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"Becoming a Star: Diary of an Astronaut Cadet" is an essay published in 2018 by Samantha Cristoforetti, Italy's first female astronaut. The work is divided into two parts. The first part mainly introduces how Samantha went from being a fighter pilot to becoming an astronaut trainee through the European Space Agency's selection process. With the help of detailed plots, it depicts the severe tests and tempers that an astronaut needs to undergo before actually flying into space, and also demonstrates their extraordinary intelligence, endurance and professionalism. There is no shortage of descriptions of the details and usage techniques of spacecraft and related equipment, which improves the level of the work from a technical level. At the same time, the various experiences and psychological activities of an individual who have experienced it are added, making the work closer to a literary work rather than an ordinary popular science reading. The second part records Samantha's 200 days of space life on the International Space Station from the launch of the Soyuz TMA-15M spacecraft on November 23, 2014 to the return of the spacecraft on June 11, 2015. Samantha unfolded a picture of a space journey for us with delicate brushstrokes: being sent into space by a rocket in a spaceship, docking with the International Space Station, the first experience of weightlessness, eating, drinking, eating and drinking in space, physical exercises, scientific experiments, etc. These curious and very interesting things, as well as the magnificent miracle of the Milky Way changing outside the dome cabin between the 16 sunrises and sunsets in a day, were recounted in Samantha's writing.

This book selects sixteen interviews with British national writer and Booker Prize winner Ian McEwan during his thirty-year writing career. They were first published in different publications and in various formats, including books, literary magazines, weekly magazines, and recordings. In these interviews, McEwan clarifies the underlying themes of his writing, showing how he continues to explore, express, and refine his insights about writing, science, relationships, politics, and human nature. I believe that both general readers and scholars will find these interviews of unique value: they not only provide in-depth insights into McEwan's works, but also provide a sense of his distinctive literary personality and growth as a writer.

Created in 1926, it is the only collection of retrospective essays written by Lu Xun. It was originally called "Revisiting Old Things" and was later changed to "Morning Blossoms Picked Up at Dusk" by Lu Xun. It has always been highly praised. It is Mr. Lu Xun who recalled the people and things in his childhood, boyhood and youth in his later years. This book is a collection of Lu Xun's reminiscence essays written in 1926, with a total of ten essays. The first five articles were written in Beijing, and the last five articles were written in Xiamen.

This book contains twenty-three papers written by the author from 1907 to 1925, and is one of the single volumes of Lu Xun's works. The single volume of "The Complete Works of Lu Xun" is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

"A Brief History of Chinese Novels" is the first monograph written by Lu Xun that systematically discusses the development history of Chinese novels. There are 28 articles in total. At the back of the book is the article "Historical Changes in Chinese Novels", which is the author's lecture notes in Xi'an in July 1924. This monograph begins with ancient myths and legends and ends with the condemnation of novels in the late Qing Dynasty. It completely discusses the origin and evolution of Chinese novels, accurately evaluates representative novel writers and works in various historical periods of China, and deeply analyzes the internal connections between earlier and later novels.

It contains thirty-four essays written by Lu Xun from 1927 to 1929, with an appendix at the end of the "Bibliography of Lu Xun's Translations" written in 1932. In 1928, there was a debate between Creation Society, Sun Society and Lu Xun centered on the issue of revolutionary literature. Cheng Fangwu said that Mr. Lu Xun was "sitting under the canopy and copying old news about his novels" and that it was a "interest-centered literature and art."

Collected essays written in 1934 and named it "Qiejieting Essays", including 36 essays.

"Two Hearts Collection" contains 37 essays written by Mr. Lu Xun from 1930 to 1931, with a translation of "Modern Film and the Property-owning Stage" at the end. The author sold the copyright to Shanghai Hezhong Bookstore in August 1932, and it was first published in October of the same year. Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

"Pseudo Freedom Letter" is a collection of short comments written by Lu Xun to "Freedom Talk", a supplement to Shenbao, from the end of January to mid-May 1933. 43 Articles in total. "Pseudo-Freedom" is a record of Lu Xun's political struggle and ideological criticism in a specific historical era, using essays as weapons; however, the objective laws it reveals through individual events and its exquisite Marxist thought in analyzing specific things transcend the limitations of time and space, making it a Marxist literary weapon of universal significance.

"Zhun Feng Yue Tan" contains 64 essays written by the author between June and November 1933. The title of the book comes from an announcement issued by the editor of "Free Talk" in the last century: "I urge domestic literary figures to talk more about romance and complain less." Including "Song of the Night", "Eating Bai Xiang's Rice", "Morning Cool Chronicles", "Autumn Night Journey", etc. The original book is now a treasure. It's not even a hundred years ago, but it's full of vicissitudes of life when I read it.

The title was drawn up by the author himself, but the compilation was not completed due to illness. When "The Complete Works of Lu Xun" was published in 1938, it was compiled and printed by Xu Guangping. In 1957, it was expanded and reorganized on this basis. A total of 126 articles were collected, written between 1903 and 1936, including all works of various genres collected at that time that had not been included in various collections.

"Collection of Prefaces and Postscripts to Translations" contains the prefaces and postscripts written by Lu Xun for the books he translated or co-translated with others, as well as the "Translator's Notes" written when a single translation was published in newspapers and periodicals. The stand-alone version is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

This book is a collection of letters between the author and Jing Song (Xu Guangping) from March 1925 to June 1929. A total of 135 letters were received (including 67 and a half letters from Lu Xun). It was edited and revised by Lu Xun and divided into three volumes. It was first published by Shanghai Qingguang Book Company in April 1933. The first part of "Book of Two Places" is about the Women's Normal University, without any love; the second part is the correspondence between Xiamen and Guangzhou, which is mostly about trivial matters of life, and the love is beyond words; the third part is about the correspondence between Beijing and Shanghai, which is also about trivial matters of life, and the care is beyond words.

The "Supplement to the Collection of Collections and Supplements" includes the lost articles that have been discovered after the publication of the "Collection and Collection of Collections" compiled by Xu Guangping in May 1938. Advertisements, notices, corrections, etc. Are compiled into Appendix One; those recorded from other people's works are compiled into Appendix Two. The single volume of "The Complete Works of Lu Xun" is a popularized reading version based on the compilation of "The Complete Works of Lu Xun".

This "History of Ancient Chinese Literature" was compiled under the new teaching situation in colleges and universities. It strives to better handle the relationship between historical theory and works, so that the writing style is more suitable for the needs of classroom teaching and students' self-study. The length is appropriate and suitable for the selection of teaching materials and learning needs of students in different majors. When writing, focus on the work and pay attention to the analysis of the work. Integrating works and historical theory, it strives to comprehensively display the historical aspects of the development of ancient Chinese literature. At the same time, it eliminates the complex and simplifies it to highlight the key points.

"One Thousand and One Nights", also known as "Arabian Nights" and "Arabian Nights", is a collection of Arabic folk tales, full of magical imagination and highly romantic. The stories included in the book originate from folk tales passed down orally by folk rap artists in ancient Middle Eastern countries and the Arab region. The content involves ancient Egyptian civilization, Mesopotamia civilization, ancient Indian civilization and ancient Persian civilization. The more famous stories include "The Story of the Hunchback", "Aladdin and the Magic Lamp", "Alibaba and the Forty Thieves", "The Adventures of Sinbad", "The Story of the Fisherman and the Devil" and so on. The stories in the book use realistic expression techniques to describe the sufferings of the people of that era, reflect their dissatisfaction with real life, and praise and praise those brave, smart, and adventurous people. It is a classic book suitable for everyone to read.

The book contains 31 letters. These letters come from female readers of different ages. They talk about the life problems they encounter from the perspectives of their original families, close lovers, mother-in-law and daughter-in-law relationships, and share their difficulties, boredom, depression, or entangled moods with the author, showing their true selves in the form of letters. The author answered the questions one by one in his reply. The author uses professional psychological knowledge and life experience to rationally and thoroughly analyze the roots of various negative emotions, and imparts specific countermeasures, so that readers who are trapped can gain courage and strength, regain their confidence, and live a happy life. Open this book, see others, and meet yourself.

This book conducts a comprehensive study of Han Yu's poetry and literature in the Qing Dynasty. The first part summarizes the development of Hanji literature in the Qing Dynasty, and analyzes the impact of Qing Dynasty academic culture, literary fashion and other factors on the editing and arrangement of Hanji. The following part selects six representative cases - Lin Yunming's "Han Wenqi", Fang Shiju's "Chronological Notes on the Collected Poems of Han Changli", Li Xianqiao's review of Fang Shiju's "Chronological Notes on the Collected Poems of Han Changli", Gao Shu However, "Hanwengu" and the Korean annotations of Ma Qichang and Lin Shu were studied in depth and systematically to analyze the achievements and characteristics of the Qing people's research on Han Yu, and to reveal the Qing people's contribution to the study of Han Yu.

This book is based on the classic texts of ancient Chinese narrative theory. From the perspective of theoretical discourse or propositions, this book systematically summarizes the ancient Chinese narrative grammar theory based on the most discussed elements of narrative works such as time, space, events, scenes, scenes, characters, aesthetics, narrative, etc. In the current situation where academic circles are trying to establish "Chinese narratology" but fail to clean up and analyze China's inherent narrative theory, it has shown great theoretical value and practical significance.

This is a monograph on the study of Zheng Jian in the Book of Songs. The book systematically sorts out various aspects of Zheng's "Jian", including a description of Zheng Xuan himself, the academic and social background of Zheng's "Jian", and an introduction to relevant document versions. Among them, the content and characteristics of the preface to the Book of Songs, Mao's "Biography", Zheng's "Jian", and "Mao Shipu" are the most used and fully discussed, as well as the relationship between them. The author has made a relatively detailed analysis and summary of the relationship between Zheng's "Jian" and the modern "Three Family Poems", the exegesis regulations and principles of Zheng's "Jian", and the connotation of "Mao Shipu", which has high academic value.

"Even if there are drums and music and feasts in the world, eating, drinking, and combing one's hair with clean water are still the root of the joy of life and the end of my love." "Fireworks are gentle, the world is white" is written by Yun Jinghang, a post-90s youth literature writer on the fifteenth day of the year. A new collection of pure and beautiful prose works in 2018, with nearly 40 beautiful essays in the book, divided into five series: "A Bowl of Human World", "Heaven and Earth Sand Gull", "Young Midsummer", "Gentle Fireworks" and "Sunlight Ephemera", about life, youth and growth. The writer dives into the warm interior of memory, reshapes the impression and possibility of youthful writing, brings the breath of beauty of words, and in the clear light, makes people embrace a snow-white world. The writing style is fresh, soft and affectionate, and the people and events recorded are fascinating and very touching. Each article is carefully selected by the author, and the lines are pure and beautiful. It contains many award-winning articles. It is an excellent book for young people to read beautiful articles.

The book "Hold You and the World" is a collection of poems and essays, including 90 modern poems and 3 short stories. The poetry content covers a wide range of topics, including emotions, growth, life, philosophy and other aspects. The selected poetry works have been recognized by readers on the Internet. The short stories take family, friendship, and love as their themes respectively, expressing people's nostalgia and yearning for true love under pain or temptation. There is joy in sorrow and a happy ending, which to a certain extent has a soothing effect on people's hearts. The poems mainly express the author's understanding and sympathy for the hearts of various characters. They use personalized language and story-telling plots to vividly display the vivid and unknown hearts and emotions of each character. It is highly contagious and can also give young people thought and inspiration.

In the form of revealing secrets, this book analyzes the various inside stories of the old Chinese bandits, which are deeply hidden by the dust of history and people's misunderstandings, as objectively and truthfully as possible.

"Teahouse" is a masterpiece of Lao She's drama, and it is also a classic play often performed by the Beijing People's Art Theatre. This play was completed in 1957 and first performed by the Beijing People's Art Theater in 1958. It depicts the epitome of modern society and the times through a teahouse. Teahouse owner Wang Lifa's bleak management of the ancestral "Yutai Teahouse", although shrewd, tactful and hard-working, finally failed to prevent the decline, which reflected the trend of Chinese society from the side. This book is illustrated by Ye Qianyu.

This book is a collection of poems and essays that were not included in Lu Xun's essays published before 1933. It was published by Shanghai Qunzhong Book Company in May 1935. The stand-alone version is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

"Collection of Nanqiangbei Diao" is a collection of essays by Lu Xun, which contains 51 essays written between 1932 and 1933.

"Collection of Prefaces and Postscripts to Ancient Books" contains 35 prefaces and postscripts written by Lu Xun between 1912 and 1935 for the ancient books he compiled or edited. Each article is arranged according to the time of collaboration. Necessary corrections were made with reference to relevant literature for any informational errors in the text. Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

"Second Collection of Qiejieting Essays" contains 48 essays written by Lu Xun in 1935. They were works created when Lu Xun lived in the semi-concession area of ​​Shanghai. The stand-alone version is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

"Lace Literature" contains 61 essays written by Lu Xun in 1934. "Lace literature" was originally a word used by others in articles attacking Lu Xun, so Lu Xun used it to name the collection and design the cover. The stand-alone version is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

This book contains twelve essays by Zhu Yong about the Forbidden City. The Forbidden City is both a witness and a participant in history. The changes in human life behind these distant histories are far beyond what ordinary tourists can understand after just a moment's pause. The writer's beautiful writing on the Forbidden City's calligraphy, paintings, architecture, and historical figures relives and continues the historical memory of the Forbidden City, and also tells the story of a rich and colorful chapter in Chinese civilization. This book is a classic of Zhu Yong's prose writing in recent years. It comprehensively demonstrates Zhu Yong's determination to pursue prose writing to become more open, closer to human nature and people's hearts, and more down-to-earth. In Zhu Yong's prose, there are no articles filled with empty adjectives. He got rid of the constraints imposed on him by both the era and the prose tradition, and freely deployed his troops in the world of words.

This book is a bound volume of Zhu Yong's classic works "The Beauty of Antiquities in the Forbidden City 2" and "The Beauty of Antiquities in the Forbidden City 3". This is not an academic work on art history, but a spiritual journey to find roots. It may let us know how these ancient works of art were born, and what kind of ups and downs they experienced before arriving in front of us. Facing those long-lasting ink marks, both you and I will feel our hearts beat. In addition to marveling at the amazing techniques of ancient artists, I also think of the stories behind those pages, and the people and things that appeared and disappeared in the Forbidden City emerge. Please follow Zhu Yong, starting from the calligraphy and painting in front of you, and working backwards step by step, just like traveling against the light, to find their original traces. The book contains nearly 100 high-definition detailed pictures of rare ancient paintings from the Forbidden City and museums at home and abroad.

"Out of the way, let me sing about the 1980s" takes the form of twelve chapters of "memory fragments" to recall the beautiful memories of the artistic youth in the 1980s and 1990s about campus, about movies, about reading, about football, about letter writing, about storytelling, about computers, etc. The style is humorous and rich in details. Since its publication, it has become a bedside book for generations of literary young people. In April 2008, "Memory Fragments 2.0" Was published and launched by our publisher. It has been reprinted many times and has been well received. In 2012, a new "Illustrated Commemorative Edition" (Memory 3.0) Was launched, which added twelve illustrations drawn by Wang Zengyan and a substantial new postscript.

It includes Xu Dishan's prose, letters, prefaces and postscripts, speeches, literary theory and other works, such as "Spiritual Rain in the Empty Mountain", "Undeliverable Mail", "Undeliverable Mail (Continued)", "Falling Bamboo Slips in a Dangerous Nest", "Shangjingshan", "Letter from a Traveler in India", "Reading Talk", "Bookworms in Oxford", "Republic of China", "Youth Day Speech to Youth", "Chinese Essence and Chinese Studies", "Conditions for the Creation of a Great Nation", etc., Which are all well-known works. Xu Dishan's prose is refined and timeless, simple and fresh, rich in philosophy and rich in exotic colors. He uses natural entities to describe and discuss at the same time to express his understanding of life. When writing about what happens around him in reality, he often starts with a record and ends with his own philosophy.

Hu Shi is a representative figure of the New Culture Movement and a famous modern litterateur. His thoughts were broad and far-reaching and had a profound impact on future generations. "Hu Shi's Prose" is a collection of essays that reflect Hu Shi's scholarship, education, science and many other ideological dimensions. The selected works of Hu Shi cover various aspects, such as life travels, academic attitudes, attitudes towards Chinese and Western culture, attitudes towards reading, as well as interactions with friends and collisions of ideological sparks, etc. It is not only impressive to read, but also demonstrates the elegance, magnanimity and style of the literati during the Republic of China. Reading "Hu Shi's Prose" is very helpful for understanding the literary masters of the May 4th generation who pioneered the trend and their literary spirit.

Yu Dafu's prose has unique personality characteristics. In his works, he describes his personal thoughts, life, and even trivial and intimate details in detail without any scruples. His autobiographical writings are frank and passionate, showing himself transparently and openly to readers. The autobiographical color is rich and strong. His prose also has a strong melancholy and sentimental mood, which increases the artistic appeal of the work. Yu Dafu is a poet, and his prose also has the style of a soul-stirring poem. The informal and indulgent lyrical style, the rhythm and mood of the soul-stirring poem, unabashedly express the role of a talented intellectual in society. The depression, sentimentality, melancholy, and fragility in the meeting are blended with the beautiful and meaningful landscapes in the work. The emotion is used to express the pen and the emotion is embedded in the scenery, forming a slightly morbid melancholy beauty, which also shows the author's profound knowledge and artistic skills. It can be said that Yu Dafu's creations are in response to the nerves of the times and represent the thoughts, emotions and inner feelings of some intellectuals at that time.

This volume selects several essays by Sun Li and more than twenty exquisite illustrations. As a writer with conscious stylistic awareness and the founder of the "Lotus Lake School", Sun Li's prose can be said to be unique in the literary world, bearing the author's distinct personal style imprint. Whether writing about people or events, he cherishes words as much as gold, and at the same time is full of deep and sincere emotions. His writing is concise and restrained, but does not affect the richness of details. His creative features of implication and meaning have attracted many literary lovers to follow and imitate, and have a wide and profound impact on readers.

Tang poetry is the essence of ancient poetry and best embodies the artistic characteristics of ancient Chinese poetry. "Selected Poems of the Tang Dynasty" is one of the classic anthologies of classical literature. It contains more than 130 poets and more than 630 poems. It is a richer and more comprehensive reading book than "Three Hundred Poems of the Tang Dynasty". The selection and annotation of this book was completed by Yu Guanying, Wang Boxiang, Qian Zhongshu, Chen Youqin, Qiao Xiangzhong, Wang Shuizhao, Wu Gengshun and others. The selection and annotation are first-class and can be said to be the crystallization of collective wisdom.

Song lyrics are the most prominent subject matter in the literature of the Song Dynasty and the Song Dynasty, and they are also a hot topic in the current public reading of ancient poetry. This book is annotated by experts and scholars who study Song poetry. It contains more than 800 poems, with accurate annotations and detailed explanations. It is more complete than the ordinary Song poetry reading book "Three Hundred Song Poems".

The author is the exclusive reportage author selected by the Beijing Winter Olympics Organizing Committee. This book provides a panoramic description of the 2022 Winter Olympics, involving venue construction and athlete preparations, and shows the changes that ice and snow sports have brought to the Chinese people. Regarding the origins of the Winter Olympics and venue construction, the author narrates chapters such as entering the Winter Olympics, approaching the ice and snow sports powerhouse, Yanqing competition area construction and field surveys, Winter Olympics environmental protection, Zhangjiakou competition area and ski industry, Genting National Ski Park, Shougang Industrial Park, etc. The author gives a detailed introduction to ice and snow sports: alpine skiing, cross-country skiing, short track speed skating, figure skating, etc., Writes about the charm of ice and snow sports, promotes the Olympic spirit, and the efforts made by the Chinese people to hold environmentally friendly and pure Winter Olympics, and demonstrates the development of national sports and the overall development of society through ice and snow sports.

"National Professor" Dai Jianye's new work for the beginning of 2022 - "Teacher Dai's High-Energy Tang Poetry Class", provides a passionate explanation of more than 80 representative works of more than 20 famous Tang Dynasty poets, and extended explanations of more than 100 poems. It is a wonderful presentation of nearly 40 years of painstaking research. From the first year of Emperor Wude of the Tang Dynasty to the early years of Emperor Xuanzong of the Tang Dynasty, the poetry circle of the early Tang Dynasty lasted for about a hundred years. From Wang Ji to Chen Ziang, from Yu Shinan and Shangguan Yi to Shen Quanqi and Song Zhiwen, many poets accumulated a lot of experience for the poetry of the prosperous Tang Dynasty from different aspects. Around the fifteenth year of Kaiyuan, Meng Haoran, Wang Wei, Li Bai, Du Fu, Cen Shen and others successively entered the poetry world. This was the "prosperity of Tang" in the country of poetry. The poetry of the Tang Dynasty became so brilliant that not only the Tang Dynasty but also Chinese classical poetry entered the golden age. Famous poets such as Han Yu, Bai Juyi, Liu Yuxi, Liu Zongyuan, Li He and Meng Jiao appeared in the poetry world of the Mid-Tang Dynasty, and the poetry world of the Mid-Tang Dynasty was still in full bloom. Even in the late Tang Dynasty, Du Mu, Li Shangyin, and Wen Tingyun emerged, and the poetry world at that time was still "the sunset is infinitely beautiful." If Li Bai and Du Fu in the prosperous Tang Dynasty were on Mount Everest, its majesty would shock people; in the middle Tang Dynasty, Bai Juyi, Han Yu, Liu Zongyuan, Liu Yuxi and others were on the mountainside of Mount Everest, and its colorful scenes are still very spectacular. And "Little Li Du" and others are at the foothills of Mount Everest, and its unique scenery is still fascinating. In short, this book will talk about the outstanding figures in Tang poetry and their representative works from the early Tang Dynasty, the prosperous Tang Dynasty, the middle Tang Dynasty to the late Tang Dynasty.

Is there an insurmountable boundary between irresistible destiny and self-choice? A set of documentary literature that explores life and life, with a total of 5 volumes, namely "The Dice Game", "The Lesson of Life", "Unfinished in This Life: New Edition", "Rebirth Notes" and "Broken Pens Between Sickness".

The set contains 6 volumes, namely "Harvard Nonfiction Writing Course: How to Tell a Good Story", "Writing a Good Story This Way" series, "Telling a Wonderful Story", and "Writing Courses for Children".

A landmark classic in the field of feminist literature. Susan Cuba, a well-known feminist scholar and co-author of "The Madwoman in the Attic", provides a 20,000-word introduction. A Room of One's Own is based on two lectures Woolf gave at Cambridge University in 1928. In 1929, Woolf combined the two speeches into one, entitled "Women and Novel", and published it in the American magazine "Forum". It was later published as a book under the title "A Room of One's Own", which caused a sensation. The style of "Room" is humorous, quirky, and full of quotations. It uses sharp words to interrogate the injustice and oppression of "women" as the second gender in legal and social history, and eloquently puts forward the importance of economic foundation and independent space to women's mental freedom. There is also a wonderful discussion on the idea that "great souls are androgynous". Woolf encouraged women to break the cage in their minds, bravely go to the outside world, cultivate free habits, and create to their heart's content.

This book is an ancient Chinese literature book that Mr. Yu Qiuyu selected, translated and interpreted after long-term consideration. He aims to lead contemporary readers to identify the great constellations in ancient literature. He hopes that readers can not only understand the original text with the help of translations and interpretations, but more importantly, they can resonate with the classic texts from a spiritual level and appreciate the unchanging literary heart and poetic soul. The selected articles include selections from the Book of Songs, "Li Sao", "Xiaoyaoyou", "Report to Ren'an", "Preface to the Orchid Pavilion Collection", "Returning Ci", "Preface to Sending Li Yuan Back to Pangu", "Preface to Yuxi Poems", "Autumn Sound Ode", "Red Cliff Ode", "Wenxin Diaolong" excerpts, as well as Tang poetry, Song lyrics and Song poetry chapters that are important to him. Except for Tang and Song poems, each article consists of three parts: original text, translation and interpretation. Mr. Yu Qiuyu pays special attention to the translation, because his modern translation is to explore the eternal aesthetic qualities behind the differences between ancient and modern words. He must not only match the original text in terms of language, rhythm, and charm, but also adhere to rigorous cultural theory. The book also includes Mr. Yu Qiuyu's handwritten calligraphy of famous classics, so that contemporary young people can experience the basic way of survival of ancient Chinese literature.

Dickinson is an extremely unique female poet in the history of world poetry. Her works have been continuously translated, introduced and read for more than a hundred years, and are often read and updated. The language of Dickinson's original poem is concise and profound, which places extremely high demands on the Chinese translation of his poems. The Motie Classic Edition of Dickinson's Poems is translated by the pioneer poet Wei Huan. It follows the translation of Dickinson's well-known and popular poems as a whole, and provides the majority of poetry lovers with a "friendly" and "fresh" selection of Dickinson's poems. Moreover, in order to meet the readers' needs for reading the original text, the new edition of Dickinson's Selected Poems uses bilingual content in Chinese and English.

Someone said: "There are weird and weird monsters in the world, and some of them are cute and cute." Are ghost and fox stories only charming and gorgeous or spooky and scary? Have you ever been frightened by the squeaky tiger aunt eating people's fingers when you were young? As you grow older, will you be frightened by the ghosts in the movie and become too scared to go to the toilet alone? It's time to put aside the stereotypes about ancient monsters! It turns out that the vixen clan also has a strict assessment and promotion system... It turns out that the most virtuous fox in Ji Xiaolan's works looks like this... It turns out that not all dragons are heroic and not short of money... It turns out that ancient coins can also become spirits... It turns out that the Lord of Hell, who is good at solving cases, likes to eat "CP"... It turns out that Thor's hammer can also fall... Three thousand worlds, humans, monsters, ghosts and gods, these three worlds are like a cauldron, in which love, hate, hatred and one or two interesting things are boiled.

In the endless dark night, everyone is a lonely little beast. Under the night, they take off the defense and armor of the day, and "Night Listening" is this gentle harbor, recording and listening to the moods, feelings, and stories of thousands of people, giving you endless tenderness and tolerance. Here, you can be less strong and less brave. This book will record our common experiences and different cities from the four major themes of self, emotion, life, and life, and describe the various tastes in life. All forms and phenomena in the world are gifts from life. With one heart and two people, three meals and four seasons, I would like to accompany you to heal the loneliness in the world and accompany you to love this warm and cold world. More than 50 million travelers meet on the planet "Yeting". If you desire, I will protect you; if you talk, I will listen. Good night, I'm here--

Is there an insurmountable boundary between irresistible destiny and self-choice? This book is a collection of speculative and interesting essays written by Chen Ximi, wife of Shi Tiesheng. As a continuation of the longing and thinking of "Let "Death" Live", the emotions become deeper and the thoughts more profound. The author constantly pursues and asks questions while reading, watching movies, traveling, etc., And deeply explores propositions such as love, destiny, art, and the meaning of life in the form of notes and novels. The light of deep emotions and wisdom shines between the lines, which is very contagious and inspiring. Through reading and writing, the author has conversations with great philosophers and writers in the history of thought; her keen and thorough thinking and clean language show her continuous spiritual growth and her increasing appreciation of life.

"Xiao Lin Guang Ji" is a collection of traditional Chinese folk jokes. The book uses humorous and easy-to-understand language to tell short stories about the warmth and warmth of the world and the world's sophistication, reflecting the true face of the harsh world and the interest of life. Most of the content of the book is taken from jokes in the Ming and Qing Dynasties, and some were modified and compiled by the editors themselves. This book selects the Qing Dynasty Game Master Edition, which is divided into twelve volumes, each with a prominent theme and unique style. However, considering that some of the content is relatively vulgar and affects the perception of today's readers, it has been deleted. Now eleven volumes are left for the readers.

"Changwu Zhi" is one of the important gardening documents in China. It contains a total of twelve volumes, among which volumes on houses, flowers and trees, water and stones, poultry and fish, fruits and vegetables are closely related to gardening theory and technology. In particular, the volume on water and stone describes the design of wide pools, small pools, and waterfalls in the garden, as well as the selection of Lingbi stone, Yingshi, Taihu stone, and Kunshan stone. It puts forward the argument of combining water and stone, which is unique. It can be seen that many of the contents explained in the book "Changwu Zhi" demonstrate the elegant life and aesthetic taste of the literati in the late Ming Dynasty.