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"Morning Blossoms Plucked at Dusk" is the only collection of memory essays written by Lu Xun. It was originally called "Revisiting Old Things". "Morning Blossoms Plucked at Dusk" was the name that Lu Xun later changed, and it has always been highly praised. "Chao" means the early years, and "Xi" means the old age, which means picking up flowers in the morning at night. This refers to Mr. Lu Xun's memories of people and things in his childhood, adolescence, and youth in his later years. The author said that these articles are "memories" "copied from memory". This book is a collection of Lu Xun's reminiscence essays written in 1926, with a total of ten essays. The first five articles were written in Beijing, and the last five articles were written in Xiamen.

"Morning Blossoms Picked Up at Dusk (Reading Masterpieces with You by Dou Guimei)" selects 10 of Mr. Lu Xun's beautiful, interesting and representative essays. It records the author's childhood life and youth study experience, recalls those unforgettable years, expresses the nostalgia for his former relatives, friends and teachers, and at the same time makes ruthless criticism and bitter satire of the dark reality. From these vivid words, we get to know a living Lu Xun and appreciate his fun, richness, grace and gentleness.

The work expresses the author's thorough and uncompromising spirit of opposing feudalism and is a mirror of China's revolutionary thoughts. The works mainly include subjects of farmers and intellectuals. The entire collection of novels runs through the concern for the peasants and intellectuals living under the heavy pressure of feudal forces who "sorrow for their misfortune and are angry for their inability to fight". The novel is set in a profound and broad historical picture, and the narration of the fate of the characters is filled with emotions.

This book includes articles such as "Reading at random", "To Yan Limin", "To Hu Shi", "To Zhang Tingqian", "So-called novels among the Song Dynasty and its aftermath", "Fourteen Years of "Reading the Classics"", "Reading the Classics and Reading History".

This volume includes Lu Xun's classic prose "Wild Grass" and "Picking Flowers in the Morning and Evening". Its prose is extremely ironic and enlightening, and it is a very profound chapter of enlightenment.

"Literature and Sweating\u002F The Complete Works of Lu Xun" contains representative works from Lu Xun's essay albums "Grave", "Hot Wind", "Huagai Collection", "Huagai Collection Sequel", "Just Collection" and "Three Idle Collections". Lu Xun's essays still have strong practical significance in modern times. In particular, his essays have had a profound impact on the emergence and influence of various critical styles in modern communication, the development of essay writing themes, genres, and methods, the free and creative contribution to the use of modern literary language, and the reverse use of imaginative thinking and the combination of positive and negative.

In order to commemorate the 100th anniversary of the publication of Lu Xun's novel "Blessing", authorized by the Lu Xun Museum in Beijing, this time the "My Silence is Deafening" illustrated series of selected works of Lu Xun (including novels, essays, essays, and biographies) is released, which for the first time includes Lu Xun's collection of woodcut prints, Lu Xun photos and other precious images. "Morning Blossoms Plucked at Dusk: The Complete Works of Lu Xun's Prose" is an illustrated prose book in the "My Silence Is Deafening" series of selected works of Lu Xun. Among them, "Morning Blossoms Plucked at Dusk" (1926) has a total of 10 articles, "Wild Grass" (1927) has a total of 23 articles, and "A Book of Two Places" (1934) has a total of 3 volumes. The selected prose in this book was edited by referring to the 1936 edition of "The Complete Works of Lu Xun" (first edition) and the November 2005 edition of "The Complete Works of Lu Xun" published by People's Literature Publishing House. In order to retain the essence of the original work to the greatest extent, the Tongjia characters and Lu Xun's customary characters throughout the book are still completely retained. Other foreign names, place names, etc. Also retain their original translations without modification. At the same time, in order to facilitate reading, necessary annotations are made on the names of people, places, works, important events, etc. In the book.

"New Stories" contains 8 novels and 1 preface written by Mr. Lu Xun from 1922 to 1935. "New Storytelling" mainly takes mythology and Chinese history as its themes, "only takes a few reasons and touches them randomly", "intricately blends ancient and modern times", and is rich in imagination and quite subversive. In addition to "New Stories", this book also includes Mr. Lu Xun's collection of prose poems "Wild Grass", which more completely, more concentratedly and richly reflects the ideological and artistic panorama of Mr. Lu Xun's life works.

"Morning Blossoms Plucked at Dusk" is a collection of Lu Xun's retrospective essays. It is a well-known collection of essays and a collection of essays that is like a good teacher and helpful friend. Although "Morning Blossoms Plucked at Dusk" is not just written for children, it also writes many things about children, which makes it interesting to read. And as we grow older, we can always read different flavors from it. This is the charm of Lu Xun's works. This book is Lu Xun's recollection of different life experiences in his childhood, adolescence and youth. Girls with first love, female college students... For the author, some of them he has interacted with, some he has read in books, some he has heard of, and some he has imagined. They all left a deep mark on the author's life. In the author's eyes, they are all the most tempting mysteries, the most beautiful poems, and "Dante's women"

"Wandering" is a collection of short stories by Mr. Lu Xun, which was written during the period when the new culture camp was divided after the "May 4th Movement". It turns out that among those who participated in the New Culture Movement, "some retired, some were promoted, and some advanced." Lu Xun was as "lonely" and "wandering" as a wandering warrior unable to form a formation. On the title page of "Wandering", he quoted a poem from "Li Sao": "The road is long and long, and I will search up and down."

The pioneer and most important work of modern Chinese vernacular novels, it is a very good collection of novels written by Lu Xun. A cry from the iron house, a textbook recommended for self-examination by Chinese people, and a classic that analyzes the Chinese people with sharp writing. Lu Xun was ahead of his time, and his works were a thorough interpretation of the Chinese psychological model and folk customs. Today, when we read Lu Xun, it has even more profound significance. It shows the simple beauty of words.

This book contains two classic works by Lu Xun, "Diary of a Madman" and "Hot Wind". "Diary of a Madman" is the first short vernacular diary novel written by Lu Xun and the first modern vernacular novel in China. It was written in April 1918. This article first appeared in the monthly magazine "New Youth", Volume 4, Issue 5, May 15, 1918, and was later included in the collection "Scream". "Hot Wind" refers to a collection of essays written by Lu Xun from 1918 to 1924. At that time, China was in its darkest era, and many people with lofty ideals and benevolence were exploring the root causes of social ills. There was ruthless indifference and affectionate irony in the cultural circles.

--Adapted from "A Taoist Friend of Mine" His disaster is destined to come, and he just wants to have a good love, but as everyone knows, she is his disaster...

"A Brief History of Chinese Novels" was originally Lu Xun's lecture notes on the history of Chinese novels at Peking University, with a total of twenty-eight articles. It was written in 1924 and published by Beijing Beixin Book Company in 1925. This book is the first monograph on the history of Chinese novels compiled by Mr. Lu Xun. The book has a total of twenty-eight chapters, describing the occurrence, development, and evolution of ancient Chinese novels, starting from myths and legends and ending with condemnation novels in the late Qing Dynasty. This book has a rich collection of materials and collected them carefully. It analyzes the thought and art of the novels of the past dynasties with concise words and accurate judgments. It is a landmark classic work in the 20th century.

The single volume of "The Complete Works of Lu Xun" is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Our publisher launched 24 categories in 1973, including only novels and essays. In 2006, our company launched a new edition, this time adding diaries and letters, totaling 29 types. There are four volumes of Lu Xun's letters, including the author's diaries written from October 8, 1904 to before his death. These diaries were collected by Lu Xun and published by Xu Guangping as "Lu Xun's Letters".

A collection of printmaking works compiled by Lu Xun. In early 1936, printmaking exhibitions organized by the Soviet Association for Foreign Culture were held in Nanjing and Shanghai. Lu Xun received strong support and wrote an introduction. Lu Xun later accepted the invitation to edit and publish these prints, and wrote the preface himself. He said: "I feel that none of these authors are chic, elegant, smart, and exquisite. They are all like the incarnation of the vast black soil, and sometimes they seem cumbersome. Since the October Revolution, the pioneering masters endured hunger and cold, and persevered in developing this field with a large mirror and a few knives. Although it has been copied this time, the outline is still there. We can see that any of the paintings are not solid, sincere, or tricked. " Therefore, he hopes that the publication of this collection will have a good impact on Chinese readers, and not just express the artistic achievements of the Soviet Union.

"Morning Blossoms Plucked at Dusk" is the only collection of memory prose written by Lu Xun, and is a model of modern memory prose. It consists of ten essays, which relatively completely records Lu Xun's life experience and growth path from childhood to youth. On the basis of recalling the past, Lu Xun violently criticized the social phenomena at that time, making it highly realistic. From these articles, we can gain a perspective on life at the end of the Qing Dynasty and the beginning of the Republic of China, and understand the social landscape at that time.

In order to commemorate the 100th anniversary of the publication of Lu Xun's novel "Blessing", authorized by the Lu Xun Museum in Beijing, this time the "My Silence is Deafening" illustrated series of selected works of Lu Xun (including novels, essays, essays, and biographies) is released, which for the first time includes Lu Xun's collection of woodcut prints, Lu Xun photos and other precious images. "Collected Essays of Lu Xun" is an illustrated volume of essays in the "My Silence Is Deafening" series of selected works of Lu Xun. The selected essays in this book are edited by referring to the 1936 edition of "The Complete Works of Lu Xun" (first edition) and the November 2005 edition of "The Complete Works of Lu Xun" published by People's Literature Publishing House. In order to retain the essence of the original work to the greatest extent, the Tongjia characters and Lu Xun's customary characters throughout the book are still completely retained. Other foreign names, place names, etc. Also retain their original translations without modification. At the same time, in order to facilitate reading, necessary annotations are made on the names of people, places, works, important events, etc. In the book.

As a "note of memories", this collection reflects the author Lu Xun's teenage life in many aspects, and vividly reflects the formation of his character and interests. The first seven chapters reflect his childhood life in his family and private school in Shaoxing, and the last three chapters describe his journey from his hometown to Nanjing, to Japan to study, and then back to China to teach. They reveal all the ugly and irrational phenomena in semi-feudal and semi-colonial society. They also reflect the difficult journey of aspiring young intellectuals in seeking light in the dark night of old China, and express the author's nostalgia for his former relatives, friends, and teachers. The anthology is mainly narrative, full of strong lyrical flavor, often mixed with discussion, so that lyricism, narrative and discussion are integrated into one, beautiful, harmonious, simple and touching. The works are poetic and picturesque, interspersed with humor and allegory from time to time; the images are vivid, the style is clear, and they have strong appeal.

"New Stories" contains eight short stories written by Mr. Lu Xun between 1922 and 1935 based on ancient myths and historical legends. It was first published by Shanghai Cultural Life Publishing House in January 1936 and listed as one of the "Literature Series" edited by Ba Jin. "New Story" is different from "The Scream" and "Wandering" in terms of material selection and writing method. Mr. Lu Xun himself believed that this was a collection of "myths, legends and historical facts".

"Wandering" contains 11 novels written by the author from 1924 to 1925. It was first published by Beijing Beixin Book Company in 1926 and listed as one of the "Wuhe Series" compiled by the author. "Wild Grass" contains 23 prose poems written by Lu Xun in Beijing from September 1924 to April 1926 and one "Inscription" written when compiling the collection in 1927. It can be said that the author's lifelong philosophy is contained in "Weeds".

"Second Collection of Qiejieting Essays" contains 48 essays written by Lu Xun in 1935. They were works created when Lu Xun lived in the semi-concession area of ​​Shanghai. The stand-alone version is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

The collection of novels truly depicts the social life from the Revolution of 1911 to the May 4th Movement. Starting from revolutionary democracy, with the purpose of enlightenment and the spirit of humanitarianism, it reveals various deep-seated social contradictions, conducts a profound analysis and relatively complete negation of the old Chinese system and some outdated traditional concepts, and shows a strong sense of worry for the survival of the nation and a strong hope for social change. "The Scream" is the beginning and maturity of modern Chinese novels, and pioneered modern realist literature.

This book is a collection of poems and essays that were not included in Lu Xun's essays published before 1933. It was published by Shanghai Qunzhong Book Company in May 1935. The stand-alone version is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

"New Stories" is a collection of short stories written by Mr. Lu Xun based on ancient myths and historical legends. It is Lu Xun's last innovative work. Five of the eight stories in it were written in the last period of Lu Xun's life. Facing the threat of death, being in internal and external difficulties, and suffering from physical and mental exhaustion, the overall style of "New Stories" shows unprecedented calmness, abundance, humor and freedom. Mr. Lu Xun himself believed that this was a

This book is one of the most important collections of prose by Mr. Lu Xun and enjoys a high reputation in the history of modern Chinese prose. It contains a total of twelve works including "From Baicao Garden to Sanwei Bookstore", which describes the author's childhood life and study process in his youth, expresses his nostalgia for his former relatives, friends and teachers, and mocks the reactionary and conservative forces in the narration and discussion. It is a beautiful prose treasure based on memories and written with skillful literary techniques. It has been loved by generations of readers, especially young readers.

As a "note of memories", this collection reflects the author Lu Xun's teenage life in many aspects, and vividly reflects the formation of his character and interests. The first seven chapters reflect his childhood life in his family and private school in Shaoxing, while the last three chapters describe his experience of traveling from his hometown to Nanjing, to Japan to study, and then back to China to teach. They expose all kinds of ugly and unreasonable phenomena in semi-feudal and semi-colonial society. They also reflect the difficult journey of aspiring young intellectuals in seeking light in the vast darkness of old China, and express the author's nostalgia for his former relatives, friends, and teachers.

"The Scream" collects short stories written by Mr. Lu Xun from 1918 to 1922. It is the beginning and maturity of modern Chinese novels, and pioneered modern realist literature. For readers who like Lu Xun's works, this book is a must-read. The book vividly creates a number of immortal artistic images such as Madman, Kong Yiji, and Ah Q. It profoundly reflects the current situation of life from the end of the 19th century to the 1920s, effectively exposes and lashes out the old feudal evil forces, expresses the author's desire for change, shouts for the times, and hopes to awaken the minds of the people. It also establishes Mr. Lu Xun's current position in the history of modern Chinese literature and modern culture. The collected works reflect the appearance of China's ancient rural villages and towns from before and after the Revolution of 1911 to the "May 4th" period, depict the social reality of China from before and after the 1911 Revolution to the "May 4th" period, summarize the historical experience and lessons of the 1911 Revolution, profoundly expose the cannibalistic nature and hypocrisy of the feudal patriarchal system and feudal ethics, painfully dissect the silent soul of China's citizens, and criticize the bad nature of the people.

This book collects Mr. Lu Xun's essays written in different eras and in different styles, including 12 essays in "Grave", 10 essays in "Huagai Collection", 5 essays in "Jijiji", 6 essays in "Sanxian Collection", 6 essays in "Zhunfengyuetan", 11 essays in "Collection of Nanqiangbei Diao", and "Essays of Qiejieting". 9 Articles, 5 "Lace Literature", 12 "Qiejieting Essays Collection Two", a total of 76 essays, roughly arranged in the order of publication time, fully displaying Mr. Lu Xun's creative style and cultural heritage in different periods, and truly showing Mr. Lu Xun's thoughts and style.

The collection of Lu Xun's essays includes: Refeng, Sanxian Collection, Nanqianbei Diao Collection, Pseudo Free Letters, Quan Feng Yue Tan, Qie Jie Ting's Essays, Two Collections of Qie Jie Ting's Essays, The Last Collection of Qie Jie Ting's Essays, Collection Outside Collection, Tomb, Huagai Collection, Huagai Collection Sequel, Erxin Collection, Already Collection, and 15 volumes of lace literature.

This book is the eighth volume compiled based on the collection of Chinese writer, thinker and revolutionary Mr. Lu Xun, including "Collection and Supplements to Collection" and other works.

"A Brief History of Chinese Novels" is China's first monograph on the history of novels. The book provides an incisive discussion of Chinese novels from ancient mythology to condemnation novels in the late Qing Dynasty. It summarizes the historical development and achievements of Chinese novels. It is a landmark academic work. Even Mr. Hu Shi gave it a high evaluation, saying that it "is a pioneering creation, with diligent collection, excellent materials, and rigorous editing" (Hu Shi's "History of Vernacular Literature"); Mr. Guo Moruo even compiled "A Brief History of Chinese Novels" and Wang Guowei's "History of Opera in the Song and Yuan Dynasties" was hailed as "a pair of gems in the study of Chinese literature and art history" and believed that what the two engaged in was "not only pioneering work, unprecedented, but also an authoritative achievement that has been leading millions of later students."

"Morning Blossoms Plucked at Dusk" is Lu Xun's only collection of retrospective essays, originally titled "Revisiting Old Things". It is a text written by Lu Xun recalling different life experiences and experiences in his childhood, adolescence and youth. He wrote a lot about children and teenagers, which was very interesting to read. The whole book is composed of "Xiaoyin", "Dog·Cat·Rat", "Ah Changyu", "Twenty-Four Pictures of Filial Piety", "Five Rampant Meeting", "Impermanence", "From Baicao Garden to Sanwei Bookstore", "Father's Illness", "Miscellaneous Notes", "Mr. Fujino", "Fan Ainong" and "Postscript".

This book is the seventh volume compiled based on the collection of Chinese writer, thinker and revolutionary Mr. Lu Xun, including "Collection of Collections", "Collections of Collections" and other works.

"Diary of a Madman: The Complete Novels of Lu Xun" includes all the novels in "The Scream", "Wandering" and "New Stories", a total of 33 articles. These novels mostly describe the tragedies of ordinary people at the bottom of society. Lu Xun used his dagger-sharp writing style to criticize the "numb souls of the Chinese people", hoping to alert the world. The themes of Lu Xun's novels are mostly anti-feudal, anti-ethical, anti-tradition, and anti-superstition. He is good at creating typical images and satirizing the dark sides of characters. Most of the stories are set in his hometown. The protagonists of the novel, Ah Q, Sister Xianglin, Kong Yiji, and Runtu, are well known in China.

"Wild Grass" includes 23 prose poems written by Lu Xun in Beijing from September 1924 to April 1926 and one "Inscription" written when compiling the collection in 1927. "Weeds" runs through serious self-dissection and unremitting ideological exploration. Its artistic features are distinctive - symbolic and metaphorical techniques, rich imagination and strange conception.

In October 1936, Mr. Lu Xun passed away in Shanghai. Mr. Lu Xun's Memorial Committee compiled and printed the first edition of "The Complete Works of Lu Xun" after Lu Xun's death in order to "expand the influence of Lu Xun's spirit, awaken the soul of the country, and strive for light." "The Complete Works" is edited and edited by the Lu Xun Memorial Committee chaired by Cai Yuanpei. The editorial members include Cai Yuanpei, Ma Yuzao, Shen Jianshi, Mao Dun, and Zhou Zuoren. The general catalog of "The Complete Works" is based on the catalog of writings personally designated by Lu Xun, with the addition of translations, and strives to have roughly the same number of words in each volume. The whole book is roughly divided into three parts: creation, editing of ancient books, and translation. The contents of each part are arranged in chronological order. The book has a total of more than six million words and is divided into twenty volumes. It was officially published and distributed in June 1938. This publication is based on the 1938 edition of "The Complete Works of Lu Xun".

The "Supplement to the Collection of Collections and Supplements" includes the lost articles that have been discovered after the publication of the "Collection and Collection of Collections" compiled by Xu Guangping in May 1938. Advertisements, notices, corrections, etc. Are compiled into Appendix One; those recorded from other people's works are compiled into Appendix Two. The single volume of "The Complete Works of Lu Xun" is a popularized reading version based on the compilation of "The Complete Works of Lu Xun".

"Morning Blossoms Plucked at Dusk" is a collection of essays by the modern writer Lu Xun. It contains a total of 10 memoir essays written by Lu Xun in 1926. Among them, the first five were written in Beijing and the last five were written in Xiamen. Initially, "Revisiting Old Things" was published successively in the bimonthly magazine "Wangyuan". In July 1927, Lu Xun added "Xiaoyin" and "Postscript", compiled and published them, and renamed them "Morning Blossoms Plucked at Dusk". "Morning Blossoms Plucked at Dusk" is Lu Xun's work of recalling the past. It uses life experiences in his youth as clues and combines narration and discussion, memories and reflections, lyricism and satire. It narrates a set of his life experiences from rural to urban, from family to society, and from domestic to foreign countries. It expresses his nostalgia for his past relatives, friends and teachers, and at the same time mocks and criticizes the old forces and culture. At the same time, this book also includes Mr. Lu Xun's classic prose essays, including "Autumn Night", "In Memory of Mr. Liu Hezhen", "On the Fall of Leifeng Pagoda" and other classics. These works have distinctive artistic features and clear distinctions between love and hate. The ideas in them can transcend history and time and space, and they still have irreplaceable important inspiration and value for us today.

"The Scream" is Lu Xun's first collection of short stories. The work truly depicts social life from the Revolution of 1911 to the May 4th Movement. Starting from revolutionary democracy, with the purpose of enlightenment and the spirit of humanitarianism, it reveals various deep-seated social contradictions, conducts a profound analysis and relatively complete negation of the old Chinese system and some outdated traditional concepts, and shows a strong sense of worry for national survival and a strong hope for social change. "Morning Blossoms Plucked at Dusk" is Lu Xun's first collection of retrospective essays. "Morning Blossoms Plucked at Dusk" describes Lu Xun's life from childhood, adolescence to youth. It is full of childlike interest and the writing is fresh and beautiful. It is one of Lu Xun's few classic works that is extremely suitable for young readers.

This book is the fifth volume compiled based on the collection of Chinese writer, thinker and revolutionary Mr. Lu Xun, including works such as "Pseudo Free Letters", "Quasi Feng Yue Tan" and "Lace Literature".

This book is the twelfth volume compiled based on the collection of Chinese writer, thinker and revolutionary Mr. Lu Xun, including "Letters (1927-1933)" and other works.

This book is the thirteenth volume compiled based on the collection of Chinese writer, thinker and revolutionary Mr. Lu Xun, including "Letters (1934-1935)" and other works.

The book "Miscellaneous Talks on Chinese Studies" mainly includes Mr. Lu Xun's thoughts on the current situation of the literary field and the literary and art world in vernacular essays, essays, and some interviews. Judging from the writing, Mr. Lu Xun's research on Chinese studies seems to focus more on the verification of his own problems while chewing alone. In the book, starting from the rebirth of Chinese language and ending with the historical changes of Chinese novels, Mr. Lu Xun talked about the crisis of essays, the so-called "Chinese Studies", the so-called novels among the Song Dynasty folk and their later generations, as well as the outline of the history of Chinese literature, etc. Through this series of discussions, readers can follow Mr. Lu Xun's perspective and experience the changes in the development of Chinese studies in a more three-dimensional way, as well as Mr. Lu Xun's literary creative attitude and wandering reflection process. In addition, famous literary works in the history of Chinese literature are used as a longitudinal explanation to discuss the development of Chinese literature more clearly.

During the Republic of China, the situation was changing, scholars emerged in large numbers, and academic masterpieces emerged one after another. This collection of 100 volumes of classics is intended to contribute to the revival of Chinese culture and help all people read.

"The Complete Works of Lu Xun's Novels" includes all the novels in "The Scream", "Wandering" and "New Stories", a total of 33 articles. These novels mostly describe the tragedies of ordinary people at the bottom of society. Lu Xun used his dagger-sharp writing style to criticize the "numb souls of the Chinese people", hoping to alert the world. The themes of Lu Xun's novels are mostly anti-feudal, anti-ethical, anti-tradition, and anti-superstition. He is good at creating typical images and satirizing the dark sides of characters. Most of the stories are set in his hometown. The protagonists of the novel, Ah Q, Sister Xianglin, Kong Yiji, and Runtu, are well known in China.

Inspiration strikes... Writing in a hurry... Don't spray if you don't like it... Thank you for your patronage

As the founder of my country's new literature, Mr. Lu Xun also had extremely in-depth and systematic research and unique viewpoints on my country's classical literature. He once planned to write "History of Chinese Literature", but unfortunately it failed to be realized due to various reasons. The only thing left was this "Outline of the History of Chinese Literature". The book was originally a handout compiled by Lu Xun when he was teaching a course on the history of Chinese literature at Xiamen University in 1923, titled "A Brief History of Chinese Literature"; it was used again the following year when he was teaching the same course at Sun Yat-sen University in Guangzhou, and was retitled "An Outline of the History of Ancient Chinese Literature". It was not officially published during the author's lifetime, but was renamed when it was compiled into "The Complete Works of Lu Xun" in 1938. Also included is Lu Xun's article "The Relationship between Wei and Jin Styles and Articles, Medicine and Wine".

This book is the first short vernacular diary novel written by Lu Xun and the first modern vernacular novel in China. Through the image of the persecuted "madman" and the "madman's" self-narrative description, the novel reveals the "cannibalistic" nature of feudal ethics and expresses the author's resistance to Chinese feudal culture with feudal ethics as the main connotation; it also expresses the author's profound sense of repentance. The author conducted a profound reflection on Chinese culture from a thorough "revolutionary democratic" standpoint, and at the same time expressed deep concern and indignation about the future of China and even mankind.

"New Stories" is a collection of short stories written by Mr. Lu Xun based on ancient myths and historical legends. On the basis of "extensive research on literature", the teacher "takes some reasons and adds them at will". It makes the story lively, interesting and highly imaginative. Read "New Stories" and let Lu Xun help you look at tradition in a different light!