I'm the Best at Being a Lovesick Fool!

After Lou Gan, the interstellar God of War, perished alongside the Insect Queen, the System chose her to become the doomed beloved of various male supporting characters in an old-school Mary Sue novel.

Her mission is to turn the beloved into a lovesick female supporting character, and drive the male characters' affection for them down to -100.

According to the System, readers these days love sweet romance and absolutely cannot stand the heroine's man being ambiguous with other women.

The System reviews Lou Gan's life as a human weapon and feels very reassured: You can do this. You have no idea what being ambiguous even means.

Lou Gan recalls her past life, sacrificing herself for the people, and feels immensely proud: I can do this. I'm the best at being a lovesick fool.

Everything is going well. The first male supporting character's affection steadily drops, and the System is confident in Lou Gan, so it leaves behind a submodule while its main body slips away to pursue a side hustle.

A year later, the System returns and nearly crashes on the spot.

The original heroine, who should have been proud and haughty, has become a scheming, spiteful jealous type. But the people she targets aren't Lou Gan: they're the first, second, and third male leads.

Lou Gan, who should have faked her death several times, is calmly surrounded by admirers. She raises a hand to greet the System: Things have changed, but it's no big deal. Their affection is still at -100.

The System stares in horror at the first, second, and third male leads, all looking deeply in love despite their "-100 affection," and investigates the affection submodule overnight. Its data is a complete mess.

It discovers that the affection values are displaying backward.

Positive values are showing as negative, and negative values as positive.

So an affection score of -100 actually means positive 100.

The System asks Lou Gan: Now that things have come to this, would you like to be the heroine?

Lou Gan calmly holds her sword to the System's neck: Send me home. You deceived my feelings.

The System looks at the male supporting characters, who have turned from male gods into lovesick fools, and nearly cries: Who the hell deceived whose feelings here?

Theme: Negative emotions are an important part of being human