy, character, wonderful enlightenment, and solitary thought shown in them left a deep impression on people.

"Asking for the Bottom Line of Life" is the author's personal collection of poems. After encountering a major change in life - a serious illness, the author began to think about life and society. He not only valued life and tried to explore the philosophical issue of the origin of life, but also reflected on social issues, analyzing the relationship between individual life and human society and how to build a balance between the two, so as to achieve the dual unity of individual existence and social development, and realize the true value of life.

This manuscript is edited and selected by the author's close relatives, and it compiles the author's essence works since his poetry creation. Gu Cheng's poetry is a unique branch in the Chinese poetry circle, writing the history of contemporary literature. Since the new era, several poets have been indispensable, and Gu Cheng is one of them. This manuscript clearly demonstrates the author's poetic quality and is a good resource for appreciating and learning poetry and studying contemporary Chinese literature.

This book contains more than 100 poems written by Bao Jian, including "Stars", "Hometown", and "I Among All Things". The night sky in the early morning, the flight, and the changes of the four seasons are all condensed into words on the pen, which are profound and delicate, projecting the reflection of self and the times into the poem. From "Hold the Sword", readers can feel that simple life often contains huge energy, and the calm core usually breeds a determined and tough life. Whether it is warm or unrestrained, restrained or rough, it can always touch the sensitive and warm feelings deep in the heart unconsciously.

Huayan Temple is located in Dalaoshan, Huayan Township, Jiulongpo District, Chongqing. It is named after the Huayan Cave on the south side of the temple. This book is a collection of poems and lyrics about the Buddhist culture of Huayan Temple in Chongqing. It includes several poems and lyrics by various Buddhist figures. This book is one of the "Huayan Collection". The content in the book aims to promote and promote Buddhism in the southwest region and support the cause of Buddhist culture and academic research in Chongqing.

Guang'an is the hometown of Comrade Deng Xiaoping. It has beautiful scenery and outstanding people, and has given birth to countless good children for thousands of years. The majestic Huaying Mountain, the long Qujiang River and the Jialing River have nurtured generations of Guang'an people for thousands of years. The author of this book uses the language of poetry and his own personal experience of Guang'an to describe beautiful and moving scenery for us, and eulogizes the great achievements of Deng Xiaoping, a great man of the century who was born and raised here, as well as the outstanding people who have emerged in Guang'an for thousands of years. After reading this book, readers can vividly understand the beautiful land of Guang'an, and be proud and fascinated by this place where great men of the past century have appeared.

Introduction to "Chinese Modern Poetics Series": The 1930s is considered the "golden age" for the development of new Chinese poetry. "Chinese Modern Poetics Series" is divided into three parts. The first part studies the occurrence and transformation of the modern poetry trend in this period, the artistic connection between foreign poetry trends and traditional poetry, and makes in-depth discussions on Lin Geng, Fei Ming, He Qifang, etc. The second part uses a historical narrative to review the development process of new poetry in the past 30 years and reflect on it. The third part explores and analyzes the writings of many poets, revealing their artistic personality and poetic thoughts.

This is a collection of literary poetry. The content includes joy and melancholy, human feelings and sophistication, encounters and partings... This collection of poems witnesses the author's victory over himself, experiencing life, and using poetry to commemorate the past time. The author reflects and wakes up again and again, breaks through himself, and welcomes his own poetry and distance...

This collection of poems uses innovative themes, unique thinking, and broad vision to present grand and spectacular migration pictures and poetic natural legends from the sky, land, desert, grassland, and ocean. The life presented is all shining, such as wildebeest, antelope, bar-headed goose, red knot, killer whale, meerkat, poison dart frog, monarch butterfly, chipmunk, snake, beetle and so on. They use their best wisdom and survival strategies to "present the world with wonderful things everywhere." These fresh and lovely lives give full play to the advantages given by the Creator, which is the poet's praise of nature. The author explains that nature has unparalleled beauty and is a self-sufficient ecosystem with regular cycles. It has far-reaching significance for our understanding of life and ecology.

This is a collection of poems, in which there are butterflies, wandering clouds, birdsong, and grasshoppers; there are tea and wine, sweethearts, brothers, and close friends. The poems and sentences reveal idleness and loneliness, but also conceal deep feelings and romance, and are full of vitality.

This is a collection of poems. From the perspective of an art school teacher and the state of mind of a dancer, the author recorded the beauty he discovered and the things he experienced in the form of poetry, expressing his love for the motherland, his feelings for the natural world, his thoughts on life, his attitude towards work, his exploration of life, and his beautiful outlook. Each poem is infiltrated with the poet's respect for life and admiration for truth and beauty.

This collection of poetry explores the themes of life and love through over a hundred poems by Qian Bai Li. The poems are crafted with profound thought and rich imagery, maintaining a pure and sincere style, and offer a meaningful and enjoyable reading experience.

Since the new era, due to the impact of modern civilization on Yi civilization and the influence of Han culture, Yi poetry creation has gradually shown a prosperous situation in which native language creation and Chinese creation complement each other, and a large number of Yi bilingual poets with great influence have appeared, such as Jidi Maga, Aku Wuwu, Ma Deqing, etc. Therefore, understanding the cultural motivations for the creation of Chinese poetry by Yi poets, researching and commenting on Yi Chinese poetry has gradually become the focus of poets and scholars, and Yi Chinese poetics came into being. In the past half century, Yi Chinese poetics has gradually grown from immaturity to maturity. It has not only made important contributions to the development and construction of Yi Chinese literary theory, but also enriched Chinese poetry theory. Unfortunately, there is a lack of research on Yi Chinese poetics (only a few sporadic articles can be found). On the basis of exploring the cultural origins of Yi Chinese poetics, this book conducts a preliminary and systematic study of Yi Chinese poetics from the aspects of creation theory, work theory, style theory, methodology, etc. It serves as a starting point and tries to attract more attention from critics and academic circles to Yi Chinese poetics.

"Ji Cuixuan Yin Cao" is a collection of poems by the poet Liu Rixin. The book contains about 600 topics of modern style poems, ancient style poems and couplets, divided according to content into "Childhood Interesting Chapter", "Aspiration and Entrepreneurship Chapter", "Tourist Scenic Spots and Historical Sites", "Advancing with the Times", "Current Affairs Chapter", "Touch the Situation: A Warning Chapter", "Ten Scenes of Yangjiang", "National Famous Flowers Contest, Chinese Wine Couplet Creation Competition, Selected Works, Couplets", "China's Top Ten Famous Flowers, Chinese Poems about Wine" The 13 parts including "Contest", "Twelve Zodiac Signs", "Ode to Four Seasons" and "Reflections and Feelings" include almost all the poet's works so far, comprehensively reflecting the poet's creative activities and emotional process. The book can be read by poetry lovers and can also be referred to when creating. The publication of this book has positive significance for promoting Chinese traditional culture and inheriting the art of traditional poetry.

This manuscript is a selection of more than two hundred poems written by the author in his spare time of work and study over the years, including several chapters such as Chunhui, Summer Flowers, Autumn Sound, Winter Song, Foreign Land, Running, Light and Shadow, etc., Describing the author's love and perception of life from different angles.

"Flower City" is a collection of 150 old-style poems selected from nearly 1,000 poems written by Mr. Zhu Furong who lived in Guangzhou for more than ten years, including six volumes of "Love in the Country", "Landscape Ballads", "Flower City", "Half Heart Zen", "Five Colored Fruit" and "Qing Shiyan". The themes are wide ranging, including emotional poems expressing family and nostalgia, philosophical poems describing scenery and touching life, and poems reflecting on historical figures. The collection of poems is eclectic in form. Because of the rhyme of the titles, it has a rich flavor of life, the lyrics are sincere and strong, and the descriptions of the scenes are natural and vivid. This book has approximately 100,000 words.

"Selected Poems of Xiaocao" contains nearly 500 poems by the author. These poems have a wide range of themes, distinct themes, rich emotions, ingenious conception, fresh writing, smooth language, and are easy to understand. It is a work that combines realism and romanticism very well. The author enthusiastically praises the natural scenery of the motherland; he praises the earth-shaking changes brought about by reform and opening up and the realization of the Chinese dream; he expresses his deep feelings for the motherland and the people, and his longing and outlook for a better life. As an art of language, poetry not only provides spiritual nourishment, but also gives people the enjoyment of beauty and emotional catharsis. It also gives people the connotation of life and thought, giving people enlightenment and wisdom.

This series of books has extensive and rich selections, and combines reading literature with mastering knowledge. It can not only enhance the readers' enjoyment of reading classic literature, but also enable us to realize the wisdom and philosophy of life. This set of books is elegant in style, rich in knowledge, highly readable, authoritative and systematic. It is very suitable for readers to read and collect, and is also very suitable for displaying equipment in libraries at all levels.

This series of books has extensive and rich selections, and combines reading literature with mastering knowledge. It can not only enhance the readers' enjoyment of reading classic literature, but also enable us to realize the wisdom and philosophy of life. This set of books is elegant in style, rich in knowledge, highly readable, authoritative and systematic. It is very suitable for readers to read and collect, and is also very suitable for displaying equipment in libraries at all levels.

This book is a reportage that truthfully displays the current situation of education in Tongzhou District, Nantong City, including the freedom of students, the hard work of teachers, and the characteristic development of schools. It analyzes the root causes of various problems in Tongzhou education with a thorough analysis of rationality and a unique and objective perspective, and provides a shout-out and encouragement to people on the front line of education. The whole book analyzes the gap between the current status of educational development and educational ideals, and points out that the ideal state pursued by educators may be far away, but they can step closer to the educational ideal that is still far away through the poetry in their hearts. "Look to Jiangsu for national education, and look to Nantong for Jiangsu education." In recent years, education in Tongzhou has made great progress, which has attracted social attention and exposed some problems. This book was created based on the above current situation, and it also has reference significance for the reform and development of education.

"The Sky of Expectation" is the first collection of prose poems written by the author after his retirement, expressing his pursuit of pastoral life and the realization of new dreams. There are four parts in total, namely "Flowing Fireflies", "Sky of Expectation", "Whispering in the Wind" and "Collection of Flying Catkins", with more than 120,000 words. It mainly writes about the author's thoughts, loves and hates while pursuing field life after retirement and living in the frontier fortress, as well as memories and reflections on the past, hoping to realize the literary dream of his youth in his later years. The author of "Flowing Fireflies" starts from the beautiful love, and uses the characteristics of Liuying as a metaphor for the author's longing for love, his abandonment of the women he meets, and his fear of stepping out of the shackles of worldly love at dusk. His inner pain and struggle, as well as his dissatisfaction and criticism of the world, reflect the author's ambivalence about longing for the woman in his heart to come to him or drift away.

"Between Poetry and Painting" mainly sorts out and analyzes several important topics in traditional Chinese poetry and painting theory, such as the advantages and disadvantages of poetry and painting, the unity of poetry and painting, and the relationship between form and spirit. This is a to-the-point, clear and clear historical treatise on the theory of poetry and painting. It is a comprehensive study of poetry and painting, and has important reference value for the study of poetry and painting. The book also contains two articles dedicated to the compilation of "Fashu Yaolu", which are pioneering and of great academic value.

"Chu Ci" is a collection of romantic poetry in my country. It had a profound influence on later generations of literature. It not only opened up the later Fu style, but also influenced the prose creation of all generations. It is the source of my country's positive romantic poetry creation. Teacher Wang Fuli, winner of the 8th Bing Xin Prose Award, uses easy-to-understand words to take you to re-read the classics, appreciate the genius imagination of romanticism, and see the magnificent and extraordinary artistic conception. This book is not only limited to the interpretation of complicated and obscure words, but also relies on the life trajectories of the characters and the details of the Warring States disputes behind them. Only in this way can readers get closer to the true expression of the words, listen to the poet's emotional catharsis more truly, and deeply understand and feel the three-dimensional beauty of the words of "Chu Ci". This book's interpretation of "Chu Ci" is presented in relaxed and beautiful language, and the Warring States history of Qu Yuan and Chu State is integrated into prose culture and storytelling, allowing readers to re-understand "Chu Ci" and fall in love with "Chu Ci" even more while enjoying relaxed reading. Reading "The Songs of Chu is a Storybook" awakens people's sleeping poetry and emotions at the moment. Everything we have lost can be found here.

Collection of Poetry. The content includes fifty short chapters discussing the problems of poetry itself. Different from our common historical and rational discussion of poetry from the perspectives of poetic aesthetic techniques, Chinese and Western poetry traditions, poetry development history and ideological trends, Li Jin abstracts poetry into an emotion and immediate thinking, and uses this as a starting point to get in touch with the heart of poetry, explore the essence of poetry, and deconstruct and construct poetry. The practical issues discussed in the work, the profound thoughts, the rich content, the unique thinking, and the special writing style make this work different from other general poetry studies and has unique publication value.

This book is the latest collection of poems by the famous poet Mr. Wen Aiyi, and is the 63rd poetry collection published by the poet. Since the publication of Wen Aiyi's poetry collection, it has been loved by readers and has been reprinted continuously. It has won various awards at home and abroad several times. This collection of passionate poems is selected from new works created by the poet in recent years, and contains a total of 52 poems. Wen Aiyi's poems deeply moved readers with their sincerity, enthusiasm and wisdom. They have been best-selling for more than 30 years, and his works have been sold in circulation of more than 10 million copies, making him a pioneer in the revival of contemporary new poetry. His poems are known as "youth idols built with poetry who can talk to each other" and "a lawn where people can breathe together in their spiritual home". They absorb traditional expression methods and modern expression techniques, and are an excellent combination of tradition and modernity. They have beautiful phonology and are full of the poet's love for life. In this new collection of poems, the poet enthusiastically praises truth, goodness, and beauty, and mercilessly denounces falsehood, evil, and ugliness, expressing the poet's strong love and hatred. It is a rare collection of good poems in contemporary times.