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China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

This is a book that uses prose language to discover the charm of poisonous herbs. This book uses vivid and interesting prose with hand-painted watercolor plants to show the unique charm of poisonous herbs, focusing on showing the shapes, characteristics, toxicity, functions, culture, history and legends of flowers, plants and trees. Some of the plants in the book, such as nux vomica, datura, oleander, etc., Are poisonous as a whole or in parts; some are familiar and some are unknown. They are poisonous, but they are also smart; they are unknown, but they are legendary. Their morphological characteristics in nature, their functions in traditional medicine, and cultural legends in the long history, etc., All dance with their toxicity and shine with eternal light. "The Fragrance of Poisonous Weeds" was awarded the "Designated In-depth Life Project of the Chinese Writers Association" and the "Designated In-depth Life Project of the Hunan Writers Association". Some of the articles in the book have been published in the columns of Beijing Evening News, Guangming Daily, People's Daily (Overseas Edition), Sichuan Daily, Dazhong Daily, and Hundred Essays, and some articles have been reprinted in publications such as "Study to Strengthen the Country" and "Essays (Overseas Edition)".

This book is a collection of new-style poetry, which contains more than 100 modern poems written by the author. It is a work selected by the author from many modern poems he has written. The author himself divided it into five parts, namely "Gypsy without Singing", "Swan", "Early Poems", "Other Random Thoughts" and "A Life in Desolation". In his poetic works, the author has made in-depth and detailed poetic thinking about many things, scenes, and images in the real world. Through extremely jumping words, he depicts a deep and far-reaching artistic conception with ethereal and vivid brushwork. This kind of deep artistic conception can be said to be vividly displayed on the page, with high literary and artistic quality.

"Peanuts" is an anthology of Xu Dishan's prose, including "Spring Forest", "Peanuts" and many other well-known masterpieces. His prose mostly uses simple and sincere language to describe life perceptions and the spiritual world. He is good at using concise writing to create a fresh and poetic atmosphere, and is full of wisdom and philosophy. His early life experience of teaching in Nanyang gave his works a peculiar and exotic flavor; his religious beliefs and research also gave his works a touch of religious color. In that era of bright literary stars and numerous famous figures, Xu Dishan was a person who could not be ignored, whether as a writer or a scholar, and his prose, like the clear springs in the mountains and forests, continued to bring unforgettable coolness and sweetness to the souls of generations.

A collection of 78 written articles divided into three volumes. These articles cover a wide range of topics, ranging from ancient times to the present, including: writers' writings, democratic politics, experiences in the Republic of China, calligraphy and painting, and flowers and medicine, etc. Many of them have been published online. The reading community has given a very high evaluation to his writing skills, and recognized him as a person who "is determined to live only in first-class writing." His writings on history and politics are straightforward and sharp, with freedom in mind and criticism of autocracy. Many of his articles contain hidden criticisms of contemporary history and reality. He has a novel and unique perspective on people and matters, and has a clear attitude of praise, criticism and praise. His writing of ancient literature and classics is witty and humorous. His thoughts are smart and interesting, and his writing is full of rich humanistic sentiments.

The Book of Songs is the beginning of ancient Chinese poetry and the earliest poetry collection in my country. Confucius commented that "if you don't learn poetry, you can't speak". This book integrates the "wind", "elegance" and "song" famous articles in the Book of Songs, and tells the stories behind the Book of Songs in easy and smooth words. Through these ancient and simple poems, it presents readers with all aspects of love between men and women, people's livelihood, and national systems in the Book of Songs period. It shows an era that, although distant, resonates with our current life, and its pure, simple and warm emotional core.

A collection of Chen Zhongshi's life series (walking the world + cutting years together + creating his own scenery), Chen Zhongshi's personal experience and growth, as well as his attitude, experience and perception of every bit of life. From "White Deer Plain" to the world of fireworks, he has been here, contributed, liked, and was affectionate enough. The good and the bad are all the scenery of life.

Life is always on the road. This is a classic collection of Chen Zhongshi's essays, which is Chen Zhongshi's answer to "what is life" and "how to face life". The 36 articles condense Chen Zhongshi's memories, gratitude and contemplation of his origin, growth, family ties, friendships, hometown, and all living things. They show the journey of a Guanzhong boy growing up into a generation of people, and the softness and warmth of a tough man's heart. There is no step too early or too late in life. Living in the moment and loving every day of your life is the greatest respect for life. In the long life, no matter what we encounter, it is no surprise. It is the experience of life and the accumulation of life. Not afraid of hardships, carrying light and warmth, and walking non-stop is the correct way for a person to walk.

Chen Zhongshi's articles about culture convey the power of culture by reading the affectionate words between the lines. Recognize your own heart, get rid of anxiety, and live, work, and socialize calmly. Simple, unpretentious, loaded with commonalities in Chinese culture and folk customs; original and innovative, recording the unique scenery and contemplation of foreign cultures.

Contemporary literature master Jiang Zilong's eighty years of philosophy and insights, Jiang Zilong's own preface, is a book of self-reconciliation for everyone. These articles either write about life experiences or talk about life philosophy. The true flavor of life between the lines makes the classics in the long river of time reborn again. In the work, Jiang Zilong misses the past, respects life, and respects and loves everything about him. No one's life is easy. There are always unsatisfactory places in life. We don't have to worry and be too anxious. We must have enough faith in the future. In the bumpy journey of life, he maintained a firm and calm attitude, which is what many people lack nowadays.

Chen Zhongshi's personal experience and growth include Chen Zhongshi's attitude, experience and perception of every bit of life. From "White Deer Plain" to the world of fireworks, he has been here, contributed, liked, and was affectionate enough. The good and the bad are all the scenery of life. Walking in loneliness, some roads can only be walked alone. Build a persevering heart in the temper of loneliness; in life, you need to leave blank space, learn to choose and make choices, do something and do something not to do. In the rush of life, leave some space for yourself, do inactive things, and spend your life; live calmly and be affectionate enough. The mountains and rivers are long, but I only hope that my life will be calm and unhurried, affectionate enough, and live up to the past...

Chen Zhongshi talks about his hometown in his life. Through his description of his hometown, he writes about the changes in the people, things and scenery in his hometown over the past few decades. Listen to the deep feelings of the years, be peaceful and quiet in time, watch the wind rise and listen to the rain fall. Hometown: Qin people created their own accent. This tune is undoubtedly the most suitable for the Qin people to show their ambition. Where the loess is and the people of Qin are here, this tune will never cease; Old friend: Life is easy to grow old, but the dream of literature is everlasting, so we feel that life is good; Story: Leaving regrets, but also leaving attachment and yearning...

Dictionary-style novels are not a new topic. Since the publication of texts such as "Khazar Dictionary" and "Maqiao Dictionary", many dictionary-style novels and Asian dictionary-style novels with similar stylistic characteristics have appeared in the literary world in the new century. However, academic circles mostly use "Maqiao Dictionary" and other texts as individual cases for critical analysis, and have not conducted systematic and in-depth research on dictionary-style novels. The complexity and richness of dictionary-style novels themselves have not been fully understood. In particular, no scholars have yet conducted an in-depth and systematic discussion on the complex relationship between the emergence, development and expression of New Century dictionary-style novels and the promotion of New Century literary ecology, literary journals, Wulibo Group and critics. Since dictionary-style novels have both the cross-genre and typological characteristics of new century literature, this article studies new century dictionary-style novels as a "specimen" of new century literature. It combines "external" research elements of literature such as the grand background of the new century literary ecology with the specific text analysis of dictionary-style novels, the types of dictionary-style novels, and The combination of the two major trends not only grasps the types, characteristics, turns and other issues of dictionary-style novels at the macro level, but also conducts specific text analysis at the micro-level, combining the macro and micro, analyzing the pros and cons of dictionary-style novels in contemporary novel creation, and exploring one of the possible ways of literature in the new century.

In the context of world Internet literature, objective analysis of the new qualities of Chinese Internet literature will not only help determine China's literary confidence and cultural confidence, but also help start a valuable dialogue with the world. "Chinese Internet Literature and Virtual Survival Experience" is based on the particularity of Chinese Internet literature and provides an in-depth analysis of the survival experience (virtual survival experience) of the Internet age presented by Chinese Internet literature under the appearance of commercialization and popularization. The "overhead" of Chinese Internet literature expresses the "world" view of the Internet age, and the world has plasticity and leapfrog; "portable flow" literature expresses the accompanying relationship between the online world and modern people; rebirth novels express the "reset" experience of online life and the dilemma of choice; time-travel novels express various situations and symptoms of virtual communication; the upgraded model of Internet literature presents digital romanticism and the personal struggles of new Internet youth. The prosperity of Chinese Internet literature is unique in the world. The virtual survival experience contained in Chinese Internet literature reflects the trends and changes in society, culture, and literature after the advent of the Internet society. It constitutes the unique value of Chinese Internet literature and has important world significance. We should dialectically understand the achievements of Chinese online literature and its future development trends, improve its ideological and cultural realm and artistic level, and enable it to make its due contribution to China's national strategic development.

The content of this issue is divided into 5 columns. The first column is: "Contemporary Theory and Criticism", which explores issues such as non-fiction historical writing, gaps in theatrical performances, and complaint culture. This column includes not only theoretical criticism of traditional media works, but also attention to new media and popular culture. It is hoped that it can be based on the current situation and use theory to intervene in literary and artistic creation activities in the new era. The second column is: "Chinese Literary Theory", which includes a set of ancient literary theory monographs ""The Romance of the Three Kingdoms" and Chinese Narratology", which reveals the essence of Chinese classical narrative theory through close reading and theoretical analysis of classic works. In addition, this column also contains articles discussing modern Chinese literary theory, such as the analysis of Mao Dun's "social and national life" theory, etc. The third column: "Western Literary Theory" includes a group of thematic papers "Study of Aristotle's Original Classics", focusing on theoretical classics such as "Poetics" and in-depth exploration of the axial categories of Western literary theory such as mimesis, "catasis", and "plot center theory". In addition, this column also contains research papers on modern Western theorists such as Roland Barthes, T. J. Clark, and Emerson. The fourth column is: "Selected Translations", which translates Michel Foucault's "Problems of Method" and Predrag Secowacki's "Tolstoy on Non-Possession and Non-Violence". The fifth column is: "Book Review", which reviews and discusses "Baudelaire: From Urban Experience to Poetic Experience" and new developments in urban aesthetics research.

This book is one of the series of "Shandong University Chinese Special Issues". This book includes an introduction, four chapters, and two articles as appendices. Based on unearthed documents, this book places the history of pre-Qin writings under the perspective of cultural history and divides the history of pre-Qin writings into three historical periods: the age of wizards, the age of historians, and the age of philosophers. It summarizes the natural environment before and after the birth of Chinese civilization, early Chinese cultural conditions and its evolution process, examines and demonstrates the history of the birth of Chinese characters and the initial characteristics of Chinese character writings, and proposes that word worship is an important factor affecting early writings; through the investigation of the functions of historians, it analyzes the administrative management of the Western Zhou Dynasty. The process of bureaucratization, then discusses the writing consciousness of historians and the emergence of the idea of "establishing immortal words" and the budding of private writings, examines the generation of various classics in the historians' era, and summarizes the issues of compilation and collection of books during this period; discusses various Zi's inheritance and development of the consciousness of writings in the historian era, as well as the process of gradually moving toward self-consciousness, studied the new literary styles (especially the exegetical style) in the writings of the various scholars, and pointed out that an important feature of the writings of the various scholars is that circulation participated in the creation.

This book is based on Mr. Chen Zhongmei's "mystical-logo" dual matrix theory, which analyzes and interprets Western civilization from a new perspective, that is, Western civilization is not "logocentrism" as commonly thought of, but is supported by logos and another equivalent meta-concept "mysoism." This book takes Liang Qichao as the research object, starting from his concern for Western "secret thoughts" (such as religion and literature), and analyzes his process of cognition of Western learning. Although Liang Qichao attached great importance to "secret thoughts" such as spirit, emotion, belief and literature, he did not depreciate scientific rationality because of this. When it came to the understanding of Western civilization, his vague "dual" consciousness was always revealed in his writing. He believes that spiritual beliefs and scientific rationality belong to different fields and can complement each other, but cannot replace each other.

The research object of this book is contemporary Jiangnan novels, whose creative subjects are mainly writers who are obviously related to Jiangnan and Jiangnan culture. Such as Wang Zengqi, Lin Jinlan, Lu Wenfu, Li Hangyu, Fan Xiaoqing, Su Tong, Bi Feiyu, Ge Fei, Yu Hua, etc. These writers have different styles, but they are the most aesthetically significant and typical representatives influenced by "Jiangnan culture". In their diligent artistic exploration, contemporary Jiangnan novels have completed the era innovation of novel narratives with their own cultural blending and aesthetic variation, thus forming a unique novel system and aesthetic landscape. This book starts from the hidden relationship between Jiangnan culture and novel ideological trends, Jiangnan writers, local identity, personal expression, poetic aesthetics, language style, stylistic changes, etc., And explores the formation and development, significance and limitations of contemporary Jiangnan novels under the influence of Jiangnan culture.

The relationship between modern and contemporary Chinese writers and calligraphy culture is also quite profound and long-lasting, worthy of attention and research. This book is an attempt to conduct systematic research in this area. It visits and pays homage during inspection and thinking, strives to display the context and calligraphy of modern and contemporary writers and literati, and highlights the cultural landscape that connects the "literary world" and the "calligraphy world". It especially focuses on exploring Chinese modern and contemporary writers from the perspective of "calligraphy culture". The writing practice and thinking not only demonstrate the contributions of relevant writers to calligraphy and calligraphy, but also reflect on the profound influence of calligraphy culture on many writers, and thus reflect on some deep-seated issues in literary creation and calligraphy creation, in order to contribute to the further development of Chinese literature and culture. The book explores the inheritance and contribution of modern and contemporary Chinese writers to traditional calligraphy culture from many aspects. There are many writers and their calligraphy works discussed, either macro or micro, with analysis of many phenomena and case studies, which also reveals the value and significance of related research. The majority of literature and calligraphy lovers will get a lot of useful inspiration from it.

Folk literature is the accumulation of national collective consciousness, which carries and contains rich folk belief elements. It is a specimen of the national spirit and the spiritual memory of a nation. This book starts from the folk beliefs contained in the voluminous folk literature that has a huge social integration function in the southwest border minority areas, and examines the inheritance and modern significance of folk beliefs in border folk literature. From the perspective of research, the organic combination of folk literature and folk beliefs highlights the integration of the two. For the minority people in the southwest frontier, folk belief is not a profound knowledge, but a straightforward emotion that is part of their daily life. The folk beliefs presented in folk literature have integration, control, cohesion, communication, cultural consensus, spiritual comfort, psychological adjustment, and moral standard functions for the southwest frontier society. Literature is a carving knife that shapes the soul. The folk beliefs contained in folk literature have a positive and constructive effect on human ethics and social order and good customs.

The academic publication "Humanities" is edited by the Institute of Advanced Humanities of Henan University. "Humanities" adheres to the correct guidance of public opinion and puts social benefits first. "Humanities" centers on humanistic care, highlights academic originality and the dissemination of new knowledge, focuses on empirical research, encourages comprehensive innovation, and strives to integrate various disciplines, explore various academic thoughts and historical and cultural issues, and showcase new achievements in Chinese ideological and academic circles. "Humanities" strives to provide a platform for the academic community to publish high-quality academic results. The articles are mainly academic articles (essays), but we also publish academic essays that welcome ideas and other forms of academic articles. There are also columns such as "Dialogue", "Xuelin", "Notes", "Book Notes" and "Book Reviews" to reflect the research results of scholars in multiple forms and levels.

This textbook is the first in China to combine teaching and research with the historical development of modern Chinese prose as a potential clue, and to coordinate with the general teaching and learning of "History of Modern Chinese Literature" to carefully select representative masterpieces and conduct in-depth interpretations of them. The textbook aims to cultivate students' close reading ability, guide students to master the method of close reading of prose, and cultivate their aesthetic ability. It selects important classic prose works from different historical periods and genres for exemplary in-depth interpretation. It can not only be used in conjunction with the teaching of the "History of Modern Chinese Literature" course, but can also be used as a textbook for independent elective courses, and as a study book for those with preliminary professional direction intentions. This textbook focuses on cultivating text analysis abilities. Most introductory works aim to guide students to "read", and their function is to allow students to understand the ideological connotation and artistic features of literary works. However, students cannot obtain a method of analyzing literary works from the teaching materials, and therefore cannot draw inferences from one instance to other cases. This textbook uses text analysis method as the basic structure, focuses on training students' close reading ability, and lays the foundation for independent learning. This textbook pays attention to the distinction between styles, and adopts a volume-based training method for texts of different genres, making the text reading more professional. In the past, introductory textbooks did not differentiate between styles and compiled and selected various styles in a unified manner, which was not conducive to developing students' conscious awareness of the distinction between styles.

This textbook is the first in China to combine teaching and research with the historical development of modern Chinese prose as a potential clue, and to coordinate with the general teaching and learning of "History of Modern Chinese Literature" to carefully select representative masterpieces and conduct in-depth interpretations of them. The textbook aims to cultivate students' close reading ability, guide students to master the method of close reading of prose, and cultivate their aesthetic ability. It selects important classic prose works from different historical periods and genres for exemplary in-depth interpretation. It can not only be used in conjunction with the teaching of the "History of Modern Chinese Literature" course, but can also be used as a textbook for independent elective courses, and as a study book for those with preliminary professional direction intentions.

This book explores the relationship between language changes from the late Qing Dynasty to the mid-Republic of China and the emergence of the "modern" Chinese novel. Use empirical methods to examine the two internal and external changes in the language of novels. The first is the process from the coexistence of classical Chinese and vernacular novels to the dominance of vernacular novels; the second is the change in the internal grammar and vocabulary of vernacular novels and the changes in the rhetorical methods of novels. At the same time, we will examine how the language tradition of "Chinese novels" was inherited, integrated and evolved along with this process, and how it became a "modern" novel type before and after the May 4th Movement, and we will also reflect on the discourse mechanism and existing problems of this construction. This book explores the relationship between language changes from the late Qing Dynasty to the mid-Republic of China and the emergence of the "modern" Chinese novel. Use empirical methods to examine the two internal and external changes in the language of novels. The first is the process from the coexistence of classical Chinese and vernacular novels to the dominance of vernacular novels; the second is the change in the internal grammar and vocabulary of vernacular novels and the changes in the rhetorical methods of novels. At the same time, we will examine how the language tradition of "Chinese novels" was inherited, integrated and evolved along with this process, and how it became a "modern" novel type before and after the May 4th Movement, and we will also reflect on the discourse mechanism and existing problems of this construction.

The study of the epic "Gesar(S)er" has always been a hot topic at home and abroad, but its music research has received less attention, and cross-ethnic music comparative studies are even rarer. In this context, this book first conducts a textual comparison of the four Chinese translations of the "Hor" chapter of the Tibetan and Mongolian epic "Gesar(S)er", and uses specific characters and investigation questions as the starting point to observe the narrative patterns of the two nations that are different but have similarities; secondly, it uses archive collections and field records Based on the data, this paper selects the epic performance fragments of "Gesar(S)er" from three ethnic groups of Tibet, Mongolia and Turkey to compare and analyze music samples, proposes a conceptual system of epic music paradigm, and reveals the expression code of oral thinking behind it by exploring the acoustic model of the epic text. ; Once again, through the study of the music ontology and related culture of "Gesa(S)er", we explore the uniqueness and diversity of epic music in the Tibetan and Mongolian national music tradition; Finally, we consider the construction of music in "Gesa (S)er" from the three dimensions of orality, survival and belief, and interethnic communication. Why is the epic "Gesa (S)er" sung? Based on the rich collection of Chinese epic music "Gesa (S)er" and the sustainability of oral inheritance, it is believed that future research on the music of "Gesa (S)er" can provide a unique "Chinese perspective" for the study of world epic music.

In the current context of rebuilding national cultural confidence, this paper sorts out the works of writers in the Heluo region centered on Luoyang, and explores the close relationship between the occurrence and development of Heluo literature and traditional Chinese mainstream literary thought; from the influence of Heluo literary form, literary thought and aesthetic consciousness on the formation of the core connotation of Heluo culture, the close relationship between the formation of the core value system of Chinese national culture and Heluo culture is discussed, thus highlighting that the literature of this special area of ​​Heluo is a major root of the inheritance of Chinese traditional culture. Drawing on the latest results of current Heluo culture research, and on the basis of a comprehensive and systematic description of the development history of Heluo literature, we will explore new Heluo literary materials and provide clues and ideas for researchers of Heluo culture. When examining the Heluo writers, works and literary phenomena of the past dynasties, it reflects the combination of historical consciousness and contemporary consciousness, and reflects the scientific spirit of advancing with the times; using the theory of literary geography and standing at the height of the times' thoughts, we study the practical significance of Heluo literary achievements for the cultural construction of today's China.

This book adheres to the literary criticism standards that integrate history and aesthetics, comprehensively uses literary sociology and modern literary theory criticism methods, mainly discusses and explains the theoretical issues of contemporary literature and writers' works, and focuses on analyzing the development trend of "human literature" and "people's literature" in contemporary China, and the service of revolutionary literature and art. The relationship between the object of service and the choice of form, the realist enlightenment quality of Lu Yao's novels, the realistic and cultural critical connotations of new century novels, as well as the characteristics and expression of modern poetry, etc., Present the humanistic nature of contemporary literature that pays attention to society and protects life, as well as the aesthetic spirit of artistically grasping reality and clever dialogue with ideology.

This book is a study of the meaning construction strategies of landscape writing in modern Chinese novels, that is, the generation mechanism of landscape discourse and the intervention mechanism in readers' perception of landscape. The introduction part mainly investigates the mechanism of the occurrence of modern landscape in Chinese novels. The first part is the general part. It examines the two levels of modern landscape narrative, the two subjects of landscape narrative and the narrative posture of landscape discourse. It also explains the role of rhetorical mechanism in the writing of landscape in modern Chinese novels, and answers the question of the occurrence of modern landscape in Chinese novels. The middle part is the narrative strategy part, which mainly studies the three common rhetorical mechanisms of landscape writing: metaphorical mechanism, body mechanism and spatio-temporal mechanism. The next part is a case study. While focusing on highlighting the common mechanism of landscape narrative construction, it selects landscape texts of novelists in different periods and conducts analysis based on their personality.

"Shengjing Times" is a treasure house of modern Northeastern literature, publishing a large number of poems, reflecting the prosperity of the Northeastern poetry world at that time. These poems have the characteristics of the era, region and Sino-Japanese exchanges, reflecting the gathering of talents and cultural prosperity in the Northeast in the late Qing Dynasty. Among the groups of Northeastern poets reviewed in this book, there are many famous ones. For example, Zhang Yuanqi, a Fujian poet and Fengtian Civil Affairs Envoy, whose poems, essays and deeds were frequently published in newspapers, are very contemporary. There are also many poems written by newspaper writers such as "Eastern Three Provinces Daily". Liu Huanshu and Yiqin, who were both from the Northeast, could be regarded as famous figures of the time. These poems are full of family and country consciousness, social responsibility, reform and progress tendency and urban cultural characteristics. There are also Japanese and Chinese poems such as Miyazaki Laijo and Mori Huainan, which shows the background of the Japanese office of "Shengjing Times" and the realistic cultural and political environment of Northeast China at that time.

Zhao Heng (1865-1928), also known as Xiangfan, was born in Jizhou, Hebei Province (now Jizhou). Guangxu was a disciple of the famous Tongcheng school masters Wu Rulun, He Tao and Wang Shunan. Xu Shichang was appointed president of the Republic of China, and Zhao Heng was appointed secretary-general. He wrote eight volumes of "Collected Works of Xuyizhai", which was published in the 21st year of the Republic of China. Li Gangji (1873-1914), courtesy name Gangji, was born in Nangong, Zhili. Guangxu Jinshi, a disciple of Wu Rulun and He Tao. Official Datong magistrate. There are five volumes of "The Posthumous Collection of Mr. Li Gangji", published in the sixth year of the Republic of China. This book collects eight volumes of "Collected Works of Xuyizhai" and the poems and articles of "Collected Works of Mr. Li Gangji" into one book. On the basis of proofreading, the lost poems and essays and research materials were compiled to form a complete and refined edition of their poetry collection.

"Greater Northwest Literature and Culture" is guided by Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era, implements the spirit of General Secretary Xi Jinping's speeches on philosophy and social sciences and a series of speeches on literature and art, echoes the country's strategic thinking of "One Belt and One Road", and adheres to correct values ​​and political orientation. "Greater Northwest Literature and Culture" is based in the Northwest and faces the whole country. Intervene in the development process of contemporary Northwest literature and culture. Pay equal attention to macro research and micro research, focus on theoretical innovation and practical significance, a sense of history and a sense of contemporary times, and a combination of academic rationality and cutting-edge nature. "Greater Northwest Literature and Culture" is mainly composed of sections and columns such as a review of Northwest literature, research on literature and culture of ideas, research on Shaanxi-Gansu-Ningxia literature and art, research on publication and communication of literary newspapers and magazines in the Northwest, research on the works of important writers in the Northwest, research on Northwest scholars, and Northwest universities and literature and art.

This book starts with several key issues in the study of Jiao's Lin Ci. Starting from the specific text, it systematically combs through some connections between the compilation of Jiao's Lin Ci and "Book of Changes" and pre-Qin Dynasty regulations, and examines the arrangement of "historical" corpus cited in Yi Yao Bian Lin Ci. It confirms the generation mechanism of Lin Ci from different angles, and believes that Jiao's Lin Ci is not a piece of loose sand, but that its generation has certain rules to follow. The book also discusses the literary characteristics of Jiao's Lin Ci. From a comparative perspective, it gives a relatively comprehensive explanation of the literary value of Lin's poems quoted from "Poetry", the symbolic art of Lin's Ci, and the meaning and meaning of many objects and events in Lin's Ci. The whole book is compiled in the form of a scattered perspective topic, which is a preliminary attempt to study Jiao's Linci from the dual perspectives of Yi studies and literature.

This book attempts to interpret from the perspective of transnationalism the evolution of themes and characters in Chinese new immigrant novels since the new century, and analyzes the connection between this change and the changes in the living conditions of new immigrants. Since the new century, with the acceleration of China's reform and opening up process, Chinese immigrants have become more and more deeply involved in the economic and cultural development and changes of their home countries by returning to settle down, starting businesses, and participating in economic, trade and cultural exchanges with their home countries, and have become out-and-out "transnational Chinese" in terms of living conditions. From the perspective of cultural identity, transnational Chinese are not only an important carrier of Chinese culture overseas, but also the constructors of the third culture formed based on the integration and innovation of Eastern and Western cultures. Transnational Chinese have achieved simultaneous embedding in two different societies through continuous cross-border activities as the dominant way of their lives and careers. The living conditions of the "transnational Chinese" group are reflected in the creation of new immigrant novels. This book presents the path and trend of the development of new immigrant novels since the new century through the evolution of new immigrant novels in themes such as return, hometown narrative, historical narrative, grassroots writing, and ecological writing, as well as their shaping of transnational Chinese images.

This book connects children, childhood memories and the Spanish Civil War, and proposes a new concept "Franco's children". It constructs and analyzes this concept through representative literary, film and television works from four key historical periods in Spain in the second half of the 20th century. Within the dual theoretical framework of childhood studies and historical memory studies, "Franco Children" has two directions: first, it means that the protagonists in literary and artistic works are all children, and experienced the Spanish Civil War and post-war Francoism; second, it means that the creators of the works themselves have experienced the same civil war and post-war repression as the protagonists of the works. They choose to review their childhood in the form of artistic works at important junctures in history, reshape the national past by reconstructing childhood during the war, and influence the process of social development. This book subverts the traditional view since the late 18th century romanticism that "children are passive and weak and need protection" and outlines an active and powerful group of "Franco children". At the juncture of the increasingly deepening globalization in the 21st century, connecting Spain's "Franco Children" with the brave, fearless and redeeming children in the world literary tradition not only gives children the ability to repair war wounds, but also points to the development trend of the internationalization of Spanish local culture.

"Amazing Journey" is a book about travel, introducing a journey from Los Angeles to the southern tip of America. While traveling, Steven Hurley discovers and collects various stories around him, some about adventure, some about history, and some about anecdotes. In short, these stories are not only interesting, but also inspiring. Steven Hurley's plan is to discover the unusual, wonderful, and interesting stories of Central and South America and to find some experienced and lovable people. Travel notes, historical stories, and fun memories, that's what makes this book so interesting. "A Wonderful Journey" will inspire our passion for life and allow us to gain rich knowledge. This book can give readers a pleasant reading experience.

This book stands at the forefront of reality and theory in the new media era and puts forward many innovative theories. Its main research characteristics and innovations are: first, it selects the literary production method in the digital media field as the research object in the context of media society, which is an innovation in the topic selection; second, it proposes that contemporary literary production is media production in the digital media field, points out the media production ideas in Marxist literary theory, clarifies that media production transcends and covers the literary language construction theory advocated by the famous language theory, and proposes new media literary productivity. A series of new academic viewpoints such as new media reorganizing literary production relations, and new media production texts being digital composite semiotic literary texts are innovations in perspective; third, starting from historical reality, conducting in-depth investigations into literary production sites to obtain first-hand materials, and mining theoretical resources from Marxist original works, media studies, including foreign language materials, that is, material innovation; fourth, adopting multi-disciplinary and interdisciplinary research methods, which is an innovation in research methods.

I dreamed of capturing and recording the figures and stories of the street cats in the dark alleys one by one, to prove that they had indeed visited this city in this world. "That Cat, That People, That City" is a new cat book by Zhu Tianxin, a writer and senior animal protection volunteer. Following "The Hunters", it writes the stories of the street cat friends she encounters in her life, and extends to the cat tribe, the human tribe, and the intertwined symbiotic time and space between the two: Tiantang, who only wants love without bread, Tangerine, who has been with the author for seven years, Tangerine, who sings loudly and has a professional nanny certificate. Cat King Breast, the handsome stray cat Scabbers who has a large human fan base; there is also Debbie, a girl who fell in love with the uninhibited stray cat Tail Orange, cat volunteer Tianwen, legendary scratcher Lin Yishan, KT and Ye Zi, the "condor heroes" who founded the "Taiwan Adoption Map", novelist Wang Jiaxiang who rescued stray dogs alone in the countryside of Tainan, writer Huhu who died in a car accident while feeding street cats...

This book takes folktales in the Liupanshan area as the research object, explains the social and cultural background of the folktales in the Liupanshan area; outlines the content of the folktales in the Liupanshan area; analyzes the characteristics and value of the folktales in the Liupanshan area, and explores the "Shelang type" stories and "abandoning the old type" in the folktales in the Liupanshan area. " Story, "Ask the Buddha in the West" type story's cultural code, text origin and story form; investigate and write the typical variations of the representative folk tale "White Duck and Pigeon Lingling" in the Liupan Mountain area and analyze the differences in the storytelling art of each variation; analyze the influence of folk tales in the Liupan Mountain area on the literature of writers in the region. The research on the folk titles of folk tales in the Liupan Mountain area and the exploration of the storytelling art of the "Mongolian Moon General's Book" in the Liupan Mountain area's folk tale "White Duck and Pigeon Lingling" are of first significance in domestic storytelling research. This study is of great significance to fill the gaps in the research on folktales in Ningxia in the Liupan Mountain area, which have many collections and no monographs. In terms of research methods, the author comprehensively applies various research methods of story studies, and intentionally breaks some barriers between story studies and literary research.

This book includes two parts: ancient poetry couplets and poetry theory. Most of the ancient poems are works that praise objects, express aspirations, express memories, commemorate, and praise history. They deliberately imitate the ancient times, strictly adhere to the rhythm, pay attention to the character, and avoid vulgarity. They praise the good life without forgetting the social responsibility of poetry. They always uphold the poet's feelings of observing the resentment of the masses and the interest of staying upright, seeking change, and pursuing fashion and elegance. They express the author's ideological pursuit of not only loving traditional excellent culture, but also protecting and inheriting traditional excellent culture. The theory of poetry focuses on the introduction and discussion of poetic rhythm. It not only discusses the rhythm of rhymed poetry, but also involves the rhythm of ancient poetry. It proposes the basic sentence patterns and variations of ancient poetry for the first time, summarizes the important characteristics of ancient poetry, and reveals the appearance of ancient poetry in a comprehensive and systematic manner.

Copyrights have been sold in the United States, Germany, Russia, South Korea, the Netherlands and other countries. Sunday Times bestseller; shortlisted for the 2018 Costa Book Prize for Biography; shortlisted for the Wainwright Book Prize. This is a true, non-fiction story with a powerful narrative about rising above adversity through hiking and the healing power of nature. The author Renault learned that Moss, her husband with whom she had lived for 32 years, was terminally ill. Shortly afterwards, the two lost their property and livelihood. With nothing and little time left, they made the bold and impulsive decision to walk 630 miles (1,014 kilometers) along the southwest coast, from Somerset to Dorset, passing through Devon and Cornwall. They have almost no money to buy food or accommodation. They can only carry the necessary supplies for survival and live on the ancient land that has been washed by time. The cliffs, sea and sky are their homes. But during this journey, every step they took, everything they encountered, and every challenge they encountered ultimately led to this extraordinary journey from grief to joy. The story in this book is unapologetic and true. It is full of inspiration. This real-life story proves the importance of accepting grief and the healing power of the natural world. Ultimately, this is a portrait of home, how it is lost, rebuilt, and ultimately found again in the most unexpected ways.

This book is divided into two volumes, namely the study of German Romantic literature and the study of German Expressionist literature. It is the result of nearly half a century of research by two experts in German literature. Among them, the evaluation of German classicism and German Romanticism, the systematic study of Schiller and Goethe, and the evaluation and debate of German Expressionism are all issues of theoretical pioneering significance and have promoted in-depth research on German literature. The German playwright Brecht is a representative figure of "epic drama". As the proposer of the "defamiliarization" theory, Brecht has become a hot topic in Chinese academic circles for studying epic drama due to his huge influence on his dramatic works and drama theory, as well as his inextricable relationship with Chinese culture. Among these many studies, Professor Zhang Li is regarded as the authority on Brecht research. German romantic writers include Schiller, Goethe, etc., As well as the romantic trend of thought, which is the result of Mr. Chen Shulin's many years of research. The two parts are combined into one, and it is an academic achievement with high reference value in the study of German literature. This book was selected into the "Library of Old Scholars of the Chinese Academy of Social Sciences in 2019".