Brewing Wine for You

To be honest, when I watched Weijun for the first time, I didn't understand many parts because there were too many suspenses and I was always in a hurry to advance the plot, so my reading was very rough. While waiting for the update for two years, I briefly studied the history of the Southern Song Dynasty. I had some historical background and was not in a hurry to solve the puzzles. When I read it again, I slowed down a lot and got more things. It's so exciting. It drives me crazy. How can these two people flirt so well? It's so amazing and beautiful. Why did I focus on those serious things when I watched it for the first time? It's such a waste of resources [x Seriously speaking, this is a story that can reach the pinnacle of Jin Bai and even female videos. This story contains too many things, from emotions to viewpoints to ideas to structure, everything is naturally integrated. It is not simply laid out in front of the reader, but has depth, depth, exposure and hiddenness. They are cleverly woven into it, in the evolution of feelings and emotions, in the advancement of events, in the historical power play, and in the daily conversations and actions of every little person. She is so wonderful that it seems like they are part of history. There are two people and a group of people in history. They are not recorded in official history or written in any documents, but they really existed. They found their own space to flourish freely in the heavily wrapped feudal ethics, and lived so vividly in the cracks of the history books of big men. How ingenious this embedding is. If you want to ask whether there really is such a powerful Shen girl in history, it may not be impossible, because she is not recorded in official history, nor is she recorded in genealogies. All defenders tacitly want to erase her. Today, even her name does not exist, and no one knows how she promoted history. This seems reasonable. Just like they once tried their best to erase Wu Zetian. If such a story can be reasonably embedded in the history books, then there should be countless women who have not been written into the history books and have been artificially erased in the past five thousand years. There are only a few words in the history books, which cannot describe the little people, the market and the rivers and lakes, and the women. But we have too many stories about little people - petty bourgeois, dog butchers, chivalrous prodigals, mostly men. Why can't there be stories about these women who have been erased from history books? Are they really doing nothing? Are they really as thoughtless as pigs and dogs? Are they really helpless and complacent? That really looks down upon women and shows the arrogance of modern people. I sometimes wonder, we are always afraid of weakness. Is this fear because we always feel that our feet are empty, with no roots, no place of origin, and no majestic historical data to rely on? We always have to draw a clear line between the past and all obsolescence, and criticize all feudal and all love. Is it because we always think that women in the past were weak? But is this the truth? That's why such a story is so meaningful and uplifting. I saw a reader in the comment area saying that Shen Wen's perspective is even more inspiring in today's social environment. It will tell us how powerful women are. And I think this story has made this energy very clear. Shen Wen's perspective is only part of it, and it must be only part of it. Because Shen Wen was born into the elite class, she naturally views people in a stratified manner. Her perspective actually makes us uncomfortable. Even if we are a supporter of elitism, we must admit that people of our generation inherently recognize that all people are created equal, but this is not the perspective of the feudal society of the past thousands of years. To unfold it from Shen Wen's perspective is definitely an elitist overgeneralization. Maybe it will say that one general's success will lead to ten thousand bones, but how can the ten thousand bones seen from the general's perspective be the same as the bones by the Yongding River seen from the perspective of the bottom. Therefore, it is so rare for Jiang Man to have someone in his eyes and see everyone equally. She was not like this naturally. She was once trapped in the shell of Confucianism and assumed herself to be the mistress of the family. Her eyes were high and low, her status was clear, and her eyes were clear. But when she fell into the mortal world and had to lower her body to accept her fate, she was so brave. Her bravery lies not only in her ability to endure and hide, but also in her courage to change and open her eyes to see. It may have been Shen Wen who knocked her open at first, but when the cocoon was broken, the tentacles she poked out were so fresh and natural. She bravely absorbed everything that could help her grow, from Shen Wen, Huailou Sijiu Keye, from the queens and princesses, and also from Qi Shushu When she was there, she was the only one who connected all the classes vertically. She never thought that she was one step lower than Shen Wen or the princess, nor that she was one step above the female drunken prostitute. She always thought that "we are the same", the same people, the same trapped, and the same tenacity. Such a pair of eyes is really rare, so clean, and so brave. I really like her. She is the well-deserved first protagonist. This story must unfold from her so that it can be described clearly and so many people can be seen through her eyes. Of course Shen Wen will like her. Shen Wen was completely different from her. In fact, there was no one in Shen Wen's eyes, not even herself. Her confusion in her previous life was precisely because she couldn't see herself clearly. She also felt trapped, but she couldn't understand where she was trapped. Her eyes were covered by the rich clothes, everything she wanted, and everything she asked for. It was Jiang Manlou's murderous intention that awakened her, and it was also her obsession with Jiang Manlou that made her find Jiang Man. Jiang Man's existence allowed her to see herself clearly, and Jiang Man supplemented her invisible perspective. Their mutual torture is a necessary process for two people to grow, and it is also a necessary process for rebuilding themselves. Neither one of them will work. The two of them are indeed very complementary. Jiang Man has nothing, but she has the love of her original family. Shen Wen has everything, but in the end she has to personally break the warm mask of her original family and abandon that family. People always have an emotional destination, and the only ones Shen Wen couldn't see clearly were her closest family members. Maybe she is not invisible, she actually knows everything. She was abandoned by the family a long time ago. She was used as a transaction object and a puppet. She relied on her own wisdom to find the point of breaking the situation, carefully maintaining the balance in the family's multi-party relationships, and making herself the valuable balance point. Only in exchange for this did she become the superior Shen Nushi. How could she really be so naive? But she still wants to trust her family and look forward to the love that hides the blade. Love is a very luxurious thing, and sometimes it takes everything to exchange it. She was really happy when she received a gift from her brother, and she was really thoughtful and expectant when choosing a gift for her mother. It is human nature to want to be loved. But has she really never doubted her brothers and mother's family? I can't see it, maybe she just doesn't want to think about it. But the contradiction is that if she wants to find out the unclear cause of death in her previous life, she must shatter the illusion of home that she has built with her own hands. But what will be left after it is shattered? What else does she have? If her feelings have no destination, what's the point of giving her the wealth and power? So there must be Jiang Man. When she lost everything, Jiang Man was behind her. Jiang Man caught the emotional destination of her loss for her. Jiang Man's existence told her that someone loved her a thousand times more. Love will make people full and brave. Because Jiang Man is here, Shen Wen can survive. This is inevitable in this story. The changes in the emotional relationship between the two of them, Jiang Man's growth, and the changes in the current situation form a very clever co-axis. The advancement of the relationship is at the same time the advancement of personal growth and the advancement of the changes in the current situation. No matter which part we look at, they are all closely connected and difficult to separate. It's just about who is in front of the stage and who is behind the scenes. The main plot of the first half is Jiang Man, who looks at everything from Jiang Man's perspective, including Shen Wen, their relationship, all the characters, the current situation and the plot. Her perspective starts from the lowest. At the beginning, she couldn't see anything clearly and couldn't understand anything. Everything was foggy. And as she grows up, as she comes into contact with different people and different things, as she gradually sorts out herself and her emotions, as she advances personally, her emotions advance, and so does the political struggle and war situation. Advances and retreats are actually at the same frequency. It was pushed until Jiang Man paid off the money and decided to leave, but still chose Shen Wen, the story reached a turning point. She originally made one-sided guesses about Shen Wen, but when she got here, Shen Wen began to open up to her, and everything she couldn't see clearly before was opened up to her. Her perspective was completed, and the story began to turn. From here on, the deep questions began to emerge, and she walked from the darkness to the light. The interaction of light and dark between Jiang Man and Shen Wen is really wonderful. The first half is full of Jiang Man, but there is no question about Shen Wen. Jiang Man is like this, the female envoys are like this, the drunken prostitutes are like this, but what about Shen Wen? Wouldn't these difficulties have existed when Shen Wen was at this height and with this background? How did Shen Wen become Shen Wen? How did Shen Wen break through her predicament? Shen Wen, who walked out into the light in the second half, answered these questions: No, the same goes for Shen Wen. No matter what class you are, as long as you are a woman, you are subject to the same dilemma. You are all struggling and trying your best to fight for what you should have. She just has one more life experience than others and can move faster than others. Through Jiang Man's eyes, we see women of high and low levels. The princess can speak such transparent words, and Qi Shushu can also raise his arms to expose the illusion. The world never changes due to one person, hope lies in every individual change. To say that Jiang Man only has love in her eyes is to look down on her. She has the whole world in her eyes. What a wonderful world, what a wonderful complete world, a world of men and women. However, sometimes the issues between men and women are not related to the gender itself. I still think that looking only at gender sometimes simplifies the problem. Many times the battle between genders is fundamentally a battle of interests, and this conflict of interest is not just between men and women. Similarly, alliances of common interests are sometimes not so simple combinations, and interest relationships are always changing. Take Zhen Youwei for example, he is a traitor in history. If we use private peace talks to gain power, he is indeed tainted. It is true that he is a party member and opposes dissenters. He is not a moral gentleman. But he is a true villain, and a true villain will always be better than a hypocrite. He does his practical things, and in the end he tries his best for the Southern Song Dynasty. After the death of the Song Dynasty, the scholars blamed him for the death of the Southern Song Dynasty, and wrote about his treachery in the history books, as if this was enough loyalty and justice to show their nobility. But what did these scholar-bureaucrats who "talked about their hearts and minds on weekdays, and died to repay the king when in danger" did for their Song Dynasty? Look carefully, isn't this exactly the same as the situation of women? A moral gentleman looks down on villains and looks down on women, and puts all the blame on villains and women. But how can a moral gentleman be so moral? He is really an excellent entry point. Only a person like this who doesn't even need a name after his death can bypass all moral appearances and go straight to the interests. It doesn't matter whether he is a gentleman or a villain. Does it matter whether he is a man or a woman? All that matters is profit. It is this kind of person who can become Shen Wen's best ally. The more naked the interests, the cleaner they are. On the other hand, the more moral the article is, the more it is about loyalty, filial piety and justice, the more hypocritical it is and the more it cannot withstand in-depth investigation. If Shen Wen's experience at home was attributed to the preference for sons over daughters, it would also be a kind of avoidance of the important and the neglect of the important. The delicate relationship between Shen Wen and Shen Shu largely comes from the fact that they were once allies against the authority of their parents. They were both children who only dared to sit half-assed in front of their parents. Their alliance was due to their common interests against their mother, and their separation was also due to their respective conflicts of interest. On a superficial level, different genders gain different status and attention, but hidden behind the scenes is the struggle for family authority. It was always Lu Shuang who was hiding behind it. It is Lu Shuang who manipulates the two children based on her own interests. It is Lu Shuang who uses her authority as a parent and warmth as a mother to manipulate the emotions of the two children. What she always wants is the position of the supreme patriarch, and she has a clear desire to control the power of the family. Her desire for power makes her torture her children all the time. She wants her children to be little hozens who deserve to be disciplined no matter how old they grow. But it's not that she doesn't love, it's just that her love cannot transcend her interests. She loves her children on the premise that her desire for power is satisfied. This is why Shen Wen mentioned the female Xiao Mu. If Shen Wen wasn't so smart, edgy, and ambitious, then she would have been a good daughter for Lu Shuang. A loving mother and a filial daughter would be happy. But Shen Wen looked very much like Lu Shuang, and everything about Lu Shuang was attributed to Shen Wen. Shen Wen got off the track, Shen Wen grew his own wings, Shen Wen turned around and started to snatch Lu Shuang's power. Lu Shuang felt in danger, so she tortured Shen Wen. Shen Shu also felt in danger, so he abandoned the alliance between his siblings and instead formed an alliance with his mother. Daughter and sister, dearest relatives, eventually became their common enemies. When Shen Wen still needed to be loved, she didn't dare to break the illusion. Even if it was an illusion, even if it meant torturing each other, it was the love of her mother and brother, and it was also a real emotion that had existed since childhood. She couldn't bear the consequences of having nothing, so she allowed herself to be blinded. But when Jiang Man walked to her side without hesitation and became her support and support, her feelings were carried. Jiang Man's love was better than anything she had ever had before. There was no need to exchange for anything, no need to bow down, no need to hide, no need to give in, no need to show value. What Jiang Man saw was the purest and purest version of her. It was Jiang Man who gave her the courage to expose her warmth. First her brother and then her mother, she personally shattered all the filters called love, and re-wrote family and love as naked interests in the blood. Of course Lu Shuang loves Shen Wen, and she loves and misses him too. It is true that she said she wanted Shen Wen to come back to her, that she kept the gift from Shen Wen beside her, and that she was happy to show off the title of Princess Shen Wen. People are always multi-faceted. Love is real love, but interests are also real interests. I guess Lu Shuang is also gratified when she looks at Shen Wen. Sometimes she feels proud that she has a successor. But the more she knows that Shen Wen looks like her, the more she realizes how powerful Shen Wen is. She has raised a tiger cub, and if it cannot be tamed, it will sooner or later devour its owner. She needs to be absolutely controllable. Shen Wen had nothing, so she wanted to fight. If she wanted to fight, she would inevitably escape Lu Shuang's control. And Shen Shu has everything, so he doesn't have to fight. His gender brings him too many things. He can't see what he has, he only sees what he doesn't have, so he is greedy but cowardly. Lu Shuang could see clearly that she only supported Shen Shu because he was more controllable. Gender does not determine anything, but it determines everything. In the final analysis, all warmth is no match for the desire for power. Zhen Youwei and Lu Shuang, I think they are the two most interesting people besides the protagonists. They don't write much, but they write a complex and rich story, which is wonderful. Two completely different people in different positions, a man and a woman, are driven by the same interests, and their different interest positions drove them to take different actions towards Shen Wen. How wonderful. This story is about women, and about many women, high and low, but it is not just women. The world would not exist if it were only women. As the other half of the world, even if it is not recorded in history books, they still hold up the other half of the world. It's not just Shen Wen, Jiang Manqi, and Shushu who are rebellious and awakening, but also Queen Lu Shuang and other wives and mothers. They also support the world in their positions, and they also have their own positions and interests other than women. This story seems to complement the other unknown world in a man's history. It is so powerful and makes people cry. The defeat of the Southern Song Dynasty was a complete defeat of the macho scholar-bureaucrats, a complete defeat of moral articles, but not a defeat of passionate sons and daughters, or a defeat of the protagonists. They were worthy of themselves and worthy of the Song Dynasty. Each of them was taller than the moral gentlemen who "talked about their nature with their sleeves." They were the backbone of the Song Dynasty. Xiangyang will eventually be lost, the Southern Song Dynasty will eventually perish, and our protagonists will eventually escape, but where they are is the Han Dynasty. The inheritance of China has never been included in the castrated history books. Such stories can only be written by women who are confident and strong enough. 67 Words are insignificant compared to 173W words, and taking them out of context is just to make people laugh. Our confidence and confidence should not be in some concise words and paragraphs. This story begins with Jiang Man's filial piety clothes falling into the snow, and ends with Jiang Man's filial piety clothes falling into the snow. In the beginning, Jiang Manhua was ignorant, but in the end, Jiang Man shattered the layers of shells of children, wives, mothers, and subjects, and found themselves. How to add a woman in the cracks of history books? This story has reached the extreme. It is already a classic and does not need anyone's praise or criticism. Time will tell everything. The death knell of the Southern Song Dynasty has sounded, and the death knell of feudalism has also sounded long ago, but how many people are still trapped in their own shells? What kind of icing has the shell changed into today? Those who are obsessed with 67 words or are disillusioned with Jiang Manchen's image should first understand the four seasons.

My memory is not very good and I forget many things easily. To be honest, reading a serialized novel, especially a novel as long as Weijun, is a bit difficult for me. The updated chapter will have a lot of rich content waiting for me, but I often forget the ending of the previous chapter and have to re-read the previous chapter before reading. The most friendly way of reading for me is to read a book in one sitting, no matter how many words there are. This is why I choose to hoard the last few chapters and read them all at once - after re-reading the first two chapters to awaken my memory, I can avoid losing the memory of the last few chapters in the short term. But the bad thing is that after reading it, I was horrified to find that I had forgotten a lot about the previous content, so that I read my previous comments and some chapters that I was more concerned about several times before typing the current review_(:з∠)_. The good thing about this problem is that I can pick up the books I liked to read again every now and then. The meaning of the book does not come out after reading it a hundred times. On the contrary, every time I read it, I feel like a person who has not finished drinking Meng Po soup and lives a new life. I only know the general idea but forget all the details. I can have a 70% new reading experience every time. There are many novels that allow me to memorize every plot fluently and tell one, two or three, and I have to read them five or six times. But because of the size of Weijun and its placement here, it is destined that if I want to memorize all the plots backwards and forwards, I will probably have to read the entire book more than ten times - this is a very long journey, and my current progress is 1.3/12. However, considering that I am procrastinating and forgetful, if I don't write down my thoughts after reading it for the first time, I estimate that if I forget faster later, the chain reaction will be worse, so I'd better hurry up and write down what I want to say now. Carp successfully completed the novel on leap 23rd of 2023, and I should try to finish it before the end of leapy 24th of 2023. To be honest, although I am forgetful, some of the plots of Wei Jun did carve a lot of memory wrinkles into my smooth brain, and I will pick up all these fragments. The rest that haven't been discovered, I'll put them together in the second, third, and fourth reading! So, where to start? There are quite a lot of content and deep-seated issues that Wei Junli wants to discuss, such as differences between men and women, feudal etiquette, class hierarchy, upward and downward freedom, big country and small family... Each layer can be discussed in detail. If I were to write a graded title of 1, 2, 3, and 4 for each level like writing a paper, I would not dare to write until the Year of the Monkey and the Moon of the Horse. So after three minutes of careful thinking, I decided to follow my heart and write whatever comes to my mind. After all, in the past six months I'm so exhausted at work that I'm a little confused about Chinese characters, and the teacher in the comment area has already written down everything I want to say. In addition, I have expressed my passionate feelings in different chapters before, so don't write a graduation thesis for yourself now. So I won't go into too many in-depth topics in this rough review. I'll see you in the comment section if you're touched by something new when you reread it in the future. Let's start with the copywriting. In fact, Weijun is a bit of a copywriting fraud to me. It's not a bad review, but it's really deceiving me (a compliment), because when I first saw the copy, I never thought that Weijun would unfold like this - my first thought when I saw the copy was, wow, isn't this my favorite canary literature? It would be best if there was some kind of revenge, but as a result, I fell into a deeper level, and the refreshing feeling of simply wanting to read Bai Hewen was gone! It's not like Chuan Ma. Although the extreme tug-of-war showdown between Li Yao and Ms. Pan De is strongly related to the entire workplace case, the emotional scenes between the two are still quite interesting. They will look at the two ladies while thinking about the case. In contrast, Shen Wen and Jiang Man's personal emotional lines are connected by history within the entire background framework. The fate of the two of them is highly related to the entire crumbling Southern Song Dynasty court. If you simply want to see the love between the two of them, you will find that sometimes you need to dig out 500 words of relevant content out of 10,000 words (again, not in a derogatory sense). Moreover, the kind of canary plot I want to see, the kind of revenge, the kind of ah ah ah ah ah, I'm going to kill you, you bad woman, I'm going to kill you. This kind of plot is over in the first half. In the second half, you can see more scenes of the two of them being in love and flirting. The whole article does not let them get together beautifully at the end, but, rather, the content of the copywriting is sold out in the first half! Seeing that it has become a bit like sugar-eating 20% ​​later, analyzing how the two broke the situation and worrying about the direction of history is 80%! This has completely turned into a historical drama, a novel, a hundred schools of thought, an officialdom novel, a realist literature (big boo) But I did not have negative emotions because of this kind of fraud. On the contrary, I felt that the direct hook of the carp (not in a derogatory sense) made me enjoy fishing. After watching the movie, I did not have the slightest feeling of dissatisfaction with the historical plot of the Chaotang Line and the lack of plots that White River Fish liked to watch. From time to time, my eyes would fill with tears and my heart would surge. Carp, you did a great job! They tricked the white river dolphins into killing them, and gave them sweets in front of them. When they saw the others in the back, their hearts were completely tied up in questions and answers. I will simultaneously wrench my heart with Jiang Man for my brother whose whereabouts are unknown. I will be surprised and happy with Jiang Man for my "lost and found" brother. I will also feel desolate when Shen Wen and Shen Shu subtly talk about their mother. I will feel sad and angry with them when they see Wu Ge offline... I feel that I am already Gui Yin. I am a member of the garden. Maybe I am really a cook. I follow my master on tenterhooks every day. I am happy when the master is happy. I am sad when the master is sad. No, does the cook have the authority to know the important family and country affairs that these two talked about in the evening? Haha, I have crossed the line. I am really sorry for disturbing you, haha. Oh yes, this feeling of gradually becoming one with the protagonist is also inseparable from the plot. In fact, I think the whole story is wonderfully conceived as the plot progresses gradually, and the contradictions between the small family and everyone, from the individual to the whole, from the inside to the outside, and from the bottom to the royal family are gradual. At first, we were all still a girl who was spoiled by feudal etiquette. As an avant-garde at the time, Shen Wen naturally had to guide her step by step from scratch, gradually becoming bolder, daring to question, and finally daring to call the dog emperor - this transformation is closely linked to the plot step by step. From the mysterious Taoist priest to the death of a big steward in Guiyin Garden, from Jiang Man's suspected intention to enter the palace to the death of Zhao Guochou, from the suspicion of who the ghost in Guiyin Garden is to the ultimate escape from the princess mansion that night, from Sister Ruyi's stunning appearance to the fake Yin Yi 's death, from Zhang Han's gambling to Jiang Man's familiarity with the operation of the poetry club - each plot is like a new dungeon with meaning for thinking. When you think about the past while clearing the level, you will find that everyone has been upgraded, and so are the readers. Compared to the events that seemed to be of vital importance in the early part of the plot and were put later, it was like when I was late in elementary school and felt like the sky was falling and I wanted to go to the rooftop during class. This writing method of inadvertently expanding the perspective really makes you feel like you don't know the true face of Mount Lu just because you are in this mountain. When you look back after it is finished, you will be shocked and realize that we have walked so many roads with Q&A and witnessed so much growth between them. Hey, what about the pure white puffer fish plot I want to watch? Oh my god, did we experience the 67-word incident? I almost forgot! ! ! ! ! Another thing I really like is Carp's handling of the ending. From the beginning of Xiaoyi to the end of Xiaoyi, it seems that the kneeling person has not changed, but in fact everything has changed. When I was reading, I kept thinking about what kind of ending Carp would arrange for the Q&A. If it were BE, I would really fly to North America to give Carp a blade. Fortunately, this ending is worthy of the story of these women. The torn off filial piety hat was thrown to the ground. How could this not mean that Jiang Man, who broke through the feudal shackles, abandoned the body of the past? The country cannot fall into eternal night, the way out needs to be actively explored, and the future will be written by these women. In the vast river of history, carp carved a new channel for them in another parallel time and space. Yesterday cannot be left behind. Regret, sadness, anger and unwillingness are all gone with the waves, and Guiyin Garden is getting further and further away. Questions and Answers: Does the swimming water have shore? This doesn't seem to matter from a longer-term perspective. The Southern Song Dynasty will eventually fall, and the battle in Xiangyang will eventually be inevitable, but I think the two people's mood at that time must be different from when they first wore mourning clothes. If you have a strong heart and dare to move forward, go further, and write more women's stories in visible and invisible places, it may mean more to them in a few years. I'm off work in eight minutes, and I feel like I can put it away here. All in all, I wish Yu a happy New Year. Thank you Yu for the wonderful story. I'm already looking forward to the next one (rubbing hands). Love comes from porcelain, compared to the heart.

I confess! (Raises hands) I confess! (Hold high) First, it's true. I have actually written 21,954 words now (Word comes with its own statistics tool, including punctuation marks). Second, yesterday's leave application note said "I will definitely update today" because I spoke too loudly. I'm sorry. When I started writing at night, I was stuck for several hours without finishing a word. I didn't know anything about my stuck state, so I stayed up all night and still haven't finished writing. I will continue to try to write and see if I can finish this chapter before 24:00 Beijing time and post it "today". At present, it seems that it is still a little difficult. Third, the update speed is entirely my problem. I'm really sorry. Although it seems that it has not been updated for a long time and it seems that it is steadily adding bricks and mortar, so the author should have a more accurate time value for estimating the word count progress. But unfortunately, in fact, I wrote all the manuscripts of more than 20,000 words in the past four days. I know! I know this problem is very bad! The focus next year should be on overcoming procrastination. Now I can only say that I will make up for it as much as possible because I really, really, really don't know what to do... Finally, all in all! According to my (not very accurate) estimation, I should finish this chapter really soon! If the update is not available at 24:00 on the 6th, Beijing time, I will definitely update it before 24:00 on the 7th! I know this is not very convincing, but I will really update it, really really...

This time I read the last chapter after a long time, and the first sentence at the beginning once again made me think I had made a mistake and returned to the first chapter. Fortunately, when I lowered my gaze, I realized I was in the right place. Sometimes I am not sure whether I understand the brother-sister relationship between Shen Shu and Shen Wen. I mean, they grew up together, blaming each other, protecting each other, so of course they should be close. But what happened in the previous life but has not had time to happen in this life, will it just become a scar that fades away? I still recall the chapter where I dealt with Shen Shu, and I can still remember the tense atmosphere at that time. I didn't dare to breathe. Even now, I don't dare to think deeply about Shen Wen's time after being imprisoned in his previous life, as well as the ending in the BE line. Maybe people are just that complicated. After all, the author endowed Shen Wen with wisdom, rationality, and rich and delicate emotions. She never gave up on being too clear about the two worlds and the people in them. I'm wondering what Mrs. Jun took away from Shen Wen. Will she have to fight for herself and prove something to others in the future? Will she still have a chance to let go and untie those things that she can't let go and untie in her heart? I thought, maybe it's all gone. The novel has entered the final chapter, and the fate of the Song Dynasty seems to have come to an end. The official family is gone, the new emperor's heirs are gone, and so is Jiang Ling. Before that, the lives of many frontline soldiers were lost. Perhaps even earlier, the spirit of many officers, soldiers and civilians who fought against the same enemy was lost. This shows how easy it is to fool the common people. As long as you don't really force him to die, he will naturally not pick up a knife and point it at you. Who is sitting in that high position has anything to do with them bending down in the ground? But Jiang Man and Shen Wen didn't live in the fields. They stood close enough to the people above to see clearly. Qing Rufeng saw that she was halfway into the life she wanted. Wuge appeared in Jiang Man's dream. That kind of person doesn't deserve to sit in that position. But the world is still pretended to be in the hearts of Jiang Man and Shen Wen. I think they are real warriors. The author did not change the direction of history, and even borrowed an invisible hand to block Shen Wen's efforts several times (I was really a little crazy about this). According to this, the Song Dynasty will probably still disappear, but in the end, Jiang Man and Shen Wen set off for Xiangyang, and there seems to be hope and a turning point. But after reading the novel, the fate of the Song Dynasty only exists in the hearts of Jiang Man and Shen Wen, and what I remember are the women who once lived and had blooming vitality whose names will be submerged and will not leave any traces in history. Li Yu still makes people doubt whether all the people in the story are real. After all, if you dig into too many details, you will find that they are real. But in fact, the truth or fiction of the story is not important. As a reader, in the process of reading this novel, I felt the beauty of the words, learned the history, and was immersed in the stories of the people and was affected by my emotions. All of this is true to me. Thanks to the author for sticking to his heart amidst the ups and downs and producing such an excellent work. Looking forward to the extras and the next story!

Let me write down my thoughts after reading. When I first finished reading, I actually felt that I didn't understand a lot of things, and I had a lot of feelings that I didn't know what specific words to use to express them, so I delayed them for a long time, ahhhhhhhhhhhhhhhhhhhhhhhhhh Reading Weijun is after seeing through Ma. Sometimes you just read some fragments written by an author, but you will immediately get the feeling "I will definitely like what she writes." Carp is such an author to me. When I first watched Weijun, I didn't quite understand it because I didn't know much about this historical background and I hadn't had much exposure to it before. In fact, regarding this historical background, I have guessed many times why it is this dynasty and why the protagonist has such a background balabala. In short, I started reading it with great expectations for this novel and the author. In the time span since this article was updated, my emotions and cognition have gone through a lot of changes, and this article has given me a lot of inspiration and new understanding. Even towards the end of the article, I was actually in a state of disbelief in emotions. When I saw something that praised emotions, I would think about what was behind the love (the reason was that I had read too much about psychoanalysis and felt that many so-called emotions were self-needs. Summation and projection, although I think this is difficult to avoid, Xiao Mouse, but the intersubjectivity theory believes that love is both together and independent of each other, I think it makes sense), I have written a lot of bits and pieces about what I think after reading, and some of them have not been posted. Ah ah ah, I don't know how to say it, I just write it wherever I think. It can be said in this novel that all women are self-aware and are not projected by the entire narrative as carriers of other people's desires. Instead, they write some group portraits and some careers to show those complex real people and real environments. And even the female characters with self-subjectivity are being squeezed by this entire structure, so the death of Qingrufeng is really sad (slamming the table), she is like a small bubble that has been squeezed. I want to go back to self-subjectivity. I think I have said it before. I think the heroine's life is too miserable. She is in an extreme environment and has a traumatic mentality. Of course, I feel that as an ancient woman, especially at a very young age, how can you say this in such an environment? Q&A: Your world is very big. Don't be so trapped here. I feel like you will slap yourself if you speak out. After all, modern people may get a glimpse of the truth of the world and reality in their thirties. From a God's perspective, I have always felt that the background of this article is sad, because from a modern or post-modern perspective, when the feudal ethics were destroyed in the late Song Dynasty, the fate of the bottom class and the fate of women at that time made people even more powerless to change. Among the tragedies of such a group, there are sporadic people like Shen Wen. If nothing can be changed, why do it? But as the plot continues to unfold, I feel that this idea is wrong. The pain and confusion are real, but some things have nothing to do with time and space. Even if the future seems uncertain and the hope is slim, people will definitely choose to do it regardless of their own safety. Jiang Man and Shen Wen are both people with such beliefs. There are many people like this in Weijun. There are so many surprising and unexpected plot reversals. It is the author who gives them such vitality and displays them in front of everyone. Shen Wen, it can be said that the woman standing at the top of the pyramid, based on such status and resources, is knowledgeable, smart, and sober. In an era when reading and literacy were privileges, there was such a woman. She stood on a high place, looking at the country's political situation and people's livelihood with sobriety and some pain. She also deconstructed the things that bound her gender and identity under the inescapable social order. As for the political affairs and people's livelihood of this country, according to Li Yu's writing method that respects historical facts with great respect, the ending of this collective without the super golden finger will naturally flow to the next cycle of history. (—"You still can't do it after all?"—) Shen Wen in the previous life was just stuck in place. Then the two met in the second life. Personally, I actually hate the term "redemption" because such words have a very passive feel. So I think that the collision between two people caused each other to change or produce some wonderful chemical reactions. For Shen Wen, Jiang Man is full of vitality, the tenacious force of life and the power to fight forever. Jiang Man, just before the bubble was about to be burst, met Shen Wen. (—God descended from the sky—) Shen Wen's power also attracted people. Under Shen Wen's leadership, he got closer to power and saw more closely the complex people and human nature embodied in those concepts and ideas. If those old ones are broken, how can they rebuild their lives? I've always carried this curiosity with me. Jiang Man, I think she is an idealist with a strong sense of order. She is even a spiritual ascetic, martyr, and defender. She has a kind of sobriety that is close to continuous self-restraint and extreme tension. Her tenacious vitality is shocking. The extreme environment strips away her emotions and certain feelings, and even some things or concepts in her that tightly bind her (making her look like an ascetic). Her courage is all-or-nothing and decisive. She looks tough with that kind of feminine softness, but the stubbornness in her bones is like a suppressed roaring beast in her body, trying to break her head and bleed. She is a very pure person with some simple ideals. In such an environment, she constantly urges herself to mature. Because I am sensitive, I feel more, and I want to do more and take over more. It is this sometimes painful thinking and desperate struggle that constitutes a large part of Jiang Man's life. She often expresses some anger, anger at the fate of women, anger at the government's politics, anger at human nature, and anger at the world. From her perspective, readers can get a glimpse of this government and society. Anger is great, it means rejection of the status quo, resistance and change. Praise for anger! (And Jiang Man, my favorite Jiang Man. I hope her life has another beautiful part besides Shen Wen so that she can make herself feel better - so I really like the part where Jiang Man and Sijiu draw the villain) There are a lot of things I like about the interaction between the two people. I especially like the part where Jiang Man seduces Shen and asks, and the pull between the superior and Xiang Shu gives off a sense of possessive success. (Seriously, I saw a question recently. If your lover dies, you can choose to resurrect her, but the price of resurrection is that she will have a new partner and a new life without your participation. Will you choose to resurrect her?) There is also Chapter 163. When I first read it, I had goosebumps and was excited most of the night. This chapter is really, really good at describing the feeling of being seen. Such an explanation made my scalp numb. Oh my God, what is this if not love? ? ? Simply delicious. It's your destiny to be together. This paragraph does absolutely nothing to express how much I enjoyed this chapter. The interaction between the two people is really good, but I have objections to some of Shen Wen's actions in this relationship. I think that even Jiang Man has the right to know the facts no matter what. Shen Wen feels that some status quo and facts will only increase Jiang Man's emotions and pressure. I actually don't agree with this very much. Facts are facts. You can't choose not to say it because you guess that the other party may have negative emotions and pressure when knowing the facts. And Shen Wen did a lot of such things. Jiang Man knew that the next choice would be up to her own judgment and choice. I actually agree more with the "live when you are alive and die when you die" kind of thing, and I believe that people like Jiang Man can and should have the right to make their own choices. I thought about it and still wanted to talk about the role of the princess. I thought many times whether this was a harsh criticism, but whatever. She is kind, and her kindness lies in her ability to see and to some extent sympathize with the poverty at the bottom. But she is not smart or sober enough to realize her position or class, the fate of women in this era, and the fate of this country. She naturally enjoys the material and spiritual provisions of being a superior. At the same time, she also follows the requirements of this era for women and her identity, gets married and has children. The natural result is to be submerged by this era. Belike: It may be difficult for people to betray their own class. In my opinion, the vividness of Weijun is not only the background that is real enough, but also their stories and their emotions. Yin Ruyi, Song Ningning, Qi Shushu, and Qing Rufeng are all lower-level characters than Jiang Man. If they want to live well, they work hard in any difficult situation (—Full of life—). I really like the description of Yin Ruyi and Song Ningning. Although they are in troubled times, they both work hard to manage their lives and shine. It is very overgeneralized to imagine that the lowest level has nothing but poverty and disaster. Some people are waiting in numbness for the demise of their community, while others are also enjoying themselves in suffering and working hard to manage their own lives. Although in the last few chapters, the knife was like rain, as light as wind. It was so sharp that it caught people off guard. After the shock, people continued to feel regret and anger. Sometimes I think a little sadly, how do spiritual beliefs and political ideals that are dependent on cultural context compare with the entire structural male clan that continues to extend resources and bloodlines? Finally, let me express my shock at the ending: When I finished watching the ending, my mood was actually very complicated. First of all, the carp is big, Xiangyang! Xiangyang! I admit that this ending still really shocked me, but is this really he? ? The Southern Song Dynasty was coming to an end, and Xiangyang was the first to bear the brunt. What were they going to do? ! But then I think about it and I feel that my idea is very narrow. As a person with a God's perspective, if I hope that the characters in the book will have a huge golden finger, as long as the "result is correct" and then follow the winner to bet in advance, then choice and courage will be meaningless, and this is undoubtedly denying their own freedom of will. True freedom must be to choose to act in the face of the absurdity and uncertain meaning of the world. Talking back to my curiosity, I had this question from the beginning of reading the article. I wanted to see how two different women grew up, how they escaped, and how they got rid of the social order they were in. In other words, I wanted the final ending to give an answer. So I was shocked when I saw the ending, but later on I felt that it was going to be like this, especially if you think there is an optimal solution and the most correct answer, people will hesitate and stagnate because they are afraid of making mistakes. Q&A: After experiencing such a series of things, they chose to do what they thought they should do and what they wanted to do. Just like there are many things that have no optimal solution, people cannot keep searching and exploring. Keep moving might be the answer.

It starts with "the first snow wets Jiang Man's mourning clothes" and ends with "the first snow wets Jiang Man's mourning clothes". It starts with Jiang Man losing his loved ones and ends with Shen Wen's mother's death and Jiang Man's brother's death and the death of the emperor. The death knell of the Southern Song Dynasty. At this point they are no longer tied together. Alas, my heart was filled with ups and downs all the way ahead, and when I got here I just felt melancholy.

First of all, congratulations on the completion! ! ! After four or five years, Yu Da's painful creative journey in his later period is finally over. Thank you for your hard work! ! ! There are still many chapters in the later period that I have not read carefully (Toshigeza, the plot line is too consuming, I will read it slowly later). It seemed that after the thrilling "battle" on the rooftop, the development was basically smooth, but I never expected that it would take a sudden turn for the worse in the last few chapters. Although it can be guessed from Yu Da's attitude that the ending will not change history too much and the Song Dynasty will still be destroyed, the speed of collapse is still shocking. The defeat on the battlefield was expected, but it was more surprising that the rebels could achieve something. After reading it, I realized that this "miraculous achievement" and subsequent destruction were to reveal the inevitability of the Song Dynasty's death and make everyone give up. On the contrary, I was surprised that Shen Wen was caught. When I saw Jiang Man and Shen Wen finally tearing away the fig leaf, a famous film and television clip from Jiajing already appeared in my mind: "My money!" From "official family" to "dog emperor", the whitewash of ethics can no longer cover the essence. The shattering of the filter is accompanied by the disillusionment of everyone's ideals. Jiang Ling's death is really sad. Poor two of you, you can't get anything done. Well. The death of Shen Wen's mother almost cut off the last trace of family ties for Shen Wen, and left many unresolved questions and regrets. At this time, Lizong's death already seemed insignificant and made people laugh. If nothing can hold them back, just "go". However, having said that, they (or in other words, Jiang Man) still could not really give up their desire to save the nation, and it was difficult for them to go north like Song Ningning and start over again. Xiangyang, Xiangyang. Can you please avoid going to Xiangyang? Well. It ends abruptly here, I don't know if it's good or bad. I would rather not have extra stories and still have thoughts. Finally, Yuda, thank you for your hard work! Looking forward to seeing you in the next article may not be as good as looking forward to the modern short story (*^ω^*)

Every time I read Yu's leave note, I shake my head with relish. Can Yu send a collection of holiday notes? [Love eyes]

After planning for so long, are you finally leaving? If you are leaving directly, then how will the chess game that Shen Wen has arranged in Lin'an for so long play out? Jiang Man's wine shop and restaurant, and everyone in the Wulin Garden, where would they go without Jiang Man's protection? I am very much looking forward to the subsequent development! I feel like the story has reached a turning point. From high school to junior year, you kept me waiting!

Is there anything else that Shen Wen doesn't know how to do? Carrying a sedan gun, I didn't expect our Shen Nu Shi to be quite capable in combat! Hey! I really like this sentence "rows of bald dwarf trees holding their branches high", such a cute image! I don't know how many chapters ago it was when I last heard about Song Ningning's name. I didn't expect that her face was ruined, and Shen Wen seemed to know about it. What a "rebirth from the wasteland" and a good woman! It's just a pity that beauty that cannot be protected often becomes a sharp blade that hurts the owner of the beauty, and this is what happened to Song Ningning. She said that she "rarely walked around" in the garden, which shows that she had lived in Guiyin Garden for a long time. At that time, Huailou Sijiu was still a girl? I never thought there was such a story, I had never mentioned it even half a cent before! Hiss... For a moment, it felt like they were old friends reunited, and Jiang Manshen was alone on the outside. No wonder there will be "intimate" comments later, supporting Jiang Man in settling the score with Shen Wen that night! This is of course a joke. Jiang Man's importance in the hearts of the three people is naturally no longer comparable to that of the old people. As for "they are somewhat similar", in my opinion, it is both a trait of a strong person and also intentional. Shen Wen's introduction to Jiang Man was very interesting, as "a big wine merchant." Maybe he didn't want Jiang Man to be regarded as his vassal. There is an encore of "Mud Show", and it feels like it was a long time ago. Kuo Kuo looks pretty good, and hopes that Song Ningning will be safe and happy for the rest of his life in troubled times. Speaking of the tea house, it was easy to evade taxes on the territory of the people, but the Song Dynasty wanted to forcibly take back the land of the wealthy families. This was a plus and a minus, and it failed to get started. Zhen Youwei killed the Shen family in order to raise money for the war, and might even make a fuss about Shen Wen, but Shen Wen let him go for the sake of the overall situation. Such magnanimity! Xiangyang... Has almost seen the end of the decline of the Song Dynasty and the destruction of Xiangyang City. Later... I won't say more, everyone is miserable, Yin Ruyi, Wu You, Jiang Ling, Sun Yun, Yueyue, Huailou, Jiang Man, Sijiu, and many, many others. Some people are dead, and some people are worse off than dead. This is the truly cruel reality. Let me cry. Seeing that it is almost over, the Song Dynasty will definitely be gone. What should we, Jiang Manchen, do?