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This manuscript is a collection of papers commemorating the 10th anniversary of the Fudan Medieval Studies Class. Based on common academic concepts and research fields, the Joint Research Class on Medieval China at Fudan University was established in October 2009. The core members are more than ten young scholars from the Department of History, the Institute of Literature and History, the Research Center for Unearthed Documents and Ancient Inscriptions, the Department of Chinese Language, the Research Center of Historical Geography, and the Department of Cultural Heritage. There are also scholars from outside the school and overseas who have joined as "correspondence researchers" and "visiting researchers". To commemorate the tenth anniversary of the founding of the research class, a collection of excellent works has been selected from academic reports over the years to present the new outlook of medieval China studies.

This book systematically introduces basic knowledge about words, such as meter, rhyme, grammar, lexicon, etc., And also takes into account some major word collections, word expressions, and word scores.

"Dream of the West Lake" records historical anecdotes of Hangzhou and depicts the customs of the West Lake. It is one of the representative works of Zhang Dai, a master of sketches in the late Ming Dynasty. The author of this book has made relatively detailed annotations on the original text of Zhang Dai's "Dream of the West Lake", and added both solemn and humorous "comments" after each chapter, either to supplement relevant information or to analyze the purpose of the text. It is quite innovative and highly readable. It is an ideal book for reading Zhang Dai's essays and understanding his aesthetic thoughts.

This book introduces some basic knowledge necessary for reading ancient books, including: how to explore and understand the meaning of words from three aspects: form, pronunciation and meaning, the usage characteristics of function words and content words in classical Chinese, the changing rules of ancient Chinese grammatical structure and word meaning, the writing habits of ancients, etc. Common knowledge such as how to correctly use old annotations to read ancient books is also introduced.

Guiguzi, a native of the Spring and Autumn Period, was nicknamed "Mr. Guigu" because he lived in seclusion in Guigu. Su Qin and Zhang Yi took him as their teachers, and they had \

I have seen so much misfortune that I have never been depressed. --Chen Nianxi. This book contains 21 original non-fiction essays by Chen Nianxi. The book tells the story of a group of ordinary and simple workers. They are blasters, stone movers, country carpenters, farmers, farm women, small workshop owners... And the writer's own story runs throughout: blasting rocks five kilometers underground, raising a family amidst the smoke and roar, writing poems in work sheds and in the mountains, recording the explosion and silence of fate. Although they have gone through the hardships of life, they are simple and tough, and they calmly tell life themes about family, love, death, and desire... This is a book of life and a book of death. In the final analysis, it is a book of life. What does the world look like? What is life like? In my feeling, except for the long and ubiquitous wind, the rest is dust. We rush around in it, trying to stand firm, but most of the time we stagger around and can't help ourselves.

When we read Jin Yong, we tend to be immersed in the profound martial arts and exciting plots. And there is such an amazing fan of Jin Yong, who understands Mr. Jin Yong's caring about human nature and insight, and the "compassion" of a generation of literary giants for the world. He also shoulders the moral responsibility of "punishing evil and promoting good" with a pair of iron shoulders, and inherits the career of Mr. Jin Yong's "pity the world" with a sharp and sharp pen. He is our beloved Liushen Leile. Mr. Jin Yong's works always reflect the times and use wonderful stories to inspire people's thinking about reality. Liushen Leilei interprets and analyzes Mr. Jin Yong's works in detail, takes us to read Jin Yong, and guides us to think: Why did the Eastern Invincible not kill Ren Yingying? Why can't the camellias in Mantuo Villa always survive?

This book collects the works of 40 contemporary Colombian poets spanning seven generations and with different styles. The older poet selected is Maruha Vielas, born in 1922, and the younger selected poet is Santiago Errazo, born in 1993. This is also the first time that contemporary Colombian poetry has been translated and published in China on such a large scale. This book is bilingual in Chinese and Western, giving readers the opportunity to appreciate the creative style of Colombian poets across languages.

It collects articles written by employees of Beijing General Research Institute of Mining and Metallurgy in the past ten years, reflecting the emotions and deeds of employees of Beijing General Research Institute of Mining and Metallurgy. It includes every detail of employees' lives, expressing their affection for their hometown, friends, and relatives, as well as records of actual work scenes, showing the dedication and enthusiasm for work of mining and metallurgical people, as well as their great love for the party and country, expressing their yearning for a new era and a new journey.

This book records the traces of time in Tangqi Ancient Town. Due to the diversity of themes, readers are presented with touching pictures with a sense of life: not only the review of Ruyan's past, but also the recollection of the past; not only the thorough investigation of meaningful poems, but also the deep remembrance of flesh and blood family ties. Covering the book and meditating, "nostalgia" is endless. Perhaps this is the source of the endless life of this hot land.

This book is a collection of essays about the abundant world written by 36 famous contemporary writers including Jia Pingwa, Xiao Fuxing, Su Tong, Li Yiming, Baoji Yuanye, Liu Liangcheng and Xu Zechen. There are five chapters in the book, which are: "Everything yesterday has become who I am today" - the mark of growth; "Ten years of drinking ice, it is difficult to cool the hot blood" - ideals of life; "The sun and the moon are long, the mountains and rivers are safe" - memories of the hometown; "The long joy is far away, and the fifth night of sleep is late" - old things and the same scenery; "Each has its own ferry, each has its own boat to return to" - life insights. The authors talk about their growth, ideals, friendship, hometown and insights in the book, using timeless words to touch upon those shining moments in life. Draw the motivation to move forward from the past and cherish every good thing in the present. Only then can we have a heart full, peaceful and loving life in the future.

This book changes the usual way of writing traditional drama history. It is not limited to low-level academic work such as historical data review and repertoire collection. It gets rid of the shortcomings of replacing "historical knowledge" with "historical data". From the perspective of cultural anthropology, it connects the history of Chinese drama with the history of Chinese people's spiritual dynamics, and examines the psychology of a nation and an era group. Basically ask: Why do humans need drama? Why can't China produce dramas for so long? Why did the Yuan Dynasty become the golden age of Chinese drama? Why did the Ming Dynasty have performances that brought joy to the people again and again?

Who is the founder of British poetry? Why is Balzac known as the Napoleon of literature? Why is it said that "a thousand readers, there are a thousand Hamlets"? ...We should all know better.

What kind of ancient social life does The Book of Songs reflect? Why is it said that "Historical Records" is "the swansong of historians and a rhymeless lisao"? How did the "Seven Sages of the Bamboo Grove" influence the social atmosphere at that time? ...We should all know better.

What is a happy way to die? It lasted two years and traveled to six countries, an interview journey that subverted the concept of life and death. Kodansha Nonfiction Prize. There is unbearable pain, no hope of cure, no means of treatment that the patient can clearly express his wishes, and no hope of cure. These are the four basic conditions for euthanasia. But how is pain measured? At what point does treatment become hopeless? Switzerland, the Netherlands, Belgium, the United States, Spain, Japan, from the West to the East, in countries that allow or do not allow euthanasia, listen to the voices of support or opposition from doctors, patients and their families, and think about the "last days" that will eventually come.

Living alone is not the root cause of "bankruptcy in old age". Having someone to depend on in old age becomes a fantasy, and living with children is a lose-lose situation. The NHK special program recording team adheres to the consistent concepts of "experimentation", "exclusivity" and striving to "move" the public, boldly innovates the method of collecting materials, dares to challenge various topics, and is committed to digging out the truth of the incident. Over the past decades, thousands of TV programs have been produced and broadcast, and a large number of books reflecting the real problems of Japanese society have been released, such as "The Unconnected Society", "Female Poverty", and "Bankruptcy after Old Age". The "bankruptcy of the second generation" caused by "living with family" is becoming increasingly common. If you leave your job to take care of your elderly parents, you will lose your income; if you return to the workplace and work to make money, your parents will live alone during the day. Children who have returned to their parents in middle age are in a dilemma. Today, when the traditional way of family existence is being shaken, can we avoid "both generations suffer losses"?

Create a Chinese e-book market and a complete world literature reading system; from Homer's epic to Goethe, from ancient Greece to Sturm und Drang, covering the literary canon of the theocratic and aristocratic eras in one fell swoop; each of them can stand up to re-reading, the ultimate literary miracle bred in the source of world civilization; witness every big explosion of classical literature before the 19th century, shining on everyone's Renaissance; a selection of translated masterpieces, washing away the lead, a lifelong literary reading plan in your pocket. The set of "Selected Translated Masterpieces - Volume 1" has a total of 26 volumes, including 26 classics from Homer's epic to Goethe. The time span extends from ancient Greece to the Middle Ages, the Renaissance, and the Sturm und Drang movement, striving to provide readers with a complete pedigree of world literature. The current first series (9th century BC - 1832 AD) includes "Homer's Epic", "Aesop's Fables", "Plato's Dialogues", "Greek Myths", "Biblical Stories", "One Thousand and One Nights", "The Tale of Genji", "The Divine Comedy", "The Decameron", "The Tale of the Taike", "The Canterbury Tales", "Don Quixote", "Montgomer" "Collection of Tian's Essays", "Complete Essays of Bacon", "Shakespeare's Four Tragedies", "Shakespeare's Five Comedies", "Romeo and Juliet", "Paradise Lost", "Robinson's Adventures", "Gulliver's Travels", "The Autobiography of Franklin", "Confessions", "Tristram Shandy", "Dangerous Liaisons", "The Sorrows of Young Werther" and "Faust".

This book focuses on the historical existence and dynamic development of naturalism in Britain, closely follows the works of representative British writers in the late 19th and early 20th centuries, and uses the social cognition, humanistic examination, aesthetic pursuit, rhetorical art, and morphological evolution closely related to British novels and naturalism as the entry point. , Using a research perspective that combines macro and micro, in-depth analysis of the spread and acceptance of naturalism in the UK and the actual meaning of the name, analysis and exposition of the multi-dimensional existence form of naturalism in British novels, and exploration of the unique connotation, text form and artistic value of naturalism in British novels. This book can provide a useful reference for systematically understanding and grasping the existence form, artistic value and literary history writing of naturalism in British novels, and has high academic value.

This book selects Ozick's thirteen short stories, three novellas and five novels as target texts, and mainly includes an introduction, five chapters and a conclusion. From a non-Jewish perspective, interpret the Jewishness expressed in Ozick's novels. Using diaspora theory, from the perspectives of feminism, new historicism, and postmodern narrative research, this paper explains his views on literature, history, nature, and women, and analyzes how Ozick inherits and develops the main characteristics of Jewishness in contemporary American Jewish novels, unifies ideological and artistic qualities, displays unique Jewishness, and enriches the literary expression of Jewishness in contemporary American Jewish novels. It provides a research way for us to understand this female writer.

Diasporic literature is one of the cutting-edge topics in current comparative literature research. Among many diasporic writers, Michael Ondaatje, a writer originally from Sri Lanka and now living in Canada, can be called the leader of this group. The special life experience and cultural background make Ondaatje's works contain multicultural factors that are rare in his mother country or Western literature. His works break the conventions of traditional novels in terms of content, genre, and writing techniques. While the beautiful words and sentences bring readers sensory enjoyment, they also leave many blanks, waiting for them to think and fill in the profound meaning hidden in them from multiple angles. Based on a close reading of the original English novel and its translation, this study draws on theories such as postmodern narratology, deconstruction, postcolonialism, and new historicism to combine text and theory to launch a discussion. Compared with the previous scattered research, this study attempts to grasp Ondaatje's novels as a whole, but also approaches it from different angles when specifically analyzing each work, striving to present Ondaatje's novel art in a more three-dimensional way. The research focuses on both the content level of the novel and the narrative strategy level, and examines the two major themes of "postcolonial criticism" and "subject construction" embodied in Ondaatje's novels in a diasporic context.

For the first time, this book uses the clear Taoist inner alchemy knowledge as an important basis to conduct specialized research on 9 commentaries and 1 sequel of "Journey to the West" one by one. It not only studies the commentator, sequel author, creation year and other version information, but also deeply explores the specific commentaries and the purpose of the sequel. Each chapter of this book presents new perspectives, and many of the conclusions drawn throughout the book are original. For the first time, this book uses the clear Taoist inner alchemy knowledge as an important basis to conduct specialized research on 9 commentaries and 1 sequel of "Journey to the West" one by one. It not only studies the commentator, sequel author, creation year and other version information, but also deeply explores the specific commentaries and the purpose of the sequel. Each chapter of this book presents new perspectives, and many of the conclusions drawn throughout the book are original.

Kyoka Izumi (1873-1939), a romantic master in the history of Japanese literature, is a peak in the history of modern Japanese romantic novels. This book selects 11 classic works written by Izumi Kyoka at different stages in the Meiji, Taisho, and Showa periods, and examines the characteristics of Izumi Kyoka's literature in detail from the perspectives of linguistics, folklore, psychology, stylistics, narratology, and comparative literature. It traces back upwards to pre-modern literature and art such as legends, waka, and Chinese poetry, as well as noh and comic books and other pre-modern literature, and extends downward to contemporary film and television literature; horizontally, it compares with contemporary writers and works, and vertically with Chinese literature, thus reflecting the panoramic view of Izumi Kyoka literature in a three-dimensional and all-round way. Quan Jinghua is a "heterodox" among modern writers, and Quan Jinghua literature is a reflection on modern literature from an "anti-modern" standpoint. If we observe the 11 works in order according to the time when they were published, we can outline the trajectory of Izumi Kyoka literature from "modern times" to "anti-modern times". Specifically, the "modernity" embodied by Kyoka through "conceptual novels" weakens in the "autobiographical novel" stage - the focus shifts from the outside to the inside. After the transition of "The Bird", it finally enters "anti-modernity". The appearance of "The Holy Monk of Kono" marks this change. Since then, all the works created by Kyoka have an "anti-modern" color.

Shen Congwen (1902-1988) is a famous writer in the history of modern Chinese literature. Research on his works has been fruitful, but there is still a need for further in-depth research. This book is the result of the author's many years of research on Shen Congwen. It conducts an in-depth analysis of Shen Congwen's prose creation and his legendary experience, poetry creation and subject consciousness, novel creation and cultural choices. It explains the main connotations of Shen Congwen's novels' narrative characteristics, poetry views, and novel views. It also sorts out his views on the dispute between the Beijing School and the Shanghai School to explore the differences in literary views between the two schools and their impact on the creation of novels of the Beijing School and Shanghai School, and to highlight the characteristics of the Beijing School's novel creation.

This book is an essential selection of Shen Qi's writings over the past forty years, a famous contemporary poet, scholar, and literary critic. The book consists of eight volumes, namely Volume 1 "Essays on Contemporary Poetics", Volume 2 "Essays on Contemporary Poets", Volume 3 "Essays on Taiwanese Poets", Volume 4 "Collection of Poems 1: Natural Beauty", Volume 5 "Collection of Poems 2: Children in the Upstream", Volume 6 "Collection of Poems: Coreless Clouds", Volume 7 "Art Criticism: The Breath of Trees", Volume 8 "Miscellaneous Prefaces and Essays: The Book of Autumn". This anthology combines poetry and prose with a unique layout and has dual value for appreciation of works and reference to historical materials. In particular, the poetic heart, poetic style, and literary spirit of the poem are all solitary and unparalleled, with a faint fragrance at the edges, which are worthy of wandering and cherishing.

The book starts from the perspective of the Tang Dynasty's education system, educational ideas, and educational content that had a tangible impact on the literati and literature of the Tang Dynasty. It believes that the three major factors of the Tang Dynasty's education system, political environment, economic conditions, and book circulation worked together to promote the socialization of educational resources in the Tang Dynasty; respecting saints and Confucianism, as the basic educational ideology of the Tang Dynasty, In the early Tang Dynasty, Emperor Gaozong and Empress Wu, the prosperous Tang Dynasty, and the late Tang Dynasty, they had different effects on the thoughts and literary creations of literati. In the Tang Dynasty, Confucian classics education had a complete system. The compilation of the official Confucian classics textbook "Five Classics of Justice" made Confucian classics as language and allusion materials integrated into the literati's knowledge reserve and entered their literary creations. In the prosperous Tang Dynasty, Confucian education focused on the "Book of Filial Piety" and emphasized ethics, which was not unrelated to the formation of the elegant and vigorous literary style of this period. After the Anshi Rebellion, the focus of Confucian classics education shifted downwards, from being dominated by central official schools to being dominated by private schools. This led to the enhancement of the scholar's subject consciousness in the social ideological and cultural fields. As a result, the relationship between Chinese and Taoism was further deepened by using poetry to express the scholars' exploration in the social ideological field; Tang Dynasty literature The main contents of literary education are books, "Selected Works", poetry patterns, etc. The specific activities of literary education rely on these educational contents to inherit literary knowledge and creative experience. This makes literary education and learning methods also reflect the step-by-step improvement process from reading accumulation to imitation proficiency to experience and perception. The content of literary education in the Tang Dynasty left a relatively distinct imprint on the creations of the Tang people, which is most obvious in the reference of content, the acquisition of themes, the absorption of allusions, and the use of parallels.

The relationship between Lu Xun and Chinese new literature in the twentieth century is very close and crucial. He not only played a leading role in the two sources of new literature, "May Fourth Literature" and "Left-Wing Literature," but also had a profound influence on major literary trends such as "realism" and "transforming national character." At the same time, Lu Xun's novels "The Scream" and "Wandering", the historical novel "New Stories", the prose poem "Weeds" and "Essays" and other new literary styles have always established an immortal style in "aesthetic" and "historical" construction. Lu Xun ended an old era of literature and created a new historical era in which Chinese literature synchronized with the world's modern literature.

"Regional Culture and Literature Research Collection" is an academic brand jointly created by China Social Sciences Press and the School of Liberal Arts of Chongqing Normal University. This "collection" has been highly praised by many famous experts and scholars, and has exerted a great academic influence in the domestic academic circle. It has become an important academic platform for scholars at home and abroad to devote themselves to the study of regional culture and literature. This book is the eighth volume of the publication, with a total of 20 selected articles. The main part of the book is designed with six columns, namely "The Obliterated Literature of Bashu in the Republic of China", "Jiangnan Culture and Jiangsu Literature", "Ba Jin Research", "Regional Culture and Ancient Literature Research", and "Regional Culture and Comparative Literature Research". More than 20 authors from universities and research institutions such as Nanjing University, Sichuan University, Southwest University, and Shaanxi Normal University conducted an in-depth analysis of certain literary phenomena and writers' works in Bashu literature, Jiangsu literature, Ba Jin, and ancient Chinese literature from a regional cultural perspective. This is a new harvest from the academic community's macro-scanning and micro-discussion of literary and cultural phenomena in ancient and modern times, both at home and abroad, from the perspective of the deep connection between regional culture and literature. It is the inheritance and expansion of the seven volumes of "Regional Culture and Literature Research Collection" that have been published previously, and it is the latest collection of research results in this field.

China is essentially a rural country and has been exploring the path to modernization since the 20th century. Chinese writers have narrated nostalgia in complex ways amid the changes that have occurred over the past century. The result of this project is to find the underlying operating mechanism behind nostalgia and the relationship between this mechanism and China's modernization process, thereby answering the two basic questions of "why literature has nostalgia" and "how does literature express nostalgia", revealing how the operating mechanism of modernization in different contexts affects the form and content of literary nostalgia, revealing the complexity of China's modernization process, and providing theoretical and literary historical experience for "new nostalgia" narratives under new historical opportunities. By studying the expression of nostalgia by Chinese writers in the operating mechanism of the modernization context since the 20th century, it is pointed out that the countryside is an imaginary object of Chinese writers in the process of modernization, a unity of reality and fiction, and a destination for nostalgia in the process of modernization. This will help the academic community to have a deeper understanding of the nostalgia motif, and can better guide writers to correctly handle the relationship between nostalgia and modernization, and create "new nostalgia" works rich in the Chinese dream.

So far, there have been many versions of Chinese literary history, and they have been written in different ways. The goal of this book is to pursue theoretical novelty and strong knowledge, and to clearly and completely explain the main context and basic characteristics of the development and evolution of Chinese literature in a limited space. In terms of specific discussion, we adhere to the literary-oriented stance and emphasize the analysis of problems from the unique value scale of literature; we focus on the basic clues of literary development, the main characteristics of literary evolution in each period, and the unique significance and influence of important writers' works on artistic creation. Although the title of the book carries the word "concise", in some aspects, such as the analysis and evaluation of some writers' works, it is more thorough than ordinary multi-volume literary histories. Coupled with the beautiful writing and numerous insights, it is an outstanding work among literary history writings.

This set of books includes 2 books, "A Quest for Jade in Red Mansions" and "The First Book to Understand the Theory of Darkness". "A Quest for Jade in Red Mansions" deciphers the truth about the ending of "A Dream of Red Mansions". This includes the fates of Lin Daiyu, Xue Baochai, Jia Baoyu, Zhen Baoyu, and Shi Xiangyun. "The First Book on Understanding Houhei Studies" can be called a stunning work on the study of China. The book is divided into two parts. The first part is Mr. He Xiao's annotation and interpretation of Houhei Studies, which is divided into "Li Zongwu, the leader of Houhei" and "What is Houhei?" , "The Style in Houhei Temple", three chapters, telling some concise stories in a lively writing style, allowing readers to easily obtain the essence of "Houheiology" and fully understand the "Houhei Cult Leader" - Mr. Li Zongwu, a modern Chinese educator and thinker. The second part is the original work of "Houheixue" by Li Zongwu, providing readers with the most comprehensive and profound banquet of authentic Houheixue.

This set includes 5 books, "The Most Beautiful Prose in the World", "The Most Warmest Story in the World", "The Greatest Speech in the World", "The Most Beautiful Love Poems in the World" and "The Most Philosophical Essays in the World". This set of books selects more than a hundred representative chapters, all of which are written by famous writers. They have beautiful language and profound artistic conception. They can be said to be the common wealth of human civilization.

This set of books includes three volumes, "General History of China by Lu", "History of Ancient Chinese Philosophy" and "Research Methods of Chinese History".

This set of books includes three volumes of Hu Shi's classic works, "Position: Hu Shi on Life", "Charity: Hu Shi's Lectures on Life" and "Progress: Hu Shi's Lectures on Scholarship". It collects a variety of Hu Shi's writings in his life, newly arranged in the form of fragments and quotations, with detailed and substantial content, covering all aspects of culture, scholarship, current affairs, life, literature, etc. Hu Shi's important works and excellent works are included. "Position: Hu Shi on Life" tries its best to maintain the original style and authentically reproduce the style of a generation of masters.

This set of books includes 5 volumes of classic works, "Rain Lane", "The Story of Hulan River", "Autumn in the Old Capital", "Back View·Hurry" and "From Baicao Garden to Sanwei Bookstore".

Yuhang is the first "Chinese Story Town" in China, and Tangqi is an important part of this "Story Town". As early as 1991, the country's first folk story salon - Tangqi Story Salon - was born in Tangqi. The founder of the salon is Feng Guoxian. Under his leadership, Tangqi Story Salon has been adhering to story creation and story presentation for more than 20 years, and is well-known in the national story circle. Not only that, Feng Guo needs to continuously incorporate local elements of Tangqi into the story creation process, and brings the works to Tangqi, entering the cultural auditorium many times, bringing laughter to Tangqi citizens. In addition, he also enthusiastically teaches skills and strives to expand the story creation team. Toyokuni has been engaged in story creation for 40 years. To this end, he created and published "The Story of Me and Story".

Legend is a kind of rumor with a certain story about people and events. It is a category in folk literature and an intangible cultural heritage passed down orally among the people. Tangqi, as an ancient town in the south of the Yangtze River with deep historical and cultural accumulation on the Grand Canal of China, also has many legends and stories like other ancient towns. Some of these legends explain the origins of various features and products in the ancient town, some tell stories about various characters related to the ancient town, and some tell the origins of some minor place names. It can be said that these legends are the precious cultural wealth of an ancient town and a commendable talking point for an ancient town. At the same time, they are also a precious business card that enhances the popularity of an ancient town...

This book is a food culture book edited by Yang Xiulong, chairman of Beijing Banquet and general manager of South Beauty. The whole book is divided into four parts, covering South Beauty and the historical origins of poetry. The book contains excellent poems written by Yang Xiulong and his staff over the past few years, and systematically introduces Cipai culture and food knowledge. Since its decline, it has been built by a new team and has become Beijing's leading light luxury restaurant. Through the new creation of Cihe Ci brand, focusing on cultural services, high-end customization and other humanized services, it has regained its leading position in the industry. This book shows the powerful charm of cultural confidence through the combination of words, word culture, and food culture.

From a moderately prosperous society to a decisive victory in building a moderately prosperous society in all respects, this process demonstrates the Chinese wisdom of economic and social governance in the new era. A comprehensive and in-depth study of typical cities (counties/districts) that are at the upstream development level in the process of building a moderately prosperous society and have the most regional experience and characteristics in the process of building a moderately prosperous society is an effective way to summarize Chinese wisdom. This is a major event that will contribute to the contemporary era and will benefit the long-term. Every text that combines typical practice with high-level theory is worth reading and studying. This book is a documentary report by Xiaokang magazine on the front lines of China's poverty alleviation campaign. From three chapters: "poverty alleviation", "governance actions" and "business environment", it introduces how local governments have actively promoted poverty alleviation since 2017, what results they have achieved, and what innovations they have made.

This book collects dozens of essays written by Mr. Hu Jianwei, a member of the Chinese Writers Association and a contemporary writer, in recent years, including the latest "Food Chronicles" and "Dragon Travels to the Country", as well as "Lotus Lake", "Moving City", "Purple Air Coming from the East" and "Selling Pulp by Leading Cars" written a few years ago. "The Flow of Masters" and so on, many prose works, like a wonderful paintbrush, use the form of line drawing to outline the author's hometown customs, customs, and the various world affairs in a concise and freehand way. The writing is full of affection and eloquent, showing the true meaning in the details, expressing thousands of years in a moment. As a native writer in the south of the Yangtze River, Mr. Hu Jianwei integrates his various feelings about his hometown in his writing, showing readers a vast, distant and vivid picture of life in the south of the Yangtze River.

This is a love story, this is not just a love story. "India: The Complete Works of Duras 7" is the seventh volume of "The Complete Works of Duras". It is named "India" and includes four representative film scripts created by Duras in the 1970s: "Song of India", "Nathalie Grande", "Ladies from the Ganges" and "Truck". "Song of India" is a play that established Duras's status as a film director. It was created in 1973. The story revolves around Anne-Marie Street, wife of the French Ambassador to India, and three friends around her. "Nathalie Grande" is Duras's transformational work as a film director. It was created in 1973 and was shot in Duras's residence in the same year. This is a work about women, with a very classical style. The appendix includes "Women of the Ganges" in the form of a screenplay for "Amour", which was filmed in Trouville-sur-Mer where Duras lived in the same year. "Truck" was created in 1977 and includes the film's script, shooting instructions and related conversations with Michel Poulter. Two characters, played by famous movie stars Gérard Depardieu and Duras, sit in a room with the doors and windows closed, and the conversation alternates between shots of trucks driving around Paris and stopping to offer rides, and verbal descriptions of a potential film alternating with images of what it might form.

This book studies contemporary world literary theory and its application and changes in the Chinese context. Since Goethe mentioned the term "world literature" in 1827, many scholars have responded to various issues related to world literature for more than a hundred years. However, it was not until 2000 that the theory of world literature made significant progress. This book is based on summarizing the theories of world literature in the past twenty years, and discusses the applicability and changes of these theories in the Chinese context. In addition to the introduction, this book has eight chapters in total. Discuss the following topics in turn; (1) What is world literature? (2) What is world poetry? (3) The implications of translation studies for world literary theory. (4) How does the Nobel Prize in Literature create world literature? (5) What implications do research paradigms such as Orientalism, Sinology, and travel theory have on the study of world literature? (6) How does Moretti use cultural historical concepts such as "tree" and "wave" to explain world literature? What is the contribution? (7) What are the contributions of the "distant reading" theory? How are big data and digital humanities changing the study of world literature? (8) What is the right and wrong of Apted's concept of "anti-world literature"? Finally, it concludes with the century-old changes in the concept of "world literature".

This book is a collection of essays that tells the stories of Tang and Song poets and popularizes Tang poetry and Song lyrics. Here, you will see that since ancient times, heroes have emerged as young men. A large number of poets, such as Wang Bo, Luo Binwang, Wang Wei, Li Bai, Bai Juyi, Du Mu, Wen Tingyun, Su Shi, Liu Yong, etc., Have been called "prodigies" since childhood. They were ambitious, high-spirited, proud of the spring breeze, famous all over the world, and wrote brilliant chapters of Tang poetry and Song lyrics with ease. Their life is even more joyful and unrestrained, riding horses galloping, calling friends, drinking and drinking, singing poems, drinking and singing, not knowing what night it is. Here, you will also see Wang Bo's intentional murder, Chen Zi'ang's "commercial hype", Wang Wei's capture and fake job, Wang Changling's death in murder, Bai Juyi's "poetry to kill", Jia Dao's car crash, Li Shangyin's criticism, Wen Tingyun's cheating in the examination room, Liu Yong's addiction to brothels, Ouyang Xiu's scandal, Li Qingzhao's addiction to gambling, and Xin Qiji's beautiful ladies in a mansion. What this book wants to present to you is an image of the poet that is slightly different from your previous impression, more vivid, more lively, more interesting, and more three-dimensional. They are so familiar yet so strange.

"Red Classic Pocket Book" contains ten red classic works: Tea House, The Footsteps of the Chinese People, Three or Five Dou More, February, The Light Is Before Us, Red Candle, Lovely China, Scream, The Example of the County Party Committee Secretary-Jiao Yulu, Xiao Erhei's Marriage.

I miss Tuva more and more. I thought about it when I was in Tuva three years ago. Although Tuva people give you their simple smiles, like an embrace full of flowers, they are actually solemn. Facing the sky, the earth, rivers, food and religion, they live cautiously. Farmers touch nothing except the land when planting, including not sweeping the fallen leaves on the ground. People stay safe and content here. Judging from the expressions of the Tuva people, it seems that they are thinking about distant things, such as the next life. It was as if he hadn't thought about anything, and his face was so peaceful.

This book continues the non-fiction writing style of "If Shanghai's Walls Could Talk". It interviews fifty celebrities in Shanghai and listens to the "landmark stories" in their hearts. On the vertical axis of history and the horizontal axis of geography, it shows readers a Shanghai full of charm and humanistic feelings through the characters' personal growth experiences. The interviewees include historical celebrities such as Xia Yan, Yu Zhenfei, and Gu Weijun, as well as Lu Xinhua and Zong Fuxian, the writers of "Scars" and "In the Silent Place" who participated in witnessing and promoting reform and opening up, and for the first time include the new generation of Shanghai writers born in the 1970s and 1980s. Through each story, we can see that the development of the city and personal circumstances are mutually responsible and mutually successful.

On the occasion of the 50th anniversary of the founding of the People's Republic of China, Zhejiang writers wielded spades and pickaxes and planted clumps of green saplings in the literary garden: novels, essays, poems, as well as essays and reviews. What is shown here is the prose volume of "Zhejiang Cross-Century Literature Series". This is another collective appearance of the majority of prose writers in our province. Although everyone has different opinions on the essence of prose creation, there is one thing they can reach consensus on, and that is: prose can soothe people's souls! It is warm and considerate. Many prose writers are also happy that they can rest in this peaceful literary jungle. It is true that things in the world are not as smooth as we wish, and life is by no means blindly bright and innocent. The world is noisy and the literary heart is often lonely. However, there are still many people who can unswervingly devote themselves to writing about the art of calligraphy, saint Zhen and pottery, word for word, and there are still many infatuated "tea masters". The winter plum blossoms blooming alone in the cold place are not just a few trees, but the sky and the sky, and spring messages are spread frequently.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.

China is a country of poetry. Ancient poetry and drama are treasures in our country's literary treasure house and the cultural essence of our nation. The aesthetic trends and valuable wealth created by Chinese traditional culture over thousands of years of civilization development have great charm that transcends times and crosses national boundaries. Translation master Xu Yuanchong has spent decades selecting traditional literary classics that have had a profound influence on Chinese history from the vast sea of ​​ancient Chinese cultural books, and using superb translation techniques to translate them into English, so that readers at home and abroad can appreciate the beauty and charm of Chinese classical literature even in an English context. The book is published in Chinese-English format. The English part is personally reviewed by native English experts, and rare words in the Chinese part are notated and explained, making it easier to refer to and study. This book is divided into two volumes, the upper and lower volumes, and contains 300 well-known Tang poems. The English parts are all translated by Xu Yuanchong. I hope that through this form of bilingual reading, readers can appreciate the various phenomena of Chinese poetry at its peak.