A slightly crazy, notorious actress x a seductive, icy, upright director
Newcomer actress Zhou Siyou is gorgeous, arrogant, and tactless. She's known as the entertainment industry's resident contrarian.
She once managed to get three digits' worth of words muted during a single hour-long livestream.
But then she meets Zhong Qing, and the contrarian is completely subdued, unable to put up the slightest fight.
*
Everyone thinks Zhou Siyou and Zhong Qing met on the red carpet at the end of the year.
A notorious actress who arrogantly plays second fiddle, and a newly acclaimed director basking in glory.
When they look at each other, their eyes are calm, distant, and unfamiliar.
They pass each other in an instant.
For no reason, Zhou Siyou thinks of many years ago, when Zhong Qing took her truant from school.
The gentle girl stands beneath slanting tree shadows, summer light dancing across her dark hair.
Zhong Qing smiles at her and says, "Jump down. I'll catch you."
*
A cramped, illusory dream. The colorless truth of who we are.
*
Many years into their relationship, Zhou Siyou finds a camera and a diary in Director Zhong's study.
Only then does she understand what she means to Zhong Qing.
She is the photos that could never be sent and the shell necklace that could never be given, the three calls that couldn't be made on a snowy Christmas night, and all the "I'm sorry"s that could never be conveyed.
She is the young love that wanted to reach out, only to pull back, hundreds of millions of times.
"Zhou Siyou will always be my best leading actress."
*
Another modern-day story: The Thorn Birds. Canary/Black Swan x a cool, frail, crazy beauty
At the start of the new year, the South of France Film Festival comes to an end.
Xun Yan stands at the top, holding the Best Actress trophy, her smile bright and carefree.
She debuted at eighteen, won the domestic Golden Image Award at twenty-two, and joined the world's elite at twenty-six.
The whole world witnessed her transformation from a thorn bird into a black swan.
But few people know that at fifteen, she once begged a woman for a chance to survive.
That woman was Song Tingxue.
*
The moment Xun Yan enters the film festival banquet, she draws every eye.
The other focus of the banquet is a frail yet distinguished, cool and luminous businesswoman.
They say her surname is Song. She's an unstoppable, ambitious player in venture capital, with influence in both the legitimate and underworld spheres, and a formidable reputation.
The businesswoman is aloof and impossibly refined. When her gaze meets Xun Yan's, they are distant and unfamiliar.
Nothing like many years ago, when their fingers were interlaced and their breaths tangled, their love and hatred mingling through every desire-streaked night, as inseparable as one person.
Those were the seven years they resented most, and missed most.
Rekindled romance after a broken relationship | Flashbacks and a regret-and-reconciliation arc | Glamorous star x arrogant businesswoman, sweet on the outside and dark within x madwoman
Theme: You don't need to beg to be "illuminated," or chase after "being loved."
In fact, I collected this article a long time ago, but because I am not interested in entertainment industry elements, I kept it in my collection for a long time. A few days ago, I caught up with the serial next door and climbed over to finish this article. I said that I was lucky that I did not miss such a good article.
The women in the author's works are all very vivid. One of the supporting characters, Ji Mingxin, grew up in a happy environment. She is a natural person who has not been domesticated and suppressed, confident and clear, while one of the heroines, Zhou Siyou, has strong traces of resistance. She has endured suppression and oppression and struggled to break free. Her whole body is filled with unruly and unruly disobedience.
The first resistance was against the mother Tan Ni - a canary who cut off her claws and wings and was not favored by her husband, turned to manipulate her daughter to satisfy her pathological desire for control.
But Zhou Siyou has never been a canary, and she is never willing to be imprisoned in a beautiful prison, so she breaks free and flies out of the cage. From Zhou Jianian, she becomes Zhou Siyou. Zhou Siyou is bright, flamboyant, and unbridled.
However, the shackles have never been broken off. This shackles comes from Zhou's father behind Tanyan, and from the father's power symbolized by Zhou's father. It appears only rarely in the whole text, but it invisibly penetrates into every corner of life. Tan Yan, Lian Yuan, Li Yin, including Fang Ming, are all part of him. The character of Fang Ming is designed very exquisitely. It is her existence that makes Zhou Siyou understand that from Zhou Jiannian to Zhou Siyou, she seems to have escaped the dilemma of being tired of talking, but she has never escaped from the real shackles. Control, malice, and harm come from all directions, and they are so pervasive that they almost feel suffocated. So there was Zhou Siyou's second and last resistance.
Speaking of love, we have to mention the two movies in this article.
"Kill Men" and "Colorless Rainbow" have the same core of resistance, but very different expression methods, which exactly reflects the completely different (and some unspeakable) differences between Laila and Zhongqing. The former is full of violence and killing, making people feel blood-curdling, just like Laila is wild and passionate, while the latter, in my imagination, is probably a gentle atmosphere intertwined with a solemn sense of suspense. The truth of the incident is revealed implicitly in a suggestive way, as reserved as love, but full of power.
We can see many shadows of East Asian women in Zhongqing. They are naughty and unconfident, which is proof of oppression. Seven years ago, she pushed Zhou Siyou away. Seven years later, she was still self-possessed, cautious and afraid to approach Zhou Siyou. However, the fire of resistance in her heart had never been extinguished, just as her longing and love for Zhou Jianian had never faded. Just one tipping point could start a prairie fire in an instant.
In "Colorless Rainbow", the heroine Jiang Jin was hurt but did not indulge in the pain of the past. Instead, she carefully planned a revenge without a trace of blood, and completed the murder with a borrowed knife. This is proof of Zhong Qing's resistance, in her own way, vented through cinema.
And Zhou Siyou understood Zhong Qing from "Colorless Rainbow" and Jiang Jinzhong, and understood the unyielding and unwillingness under Zhong Qing's calm appearance. They were the closest people ever. So in the end, she held each other's hand and escaped from the prison together, heading towards a free and broad future. They, including Jiang Jin, all have long and bright futures.
Happy ending ~ I wish all readers a good night and sweet dreams
Let me tell you a little secret, the daughter of Teacher Jundu from "Colorless Dreams" (yes, the singer who has been criticized as a werewolf in the main variety show) will appear as a very important supporting role in "The Thorn Birds" (she is "Jun Yanji" in the supporting role column)
Personally, I feel that Jun Yanji is the happy version of Siyou (haha), who moves forward bravely like a puppy and gives the world the most steadfast and passionate love.
If "Colorless Dream" is a story about escape and rebirth, then "The Thorn Birds" is a story about freedom and self.
I will insist on writing what I want to write and be firm in my expression. If I can see you again in the future journey, it will be an experience like a dream.
Finally, the routine song recommendation: Sing (Gary Barlow)
One of my favorite lyrics is: Some words they can't be spoken only sung, some words cannot be spoken in words and can only be sung through singing.
I hope women can be as brave as Little Nian Gao and Little Director Zhong, and take the first step of resistance when they are oppressed. I really like the story about "escape and rebirth" between Zhou Siyou and Zhong Qing.
Hahahahahaha, I laughed so hard, the English hardcore passed the review
In the Republic of China, they were afraid of being overheard by the pedantic old people to avoid trouble and speak English. Now they have been blocked 7 times in the novel to popularize physiological knowledge. Now who can tell the difference between now and the Republic of China?
Alas, I still haven't caught up with her.
Whether in the real world or in the Republic of China, the most important thing in Zhou Zhong's relationship is to throw away unnecessary restraints and shackles and start a new journey with each other.
In fact, I collected this article a long time ago, but because I am not interested in entertainment industry elements, I kept it in my collection for a long time. A few days ago, I caught up with the serial next door and climbed over to finish this article. I said that I was lucky that I did not miss such a good article. The women in the author's works are all very vivid. One of the supporting characters, Ji Mingxin, grew up in a happy environment. She is a natural person who has not been domesticated and suppressed, confident and clear, while one of the heroines, Zhou Siyou, has strong traces of resistance. She has endured suppression and oppression and struggled to break free. Her whole body is filled with unruly and unruly disobedience. The first resistance was against the mother Tan Ni - a canary who cut off her claws and wings and was not favored by her husband, turned to manipulate her daughter to satisfy her pathological desire for control. But Zhou Siyou has never been a canary, and she is never willing to be imprisoned in a beautiful prison, so she breaks free and flies out of the cage. From Zhou Jianian, she becomes Zhou Siyou. Zhou Siyou is bright, flamboyant, and unbridled. However, the shackles have never been broken off. This shackles comes from Zhou's father behind Tanyan, and from the father's power symbolized by Zhou's father. It appears only rarely in the whole text, but it invisibly penetrates into every corner of life. Tan Yan, Lian Yuan, Li Yin, including Fang Ming, are all part of him. The character of Fang Ming is designed very exquisitely. It is her existence that makes Zhou Siyou understand that from Zhou Jiannian to Zhou Siyou, she seems to have escaped the dilemma of being tired of talking, but she has never escaped from the real shackles. Control, malice, and harm come from all directions, and they are so pervasive that they almost feel suffocated. So there was Zhou Siyou's second and last resistance. Speaking of love, we have to mention the two movies in this article. "Kill Men" and "Colorless Rainbow" have the same core of resistance, but very different expression methods, which exactly reflects the completely different (and some unspeakable) differences between Laila and Zhongqing. The former is full of violence and killing, making people feel blood-curdling, just like Laila is wild and passionate, while the latter, in my imagination, is probably a gentle atmosphere intertwined with a solemn sense of suspense. The truth of the incident is revealed implicitly in a suggestive way, as reserved as love, but full of power. We can see many shadows of East Asian women in Zhongqing. They are naughty and unconfident, which is proof of oppression. Seven years ago, she pushed Zhou Siyou away. Seven years later, she was still self-possessed, cautious and afraid to approach Zhou Siyou. However, the fire of resistance in her heart had never been extinguished, just as her longing and love for Zhou Jianian had never faded. Just one tipping point could start a prairie fire in an instant. In "Colorless Rainbow", the heroine Jiang Jin was hurt but did not indulge in the pain of the past. Instead, she carefully planned a revenge without a trace of blood, and completed the murder with a borrowed knife. This is proof of Zhong Qing's resistance, in her own way, vented through cinema. And Zhou Siyou understood Zhong Qing from "Colorless Rainbow" and Jiang Jinzhong, and understood the unyielding and unwillingness under Zhong Qing's calm appearance. They were the closest people ever. So in the end, she held each other's hand and escaped from the prison together, heading towards a free and broad future. They, including Jiang Jin, all have long and bright futures.
Happy ending ~ I wish all readers a good night and sweet dreams Let me tell you a little secret, the daughter of Teacher Jundu from "Colorless Dreams" (yes, the singer who has been criticized as a werewolf in the main variety show) will appear as a very important supporting role in "The Thorn Birds" (she is "Jun Yanji" in the supporting role column) Personally, I feel that Jun Yanji is the happy version of Siyou (haha), who moves forward bravely like a puppy and gives the world the most steadfast and passionate love. If "Colorless Dream" is a story about escape and rebirth, then "The Thorn Birds" is a story about freedom and self. I will insist on writing what I want to write and be firm in my expression. If I can see you again in the future journey, it will be an experience like a dream. Finally, the routine song recommendation: Sing (Gary Barlow) One of my favorite lyrics is: Some words they can't be spoken only sung, some words cannot be spoken in words and can only be sung through singing.
I hope women can be as brave as Little Nian Gao and Little Director Zhong, and take the first step of resistance when they are oppressed. I really like the story about "escape and rebirth" between Zhou Siyou and Zhong Qing.
Hahahahahaha, I laughed so hard, the English hardcore passed the review
In the Republic of China, they were afraid of being overheard by the pedantic old people to avoid trouble and speak English. Now they have been blocked 7 times in the novel to popularize physiological knowledge. Now who can tell the difference between now and the Republic of China?
Alas, I still haven't caught up with her.
Whether in the real world or in the Republic of China, the most important thing in Zhou Zhong's relationship is to throw away unnecessary restraints and shackles and start a new journey with each other.
Industry model. Thank you for your hard work.
So pretty! I like it very much
T^TLike it, like it! Very good!