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"Harvard's New History of Modern Chinese Literature" takes more than 100 key moments as the entry point. The entire literary history starts from the new interpretation of "literature" by the late Ming literati Yang Tingjun (1562-1627) and his friend Ai Julius (1582-1649) in 1635, and ends with the 2066 Westward Journey comic "Mars Shines on America" ​​imagined by contemporary writer Han Song (1965-). In this "long modern" process, Chinese literature has experienced drastic changes and developed extremely rich contents and forms. This book hopes to show that the Chinese literary phenomenon is like a star-studded network, which on the one hand shines with special historical moments and literary geniuses, and on the other hand forms identifiable astrological coordinates, so that the correlation between literature and history can be highlighted. "What is literary history?" "What is literary history?" This is a history of modern Chinese literature "in the world". We hope to present one end of Chinese literary modernity to readers around the world, and at the same time reflect on the limitations and possibilities of current writing, reading, and teaching of literary history.

"The Past of the Han Family" records the century-old ups and downs of the "Tiancheng" Han family, the leader of Tianjin's "Eight Great Families". At the same time, it centers on the five sisters of the Han family, and includes the Li Lianpu, Mei Yiqi, Fu Tong, Kuang Shoukun and Wei Lihuang families. In this way, it absorbs a heavier historical capacity and reflects a richer background of the times. The Han sisters were the first pioneers among Chinese women to receive modern education in the 20th century. Their emotions and families allow us to have a glimpse of China's history and destiny in this century. The Han family and its network can be said to be a typical group of Chinese intellectuals. Their life experiences inevitably intersected and collided with the great times. What kind of searches, counterattacks and choices they made still have reference significance to this day. Through letters, diaries, old photos and interviews, the author uses the mixed life experiences of his ancestors and their wandering spiritual world to connect the historical narrative of a century of changes. He strives to use individuals to show the grandeur and complexity of the times, and to find the unique existence value of each life, thus sketching a multi-layered and three-dimensional historical picture.

Cardiac surgeons have the mysterious power to open chests, perform blood transfusions, and bring the dead back to life, but they are also living people who experience core emotions that all humans share-most of the time. A freak sports accident shaped Westaby into one of the world's leading cardiac surgeons. "I went from a withered violet to a carefree, bold and conceited bastard. I became immune to stress and became a habitual risk-taker, always hungry for excitement, attracting high-risk cases to me like a magnet, and reveling in the competition with death." And on another cold winter day, the rescue and birth of a child "helped me change my view of life, and also shaped me into a better person." An excellent surgeon - I have become a much better person than before, and I have once again understood that love can bring joy and joy." Through Westaby's confession and self-reflection, readers will see the adventures of life, the joys and sorrows of love, and the entire gripping story of modern cardiac surgery - "They are gradually unfolding in my life, and I am proud to be a part of it."

Deng Yunxiang said that the courtyard can represent the style of Beijing, "integrating with Beijing and integrating with history. Without it, how can it show the life of Beijing?" Deng Yunxiang uses a deeply nostalgic style to introduce the standards, changes, flowers, trees, layout, etc. Of the courtyard, as well as the personnel and life in the courtyard. Here, courtyard houses have become a unique symbol imbued with the atmosphere of Beijing.

This book is Mr. Wu Hong's first recollection of 76 years of personal history. He breaks through the general memoir-style writing and presents to readers neither the real past itself nor the complete fiction of a novel, but a creative reconstruction and imagination of experience, a more free and open "memory writing". He uses fantasy techniques to present the throbbing and nightmare of encountering the flying apsara statue in the Kizil Grottoes mural after surviving a desperate situation; and using a calm and restrained style, he reveals the intricate, pious and peaceful connection between individuals, national treasures, cultural relics, and traditional culture through the theft and recovery of the "Cicada Crown Bodhisattva" statue in the Northern Dynasties. He writes about his memories of life in the ancient city of Beijing when he was a teenager, and also reveals his peeping in books and personal stories with his nanny that were either private or frustrating and embarrassing. Under the clear blue sky, on the shores of Lake Michigan, which is green and purple, he reunited with himself who had regained his study time after the turbulent era, and realized the pursuit of his teachers, friends, and old friends for academic transcendence of politics and personal integrity and independence. Current experiences collide with past memories. "At that moment, we felt that we were all survivors of a madhouse, but many people were not as lucky as we were."

Rents are rising, chain brands are settling in, there are fewer and fewer familiar faces, and local culture is gradually disappearing - this is gentrification: after the reconstruction of old communities, land prices and rents rise, attracting high-income people to move in, and the original low-income people have to move to areas with relatively poor conditions and lower living costs. As the process of gentrification continues to deepen, it is still an open question whether the future city can truly become a vibrant, fair and reasonable space. By reviewing and analyzing the major changes in four American metropolises (New Orleans, Detroit, San Francisco, and New York), this book points out that so-called gentrification is a process in which, supported by capital's pursuit of profits and policy tilt, it drives out the poor in the city, gathers more elite rich, and polarizes the rich and the poor. The massive inflow of capital has forced the native communities to compromise with their culture. Under the expulsion of groups, the city has transformed from a former residence full of memories into an exquisite and huge hollow. Who is in charge of the city? How can people fight for their due rights? Peter Moskowitz's lens is meticulous, taking us one by one to visit those struggling families who cannot afford housing, and understand how destructive housing policies are formulated under the alliance of politics and business, revealing the huge interlocking forces behind the promotion of gentrification in metropolitan areas.

"Rural areas can produce writers, but it is unlikely that they can produce economists." This book is a documentary of how economist Professor Zhang Weiying grew from the soil of rural areas. A mother who respects teachers, a father who loves to plant trees, a middle school teacher who treats students as children, a college classmate who is a protector, an economics enlightenment mentor, a Nobel Prize winner, an anonymous mentor who is both a teacher and a friend... They not only nourish the author's character, but also influence the formation of the author's economic thoughts, allowing us to see the origin of the author's economic essence. "From 'painter' to 'painter'", a primary school classmate who "wanted to be a village director", a friend who wanted to be a scholar but entered the business world, a commune secretary who "becomes an official just to do things", an "atypical official" who is a living dictionary of northern Shaanxi culture, a noodle secretary and a collector of Liu Qing's works... Their growth experiences have also affected the author's thoughts as an economist. This is the growth story of an economist and a portrayal of the economic ecology of an era.

"Twenty Lectures on Tang Poetry" (formerly known as "Introduction to Tang Poetry") is Su Xuelin's innovative use of modern literary theory to observe Tang poetry and study the history of Tang poetry. It is called "the first monograph on Tang poetry in modern China" by academic circles, and is also the first chronological history of poetry in my country. Su Xuelin broke with the traditional research methods and research ideas such as article studies and textual criticism used by previous generations of scholars, and used the academic vision and vision of a literary historian to examine the complex works of Tang Dynasty writers. He was the first to use modern concepts such as genres and styles to break through the vision of his predecessors. He examined the prosperity of Tang poetry in the context of the times, and analyzed and sorted out the historical process of the inheritance and evolution of Tang Dynasty poetry.

"Rome Diaries" is the latest collection of essays written in Italian by the famous American novelist and Pulitzer Prize winner Giupa Lahiri. There are twenty-three articles in total, recording her long process of learning to express herself in another language and finding a "new voice." This is not a boring language learning notebook, but a novelist's spiritual revelation that opens up new areas - language, culture, and self-awareness. At a certain moment, the creator feels the need to change his path: this is a crazy impulse, which may mean giving up his original characteristics and symbols as an expresser; this is also a bold leap, and what he gains is richer possibilities in creation and life.

In the second half of 1943, newly married Zhu Shenghao and Song Qingru lived in Song Qingru's natal family in Changshu, Jiangsu Province for half a year. Because during the Song and Qing Dynasties, Ru's natal family had many collections, anthologies, comprehensive collections, and rhythms of poems by famous writers from the Tang, Song, and Qing Dynasties. Zhu Shenghao and Song Qingru, as a way to adjust their lives, systematically browsed through these poetry books together after meals or during breaks in translation. Based on their own opinions, they selected and compiled "400 Poems by Famous Writers in the Tang and Song Dynasties." Zhu Shenghao learned from Xia Chengtao, the modern and contemporary "poem master", and he is also very insightful in the selection and appreciation of Tang and Song poems. Supplemented by Junxiu's handwriting from the Song and Qing Dynasties, this anthology of poems has great charm in both content and form. Their son, Zhu Shanggang, and young scholar Xia Chunjin have compiled the poems based on Song Qingru's manuscripts in recent years, making this highly personal anthology of poetry that has gone through troubled times come to light again for the benefit of readers.

Human love can be seen in the smoke, peace can be found in the four seasons, and extraordinary warmth can be written in ordinary days. Three meals a day, one dish and one soup are full of the warmth and restorative power of life. This book selects 35 beautiful essays from the literary master Wang Zengqi, which will help you find the generosity and calmness of life in ordinary fireworks, understand the meaning of home from three meals, and appreciate the tenderness of life in the four seasons. This is a warm letter written to the world. This book is dedicated to everyone who works hard to live. I hope you have three warm meals, are safe in all seasons, live a good life, and meet each other slowly.

The 1987 version of the TV series "Dream of Red Mansions" is recognized as a classic in the history of drama. As the only folk guide of the show, Deng Yunxiang presented to us all the ups and downs, anecdotes and anecdotes in front of and behind the scenes. The crew of "Red Mansions" put a lot of effort into selecting locations and traveled all over the country. Deng Yunxiang also followed the crew to scout locations. The relevant text not only touches on the people and things in the crew, but also is a wonderful travelogue.

This book uses original literature to examine the process of spiritual construction of the collection of chants with the same title among poets of multiple ethnic groups in the Yuan Dynasty. It deeply analyzes the reasons, types and influence on the style of Yuan poetry in multi-cultural contexts, and comprehensively discusses the important position of the collection of chants with the same title in the poetics of the Yuan Dynasty.

This book integrates the history of poetry and poetry with academic history, deeply outlines the development of Song Dynasty culture and the evolution process of turning inward, and has exploratory academic value in revealing the face of "modern" traditional China. Through the analysis of Ci Fu works, the author reveals the Song people's understanding of the "prosperous age" and the characteristics of national image creation, explores the efforts of the Song people in constructing the order of the universe and the spiritual order since the mid-Northern Song Dynasty, pursues the concept of farming and reading heirlooms and the life paradigm of rural China, and explores the development of the concept of the distinction between Hua and Yi and the national spirit, and the re-understanding and shaping of the Chinese tradition. These studies are of enlightening significance in "pre-current" current scholarship and making up for the shortcomings of academic research.

The Book of Songs is the first collection of poetry in Chinese history. It is the source of Chinese literary and poetic aesthetics and the starting point for understanding the spirit and flavor of traditional Chinese culture. This book is a detailed explanation of the Book of Songs. It starts with an introduction that explains the basic methods of reading poems, and then includes the full text of the Book of Songs. Each poem also includes the original text, poetic purpose, phonetic notation, word meaning, chapter and sentence explanations, old annotations, literary appreciation, etc. The annotations are detailed and can be used as a reference book for reading, learning and retrieval by readers of different levels and needs. The Book of Songs has existed for a long time and has many annotated versions. There are many differences in previous interpretations. Professor Wang Jingzhi, the author of this book, had an outstanding reputation in Taiwan's academic and educational circles in the second half of the 20th century. He had taught at Fu Jen Catholic University for a long time and served successively as the director of the Department of Chinese Literature and the director of the Institute of Chinese Studies. He has studied classics and history for decades, taking it as his own duty to pass on the classics and continue the cultural context. He has collected the results of his lifelong poetry writing in this book. "Words and sentences are explained throughout the whole chapter, simple meanings are explained briefly, and strive to be clear." He hopes to provide "beginners and self-study" with a simple and easy way to get a glimpse of the foundation of the classics and the beauty of the history of poetry. It is a classic work that helps today's readers and scholars understand the full picture of the "Book of Songs".

The Book of Songs is the first collection of poetry in Chinese history. It is the source of Chinese literary and poetic aesthetics and the starting point for understanding the spirit and flavor of traditional Chinese culture. This book is a detailed explanation of the Book of Songs. It starts with an introduction that explains the basic methods of reading poems, and then includes the full text of the Book of Songs. Each poem also includes the original text, poetic purpose, phonetic notation, word meaning, chapter and sentence explanations, old annotations, literary appreciation, etc. The annotations are detailed and can be used as a reference book for reading, learning and retrieval by readers of different levels and needs. The Book of Songs has existed for a long time and has many annotated versions. There are many differences in previous interpretations. Professor Wang Jingzhi, the author of this book, had an outstanding reputation in Taiwan's academic and educational circles in the second half of the 20th century. He had taught at Fu Jen Catholic University for a long time and served successively as the director of the Department of Chinese Literature and the director of the Institute of Chinese Studies. He has studied classics and history for decades, taking it as his own duty to pass on the classics and continue the cultural context. He has collected the results of his lifelong poetry writing in this book. "Words and sentences are explained throughout the whole chapter, simple meanings are explained briefly, and strive to be clear." He hopes to provide "beginners and self-study" with a simple and easy way to get a glimpse of the foundation of the classics and the beauty of the history of poetry. It is a classic work that helps today's readers and scholars understand the full picture of the "Book of Songs".

What exactly is "Technical Encyclopedia"? Is it a collection of essays on the rise and fall of civilizations with the theme of "Total Engineering"? Is it a cybernetic interpretation of humanity's past and future? A picture of the universe seen through the eyes of the Builder? Is it something related to engineering in the power of nature and the creation of human hands? Is it a prediction of the development of science and technology in the next millennium? A set of hypotheses so bold that it is difficult to claim to have any solid scientific basis? Indeed, there is some of each. "Summa Technique" is a parody and response to Aquinas' "Summa Theologica". It was published in 1964 and covers evolutionary biology, physics, informatics, thermodynamics, cybernetics and other aspects. It shows the far-reaching impact of various breakthroughs, such as Claude Shannon's work on information theory. Development, Alan Turing's achievements in computing, and John von Neumann's exploration of game theory, etc., Discusses profound issues such as evolution, the universe, society, reality, artificial intelligence, and world creation. After its publication, it stirred up waves and aroused widespread discussion in the scientific community.

This book is a collection of essays on the theme of traditional Chinese opera. Kun Opera and Peking Opera are the two peaks of traditional Chinese stage arts, known as the "Elegance Department" and the "Flower Department". As a hardcore fanatic and well versed in various classic images in traditional Chinese culture, the author has selected 10 Kunqu opera excerpts and 10 Peking opera opera excerpts. From the opera to the singing, from the eyes to the body, he tells us about the unknown splendor and charm of these works, and uses paintings to freeze the most exciting moments for us. This book can be regarded as an excellent introduction to Chinese opera. The author quotes from many sources, interprets classic operas in a profound and simple way, expresses his feelings about history, culture, art and real life arising from the operas, and arouses the resonance of readers. At the same time, the author draws his own understanding of the characters in the opera into paintings. The characters are flexible, vivid, and lifelike; the pictures are either strong, light, splashy, or delicate... It makes people naturally think of the weight, urgency, tightness, and shades that are similar to those in opera performances. It adds a sense of picture to the text, making the article more vivid and charming to read. Through this book, readers can follow the author to appreciate the artistic charm of traditional Chinese opera and gain the ability to feel and appreciate beauty.

"The Force of Habit" premiered at the Salzburg Festival in 1974 and was Thomas Bernhard's first true comedy. Garibaldi, a circus owner, decides to practice the cello in order to overcome illness, aging, and the chaos of mediocrity. For years, when not touring the circus, Garibaldi tried to perfect the music by performing Schubert's Trout Quintet in its entirety with circus clowns, animal trainers, jugglers and his high-wire walking granddaughter. However, rehearsals often have to be interrupted for various reasons and become a complete disaster. Year after year of grotesque drills became a circus routine. We don't like this life, but it has to be lived; we all hate the Trout Quintet, but we have to play it.

On November 4, 1988, "Heroes' Square" broke through numerous obstacles and premiered at the Burgtheater in Vienna, Austria. The performance was unprecedented and attracted the attention of Europe and even the world. This was the last play written by Thomas Bernhard. For ten or eleven years, the professor's wife always heard the shouts in Heroes' Square. No one could hear the shouts but she could hear them... She had heard the shouts of the people in Heroes' Square for several months. The shouts made her restless all day long. You know, on March 15, 1938, Hitler drove into Heroes' Square...

In May 1975, "The President" premiered at the Academy Theater in Vienna, Austria (the second stage of the Burgtheater). In an unnamed European country, the president and his wife are preparing to attend the funeral. Not long ago, an anarchist assassination attempt against the president failed. The president himself survived, but the president's close aide, the colonel, and the president's wife's pet dog unfortunately lost their lives. While the president and his wife were freshening up and changing their clothes, they recalled the thrilling assassination and described a life in high positions, with power and fear. No one understands that they don't understand that these people don't understand anything. They only have despicable ambition and hatred in their minds. What else can there be...

Paying attention to life and social reality in a critical way reveals absurdities and paradoxes that are different from Kafka's; using the ironclad spirit of intellectuals, he becomes the gadfly of society and the people. Classic plays by Thomas Bernhard, winner of the Lille Patzer Prize, the Austrian State Prize for Literature, the Büchner Prize, the Free Hanseatic City Bremen Prize, the Julius Camper Prize, the Anton Wildgans Prize, and the Franz Theodor Jockol Literary Prize. "The President": Bernhard's classic drama; a mockery of the madness of the world; behind the world is a solid and complex stage mechanism. "Heroesplatz": Bernhard's last play; a play that shocked the world and turned the whole of Austria into a stage. The Force of Habit: Bernhard's first comedy; Hannover Theater Prize, Best Play of the Year in Contemporary Theater; In a world without tolerance, every word is a mantra.

Since 2017, we have continuously selected and released "Models of Central Enterprises", and at the same time actively recommended to the Central Propaganda Department the "Most Beautiful Strugglers", "Models of the Times" and other major national models. In order to give full play to the leading and exemplary role of advanced models, the Propaganda Department of the Party Committee of the State-owned Assets Supervision and Administration Commission of the State Council organized central enterprises to create reportage works for role models. The authors describe, sing and praise role models with vivid writing styles. These masterpieces reflect not only faith and belief, but also personality and sentiments of family and country, fully demonstrating the national spirit with patriotism as the core and the spirit of the times with reform and innovation as the core. This book is a collection of documentary works featuring models from central enterprises, using literary forms to show people the elegance of models of the times.

This book is the first volume, and this set of books is divided into six volumes. The three volumes of tragedies and three volumes of comedies include 11 tragedies such as "Hamlet", "Othello", "King Lear" and "Macbeth" and 12 comedies such as "The Merchant of Venice", "A Midsummer Night's Dream", "As You Like It", "Twelfth Night" and "The Merry Wives of Windsor", all arranged in order of Shakespeare's writing time. This set of books is translated by Mr. Zhu Shenghao. It has been tested for a long time and is worth reading and collecting by readers!

This book is the fourth volume, and this set of books is divided into six volumes. The three volumes of tragedies and three volumes of comedies include 11 tragedies such as "Hamlet", "Othello", "King Lear" and "Macbeth" and 12 comedies such as "The Merchant of Venice", "A Midsummer Night's Dream", "As You Like It", "Twelfth Night" and "The Merry Wives of Windsor", all arranged in order of Shakespeare's writing time. This set of books is translated by Mr. Zhu Shenghao. It has been tested for a long time and is worth reading and collecting by readers!

This book is the fifth volume, and this set of books is divided into six volumes. The three volumes of tragedies and three volumes of comedies include 11 tragedies such as "Hamlet", "Othello", "King Lear" and "Macbeth" and 12 comedies such as "The Merchant of Venice", "A Midsummer Night's Dream", "As You Like It", "Twelfth Night" and "The Merry Wives of Windsor", all arranged in order of Shakespeare's writing time. This set of books is translated by Mr. Zhu Shenghao. It has been tested for a long time and is worth reading and collecting by readers!

This book is the sixth volume, and this set of books is divided into six volumes. The three volumes of tragedies and three volumes of comedies include 11 tragedies such as "Hamlet", "Othello", "King Lear" and "Macbeth" and 12 comedies such as "The Merchant of Venice", "A Midsummer Night's Dream", "As You Like It", "Twelfth Night" and "The Merry Wives of Windsor", all arranged in order of Shakespeare's writing time. This set of books is translated by Mr. Zhu Shenghao. It has been tested for a long time and is worth reading and collecting by readers!

This book selects 16 more representative literary masters in the history of world literature, and introduces their literary thoughts, literary works, and life experiences to readers in an easy-to-understand and interesting way. These 16 literary masters will lead readers to swim in the vast sea of ​​​​literary stars, uncover the mystery of literature bit by bit, and let readers feel the diverse charm of literature. The focus of "Literature Turns Out to Be Interesting" is not to teach readers to understand the genres and categories of literature, but to gradually guide readers to have a dialogue with literature and feel the emotional connotation of literary works. Its purpose is not to let readers learn to appreciate literature, but to let readers learn to use literature to express themselves.

This book is a collection of essays with the theme of traditional classical poetry and imagery. After review, this book does not have any bad political orientation. This book is divided into five parts according to the colors of the five elements (indigo, cinnabar, barberry yellow, tea white, and xuandai). Each part selects four related traditional poetic images that have been chanted repeatedly through the ages and have profound cultural charm. Each article, one painting, the author uses classic poetry, world affairs and human feelings as the sutra, philosophical analysis, and spiritual thinking as the weft, appreciating the profound meaning and interest of these twenty traditional images in classical literature, philosophical speculation, and artistic aesthetics. He weaves the tapestry with clever writing, allowing readers to appreciate the charm of traditional culture in a relaxed reading process.

This book is a collection of essays with the theme of Guolan. According to the contemporary national orchid classification system, this book selects the most representative orchids from six series: Chunlan, Cymbidium, Jianlan, Chunjian, Lotus Petal and Cold Orchid for interpretation, leading readers to recognize and explore the cultural meaning behind them. After years of observation and sketching of orchids, the author uses unique poems and paintings to sublimate different types of orchids in the form of artistic creation, allowing readers to see that orchids are by no means the same as in traditional ink paintings. Each orchid has its own unique charm and charm. The author's writing style is smooth and fresh. He is good at raising orchids and can paint orchids. He has planted many famous orchids by hand. He re-examines orchids from a literati perspective. He can be said to be the only "contemporary ancient" who integrates orchid cultivation, appreciation and painting. This book combines poetry and calligraphy with ink paintings. It not only introduces the characteristics of various types of orchids in detail, but also quotes classics and classics to tell the history of orchids and the stories of literati and orchids. It leads readers to further understand the orchid, so that readers can better appreciate the unique temperament of the orchid and understand the cultural attributes contained in the orchid.

Urban writing was produced under the background of the spatial turn in the late 20th century. Urban writing focuses on the role and significance of urban space in the narrative and theme interpretation of novels. It is the author's cultural interpretation of the multi-dimensional society of the city in the novel, which incorporates the author's urban concepts, creative methods and theme ideas. Urban writing in British novels focuses on social and cultural constructions such as cultural narratives, power mechanisms, spiritual representations, and national identity in spatial landscapes, and analyzes the multi-dimensional representation of British social culture in novel texts. This manuscript aims to explain how urban writing has become an important means of characterization and theme interpretation in British novels. This manuscript is based on the theoretical basis of space criticism and urban writing, integrates the critical methods of cultural studies, focuses on exploring the multi-dimensional culture of space in the text, such as society, culture and national identity. It explains the social and cultural characteristics contained in urban writing in British novels, explores the significance of urban writing in novel creation, and expands the research perspective of British novels. The readers are foreign literature research scholars, young teachers in universities, undergraduates and graduate students majoring in English and American literature.

The author has published film review columns on "Blog World", "Chinese Entrepreneur", "Blue Chip", "Chongqing Business" and WeChat public accounts since 2014. The author has a profound and comprehensive knowledge, while still retaining the delicate atmosphere of women. The movies in her eyes can always reach some wonderful places that lead to secluded places. This is a love letter to movies written by a sincere and sincere film enlightener, and is shared with all movie lovers.

This book brings these cases with female protagonists to the public in the form of documentary literature and investigative reports. In the cold files, behind the cruel crimes, at the bleak tragic ending - explore the root questions about family, society, money and emotions.

At the age of 22, she suffered from uremia; at the age of 24, she received a kidney transplant; at the age of 26, she found the love of her life, her Mr. Gao; at the age of 27, she became a professional writer; she is Wanxi, an inspirational writer born in the 1990s. When they first met, Mr. Gao knew about her physical condition, but he still entered into marriage with her without hesitation, integrating their life trajectories into one. Two people in love think that as long as there is love, everything will be fine. But when the pots and pans were put away, the firewood, rice, oil and salt came pouring in, and the pressure of work and life and the friction of family turned into difficulties on the road to learning, the two people walking hand in hand discovered that marriage life was far from being supported by love alone... In fact, their marriage was indeed no fairy tale. They have not been left behind the same conflicts that other couples have experienced, such as financial problems, disputes between mother-in-law and daughter-in-law, different ideas, and parenting conflicts. Difficulties pile up one after another, sometimes making people doubt the meaning of marriage, and even consider divorce. But their lives are divided between sadness and joy. The sweetness is always a little more bitter than the bitterness, so they have endured until now. Now, seven years have passed, I have a house, I have children, there are fewer quarrels, I am more tolerant and understanding, my marriage is stable, and I have not been itchy for seven years. All of this does not rely on luck or love, but on their own practice, mutual understanding, compromise, acceptance, and tolerance. In "May your love be gentle from now on, and the rest of your life be warm", Wanxi uses the soft words unique to women to express her feelings about love, marriage and family. Every bit of her views converges into a healing stream, which warms readers both inside and outside the city.

This book is one of the "Illustrations of the World·Collection of China". This book is based on "Three Hundred Tang Poems" compiled and selected by Sun Zhu, a retired scholar from Hengtang in the Qing Dynasty. The annotations are concise and clear, allowing readers to quickly grasp the main idea of ​​the poem; the appreciation is meticulous and meticulous, and the artistic charm of the poem is explained. The pictures in this book are exquisite and complement the artistic conception of the poem; the binding is elegant and refreshing to readers. It is a Chinese studies book suitable for public reading.

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This is a non-fiction work based on the inheritance of folk martial arts culture in the Greater Bay Area. The book uses Hongfo Quan as a medium to present the vicissitudes of a Shenzhen historical village over the past century as it evolves with the ups and downs of the times. The author Zhao Chuan has been following for ten years, and after several years of field investigation, his footprints have crossed both sides of the Taiwan Strait, and he has carefully traced and sorted out the origins and culture of Hongfo Quan and martial arts schools. The text takes the ups and downs of two representatives of different camps of the Kuomintang and the Communist Party as the main line, and analyzes the nine Hongfo Quan. The legendary stories of descendants from generation to generation are wonderfully described and portrayed; the changes in destiny of the Hong clan are truly recorded; through martial arts, it reflects on the current "feminine" world style, effectively lashes out today's "sissy" culture, and loudly calls for the return of the martial spirit. This book was rated as one of the "Top Ten Best Books of 2022" by Shenzhen News Group Publishing House.

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With great enthusiasm, Shenzhen teacher Tao Canming, who has more than 30 years of primary school teaching experience, put her observations and thoughts on education into writing, leaving a sincere and lively record of campus life. This record tells us that only a teacher who truly "sees children" can grasp the mystery of education in love and deeply appreciate the joy of this job, and can explore and implement education about people - which includes the meaning of life, self-worth, self-esteem, love and tolerance, compassion, and faith. The author writes in local campuses in Shenzhen, volunteer teaching campuses in Guangxi, Xinjiang campuses receiving counterpart assistance, and American campuses visited for study and study. He has a broad vision and his thoughts contain the wisdom of educational growth, which is worthy of reading and reference by teachers and parents.

This is a non-fiction picture and text book series about urban life. From observing "other people's Shenzhen" to telling "our Shenzhen", from writing "your life" to paying attention to "our city", the author uses meticulous life observation to record the streets, villages, parks, rivers, lakes, and people he sees in his daily life. He records many details that are happening and have disappeared in this rapidly developing and changing city, and shows the exploration and life perception of new immigrants in the city as they integrate into the city of Shenzhen. From "walking and writing" when he first came to Shenzhen, to the emotional change of "Shenzhen is already my hometown", to feeling the warmth of Shenzhen from ordinary people's items in the streets, small shops and vendors, the author Wang Guohua's "Street Chronicles" series attempts to depict the spiritual picture of a generation in Shenzhen with words full of poetry and warmth, and strives to write about Shenzhen's "city sorrow". This book is divided into four sections: "Let the streets and alleys be more crowded", "Its concreteness, my fullness", "Shenzhen can accommodate the body and heart", "Follow the flowing water, to the sky", and contains 25 prose works by the author. They start from the streets and alleys, mountains, rivers and lakes, flowers and plants, personal mood and other aspects to show Shenzhen's urban life, natural environment and other aspects, and describe a beautiful Shenzhen that is full of vitality and suitable for human habitation.

In the short story "The Swimmer", the American writer John Cheever wrote about a man at a party who decided to swim through the backyard swimming pools of his neighbors and follow the 8-mile waterway home. Swimming enthusiast Roger Deakin was inspired by this and decided to swim along the waterways and oceans throughout Britain. Starting from the Huzhai River in his backyard, over the course of 18 months, he swam through rivers, streams, waterfalls, mud, deep pools and the sea, and of course there were bathhouses and swimming pools. Sometimes he wears a diving suit that looks like a banana peel, and sometimes he can liberate his nature and be close to the water skin-to-skin. In the water, he swam with frogs, otters, black waterfowl, and eels; on the surface, he looked at foxes from the height of hawthorn and ash treetops, watched damselflies and dragonflies fly before his eyes, eagles circled, and redstarts jumped among the branches; after emerging from the water, he lay down on the grass with small insects and Potentilla, sedum, sage, and thyme to dry himself. Roger Deakin went through these experiences in order to understand the mystery mentioned by D. H. Lawrence in "The Third Thing": "Water is H2O, two parts hydrogen, one part oxygen. However, there is a third thing, what it is that makes water water, no one knows."

As a first-tier city, Shenzhen is very different from Beijing, Shanghai, and Guangzhou. Its grassroots, lively and youthful urban characteristics are well known. The author of this book, Wang Guohua, uses his personal experience and delicate writing style to write about the northerners' experiences when they first came to Shenzhen to work hard and their insights into living in Shenzhen. He also recorded the stories of Shenzhen's streets and alleys. It not only described the scenery, but also compared the foreign land and his hometown. He conducted more in-depth research and thinking on some well-known characteristics of Shenzhen and even the Lingnan region. As a work that reflects the personal geographical evolution of new immigrants in the city, this book shows the author's life in Shenzhen from his hometown to a foreign land. However, it does not stop at describing the appearance of a city, but presents a way of life and thinking through meticulous writing, which is full of emotional tension and the reality of details. This book won the fifth "Jiujiang Dragon" Prose Gold Award of the Guangdong Provincial Youwei Literature Award and the sixth "Shenzhen Top Ten Best Books". "I Don't Know the People in Tiegang Village" included in the book won the 8th Bing Xin Prose Award.

Why couldn't Chai Jin enter the leadership of Liangshan? Why did Wu Yong switch from the Chao Gai faction to the Song Jiang faction? Why is Zhu Tong, who has mediocre martial arts skills, ranked ahead of Wu Song? Every time heroes are ranked, it's just a redistribution of power after forming cliques! The heroes of Liangshan are extremely righteous on the surface, but in fact there are many internal factions: the Elder Faction, the Songjiang Faction, the Sanshan Faction... Each faction has launched a fierce power struggle around the dominance of Liangshan. And Liangshan's six rankings are exactly the redistribution of power after forming cliques. For the first time, Wang Lun and other four heroes formed the original faction of Liangshan veterans and occupied the dominant position in Liangshan. The second time, Lin Chong went up the mountain and went through several twists and turns before sitting in fourth place. Liangshan is strong, but there are undercurrents. The third time, a group of seven people from the Birthday Gang went up the mountain. Lin Chonghuo merged with Wang Lun and elected Chao Gai as the leader, moving from isolation and helplessness to the center of power. ... For the sixth time, the real power game begins... A book to understand the power game behind the ranking of Liangshan heroes.

"The Heart of Plants and Trees" is a collection of essays by Shenzhen young writer Hou Pu. Houpu records the elegant affairs of the study, expresses the nostalgia and customs of his hometown of Chaoshan Plain, old people and old stories, writes the vitality and interest of vegetation, mountains and rivers, flowers, birds, insects and fish, writes the warm local flavor, and writes the beauty and agility of the world. The book specially contains dozens of hand-drawn illustrations by Hou Pu, which reflect the emotion and spirituality of all things in the world.

Over the past forty years, "You are a Shenzhen native when you come here" has become an important label for Shenzhen's openness and inclusiveness. Nowadays, "Shenzhen is already my hometown" is gradually becoming the consensus of more and more people. They shed their sweat and tears here. Month by month and year by year, the city is changing, and so are they. The city and the people are finally connected by blood. This book follows the delicate writing style of "Street Chronicles: Walking and Writing", describes Shenzhen more clearly, strengthens the concept of "city sorrow", and strives to give this city new legends and a sad background. People who have lived in Shenzhen for a long time will resonate with it, and people who have never been to Shenzhen will have a deeper understanding of Shenzhen. This book is part of the "Our Shenzhen" series, which is a non-fiction series that positions Shenzhen's humanities. The plan leads readers to discover Shenzhen from the perspective of physical geography and humanities, covering 100 topics including people, nature, geography, technology, art, creativity, history and humanities. In terms of content, we will dig deep around the small incisions to tell a folk Shenzhen, a personal Shenzhen, and a Shenzhen full of emotions. We will dig deep and write content to be original, unique and in-depth.

Catering is a cultivated culture. Integration is the distinctive character and characteristic of the city of Shenzhen. The history of the development of Shenzhen's catering culture is a record of changes from a border fishing village where the sea breeze carried the smell of fish, to an international city where the north and south intertwine and the east and west merge. This book consists of five chapters: "Origin between mountains and seas", "Inheriting Shenzhen's characteristics", "Integrated cuisine with various changes", "Serving as a famous teacher and disciple" and "Innovative food revolution", with the historical vertical axis measured by time and the geographical horizontal axis measured by distance, aiming to find the texture of Shenzhen's food culture over the past 40 years. Among them, it not only presents Shenzhen-specific delicacies such as pig's trotter rice, coconut chicken, Shajing oysters, and South Australian sea urchin rice dumplings, but also explores the integration, development and innovation of various cuisines such as Hakka, Chaoshan, Hangzhou, and Sichuan cuisine in Shenzhen. It not only tells the story of Shenzhen where catering people of different ages struggle in the industry, but also shows how Shenzhen's catering industry has made breakthroughs and innovations in different eras.

The Tragedies of Euripides (18 volumes in total), this series also includes "Euripides Tragedies 16: Iphigenia at Aulis", "Euripides Tragedies 12: The Mad Hercules", "Euripides Tragedies 18: The Round-Eyed Giant", "Euripides Tragedies 11: Orestes", "Euripides Tragedies 4: The Children of Hercules", etc.