[Worldbuilding] Mistaken for a God

[Collecting Favorites for My Next Novel, “A Farming Story in Classic Literature”; Please Visit and Follow My Author Page] This novel could also be called “The Days I Manually Lit Up the Tree of Civilization Before the Common Era” or “The Male Lead Develops at Least One Secret Identity Every Thousand Years.” Blurb: Archaeology student Yi Nan arrives on the Mesopotamian plain in 7000 BCE and is mistaken for a god by the Sumerian villagers as soon as she gets there. At this time, the birthplace of civilization between the two rivers is still a wilderness. Floods run rampant, wild beasts appear from time to time, and humans struggle to survive. Yi Nan: I hear a great civilization that will be remembered by the world is going to emerge here. The Sumerian villagers: What is civilization? Can you eat it? Yi Nan: ... Later, the banks of the Euphrates have been transformed completely. Wheat waves roll across the fields, produce piles up like mountains, and roads and trade routes stretch in every direction. The cities are tall and sturdy, and wonders renowned across the world rise one after another. With Yi Nan around, there is no famine or enslavement, no warfare or disaster. And so Yi Nan truly becomes a great deity in the hearts of the people. * Yi Nan looks at the man beside her. “Actually, I’m not a god!” The man smiles warmly. “If you say you aren’t, then you aren’t, my divine lady.” A few things to know: 1. A farming, infrastructure-building, and conquest story set against the backdrop of Mesopotamian civilization. 2. The female lead has the golden finger of immortality. The male lead is constantly reincarnated. One-on-one romance. 3. The world is a parallel universe with the same history as the real world. There is no magic or supernatural power. 4. This novel involves Mesopotamian history and mythology, including but not limited to Inanna (Ishtar), the goddess of love and harvest in the mythology of the two river valleys, as well as Gilgamesh, Dumuzi, and Enkidu from the Epic of Gilgamesh. It is unrelated to the Fate series. My next novel is inspired by classic literature: “A Farming Story in Classic Literature.” Please add it to your favorites. Blurb: In the 22nd century, a wave of nostalgia takes hold. Using “classic literature” as their blueprint, people create realistic virtual worlds and invite contestants from around the world to enter them and put on a series of “reality shows” that follow the original storylines while allowing each contestant to display their own talents. Whether contestants stand out depends entirely on the “preferences” of audiences around the globe. - What if you aren't familiar with the story of the classic work? - What if you draw a marginal character? - What if the picky audience is extremely hard to please? Luo Lan: Fortunately, I was the sole winner of the recently concluded “Farming Around the World.” So, in every world, Luo Lan somehow steers the original script toward a farming story. She always manages to change the characters' predetermined fates, build wealth, reach the pinnacle of life, and create a spectacular world of her own. Theme: Returning to the ancient past to build civilization and explore the mysteries of human development.