Tragic Romance Makes Me Unstoppable

N, it's a very good-looking article. GB has no meal replacements in the whole network (crying). The male protagonists are all very well portrayed. I have seen many GB male protagonists who are brainless, sweet, cute, flat and have no sexual tension. But the male protagonists written by my boyfriend are really full of hormones, deep and charming, stubborn and paranoid, courageous, and also delicate and fragile in front of their lovers. That kind of contrast is really the masterpiece of GB! Among them, I particularly like Qi Yan (a paper tiger who is powerful in the early stage and a little swan in the later stage), Ran Ran (a arrogant, paranoid, unloved child who whines), It's amazing, with constant twists and turns. Watching Sister Hong's various power grabs and counter-attacks makes me excited to watch it. Who knows how refreshing it feels to have your brain exploded when you watch it before going to bed... In short, I thank my boyfriend for writing such a good article. I look forward to the new work and dream of another GB Xiang!

It's been a year and I still haven't found any similar articles. I can only read it three times or four times. When will I be able to find a meal replacement? This book is really delicious.

The ancient Greek god in charge of quick wear and cool writing. (Running around anxiously to express his feelings) I never thought that I would see an "ambitious career-oriented protagonist" in a fast-traveling novel. Crimson's completely tyrant-like existence is unique in Kuaishuan and even the entire female channel. She regards love and love as a toy to relieve boredom on the road, and eats it together with the main theme of fighting for power, which is refreshing but not greasy. The main character Scarlet's handling of things reminded me of the emperor's mind. She is good at using her own advantages and the other party's desires to drive; she uses both kindness and power, clear rewards and punishments, and gives a piece of candy with a slap; she turns against her many times and gives up everything on the way to the top; she is willing to give up everything for the highest position. The loneliness of the emperor lies in the fact that he has no real allies, only a periodic community of interests. The very cool part in it is that when the male protagonist is still obsessed with love and mundane affairs, the protagonist Hong Hong has already been killing people in the world of power. He never flinches from power and rules the world with real power. The contrast of this phenomenon is very refreshing to watch. From the background of the story given by the author, we can understand that the essence of "abuse" caused by the "abuse" in the article is actually the inequality of rights between men and women. In the original background of "abuse novels", either men are strong and women are weak, or women are strong and men are stronger. Under this model, the male protagonist always has the rationality and calmness to override the female protagonist. The female protagonist's pain is ignored, and the meaning of the female protagonist is to make sacrifices. She needs to be the male protagonist's stepping stone, shield, fuel, and even provide help to the male protagonist at the cost of her life, so that she will be "remembered" by the male protagonist, and then hypocritically miss her from time to time. The heroine's pain is romanticized, her sacrifice is sublime, and the end point of all this is to become a medal in the male narrative. The heroine of the sadistic novel is struggling between "being loved" and "being abused". Scarlet Red crosses out these two options and chooses to become the one with power and love. Those who follow me will prosper, and those who go against me will perish. The protagonist Scarlet fights for power, not favor and love. Scarlet is a character that I have come to know too late. She has completely and violently subdued the above-mentioned "abuse" mode. On the battlefield marked by traditional sadistic literature for women, the criterion for victory or defeat is always "being loved." And Scarlet flipped the chessboard over—she fought for power. The male protagonist is extremely powerful, and she is even more powerful; the male protagonist is trying to get away with it, and she is busy building her own career. A tyrant needs to be surrendered, and she actively chooses to stand above everyone else. This kind of complete crushing, this kind of absolute rule without consulting anyone, made all the sadistic routines fall into pieces in front of her. So that after reading each story, you will only feel that the battle is so exciting! Fighting for power is fun! At first I felt happy about the main character Scarlet's struggle for power, but later I felt that the power should belong to Scarlet. Is this a tyrant-type heroine? It was so cool and I liked it. The supporting characters are each brilliant in their own way, and they are not just supporting characters to set off the image of the heroine. In the Crimson Heroine's realm, the four female characters work together to rule the neighboring countries and expand their territory. Each character has its own characteristics and has moments where she displays her talents. The group portrait made my eyes light up again and again. Let's keep helping each other like this, ladies and gentlemen. This is actually a novel written in 21 years. I am surprised that I only discovered this novel now, and I am also surprised that this novel was already written five years ago. Five years have passed, and there are still countless novels and characters of this type. After reading this novel, I just felt that my appetite was whetted. For a while, I turned over and over again and couldn't read other types of novels. What everyone is complaining about is that there is no longer a protagonist like Crimson - a king who is unabashedly ambitious, naturally rebellious and subverts the rules, and will do anything to achieve his goals, and is ruthless and determined to kill; a plot that is relaxed and fast-paced without dragging; and a heroine who is completely above the male protagonist and the laws of the world.

This book has a much better look and feel. I suggest new readers to read this one directly. The book "Bai Yueguang Breakup Daily" is about the world of "internet fraud". The male protagonist in it is a cucumber.

I revisit it from time to time, it's really my favorite of the same genre, bar none

Tongzi is so cute, I didn't expect that he got it in the end, I wish him happiness. ——So where is the first-generation Lord God?

Yongan Yongan, I have a little idea Now that Crimson has become the main god, can new rules be made? It turns out that there is also a small world where the unreasonable old way of heaven has been replaced by a new equal law of immortality, with rewards and punishments for all living beings. I think women now know how to value themselves, understand themselves, and develop themselves. Women understand women, and women help women. In this case, can new rules be promulgated in a transfer station similar to the Space and Time Hall of the General Administration of Space and Time? For example, the completion of the task will no longer depend on the male protagonist. What percentage of the partner's love is determined by the excitement of the story or plot/logical thinking. The heroine can play with men or cooperate with girls. I think it would be very interesting to cooperate with the heroine/female partner in the small world, just like the Crimson book. For example, the heroine of the small world can also be curious about the female counterpart who comes in? (Uh-huh, I'm just imagining this) In short, I feel that the heroine and the supporting character don't necessarily have to be antagonistic.

I really want the same type of article

Revisit, Sister Crimson is the best in the world [Star Eyes]

I'm looking for a meal replacement, but I really can't find one [crying] I was so obsessed with this book that I couldn't even stock it up. I love it so much, let's get a quickie like this, featuring the hot male protagonist's little wife and his domineering crimson sister [poor]