The Grand Architect

Who do you want to save the people who set up the world in the cracks? I actually don't know what Yao Guang wants, a love that will never betray, a solid support or a stable life. His mental illness was like a bottomless pit, draining away his emotions while also dragging down my thinking. This book seems to be very controversial, so let me talk about some false and empty thoughts after reading it: On the surface, "The Master of Settings" is a world where "settings are rules and creation is truth", but deep down it is actually a story about the painful process of mental breakdown, identity dislocation, unequal love and creation. Every change in settings not only reshapes the logic of the world, but also dissolves the boundaries of the creator himself. He writes about the creation of the world, about his beloved love, and he is also writing about a person's struggling desire after being swallowed up and self-dissolved. In the world written by Yao Guang, it seems that Yao Guang controls the overall situation and sets the rules. However, I feel that this kind of creation is not purely a symbol of power and dominance. Xiao Fei's creation of Yao Guang is instead a kind of self-mutilation self-relief that he is forced to undertake. Every writing of a setting is Yaoguang's own attempt to drag his chaotic life into another chaotic world to find order in his heart. It is not an act of creation performed by a rational person out of faith or ideas, but a support for a soul whose mental state or real life is on the verge of collapse to prevent himself from being completely shattered. Writing is more than just expression, it is more like a tool for suturing wounds and recording scars after an injury. Xiaofei Ge's Yaoguang, with deep disappointment in the real world, returns to the paper and constructs a world that he can control, understand, and write the ending. Even if the world always bites him, he still can't stop writing new settings. Because his love, his demands, and his confusion can only be satisfied by another world decided by him. All the collapse and reshaping of the world in Yao Guang's works are essentially concrete manifestations of his mental state, such as self-denial and emptiness of value. The logic in his writings cannot be self-consistent, and he cannot reconcile with himself deep down in his heart. He hates both the world and himself. Brother Xiao Fei does not shy away from writing about Yao Guang's pathology, talking about his paranoia and alienation, his inability to empathize, and his playing with the world. I think Yao Guang's obsession is an uncontrollable compulsion, and his obsession with order is an attempt by people with extremely uneasy boundaries to control a destiny that is beyond their control. He didn't believe that the world could love him, tolerate him, and tolerate his desire for love. The world created by Yaoguang is a mirror image of his own soul, a fulfillment of what he lacks most, so he is destined to be unable to escape his own curse from the setting. The love between Yao Guang and Long Jianlu in Brother Xiao Fei's novel is never equal, but it is inseparable. Yaoguang longs to be loved, but doesn't trust love either. So he refused to confess and tried to control love as a higher-dimensional creator. He thought he was protecting love, but in fact he was eroding love and destroying trust. This unequal love is not a tragedy deliberately created by Yao Guang, but the only way of intimacy that he can understand as a psychologically distorted person. He couldn't believe that a person would stand by him unconditionally, so he set up relationships, feelings, and who loved whom more in advance. He is a writer, constantly rewriting the script just to prevent himself from being too passive in love. But this kind of controlling love will eventually destroy love itself: the more settings there are, the less freedom there is, and the more perfect the script, the less real it is. What Yaoguang wants is not a submissive character, but someone who truly understands him and is willing to catch him. But he couldn't believe that such people existed in the world. So he keeps creating lovers, but he is also constantly lonely. Regarding the title of this book, I have thought of something, so I will write a little bit together: Regarding setting, creation and creation, Yaoguang, as a high-ranking god, is not great, but desperate. The setting is creation, but creation is not a game of gods, but the desperate resistance of a broken soul. I actually feel that Brother Xiaofei's setting logic is actually very clear. As we get to a later stage, we can feel that what he deeply laid out is the original sin of the creator: you can create, but you cannot save. Sometimes I doubt my brother's mental state when he wrote this book, as if he is telling us and warning ourselves in an extremely delicate and cruel way that the person who wrote the setting is not God, but thinks of himself as God. Just like Yao Guang wrote about this world because reality did not give him a place to stay. The reality was too cold, chaotic and uncontrollable, so he would rather drown in his own world than be swallowed up anonymously in reality. Yaoguang is not a great man, he is pathologically selfish, cowardly and will run away. He only creates in order not to collapse. He has mental illness, he is creatively fatigued and emotionally unbalanced. He is not a responsible executor of his own absurd and chaotic life. He runs away from his friends, and even lies to his lover to stay on top. He is so imperfect, but even so, I still love him very much after reading... He collapses, he is hysterical, he fantasizes about being loved, and he longs for the right track in life, even if the way he is given is indifference, control, or paranoia. He does not have a noble ideal personality and is not the invincible protagonist in Xiaofei Ge's works. He is just a man groping in the dust who got a little privilege by chance, ordinary and special. I like his contradictions, his entanglements, and his struggle between love and hate. To me, I feel that the ending of Volume 4 is a bit rushed. In my heart, Yao Guang's life is far from over. I am willing to watch him sink again and again, and I am also willing to pray for him again and again: Yaoguang, I hope that the setting you finally write is not a refuge, but a world that can truly set you free. I believe you will get the truth in your writing and truly believe in those loves. I also believe that Longjianlu will make you, an unconfident child, confident and inconsistent, allowing such a desperate soul to once again surrender its paranoid control to believe in others. The above is probably me, a Yaoguang mother fan, with full selfish thoughts and best wishes for his life.

The real great designer is Hidden himself - the setting of causing Yaoguang to lose his memory in the first world is the most outstanding setting in my opinion. My first thought was that to increase readers' favorability towards Yaoguang, it is important to have people's preconceived impressions, because liking this character will increase their tolerance for this character. Later in the process of reading the article, I saw a lot of debates about remote lights. I have to admit that I felt uncomfortable reading it at the time, and felt that my love for it was being worn away. At this time, I lamented the brilliance of amnesia in the first world, and I thought so until the end. But after reading it for a long time, I suddenly realized that the following may be my over-interpretation. When Yao Guang lost his memory, he showed a character and way of doing things that were easy to like. Is this his nature? As for the so-called character collapse and OOC later, it was done by superimposing his memory and the identity of the Creator God. His past created his present, created his illness, and thus created what happened later. This is actually a process of character enrichment, not collapse, because the answer to many people's struggles has been given at the very beginning: without memory and past, Yaoguang would be the kind of person everyone likes. But he is a real person and he cannot live without his past. Many times when watching fast-forwarding, the character descriptions of the initial world are very brief. More often, it is just a character setting, and then you are thrown into various worlds. In fact, if the whole world caused Yao Guang to lose his memory, it would definitely not be like this, and there would not be these arguments, but he did not choose to write like this. I want to expand on why I feel uncomfortable in the third world. In fact, the most unacceptable thing to me is the massacre of the city. Because even if you are watching it as an NPC, it is obviously different from playing a game. This is true time travel, and the people you encounter around you are not the two-dimensional images that are definitely not human, but the appearance of real people. A life is very, very important. Even if you know it is all fake, can you really attack a creature that looks like a human being? I felt an instinctive sense of rejection, let alone a person from the same city. The last time I wrote this, I felt very uncomfortable and stopped writing this long review. But tonight, I suddenly felt relieved and wanted to come back and finish writing. I don't want to expand on the content of this paragraph anymore, because I should admit my partiality and partiality towards Fluctlight. Analyzing the so-called controversial content of 10,000 words is just for self-dissolution. It is not what I really want to express. It is just superficially good-looking. Yes, this is such a simple and easy-to-understand truth. I want to say that if I have a windfall, I will not do bad things, but I will not do good things either. I will only satisfy my own desires: buy, buy, buy. I would say if I had the power to take over the world... I'm not really sure what I would do. It is very undesirable and terrifying for an ordinary person to gain such authority. If you add this to the fact that this is a virtual world, take a deep breath, I can only say I don't know. And what if I lose everything! Losing my memory, losing my identity, losing my psychological problems... I am certain that I will never be able to do better than the Fluctlight of the first world. I already understood in my heart that fickle light that was full of anger, sadness and despair. I believe that people have their own nature. Even if twins grow up in the same environment, their personalities will develop differently. I want to say it again for Fluttering Light, if he loses all his past and memory, and does not have the authority to create God, he will be a person like the first world. That is his nature. Reading this article is actually like the process of getting to know someone. No matter who they are, as long as they are not deliberately leaving evil thoughts on the other person, they will always retain their best and most perfect impression when they meet for the first time. It's not until we start in-depth communication and get to know each other that we can know which parts of that first impression are paintings and which are engraved. If the relationship is deeper and begins to involve the past and negative emotions, it is difficult to say that it is a pleasant exchange, but it does represent a more intimate relationship and gives the other party the authority to hurt themselves. Many people don't understand the so-called "violence in the family". In fact, this is very normal. Who has not had family conflicts (extreme family behaviors are not discussed here)? Because of understanding, it is easier to be stabbed, and it is easier to stab people who understand. People with psychological problems are like having a child in their hearts, a sad child, an angry child, a painful child. There is no way to eliminate children. They do exist there and will continue to demand. Internalization means stabbing themselves, and externalization means stabbing others. Fluctlight couldn't help it, his child kept screaming. His past is inseparable from his current life, and his mental state is inseparable from his choices. If you accept him as a person, a patient, you have to accept his past, his psychological problems, everything about him. This is exactly what Long Jianlu did. He is very powerful. He is not a piece of paper. Only a real person of flesh and blood can embrace and accept another person. He is very concrete. His mental journey is so concrete and moving.

This is not a commercial book, the characters are controversial, and it is considered unpopular among the hen books. I rarely see people recommend it, but I really like [crying] Hen's observation of mental illness is very detailed. Thank you Hen for presenting it and giving such a romantic ending [Rose] I hope the hen will continue to lay eggs until he is 99 years old.

That's amazing... You have to be the one to make the fertile field. I really want to watch Genesis now.

After reading it, I think it's okay. Why does Long love Yaoguang so much? Because that's the setting. The writer imagined a lover and it became reality.

Although it is a fantasy and beautiful story like The Little Match Girl, I really shed a lot of tears for this book. I haven't felt so sad for the character in a novel in recent years.

Feitian, you are really good at writing and dare to write, you know?

This book doesn't feel good. I don't know why, but I couldn't read it, even though I read it intermittently.

This article is so beautiful and I enjoyed reading it!

Finished spreading flowers! Good looking! Yao Guang continues to grow in his own story, and the young couple will always be happy [Kiss]