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The manuscript clarifies the evolution of the aesthetic orientation of Ci poetry from the early to the mid-Qing Dynasty, which has always been unclear. From both internal and external aspects, we conducted an in-depth and detailed investigation of the shift in aesthetic opinions from the Western Zhejiang Ci School to the Changzhou Ci School in the Qing Dynasty: First, we made a relatively comprehensive and in-depth discussion of the literary thoughts and aesthetic tastes of Zhu Yizun, Li E and Zhang Huiyan in terms of family origin, growing environment, circle of friends, academic experience, Ci works, theoretical propositions of Ci, and influence on the development of Ci in the Qing Dynasty. Then he made a detailed analysis of the social environment, political orientation, literati mentality, academic trends, literary criticism trends and other factors at that time, and pointed out the impact of these objective conditions on literary thought and the aesthetic style of the Ci world.

The research object of this manuscript is the "Jialing Ci" handwritten manuscript of the Sanse Hui Commentary during the Kangxi period stored in the Nankai University Library. Through a large amount of literature analysis and compilation, the author conducted a comprehensive and in-depth analysis of the manuscript of "Jialing Ci" and clarified the following important issues: 1. The formation and dissemination of the manuscript version of "Jaling Ci" and its important documentary value; 2. With the help of textual research on the large number of annotations, seals, memory collections and appendices in the manuscript of "Jaling Ci", Chen Wei Song as the center, carry out research on the group of poets in the early Qing Dynasty; third, use the manuscript "Jialing Ci" as a research operation platform to explore the theory and aesthetic style of Chen Weisong and the Yangxian Ci School, restore the literati association and singing style of that era, and gain a glimpse of the world and literary style at that time; fourth, summarize Chen Weisong's theoretical thoughts on Ci from the manuscript "Jialing Ci" and the attached specific comments.

This book collects poems written by the author in recent years. The author uses dreamlike words and phrases to express his perception and yearning for a better life. The book is divided into ten series: the first series - embroidering the night in a familiar fantasy world; the second series - God just asked him to be a short hour hand; the third series - happiness grows and shortens in its folded wings; the fourth series - the black cat is a pet wandering in the consciousness; the fifth series - I heard that standing with the sun will make you happy. Condensed into a luminous body; The sixth series - talking about ignorance and anger, not forgetting and nobility; The seventh series - I want to be a bandit galloping in civilization; The eighth series - The wind lurks in the ruthless place of the wind; The ninth series - A bird perches on the branches of the fleeting time; The tenth series - I only need to close my eyes and chant, and the dream will be endless. Each collection contains about 16 poems.

The work contains 209 poems, divided into eleven series: wind blows in the world, spring is warm and flowers are blooming, summer lotuses and rain are charming, autumn mountains and autumn water are windy, flowers, snow and moon, there is love in the mortal world, looking at the moon is melancholy, walking and singing, wind and rain life, the book of relatives, time is silent. The work expresses his emotions in the form of poetry, which is full of the author's sincere concern for his close relatives and family, his deep love for his hometown, and his natural description and heartfelt understanding of the colorful landscapes and creatures. Whether it is expressing the secret emotions deep in the soul, or intuitively expressing feelings about the world we live in, there is a kind of understanding and wisdom that has experienced the world. Each poem shows the author's creative level and unique insights into himself and the world.

Since the "May 4th" New Culture Movement, with the increasing popularity of poetry creation, modern poetry, that is, vernacular poetry, has developed greatly. The characteristics of modern poetry are straightforward language, changeable styles, and no restrictions on word count and rhyme format. It is suitable for people of all cultural levels to recite, and it is also consistent with the low cultural level of the entire nation at that time. This is also the main reason why modern poetry existed and became popular in the decades after that.

This book selects more than 70 poems by the poet Houma, covering the poet Houma's writing process for the past 30 years. The poems are all masterpieces and cannot be eliminated from his writing map. This collection of poems especially demonstrates the amazing breakthroughs Houma has made in the past 10 years at the creative level. With his continuous improvement in writing, he has painted a portrait of himself as a great poet.

This book begins with a selection of works written by the poet Xu Jiang in 1988, covering his works from the early stages of creation to the present, using more than 70 excellent works to fully reflect the overall style of his creation. Xu Jiang used his unique aesthetic persistence to show us the depth that poetry can achieve in terms of humanistic spirit, literary nature, and spiritual value.

This collection of poems demonstrates Isha's broad writing vision, strong language skills, accessible life wisdom, and outstanding poetic contributions. The poet Yisha has abundant creative power and writes a large amount of poems. "Snow White Crow" is a model collection of poems carefully selected from his poetry mine. The more than 70 poems in this collection, whether they are quintessential short poems or long poem series such as "Tang" and "Untitled", all can withstand repeated readings.

This book is a rare collection of poetry by the poet Song Xiaoxian. The more than 70 poems included in it are selected from his writing career of more than 30 years. This collection of poems not only displays the events and thoughts experienced by the poet in different eras, but also reproduces many real details in history and life because of its delicate expressions.

This manuscript is a collection of poems that showcase the affectionate poetry of a seventy-year-old man. It contains more than 100 clear and lively poems by the author. The manuscripts are divided into three series: "Care for Tomorrow", "Ordinary Outstanding" and "Lovely Shehong", all of which inspire and encourage people with their deep caring feelings and full of positive energy. Among the more than 30 poems in "Care for Tomorrow", the author interprets the traditional virtues of filial piety and gratitude in poetic language; the more than 40 poems in "Ordinary Outstanding" extend his writing to the broader society and ordinary people from all walks of life, praising and promoting their caring, caring and grateful people. The more than 30 poems in "Lovely Shehong" mostly stand at the forefront of the times, focus on the changes and development of Shehong, write about Shehong's humanistic scenery, highlight Shehong's pioneering and enterprising spirit, and express long shots and big feelings about Shehong. Poetry always pays attention to life, society, people's livelihood, and the times. It always focuses on truth, goodness, and beauty. It always expresses true feelings with sincere descriptions of real things, giving people enlightenment, encouragement, and hope.

This book is divided into four series, with a total of 140 poems. The author uses the language of poetry to intervene in the details of life, and uses the rich perception and experience of urban women to strive to explore the universal meaning of life and survival. Emotions are looming in the calm, and the language is occasionally strange in the plain, revealing the poetry and "truth" that are obscured in daily life. The collection of poems embodies the author's reflection on himself and exploration of the world over more than ten years, and presents the author's unique density of language and thoughts.

Starting from the perspective of "identity and poetry", this book analyzes the unique "dual characteristics" of Li He's poetry from the three levels of image, soul and character, revealing the complex connection between the aesthetic value of Li He's poetry and his survival dilemma as a lower-class literati; it reveals the attributes and cultural value of "Li He's poetics" in the twist of "survival and poetry", and shows the fate of the marginal literati in the Ti country and their creative style.

This book takes modern Chu Ci as the research object, and strives to comprehensively and systematically display the results of modern Chu Ci research, evaluate these results, and construct the final course of the history of ancient Chu Ci. The whole book is based on the chronology of researchers and different types of important research works on Chu Ci. It not only shows the status and characteristics of Chu Ci research in different periods, but also reflects the connection between Chu Ci research and the changes of the times, achieving a combination of macroscopic grasp and microscopic analysis.

Teacher Chen Shangjun compiled more than 2,000 lost poems of the Tang Dynasty from Dunhuang posthumous documents, foreign documents, stone inscriptions and other sources. The twenty-four poems collected in this book are based on this. The author pays attention to the poet's life experience and the first interpretation and evaluation of these lost poems. He is very creative and helps readers to understand Tang poetry more comprehensively.

"Voices and Different Tune of Retrospection in the Ming Dynasty", written by Yu Laiming. This book is intended to change the narrative method and research ideas in which the study of modern Ming poetry takes the works of writers as the main body and develops according to the era. Through the overall grasp of the evolution of Ming poetry, it explores the historical trajectory behind the evolution of Ming poetry. The author strives to break through the previous structure of Ming Dynasty poetic history based on the comparison of writers and schools, and grasp the changes in poetry creation styles in the Ming Dynasty, the rise and fall of the poetry world, the flow of poet groups, and the transformation of poetry theory in the process of historical evolution. The author attempts to examine the Ming Dynasty poetry history as a dynamic historical object, thereby clarifying the historical process of the evolution of the Ming Dynasty poetry history. By analyzing various aspects related to Ming Dynasty poetry such as writers' works, theoretical propositions, social gatherings and group activities, etc., A three-dimensional and rich image of Ming Dynasty poetry history is presented.

This collection of essays is the academic achievement of the "Inauguration Conference and the First Academic Seminar of the Chinese Tang Poetry Road Research Association". A total of more than 50 papers are included, which carry out in-depth exchanges and discussions on the Tang Poetry Road from the perspectives of the regional spatial definition of the Tang Poetry Road, research on poets and poetry roads, research on the religious philosophy of the Poetry Road and its cultural resources, and research on the protection and development of the Poetry Road heritage. It demonstrates the new results of the Tang Poetry Road research in the academic circles in recent years, and provides new concepts and new ideas for the protection and development of the Tang Poetry Road.

This book discusses the artistic characteristics of Tang and Song poetry and its status in the history of Chinese aesthetics in the form of a monograph. The introduction adopts a monograph on the study of Wang Guowei's Ci studies. Through the analysis of Wang Guowei's aesthetic modernity trend of continuing and developing traditional Ci studies, it shows the starting point and ideas of this book's research. From the three major aspects of "time and space", "emotion and morality" and "vulgarity and elegance", the characteristics of Tang and Song poetry as musical literature in artistic style, as the characteristics of lyrical literature in creative theory, and its evolutionary characteristics from conflict to reconciliation with traditional artistic spirit are analyzed. Finally, it systematically summarizes the characteristics of Tang and Song poetry in terms of words, rhythm, imagery, time and space, and deep meaning and other artistic structure characteristics, and comprehensively observes the charm of Tang and Song poetry art.

The animals and plants in the Book of Songs are full of symbolic connotations. They are part of the poem, and their symbolic meaning and metaphoric effect greatly increase the poetic meaning and enrich the artistic conception. Without these creatures and objects of perception, there would be a lack of inspiration and it would be difficult to produce poetry. This book introduces 114 species of animals and 137 species of plants in the Book of Songs in detail. The author starts from exegesis and uses modern biological knowledge to carefully examine each creature, striving to communicate the names of ancient and modern times, and between China and foreign countries. It uses authentic and reliable images to show the style, and introduces relevant humanities and interesting things, so that readers can not only understand and appreciate the beauty of the poem, but also get to know these creatures from a biological perspective and feel the excitement effect they bring.

Dreams are a space that is different from reality but not completely fictitious. It is the best place for people to understand themselves and the best medium through which to express thoughts and feelings. The author of this book describes dreams, human dreams, dreams and reality from different angles, interpreting the poetic understanding of dreams from a unique perspective, and at the same time has a deep feeling for real life. This book contains a total of 120 original poems by the author (including 13 English poems), which are caused by the author's feelings and thoughts in real life. They provide both emotional catharsis and philosophical thinking. There are various poetry styles, including modern poetry, ancient poetry, ancient poetry and English poetry.

This book collects poems written by the author since 2015. Against the background of the era of imminent renaissance, the author expresses passionate emotions and displays a bold poetic style. He expresses his love for the magnificent rivers and mountains of the motherland and every plant and tree, his eulogy for the prosperity of the country and the happiness of the people, and his longing for a better life and a more outstanding future.

This book is a selected collection of Yin Fu's poems and novels. It mainly focuses on Yin Fu's poems and collects nearly 80 of his poems, including his representative works "May Day Song", "May 1st, 1929", "Declaration", "Blood Letter", "Children's Tower", "Farewell, Brother", etc., Which have certain historical value. Reading Yin Fu's poems allows readers to appreciate the deep patriotic feelings of this poet who shared the fate of the revolution.

This is a time-travel work by five poets from the 1980s, expressing their respective youthful chants and distant imaginations. They use the richness of literature to resist the wear and tear of life, and finally reunite after being isolated in the world. Youth is gone, but the poetic heart remains.

This book is a long narrative poem in neometrical style. The author uses the writing style of a poet and the perspective of a historian to vividly reproduce the growth experience of Xiao Guanyin, a famous female poet of the Khitan tribe in the Liao Dynasty, and the historical tragedy of being framed to death. It panoramically displays the political struggles, social features, national traditions and nomadic life of the Khitan people in the "Prairie Empire" of the Liao Dynasty. Xiao Guanyin is the queen of Yelu Hongji, the Daozong of the Liao Dynasty. She combines beauty, talent and power, but her wisdom, vision and special identity blocked the steps of the usurper. The careerist Yelu Yixin who was hiding beside Daozong of the Liao Dynasty did not hesitate to use despicable means to frame Xiao Guanyin in order to achieve his personal political ambitions. Daozong of the Liao Dynasty did not distinguish between loyal and traitorous people and ordered the queen to commit suicide. A generation of poetry queens died unjustly. From then on, the powerful steppe empire turned from prosperity to decline.

Wen Yiduo wrote prolifically throughout his life, and his talents and intelligence continuously shaped him into a master of poetry, prose, essays, and literary theory. This book contains selected masterpieces from famous poetry anthologies such as "Red Candle" and "Dajiang" by Wen Yiduo. The metrical and musical ideas of new Chinese poetry that he advocates are also reflected in it. The poetry highlights the rendering of fantasy and subjective emotions in its expression techniques, and contains a lot of lyricism. To show readers Wen Yiduo's talent, knowledge, cultivation and sincerity in a more specific and detailed way. He likes to read ancient Chinese poetry collections, poetry talks, history books, notes, etc. When he entered the school, his name was Wen Duo. At that time, Wen Yiduo's revolutionary idea was to abolish the surname and friends called him by his first name. Pan Guangdan suggested that he change his name to Yiduo. He was so kind and immediately agreed. He studies hard, has excellent grades, and has a wide range of interests. He likes to read ancient Chinese poetry collections, poetry, history books, notes, etc.

This book is a collection of old-style poems. In these poems, the author expresses more of his own thoughts and sighs.

This book is a collection of new-style poems. The author's poems are fluent in writing and beautiful in writing. They reflect and express his feelings about the times and life from different angles.

The publication of this collection of poems is for the author to record his life trajectory, especially his insights in his later years, and also to add some color to the originally pale life. From these poems, we can see what scenery the author visited, what art exhibitions he saw, how he felt about missing home, how happy he was to be with his friends... Ordinary and trivial daily things are expressed in different ways through poetry.

Mr. Qian Zhongshu's book "Selected Notes on Song Poems" is a classic anthology of ancient poetry, and his research interest in Tang poetry is actually even greater than that of Song poetry. This book is a collection of Tang poetry works selected by Mr. Qian Zhongshu from 1985 to 1991 in "The Complete Poems of the Tang Dynasty". It reflects Mr. Qian Zhongshu's personal evaluation of Tang poetry and has never been published or published so far. The original manuscript of this book was transcribed by Mr. Yang Jiang himself. This time, it is planned to publish a typed version first to introduce Mr. Qian's unique experience of Tang poetry to the public. At the same time, the book contains 305 authors and 1,863 poems. It is also a relatively comprehensive reading book of Tang Dynasty poetry. In addition to revising the text of the original poems, this typesetting version also invited scholars in related fields to add biographies and annotations of the poets to facilitate public readers to have a more in-depth reading and study of this unique anthology of Tang poems.

"Hai Bo Xing Liang" records a total of more than 100 poetry works, and the content always focuses on family management, love, family affection, life insights and yearning to pursue dreams. Language has the power to directly touch the reader's heart and make people work hard; even if it is painful, it is not dark, bold and pure, giving people confidence and full of positive energy.

"Watting the Head Listening to the Dry Rain" is a collection of prose poems selected by Jin Daguang. It has a unique metaphysical and humanistic reflection on human emotions in its aesthetic self-sufficiency. This book is divided into six series: the first series is the exploration of metaphysics and universal human emotions. The second volume is a eulogy of many aspects of Chinese civilization. The third volume is the memory of jumping in line and an analysis of life in my childhood hometown. The fourth part is about chanting things. Part Five is a critique of the self. Part six is ​​some experiences on prose poetry writing. Looking at the whole book, the themes are diverse, the expression methods are unique, the images are colorful, the emotions are profound, the writing style may be simple or bright but still retains the true nature of the temperament, and the artistic conception is quiet and elegant. It is worth reading.

Some of the poems the author wrote in the 1980s have the feel of campus ballads. The author may have been influenced by Western sonnets, and the campus poems he wrote have that flavor. Some poems have a melancholy beauty that shakes people's hearts when read. For example, there is a poem about a classmate who "I don't know who will hold hands with you, I don't know who will hold your long hair gently for you", "Because he will go to the mountainous countryside and be with poverty. Dozens of school-age children are eagerly looking forward to it, which often makes him sleepless all night. When I sleep, my heart is like a knife being cut out; at that time, maybe I will read this poem and swallow the beautiful memories together with the painful saliva..." It not only talks about love, but also expresses the responsibility to society. It is soul-stirring to read and creates a sense of sublimity. It is really a small poem with great meaning.

Epic poetry is a unique poetry genre resulting from the combination of history and literature. Through poetry about officials, we can get a glimpse of the commonalities and differences of history in the communication and acceptance of literature. It is an important medium for studying history in a literary way. This book firstly discusses the development of epic poetry creation in various periods of the Qing Dynasty, and then selects the creation of epic poetry poetry by literati in the late Ming and early Qing dynasty, and the creation of epic poetry poetry poetry by the emperor, royal family and minister Luo Dunyan in the Qing Dynasty as examples for special research. The purpose is to explore the changing trajectory of poets' historical literary concepts during the changes of dynasties and the evolution of thought and culture, and also discuss the unique meaning of historical images in historical poems and the historical evaluation of mainstream social cultural views.

This book is guided by the concept of emotion as the basis and closely follows the issue of the characteristics of Chinese literature explained in "Human Words". It discusses four aspects: emotion is the ontology of Chinese literature, the artistic realm of life is the subjective spiritual condition that achieves the characteristics of Chinese literature, the objectification of inner emotions is the poetic discourse structure, and the integration of Taoism and art is the ultimate state of Chinese literature and art. It is divided into five chapters, based on the connotation of "realm" in "Human Words", and adopts a general-part-general structure. That is, the first chapter explains Wang Guowei's inheritance and development of the traditional Chinese ontology of emotion, which is the basis and summary of the whole book; Chapters 2, 3, and 4 are based on the ontology of emotion from the two perspectives of literary subject and literary text. The elaboration of the characteristics of Chinese literature summarized in "Jianci Hua" is divided into three parts; the last chapter is a comprehensive improvement of the first four chapters, expounding the purest and most perfect integration of literature and art in the authentic emotion, the poetic discourse of literature and the aesthetic realm of life to reach the highest artistic realm of ambition - the realm of "Taoism and art as one".

This book is a collection of Mr. Li Zhengwen's poetry creations in recent years, some of which have been published in newspapers or well-known websites. Mr. Li Zhengwen has various poetry styles, and is especially good at "four-line short poems" and "ten-line short poems". His "new narrative poetry concept" has been praised by some well-known writers and scholars. The book is divided into seven chapters. The first chapter, "How Humans Are" is a philosophical poem, the second chapter, "Southern Short Chapter" is a landscape poem, the third chapter, "Ten Chapters of Youth" is a love poem... The seventh chapter, "Australia" is an Australian style poem.

"Light and Shore - Zhong Wen's Poetry Collection" is divided into four parts: poet's reminiscences, text appreciation, poetic essays, and poetic exploration. It includes stories about interactions with several well-known poets, including Bei Dao, Gu Cheng, and Zhai Yongming, as well as appreciation of their poems, reflections on poetry creation and poetry appreciation standards, and analysis of human nature and postmodernity in poetry. It shows the author's unique understanding of poetry and has a certain theoretical depth.

This book contains all the works in Guo Moruo's representative collection of poems "Goddess", as well as some works in the author's other representative work "Starry Sky". Many of these works are included in Chinese textbooks at all levels or designated as Chinese extracurricular readings, including "The Market in the Sky", "Phoenix Nirvana", "Coal in the Furnace", etc. "Goddess" is Guo Moruo's first collection of poems and the first mature new collection of poems in the history of modern Chinese literature. This book invites first-line famous teachers to conduct introductions to the works, refine knowledge points, expand reading horizons, and help students better understand classics and apply what they have learned.

"Wangshu's Poetry Draft" was published by Shanghai Magazine Company Press in 1937. It is a collection of Dai Wangshu's poetry drafts, with appendices including a few notes on poetry and six chapters of French poetry. The famous "Rain Alley" and "My Memory" are all included in this collection of poems. Influenced by Western symbolism, Dai Wangshu's poems are based on melancholy. The poems contain both classical life feelings and modern helpless sadness. He uses the tone of friendly daily speech to seamlessly combine the images of traditional poetry with modern symbolic techniques to implicitly express the sorrowful emotions of modern people with exquisite emotions and delicate brushwork. In the late 1920s and early 1930s, he was known as the "poetry leader" of the modern poetry school because of his unique style.

"Dayan River" was published in 1936. It was Ai Qing's first poetry collection and included 9 poems. The poem "Dayanhe - My Nanny" recalls the poet's nanny and expresses the poet's gratitude and praise to the working people. This poem established Ai Qing's position in the history of new Chinese poetry. It has been translated into dozens of languages ​​and is deeply loved by readers. The other poems are mostly the author's memories of his apprenticeship in Paris, an intuitive feeling about local politics, culture, ideological blending and competition, and express the author's desire for freedom and equality. "The North" is a collection of poems created during the Anti-Japanese War. The works not only reflect the oppression and poverty of the North, but also recognize and praise the northern people's will to survive. Ai Qing's poems have simple language, simple poetic meaning, deep emotions and bright rhythm. They are the best works of modern new poetry. He makes good use of symbolic things to express his hatred and helplessness towards reality without losing hope. There is warmth and brightness flowing in his poems.

This book brings together the essence of Zhang Zao's lifelong poetry creation, fully demonstrates the overall style of Zhang Zao's poetry creation, and highlights Zhang Zao's value to the development of poetry as an emerging poet in the new era. Since its publication, the book has reached 30,000 copies, making it the best-selling collection of personal poems published in recent years-of course, it cannot compare to Yu Xiuhua, but I am an exception-there are constant messages from readers asking for more copies, but the library has no stock. This revision mainly supplements some newly discovered lost poems by the author, and there are also some errors that need to be corrected - the original editor was not a professional, the author has passed away, and there was no original material to check at the time.

"History of Chinese Poetry Research (Song Dynasty Volume)" is based on the new century. It comprehensively reviews and examines the results of Song Dynasty poetry research in the 20th century. It combines the special topics of Song Dynasty poetry research and discusses the research progress in various fields. It comprehensively shows the history of Song Dynasty poetry research in the 20th century and has reference significance for the current Song Dynasty poetry research.

This book belongs to one of the series of representative works of famous modern Chinese poets. Small hardcover, easy to read and collect. From the outside to the inside, the poetry is meaningful. Books in the same series include "Beauty and Love - A Collection of Poems by Wen Yiduo", "Spring Waters with Stars - A Collection of Poems by Bing Xin", "Don't Throw Away - A Collection of Poems by Lin Huiyin", "A Wild Flower - A Collection of Poems by Chen Mengjia", "Cold Night - A Collection of Poems by Bian Zhilin", "Rain Alley - A Collection of Poems by Dai Wangshu", "An Old Dream - A Collection of Poems by Feng Zhi", "Love at Sea - A Collection of Poems by Mu Dan", etc.

This book belongs to one of the series of representative works of famous modern Chinese poets. Small hardcover, easy to read and collect. From the outside to the inside, the poetry is meaningful. Books in the same series include "Beauty and Love - A Collection of Poems by Wen Yiduo", "Spring Waters with Stars - A Collection of Poems by Bing Xin", "The Joy of Snowflakes - A Collection of Poems by Xu Zhimo", "A Wild Flower - A Collection of Poems by Chen Mengjia", "Cold Night - A Collection of Poems by Bian Zhilin", "Rain Alley - A Collection of Poems by Dai Wangshu", "An Old Dream - A Collection of Poems by Feng Zhi", "Love at Sea - A Collection of Poems by Mu Dan", etc.

This book belongs to one of the series of representative works of famous modern Chinese poets. Small hardcover, easy to read and collect. From the outside to the inside, the poetry is meaningful. Books in the same series include "Beauty and Love - A Collection of Poems by Wen Yiduo", "Spring Waters with Stars - A Collection of Poems by Bing Xin", "The Joy of Snowflakes - A Collection of Poems by Xu Zhimo", "A Wild Flower - A Collection of Poems by Chen Mengjia", "Cold Night - A Collection of Poems by Bian Zhilin", "Don't Throw It Away - A Collection of Poems by Lin Huiyin", "An Old Dream - A Collection of Poems by Feng Zhi", "Love at Sea - A Collection of Poems by Mu Dan", etc.

This is a collection of one hundred and thirty-two poems. It expresses the author's attachment to spring, his love for April in the world, his praise for his hometown, his description and lyricism of the scenery... It also shows the author's views on how to create poetry and the future development of poetry.

This is a collection of poems full of memories of time. The author turns his thoughts day and night over the years into small poems, showing the author's mood and ideals, and expressing the author's life insights. In this collection of poems, readers can see the laziness of the city, the wonderful morning, the mother's care, the scattered love, and the author's introspection... The author's delicate thoughts are hidden between the lines, bringing readers unlimited reverie.

Since ancient times, there have been many strong men in Yan and Zhao, and now we even smell the fragrance of calligraphy and ink. The government affairs are ruthless and effortless, and the literary thoughts are cleansed and brilliant. The mountains and rivers of Jiuzhou patrol the sun and the moon, and the people ask about the vicissitudes of life. I can envy Mr. Tao for his long legacy when he takes his time to add elegance and interest to his novels.

The author evaluates the righteousness of life, family and friendship, and the beauty of the country's mountains and rivers from the perspective of thirteen beauties. A collection of rare and beautiful sentences. The story is eloquent, gentle and emotional; the mind is broad and majestic.

This collection of poems selects 100 poems and is divided into four chapters: "Finding the Road", "Traveling", "Nature" and "Childlike Innocence". The collection of poems writes about the feelings of a mother in a large amount of space, expressing the warmth of love and the beauty of family affection. In the objective description, it incorporates one's own thoughts on life and expresses the joy and nostalgia for family, society, and daily material life.

"The Pre-Qin History of Chinese Poetry Research Volume" is based on the new century and comprehensively reflects on the achievements and shortcomings of the research on Pre-Qin poetry in the 20th century. The book is divided into five time periods, namely the first 20 years of the 20th century, the 1920s, the 20 years before the middle of the 20th century, the 20 years after the middle of the 20th century, and the last 20 years of the 20th century. It provides a detailed analysis of the main characteristics and academic achievements of the study of Pre-Qin poetry in each period. It has reference significance for further research on pre-Qin poetry.

This book contains 70 poems (groups) of various types written by the author since 2004. The themes are wide ranging, including the world and the mind; emotions are deep and painful, and spirituality and emptiness are revealed. This collection of poems highlights four characteristics: first, the poetic exploration of daily life, that is, the subject matter emphasizes the experience of one's daily life; second, the description of life feelings in the era, the content has a broader time and space; third, the pursuit of eternal love and chants, including personal emotional experience, attitude and reflection on the emotional concepts of young people nowadays; fourth, the spiritual perception of all things in nature, including the feelings, imagination and thinking of various things in nature.