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"Ideology and Literature: The History of Chinese Literature and Its Surroundings" starts from several important issues in the history of Chinese literature, in the form of special research, and strives to explore and unearth the real motivations and creative themes of literary development from the background of traditional Chinese thought and culture. It hopes to reveal and explain the different literary faces and characteristics formed at different stages of the development of literary history from multiple angles and at a higher level, and further promote the development of literary history research. The book has nineteen chapters in total, and the important issues discussed include: Qu Yuan's mental journey and the changes brought by his cultural background to the writing of "Li Sao"; the relationship between literature and images formed by the murals in the Chu ancestral temple and the creation of "Nine Songs"; and the "Nine Songs" and "Tianwen" together constitute a complete ancient history and the story of the gods. The system has also become an example of the cultural integration of northern and southern China in the early days; the origin of the Warring States strategists and Han Fu; the theory of talent in the Wei and Jin Dynasties and the theory of character in Liu Xie's "Wen Xin Diao Long"; the political ideals of scholars and the mentality of writing "Wen Xin Diao Long"; social changes in the prosperous Tang Dynasty and the evolution of poetry; military thinking and the "momentum" in the poetry of the Tang and Five Dynasties On; the purpose and reasons for the compilation of the "Four Big Books" in the early Song Dynasty; the Qingli party struggle and Mei Yaochen's poetry creation; the historical investigation of poor poetry and late completion; Ouyang Xiu's classics and literature; Su Shi's combination of Confucianism and Taoism and respect for nature in literary creation; the shortcomings in the implementation of the new law on work criticism involved in Su Shi's Wutai Poetry Case and the problems in Xi and Feng The important position in the poetry world; the struggle between the old and new parties in the Northern Song Dynasty and the creation of halal poetry; the cultural and historical significance of the Song Dynasty's southern migration, cultural Shaoxing, and the compilation of "He Qingzhen Ci" and "Song Wenjian" by three companies; the impact of Xin Qiji's change of mentality on the style of poetry after returning to the south; the relationship between important poetry selections of the Ming and Qing dynasties and the trends of the times, and the process of literary canonization.

This book is a collection of prose works by Li Hanrong, winner of the Baihua Literature Award and the Bingxin Literature Award. It focuses on the wonderful chapters selected for the nine-year compulsory education Chinese textbooks and the Chinese reading test questions for the high school entrance examination. It also includes some new works. His words are full of aura and have a strong and full sense of life, like flowers blooming above the clouds and below the earth's surface. When we are trapped in the corner of life, unable to escape or breathe in the dull reality, we can open this book and let our thoughts wander above the clouds, and our perception extends below the soil. It is as rich and clear as being in a mountain spring, washing away the fatigue and anxiety of the soul. Dedicated to every traveler who treks in a lonely place, facing the headwind and walking in a wider space and time.

This book is a collection of prose works by Xiao Fuxing, winner of the "China Good Book Award". It focuses on the wonderful chapters selected as Chinese textbooks for nine-year compulsory education and Chinese reading test questions for high school and college entrance examinations. We all want to fast forward to the perfect life point in our dreams, to be glorious, to be young and promising, to be stunning, to appear on stage sparklingly. Before that, there may be an infinitely long period of gloom, in which the hardships and pains are indescribable. Only by working hard can we get closer to that glorious self. Xiao Fuxing's words radiate light in the ordinary. They can tear a hole in the dull and depressed life and give exhausted people a window for ventilation. In boring days, they can collect the surprises hidden in life and accumulate hope and strength. When we feel that the future is far away, we should persist longer than others.

This book is a collection of prose works by Zhu Chengyu, winner of the Baihua Literature Award. It focuses on the wonderful chapters selected for the nine-year compulsory education Chinese textbooks and the Chinese reading test questions for the middle school and college entrance examinations, as well as some new works. When our lives fall into a pool of stagnant water without any ripples, Zhu Chengyu's words are like a giant axe, splitting open the dark water, letting a little light shine into your heart, allowing helpless individuals to follow hope and draw on the strength to move forward. Every article is clean, warm, and has strong healing power. Give you enough courage to face the wind, face the snow, face the secret slander, and face the sonorous horn. If no one is your light, just illuminate the distance by yourself.

This book is a collection of prose works by Zhang Lijun, a contracted writer for national periodicals. It selects Zhang Lijun's classic works from different periods, focusing on the wonderful chapters selected for the nine-year compulsory education Chinese textbooks and Chinese reading test questions for the middle school and college entrance examinations, as well as some new works. About youth and ideals, about love and emotion, about wisdom and tempering, about freedom and redemption. Every text shines with a gentle edge, and the writing is vivid and light. It is good at capturing the warm details that people are accustomed to not noticing. Taking every moment of life seriously will give you the confidence to take it easy when you are at a low point, and you can also be strong without haste. I hope you can move forward firmly even if you step on the mud. Every rose begins on a thorn.

On the pounding Izu Mountain Road, a young man from Tokyo met a group of artists and they walked together. The young man was attracted by Xun, a pure, lovely, charming and charming dancer who was traveling with him, and a ray of tenderness sprouted in his heart. He seemed to see a ray of light, and his heart, which had been troubled for a long time, suddenly forgot about gains and losses. The stubbornness and awkwardness of the past and the humiliating feeling of being given charity suddenly disappeared. The two have never expressed their feelings, but in the fleeting daily life, they have accumulated feelings of mutual admiration. Full of youthful poetry, the lyricism reveals Kawabata-style sadness, but only lightly. This novel became a masterpiece of Japanese youth literature. The book includes "The Dancing Girl of Izu", "Snow Country", "Years", "Thousands of Cranes", "Thousands of Birds on Blue Waves", "Ancient Capital" and "Beauty and Sorrow". It also comes with the author's chronology, Nobel Prize award speech and speech, and a long introduction by the translator.

Everyone has some anxieties, regrets, and unhappiness... This book is an ideal life guide given to everyone by a generation of aesthetic master Zhu Guangqian. He said: "The reason why this world is beautiful is that it has flaws, opportunities for hope, and fields for imagination." He said: "If you want to be happy in life, you must retain a little childishness." The teacher not only gives people aesthetic influence, but also tells readers many thought-provoking life stories. He turns his life aesthetics and wisdom into words, providing spiritual comfort to people experiencing hardships and providing guidance to readers in terms of cultivation, study, career, emotions, etc. Mr. Zhu Guangqian's writing is beautiful and eloquent. It reads like an elder of the family encouraging the younger generations. There are many interesting sentences and allusions in the article, which make readers enlightened and benefit a lot.

This set of books is a classic prose book by famous writers specially designed for young students. Many chapters in the book have been selected into middle school Chinese textbooks, high school entrance examination and daily test papers, extracurricular reading textbooks, etc. This set of books can be used as composition templates and reading materials for middle school students, as well as spiritual reading for teenagers on their way to growth. This set of books has a total of 4 volumes, namely: Xiao Fuxing's "My Fun is in the Boring Days", Zhang Lijun's "Rose Never Flusters", Li Hanrong's "Meeting in a Warmer Wind", and Zhu Chengyu's "There is No Extra Pain in Life".

The "Slow Voice", which is "a sad word that is not suitable to be heard", was written by her, as was the grand and broad-minded poem about "being a hero in life, and a ghost in death". The original views and comments in "Ci Lun" are like a volcanic eruption in the literary world... Looking at Li Qingzhao's works, the genres of poetry and prose are both mixed, and the themes are also diverse. The colorful and emotional works project Li Qingzhao's life experience of experiencing the ups and downs of the world.

"Reading New Poems" is one of the second batch of manuscripts in the general education textbook series bidding project of Nanjing University of the Arts. This textbook is based on the introduction of literary history and the teaching of the works of poets of different eras. Starting from the birth of new Chinese poetry during the literary revolution, the teaching content is divided into seven lectures according to different eras and characteristics. It will be roughly limited to ten years, and each thirty years of modern literature will be introduced and analyzed. For new poetry after 1949, it will be divided into three sections: 1949-1976, 1977-1990, and 1990 to the present. The purpose of this textbook is not to write a concise history of new Chinese poetry, but to focus on the analysis of the works. Combining the research results of new poetry in recent years and my teaching experience over the years, through the analysis of specific poems, I hope to achieve the purpose of giving readers a general understanding of the development process of new poetry over the past century.

The discussion in this book revolves around Terry Eagleton's "non-literary theory" writings, but the exploration of his "literary theory" is also one of the purposes of this small book. The author always believes that just as one can never be "behind theory," one cannot truly be "outside theory." On the contrary, when faced with practical problems in different historical situations, people can only constantly break through the language cages and conceptual shackles imposed by previous theories, relentlessly explore the ways of thinking and research methods provided by new theories, and try to make their own theoretical responses while adhering to their own theoretical positions.

Travel literature is one of the most readable and creative genres in all literature. It is both old and young. It can not only provide historical, geographical and humanistic knowledge, but also stimulate our thirst for knowledge and curiosity, and deepen our understanding of ourselves and the world. Travel literature writing is one of the most challenging categories of all literary writing. An excellent travel literature writer must have both meticulous observation and wild imagination. He must be able to write about the characteristics of the local customs and customs, and he must be able to express a unique style like his own fingerprints. "Ten Lectures on Travel Literature" focuses on travel literature. The first part starts from the broad perspective of history and adopts a point-to-point approach to detail the exemplary works of different types, styles and styles written by travel literature writers in different historical periods and countries and regions. The next part starts from the perspective of creative writing, with narrative techniques and techniques as the theme, and analyzes how travel literature writers of different types and styles use various possible means to move the real world encountered during travel into the possible world of the text. The author turns the scholar's keen thinking and profound knowledge into witty words. Just like a real journey, the author leads us through time and into the palace of travel literature, revisiting the possible worlds that have been pursued by different travelers, and then exploring the universal motivations and special psychology behind them, as well as the writing and rhetoric skills.

This book includes Fujian characters and their works from ancient to contemporary times, as well as Fujian folk literature, Fujian opera, Fujian literary schools, societies, publications, institutions, etc. The book details the characters' names, dates of birth and death, titles, aliases, place of origin, biographical information, major contributions, works or works, etc. The order is based on the date of birth. If the date of birth or death is unknown, the records will be arranged according to the time of their activities during their lifetime.

"A Study on the Qi-Liang Poetry Style in the Late Tang Dynasty" takes the Qi-Liang Poetry Style in the late Tang Dynasty as the research object, and explores the poetic phenomena of the Late Tang Dynasty related to Qi-Liang elements from different perspectives such as form, content, and rhetoric. It not only summarizes the main manifestations of the Qi-Liang poetry style in the late Tang Dynasty and its changes with the times, but also analyzes the origins, life experiences and different types of writers involved in the Qi-Liang poetry style in the late Tang Dynasty. It also analyzes the various possibilities of combining the Qi-Liang poetry style with the late Tang era based on the combination of genres and themes. From the perspective of genre, this article divides the genres involved in the Qi-Liang poetic style in the late Tang Dynasty into two categories, namely the typical Qi-Liang genre that originated in the Qi-Liang Dynasty and the atypical Qi-Liang genre that was finalized and flourished after the prosperous Tang Dynasty. It outlines the efforts of the late Tang poets to learn the former, and the efforts to integrate the latter with Qi-Liang elements. From the perspective of subject matter, this article summarizes eight major themes that are closely related to Qi and Liang poetry styles, thereby exploring the relationship between Qi and Liang poetry styles and Qi and Liang poetics in the late Tang Dynasty, and analyzing the different ways in which poets in the late Tang Dynasty dealt with Qi and Liang themes based on different genres in the Tang poetry system. Through the above research, I have made my own thoughts on the Tang poetry system and the evolution history of modern poetry.

The 19th-century British romantic poet Byron's long poem "Don Juan" is a famous masterpiece in British poetry. It is 16,000 lines long and is unfinished. The poem uses the legend of Don Juan in European history as a carrier, but it breaks through various boundaries. The direction of the story is often unexpected, and part of the context is also slanted. It frequently incorporates seemingly unrelated content, including the poet's own pleasant comments on current hot issues. In the end, it becomes a whole of its own, belonging to its own era, but also incompatible. It becomes a classic because of its "alien". The work is such that it still leaves room for interpretation. This academic work uses the concept of "digression" to cover various related phenomena in this long poem. It treats digression in a broad sense as an object of inquiry rich in literary and philosophical significance. It uses the history of thought, Western epic tradition, literary trends, irony techniques, religious culture, ideographic formulas, and female focal figures to explore the specific meanings of digression at different levels, scales, and natures. The book's development process also had many interactions with internationally representative critical opinions, and used this to outline the author's own thinking perspective. Overall, it formed an academic discourse that crosses cultural boundaries and uses important Western literary works as the working surface.

"Modern" and "Unknown" - A Study of Late Qing Science Fiction" takes late Qing science fiction as the research object. Through a careful reading of several representative works, it examines how the late Qing intellectual elites worked hard to learn modern views of history, science and technology, and time and space, and applied them to explore unknown things such as the future, space, and the soul. From this, it was discovered that: they dreamed of absorbing new knowledge to innovate local culture, and at the same time used local wisdom to criticize and transcend colonialism. This effort to integrate China and the West leads them to the depiction of a harmonious world, and the various unexpected and bizarre plots in these depictions reveal their struggles and dilemmas between China and the West, the new and the old. The author is both a scholar and a writer of science fiction literature, and has a close understanding of science fiction. "Modern" and "Unknown" - A Study of Late Qing Science Fiction Novels attempts to clarify the origin of modern Chinese science fiction literature, combs through a large amount of historical data, and conducts an in-depth and detailed inspection and analysis of representative science fiction works of the late Qing Dynasty. It has a broad vision and solid academic foundation. The theory is based on history and well-founded, and it advances research in related fields. It is a high-quality academic monograph.

"History of Chinese Science Fiction in the 20th Century" is the final monograph of the National Social Science Fund key project "History of Chinese Science Fiction in the 20th Century". Chinese science fiction has experienced ups and downs in the 20th century, a historical process of origin, evolution, transformation and finally maturity. During this period, literary genres grew from scratch, the team of writers grew from small to large, works from scarce to inexhaustible, and social influence underwent complex changes. "History of Chinese Science Fiction in the 20th Century" sorts out five periods in the history of Chinese science fiction in the 20th century - the development of science fiction in the late Qing Dynasty, the development of science fiction in the Republic of China, the development of science fiction in the early Republic of China, the development of science fiction in the new era, and the development of science fiction at the turn of the century. It introduces the creative background, basic features and representative works of writers in each period, and more comprehensively reflects the development process of Chinese science fiction and the works of important writers and creative genres in the 20th century.

After Freud, there were many famous figures in the field of psychoanalysis, but the most outstanding one was Jacques Lacan, because Lacan revolutionized the psychoanalysis created by Freud. However, what is significant is that Lacan's guideline for implementing this revolutionary transformation is to "return to Freud." Of course, "returning to Freud" is not to repeat Freud, but to return to the correct direction prescribed by Freud for psychoanalysis. The use of literary criticism is one of the important means for Lacan to construct his psychoanalytic theory, but he does not use psychoanalysis to explain literary phenomena, nor does he use literary phenomena to support psychoanalytic theory, but uses literary criticism to develop psychoanalysis. Because of this, Lacan's psychoanalysis has opened up a broader realm for literary and cultural criticism.

"Research on Farewell Poems of the Six Dynasties" takes the farewell poems of the Six Dynasties as the research object. On the basis of defining farewell poems as poems related to the facts or feelings of farewell, it analyzes the farewell and farewell poems in the "Poems of Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties", and sorts out the official history of farewell poems. The historical facts of farewell poems are traced back to the origin of farewell poems in the Six Dynasties from the Book of Songs, Songs of Chu, "Poems of Su and Li", and Farewell Songs of the Qin and Han Dynasties. Adhere to the close reading method of the text and discover from the inside the new changes in the style of the farewell poems of the Six Dynasties, the evolution of writing elements, the rules of structural arrangement and the characteristics of the image setting; at the same time, it pays attention to the external research of examining the poetry ability, looking at the life of medieval literati from the perspective of farewell, and interpreting the cultural significance of time and space in the farewell poems of the Six Dynasties. It can explain the meaning of the chapter to clarify the research boundary, the original table and the end can present the type of poetic history, and the description and discussion can be combined to dig into the depth of research. "Research on Farewell Poems of the Six Dynasties" reveals that a number of mature farewell poems have emerged in the Six Dynasties, which was a prosperous period in the history of Chinese farewell poems.

The Aeneid, the epic poem by the ancient Roman poet Virgil, is a classic of Latin literature. It tells the story of the Trojan prince Aeneas who led the remaining people of his tribe to wander on the sea for many years and finally arrived in Italy, laying the foundation for the future Roman Empire. Virgil elaborated the legend of the founding of Rome in literature, and also wrote the political entanglements during the Roman Civil War into his poems. This epic is not only a literary classic, but also fully demonstrates many major issues such as Roman politics and national identity construction during the Augustus dynasty. "History and Politics in Virgil's Epic" mainly focuses on the political and historical issues contained in the epic, including the relationship between Virgil and Augustus, the political implications of the protagonist Aeneas, the political allusion of the image of Queen Dido, how the gods in the epic reflect the religious concepts of the Augustus era, and other issues. In addition to the historical and political analysis of the epic, "History and Politics in Virgil's Epic" will also analyze and evaluate the pessimistic interpretation and traditional "Augustinian" interpretation that have had a great impact in the 20th century.

This volume is "Comparative Literature Research". It mainly explains that in the field of comparative literature, "text close reading" is the basis for research, and "multicultural context" is the basic perspective for observing culture. It strives to finally reveal the nature of multiple types of culture in the civilized era in the channel of "incorrect understanding" of the flow and transmission of civilization, thereby elucidating the original basic theory of cultural "genetics" with cultural "variation" as the core.

"Studies on Western Literary Theory and British Romanticism in the Twentieth Century" critically cleans up the interaction between Western literary theory and British Romantic literary studies in the twentieth century. The basic point of "Research on Western Literary Theory and British Romanticism in the Twentieth Century": There is a close mutually reinforcing relationship between the reconstruction of British Romantic literary classics in the twentieth century and the development of Western literary theory in the twentieth century. On the one hand, British romantic literature provided rich soil for the growth of Western literary theory in the 20th century. On the other hand, literary theory in the 20th century further expanded the canonization of British romantic literature in theoretical exploration - there is a subtle interactive relationship between literary theory and literary classics. The study of British romantic literature by Western literary theory in the 20th century fully reflects the major issues of Western literary criticism: the strong exclusivity between critical paradigms, the internal research of The mutual exclusivity of research and external research, and the resulting "over-interpretation" problem; "Research on Western Literary Theory and British Romanticism in the Twentieth Century" attempts to use Mr. Chen Yinke's "Mutual Evidence of Literature and History" as a guide to tentatively explore how to combine aesthetic contemplation and historical textual research in literary criticism to construct the boundaries of literary interpretation, and use this as a starting point to further think about the importance of Chinese academic research methods to foreign literature research.

Fujian female literature is an important part of Fujian literature and even Fujian literature. The unique cultural traditions of Fujian have nurtured and formed the unique form of Fujian literature. In recent years, Fujianese people have been the first to understand the trend of the times, showing their keen insight and special wisdom in leading the new ideological trends of the times, and Fujianese female writers have shown a unique style.

In China, many ancient cities have layers of cultural, literary and historical accumulation. Together with the monuments, buildings, streets, residents and other landscapes and daily life, they constitute a city's unique spiritual characteristics and appearance features. "Nanjing Literary Map" narrates the historical evolution of Nanjing, depicts the figures of Yanziji, Stone City, Ming Palace Museum, Xuanwu Lake, Linggu Temple, Qinhuai River, Saoye Tower and other scenic spots left in literature, and presents to readers the history and present of Nanjing in literature.

2021 is the 100th anniversary. As a front for the study and dissemination of Marxism in China and an important base for the founding of the Communist Party of China, Peking University has a long revolutionary history and glorious red genes. In particular, under the leadership of the party, the old comrades of Peking University have overcome difficulties and made selfless contributions, creating achievements that will shine through the annals of history and are our precious wealth. To celebrate the 100th anniversary, Peking University invited more than 30 old comrades to write memoirs as witnesses and participants of history, express their patriotism and love for the party, sing the main theme of the era of good Communist Party and socialism, and show the history of the older generation of Peking University people walking together with the party and forging ahead with the motherland and the people. It is a tribute to the centenary and provides a vivid study book for the study and education of party history.

Since August 2019, Professor Hardman has served as a visiting professor in the Department of Spanish and Portuguese, School of Foreign Languages, Peking University, conducting teaching work in Yanyuan. As the new coronavirus prevention and control situation escalates, he has experienced the effectiveness of China's strong control measures, and is also worried about the spread of the epidemic in Brazil, thousands of miles away. Invited by the Brazilian media, Hardman recorded every detail of life and insights in Beijing in the form of a diary, expressing a Brazilian intellectual's call for mankind to unite in the fight against the epidemic. What does a Brazilian professor think of China's epidemic prevention experience? What ideological resources are there to understand this unprecedented crisis from Brazil's intellectual tradition? This diary selection provides us with a different perspective.

The articles included in "New Poetry Review 2020 (Total 24th Series)" can be roughly classified into six aspects. "Modern Chinese Poetry Translation into English" is a special topic of this volume, which brings together professional discussions in this field by American sinologists and translators Ke Xiazhi, Fei Zhenghua, Ling Jingyi and Gu Ailing. It shows the cutting-edge exploration of Chinese poetry in translation cognition and practice with a serious yet personal attitude. "My Reading History" invites four poets and scholars who grew up in different eras to embark on a journey of memory. In a friendly, relaxed and immersive non-academic style, they review the landmark reading history of their respective learning eras. The special topic "Issues and Events" in this issue continues to organize written discussions around Jing Wendong's two long critical articles. The discussion articles by young scholars Yi Xing and Wang Dongdong settled the debate and contributed extended and inclusive academic propositions, pushing this "new poetics case" into a new field of poetic theory construction. "Poet Studies" includes the latest masterpieces of six young and middle-aged scholars, aiming to showcase the cutting-edge vision and multi-faceted interface of case studies of contemporary poets. Zhong Ming is a representative poet of the "third generation poetry" and an important participant, witness and observer of the contemporary poetry movement. This collection includes an interview he completed in the summer of 2019, focusing on "the critical context and ethics of poetry" to contribute a vigorous, magnificent, and penetrating diagnostic report on contemporary poetry. In order to commemorate the 20th anniversary of the death of the poet Chang Yao, this issue has specially opened a special topic to publish 20 letters from Chang Yao to his friends that have been excavated and compiled by later generations. This batch of letters and the letters in the "Appendix" part of "Chang Yao's Collection of Poems and Prose" can be regarded as a whole, becoming a sincere footnote to the poet's "Book of Destiny".

This is a popular reading about poetry rhythm. It is organized in clear order, thoughtful and concise. It not only explains the basic common sense one by one, but also contains many experiences of writing poetry. It is very suitable for poetry students to refer to and use.

"Academic Narrative of Le Daiyun" collects important first-hand materials reflecting Professor Le Daiyun's academic career, focusing on displaying her academic achievements in the past 70 years. From the perspective of a representative scholar, it presents the rich and vivid development history of Chinese comparative literature since the reform and opening up. This is a personal academic history, and it is also a unique discipline history of comparative literature. "Academic Narrative of Le Daiyun" includes Professor Le Daiyun's self-statement of his academic history, which mainly highlights the process of the discipline of comparative literature from scratch, from its inception to its growth. It provides academic research and commentary on Professor Le Daiyun's academic history and academic characteristics, and introduces and explores the concerns and challenges of contemporary Chinese comparative literature from another aspect. It selects Professor Le Daiyun's representative papers, especially highlighting her outstanding achievements in literary relationship research, comparative poetics, and cross-cultural research theory. The appendix is ​​"Professor Le Daiyun's Academic Chronology".

Although the ecological roots of literature in human civilization have a long history, the ecological literature genre with conscious ecological awareness roughly originated during the Enlightenment period in the 18th century in the West. It is a new literary product born of the emerging industrial and technological revolution in the West. As the global ecological situation continues to deteriorate, ecological literature, which has been unknown for a long time, has suddenly emerged, launching a more comprehensive, profound, and imaginative response to the mainstream social survival paradigm, and has become an important cultural force in promoting social ecological transformation. Today's world ecological literature is full of vitality, with diverse genres and changing writing styles, but overall it focuses on the non-human natural world and pursues the sustainable and harmonious symbiosis between humans and the non-human natural world. "Lectures on Ecological Literature" is an ecological literature work that integrates famous ecological literature writers in different cultural contexts in China. It provides a detailed and new presentation of 28 biographical ecological writers, ecological poets, ecological essayists and ecological novelists, and provides a wonderful interpretation of their representative works. "Ecological Literature Lectures and Readings" not only provides a unique understanding and definition of ecological literature, a concise summary of its evolution process, but also an in-depth and simple explanation of the creation and interpretation methods of ecological literature. Appreciating ecological works with diverse genres, different styles, and diverse ideas can help awaken people's dormant ecological conscience, cultivate their conscious ecological awareness, enhance their ecological aesthetic ability, shape their sound ecological personality, and then promote the construction of a beautiful, harmonious, inclusive, and sustainable world ecological community.

At the end of 2019, a sudden COVID-19 epidemic broke the normal rhythm of society. In the face of the crisis, the whole country quickly launched a people's war, a general war, and a blocking war to prevent and control the epidemic, and achieved major strategic results in the national fight against the epidemic. In order to systematically sort out the process of the Peking University War against the Epidemic, record the advanced deeds and touching stories of Peking University people on various fronts in the fight against the Epidemic, tell the story of Peking University well, condense the Peking University spirit connoted with patriotism, responsibility and dedication, and promote the great anti-epidemic spirit, the Propaganda Department of the University Party Committee has specially compiled materials from all aspects and compiled this "Complete Records of the Peking University War Against the Epidemic". We hope to use articles and precious pictures in different forms, themes, and genres to tell the stories of Peking University people on all fronts fighting the epidemic, and to reproduce the spirit of Peking University people in various positions in the fight against the epidemic.

Time, four seasons, lovesickness, troubles, reading, drinking... This book is divided into forty topics and selects nearly two hundred representative works of classical poetry (including lyrics and Sanqu) by category, interpreting their texts, analyzing their artistic features, and revealing their charm. The article often combines the author's life experience, and uses easy-to-understand words to describe the author's special background in reading poetry, as well as the unique emotions he received during the process of reading poetry, thereby enhancing the readability of the book. The author of this book intends to transform his experience in ancient literature research into popular readings, so that excellent Chinese classical poetry can enter the vision of a wider range of contemporary readers.

This volume is a "Reading Preface", which contains various prefaces and postscripts written by Professor Yan Shaochuan. It is an important first-hand material reflecting his academic career, and shows the author's academic thoughts and academic context from one side. At the same time, it also includes some articles recalling the past and remembering friends in the same industry, from which we can appreciate the author's humanistic care.

"Research on the Collection of Song Poems in the Past Dynasties" is the result of a later-stage project funded by the National Social Science Fund. The book is divided into three parts: upper, middle and lower. It comprehensively and systematically cleans up and studies the collection of Song poetry. The first part analyzes and summarizes the theoretical form, value, significance and compilation context of the Song Poetry Collection through the narration and examination of a large number of Song Poetry Collection; the middle part describes the historical process of the development and evolution of the Song Poetry Collection in five stages from formation, transition, prosperity, transformation to integration, and analyzes the main achievements and characteristics of the Song Poetry Collection in each period, as well as the politics, culture, education, imperial examinations, and poetics that led to the formation of the Song Poetry Collection. And other ecological backgrounds; by examining key collections of Song poetry, we explore the close relationship between the compilation of Song poetry collections and the formation of poetry societies, poetic schools, and the development of poetic trends of thought; through a series of case studies, the second part analyzes the origin, compilation purpose, compilation process, basic content, adoption of styles, poetic propositions, document limitations, engraving situations, communication and acceptance, etc. Of important Song poetry collections through a series of case studies to compare the similarities, differences, and gains and losses between different collections.

"Ten Lectures on Ci Study" is an introduction to Ci study methods by Professor Wang Zhaopeng, a contemporary Ci study expert. It is compiled into a book based on the author's classroom recordings. It introduces the literature of ancient Ci books and modern compiled editions, explains the research content and methods of Ci studies, and strives to construct a large framework for Ci study based on sorting out the academic history, and guide readers to find an introductory approach to Ci studies. Based on his own academic experience, Professor Wang Zhaopeng introduced in detail the research methods and introductory paths of Ci studies from aspects such as the reading methods of Ci books, catalogs, editions, collation, annotations, compilation, forgery identification, textual research on the poet's life, and the chronology of Ci works. It not only provides step-by-step guidance for word book reading, guidance on special research methods, but also analysis of specific cases and demonstrations of paper writing, which has strong operability and reference value. This book can be described as an introductory book for Chinese language students and those interested in ci studies.

"Chronicles of Contemporary Foreign Literature (Spanish Volume)" is the main result of "Chronicles of Contemporary Spanish Literature", a sub-project of the "Chronicles of Contemporary Foreign Literature", a key project of the National Social Science Fund undertaken by the School of Foreign Languages ​​at Peking University. It aims to present the trends and development of Spanish literature from the late 20th century to the early 21st century. "Chronicles of Contemporary Foreign Literature (Spanish Volume)" includes a total of 87 contemporary Spanish writers, covering the old, middle and young generations. It focuses on introducing and commenting on novelists, poets and dramatists active in today's Spanish literary world, and strives to present the trend of Spanish literature to Chinese readers. In terms of style, "Chronicles of Contemporary Foreign Literature (Spanish Volume)" writes entries based on the writer as a unit, and sorts them alphabetically by the writer's surname. In addition to commenting on each writer's life and overall creative situation, there is also an entry for his works, most of which are representative works of the writers that have been published since the 21st century. "Chronicles of Contemporary Foreign Literature (Spanish Volume)" focuses on the study of writers and works by highlighting the word "new", new perspectives, new information, and new translations, with a view to providing a comprehensive archive of Spanish literature for the domestic academic community.

The strong narratology craze is now sweeping across China. However, narratology is a theoretically difficult subject, and not many people in China are truly familiar with this subject. The original purpose of narratology is to help people better understand narrative phenomena, but some classic narratologists arrogantly claim that structural analysis is not the "handmaiden of interpretation" and that "the purpose of narratology is to classify and describe." This is nothing more than imprisoning narratology in a tall ivory tower. Each section of "Interesting Narratology" uses a question as its title. The text is fresh and easy to understand. It changes some readers' impression that narratology is boring and strives to complete an interesting narrative that is simple and engaging.

"Novel Theory Materials in the Late Qing Dynasty and the Early Republic of China" contains nearly 300 theoretical materials on novels from 1897 to 1916. The theory of novels in this period was both rich and poor. It was rich because it proposed many meaningful propositions, and it was poor because most of these new propositions were not well developed. However, these complex and superficial propositions contain infinite vitality. To some extent, they indicate the development direction of Chinese novels in the 20th century, and also indicate the difficulty of conceptual change. The editor took gold from the sand and selected a large number of historical materials, including essays, prefaces and postscripts, publication words, reviews, notes, advertisements, letters, and fragments and comments of individual works, to comprehensively and accurately reflect the overall picture of novel theory in this period.

This book starts from a close reading of the text, relies heavily on the original evidence, and uses a combination of overall observation and case analysis to study Qian Zhongshu's prose, short stories, novels and ancient poems, as well as his theories, concepts, methods and practices in translation. Sort out the characteristics of Qian Zhongshu's creation in terms of content, structure, style and rhetoric; explore the external background and internal rationale of his creation; examine his focus, creative concepts and expression paths; comment on the basic connotation, development trajectory and value significance of his translation theory and translation practice. Taking Qian Zhongshu's academic activities and the social and historical context of his life as the underlying background, this article examines Qian Zhongshu's academic ideas and concepts in literary criticism and his literary creation and translation activities, and uses the method of "explaining money with money" to give a relatively systematic and comprehensive explanation; and rethinks Qian Zhongshu's significance to modern Chinese literature, comparative literature, translation studies and even the entire humanities academic field.

This book contains various aspects of the author's undergraduate career: study and life experiences at school, travel experiences during holidays, and daily jottings. In addition to poetry and prose, some songs (lyrics) written by the author are also included. No matter what genre or format, what remains unchanged is that the emotion condensed in each text is the author's true expression at a certain moment in the past four years. Dear reader, I invite you to open this book, follow the author into the faint blue of the morning, and experience the wonderful journey of studying as an undergraduate at Columbia University.

This book explores the translation, performance and canonical dissemination of Shakespeare, that is, Shakespeare's plays, from the perspective of modern Chinese thought. It aims to explore the in-depth interaction between Shakespeare and Chinese politics and thought during the modern transformation period, and discuss the role of Western culture in modern China's national narrative and personal discourse, as well as the proposition of how Shakespeare, as a foreign ideological resource, takes root in China and serves the construction of Chinese thought and culture. This book examines Shakespeare's influence in modern China and China's acceptance of Shakespeare from the perspective of semiotics and communication from the perspective of modern Chinese thought. It explores Shakespeare and modern China from the translation and introduction of early Shakespeare plays in China, performances, literary history writing and curriculum, and the cultural choices of Chinese scholars. By exploring the connection between Western culture and modern Chinese national narratives and personal discourses, and through subtle insights into the modern transformation of Shakespeare's dramas and Chinese dramas, we will conduct an in-depth analysis of the process of how Shakespeare's plays sprouted, took root, and influenced China as foreign ideological resources. Starting from a review of the study of Shakespeare in China over the past century, it discusses the translation and introduction of early Shakespeare plays and the construction of the modern Chinese nation-state, the performance of early Shakespeare plays and the rise of modern thought, early Shakespeare reviews and the cultural tendencies of modern Chinese intellectual circles, and Shakespeare and the transformation of modern Chinese thought. It conducts in-depth and comprehensive demonstrations on several aspects such as the ideological connection between Shakespeare and individual artistic creation. It closely follows the internal relationship between Shakespeare's plays and the ideology, politics, and culture of Chinese society, and can conduct a comprehensive analysis of mutual understanding and mutual support in the translation, performance, and research of Shakespeare's plays.

At Beijing Normal University, Mr. Qi Gong has successively taught literary history courses focusing on the literature of the Tang Dynasty and poems of the Ming and Qing Dynasties, academic ideological history courses focusing on the Han Dynasty, Song Dynasty, and Qing Dynasty, basic ancient book compilation courses focusing on cultural knowledge and literature knowledge, and other courses. These constitute the four parts of this book: On Literature, On Academic Thought, On Collation of Ancient Books and Others. In each part, there are both macro generalizations and specific analytical examples; what is particularly valuable is that it can connect all generations and observe the development and changes of academic and literature in the past from a historical perspective. For example, when discussing academic thought, it starts from the culture of the early people and continues to the ancient Chinese classics of Hanology, Song Dynasty, and Qing Dynasty, which fully reflects Mr. Qi's overall observation of Chinese academic thought. Because it is compiled based on students' notes, the language of this book is lively and the viewpoints are novel, making it both educational and interesting to read.

The author reads the classics of "Gu Wen Guan Zhi" and first explains clearly the meanings, syntax, allusions, the author's knowledge background, circumstances, reasons for writing, etc., So that the literal meaning of the classical Chinese article is clear and unmistakable, and the author's ideological gist is highlighted. On this basis, advance and analyze the article's layout, rhetorical skills, argumentation logic, style and momentum, etc., So that readers can grasp and understand the advantages of the article as a whole. Finally, going a step further, it is particularly unique to be able to interpret the spiritual world of the ancients through erudition and one's own life realm cultivation.

The Eighteen Beaches of the Ganjiang River are as famous as the Sanmen Gorge of the Yellow River and the Three Gorges of the Yangtze River, and are also known as the three most dangerous shoals in China. There is Wan'an County in Shibatan of Ganjiang River. Following the geographical clues of the ancient city walls, ancient pagodas, eighteen beaches, and ancient villages, the author tries to find Wan'an County that shines brightly in history. This is the case with many things. The connotation is gone and only the shell of culture remains. If you don't get the inner meaning back, sooner or later the shell will disappear.

A key to getting started with a classic, a journey of reflection on modern marriage and family! This book is the author's reading experience and personal interpretation of Tolstoy's masterpiece "Anna Karenina". Starting from the famous saying "All happy families are alike, but every unhappy family is unhappy in its own way", the author sorted out the relationships of each family in the book according to the plot sequence of the original work, analyzed the personality and psychological characteristics of the main characters, and combined with the comments of many scholars, conducted an in-depth exploration of Tolstoy's views on marriage, family, and aristocracy in this book, trying to break away from the traditional interpretation perspective and provide a new interpretation of this classic text from the perspective of family sociology.

The legendary epic of ancient Greek heroic father and son overlaps with the ordinary life of contemporary father and son. The 81-year-old mathematician father of contemporary American classicist Daniel Mendelsohn went to attend his son's "Odyssey" study class for undergraduates and read carefully the 12,110-line epic poem about "Wandering and Returning Home." Afterwards, the father and son went on an "Odyssey"-themed cruise together. In the "Odyssey" of text and space, he was able to re-understand his father again and again. "The Odyssey" is the story of a hero who has been wandering for many years and returns home after going through all kinds of hardships; it is also the story of a child who grows up and gradually understands his father in the process of searching for him. "The Odyssey with My Father" juxtaposes the legendary epic of the ancient Greek heroic father and son in "The Odyssey" with the ordinary lives of contemporary fathers and sons. In the overlap of text and reality, the two pairs of father and son reflect each other. In the crisscrossing time and space, the story of father, son and epic slowly unfolds.

This collection of poems embodies the essence of Bonnefoy's works and is also the last collection of poems he wrote during his lifetime. It is a confession written by him to his relatives, friends and readers. It uses deep dreams and speculative dialogues to show the sweetness and maturity he experienced in his "night wandering" at the end of his life. This book, together with "The Movement and Stillness of Dufau", represents Bonnefoy's writing achievements. As a translator and art historian, Bonnefoy explores the nature of art such as "translation", "music" and "photography" in a poetic way in this collection of poems. There are also poems that recall memories of his early life and are full of nostalgia. The collection of poems embodies Bonnefoy's intellectual writing characteristics, but the way he develops his speculations is not abstract, but with the help of a large number of perceptual images and dramatic situations.

Pi Village workers record the real life and mental journey of workers from the unique perspective of those who have experienced it. They not only reminisce about the past and local memories, but also experience the city and the ups and downs of traveling between urban and rural areas. Fan Yusu's "The Days of the "Beijing Drifters"" tells the story of the creatures seen in the Beijing flea market in the 1990s; Guo Fulai's "Dogs in the Workshed" and "Rat in the Workshed" describe the stories of workers teasing stray dogs and catching mice in the worksheds, recreating the urban life of migrant workers; Shi Hongli "The Past of a Sichuan Confinement Sister" tells the story of her ups and downs while working outside for more than 20 years, with bold and heroic writing style; Xu Keduo's "Matchmaker Duan Gangzui" tells the story of a rural matchmaker who mediates matchmaking for young men and women and promotes a good relationship, which is rich in regional characteristics and life interest. The style of these works is sincere and simple, showing the workers' unique perception of life, showing full emotions and thick texture.

This book is Mr. Yu Qiuyu's latest collection of prose works in recent years. It is also a twilight scholar's concluding thoughts on life and culture. It can be said that the founder of "cultural prose" has dedicated a "little cultural prose" to explore the ultimate meaning of life and the supreme quality of culture with noble conciseness. The book is divided into three parts: the first part, "The Fulcrum of Life", presents the author's life beliefs and philosophy of life; the second part, "Thousands of Miles into the Heart", awakens various discoveries and feelings in the journey of life; the third part, "Searching for Souls in Literature and History," reveals the basic appearance of high-level culture and sorts out a series of highlights of Chinese cultural context.

"Anti-Poetry: Parra's Poems" is a heavy collection of poems. It selects nearly 260 poems from eleven Parra's poetry anthologies, including "Poetry and Anti-Poetry", "Salon" and "After-dinner Speech", which fully demonstrates the creative ideas and creative process of "anti-poet" Parra. In this collection of selected poems, Parra laughs and scolds, using colloquial language to directly criticize the rigid concepts of traditional poetry and various shortcomings of modern society. He mocks the sun, the moon, the sea, rocks, religion, death, modernity, and even himself. His sharpness, humor, and sincerity impact the readers' hearts like a high-speed "roller coaster."