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Gong Xinwen is so awesome. Watching her invasion, I didn't have such a strong feeling. I just think that the male and female protagonists are well portrayed and their emotional lines are also very special. This time, when I saw her escorting you into the palace, I felt the beauty of the group portrait. It spreads from one person to many people, but it happens naturally. She writes in a very warm and friendly way, which reminds me a bit of Fuhua. It also reminded me of a book I read before, which also had a world view of a cabin on a snowy day, a demonic world, and puppets. But I think the source must be Gong Xinwen's book. Qianshan is strong in front of the world, but he is just a puppy in front of Xiaoxue. When he was abused, he was humble and fawning. After Xiaoxue left, he was gloomy and fragile. After discovering Xiaoxue, he silently made tea. His character portrayal completely followed the character. Xue's character changes are also clearly written. When describing the master-disciple relationship at the beginning, the author did not describe Xue's indifference, because the focus was on getting along with Shan, and compared to others, Xue was already very kind. It is only later that the heroine's complete indifference is revealed, giving a heroine who is often used as a tool to carry emotions in romances a new edge of her own. It reminds me that puppets are always written in the article. In fact, why are the characters not the author's puppets? Some authors want their characters to be powerful, beautiful, etc., Just like they want their puppets to have more functionality, while the real puppet master hopes to inject soul into their characters. What impressed me most was how lifelike the supporting characters were. Fu Yun, Senior Sister Miao, the headmaster, and the Yanliu family, you can't see too many things that are out of place. Everyone is real and rich. What I admire is that the author only writes the characters when writing the supporting characters, not the emotional lines. He is very restrained and has the judgment of whether to write or not to write. Let's talk about narrative and plot. The author is very good at inserting narratives and transitions, and has ingenuity. In terms of narrative, he can grasp the events that best reflect the characteristics and emotions of the characters and describe them. He writes whatever he focuses on. His writing skills are still enviable. I felt it was beautiful from beginning to end, without too much messy exaggeration. Even though the demon world is so cruel and there are so many unfair violent and bloody things, the author always has a trace of warmth and a glimmer of light when he depicts it. Just like the mood of snow, flowers bloom in the snow. After such a snowy season, spring is still warm and flowers bloom. The plot line is a fairy tale in a non-traditional sense. The steampunk world of demons and the classical cultivation of immortals in the fairy world create a fascinating worldview. The author wrote two things in total and finished the story. One thing is that six-year-old Xue went to an ancient mysterious land with her senior brothers and sisters and met Qianshan. During this journey, the characters of Zhong Bo and Black and White Wuchang appear again, and they go through three levels of levels. The choices of the characters feed back into the shaping of the characters, and the past stories of the characters also unfold. The second thing is that ten years later, Xue won the martial arts competition and came to the demon world through the magic circle with new friends. The focus of character portrayal here is different, it is about the growth after going through hardships. I have to say that I was also inspired by watching Zhuo seem to watch me. This plot is mainly about Xue in the Hall of Joy getting her own dual cultivation method and falling in love with Shan. Centered around two events, the cause and effect connect the past and the next. In the front, memories of the relationship between Master Sha and Shan are added. Xue enters the Guiyin Sect and encounters a completely different kind of care and love, thus writing about the past of the demon world for comparison and shaping. In the middle, the white tiger in Xue's Huangting is the mountain, which is the turning point for Xue's consciousness to realize his feelings. In the end, Xue Shan rescues the mortals of Biluo City, the sect destroys the Demon Killer, and Shan sends the leader to support him. The mountains are also wonderful, with many unconventional options. For example, when we went to the Hall of Joy with Xue, we were unwilling to let go no matter what, and ended up covered in bruises. Xuedu scolded him and asked him to go up. I thought he was going to listen, but he didn't. There is a sense of the characters coming to life, that the characters will say no. Also, when Shan fights the demon alone, Xue Ranfu calls Shan and wants to pass on his reincarnation to Shan. Shan immediately discovers Xue's intention, exposes Xue and hangs up the phone after talking about it! He hung up the phone! When I thought Shan would die and be reincarnated again, Shan refused to be reincarnated by Xue and went to the meeting alone to seek death. At this time, I also felt the dominance of the mountain. Although he is shy and innocent in front of Xue, he is domineering, strong and has a righteous heart. Now that I am older, I feel the beauty of mountain male protagonists. Only Gong Xinwen writes the best mountain male protagonist, and I like it very much. Let's talk about my beloved daughter. This article was written quite early. At that time, women's rights were not so popular. When the author wrote it, there were still many paragraphs about loving his daughter. For example, write about the beautiful relationships between girls, Ding Lanlan, Honglian, and Senior Sister Miao. I like that Ding Fengzhu very much. She said something in Yucaitang, calmly and gently pointing out who said women are inferior to men's ideal outlook, which is very beautiful. The snow gives warmth to the mountains, and the fairy world gives warmth to the snow. In order to protect the snow, the mountain gained a little warmth, and even though it almost died, it still did not regret it. The most ideal partner always exists only in novels.

I felt that the first half was okay, but the second half wasn't so good. The ending ended with, eh. . . .

The ending is too rushed, I feel like I could have expanded it and written 500,000 words

Alas, the first part is very good, the middle part is touching, the second part is rushed, and the ending is unsatisfactory. What a pity.

[Personal review record] I don't really like the beginning of a story that deals with unfinished feelings, because it usually means a lot of memories and the protagonist's lot of sadness and bitterness dilutes my high emotions while reading the novel. I can't feel the strong love and hate in them. I always feel that the protagonist at the beginning of the story is far away from me. Therefore, I rarely touch this kind of subject matter, except when I am in a literary shortage. Just like this article, when it was serialized, I passed by it many times and couldn't bear to read it. After it was finished, I only temporarily collected it and threw it in the corner of the collection. Now I dug it out and realized that the same subject matter, the same emotional model, and the thousands of miles between books all depend on the author's grasp of narrative, emotion, and value. A rare and relatively orthodox cultivation text. Although the wording is researched and adds a certain amount of obscurity and reading threshold, it is definitely not a pretentious work that deliberately shows off its rhetoric. Every word and every sentence shows the precision and conciseness of the author's careful polishing. His emotions are sincere and warm, and he never forgets his feelings in cultivation, but he is not bound by them either. Thousands of miles of clouds and dusk snow on thousands of mountains. To whom is the shadow going? My mountains are boundless, carrying the dusk and snow, I use my love as a crazy boat, I keep my knots, the blue sky falls in the yellow spring, life and death depend on each other. Cen Qianshan's heart falls in love with Mu Xue, and you can feel the emotional tension between the two just by looking at the names of the protagonists. It's not the kind of ambiguous pull that entangles and entwines, but the profound love between two people holding hands on the road, entering the road with love, and connecting hearts and minds. What's particularly impressive is the sentence the author said: I don't want to write about the emotions of the sub-CP, but only these characters, because it's not just love that can be written (this is probably the meaning). This sentence speaks to my heart. Nowadays, there are a large number of love stories in Jinjiang covered with various themes. After peeling off the gorgeous coat of love, it is actually very empty and has nothing to say (I fell in love with it out of nowhere, and it was the only one in my life out of nowhere). The love story is exaggerated, without logic, and is only for emotional refreshment. It ignores the unique East Asian subtlety, clarity, and purity in Hayao Miyazaki's movies. I have seen this quality in many articles. (It's not that it's wrong to write articles just for XP, but I hate empty XP articles that have no logic and sew together inexplicable plots just to promote emotional development.) It really tells a good story, without any clutter or repetitive old routines. There is no brain-disconnecting plot of deliberately pretending to be silly or cute, like a child playing house. There are no fragmentary plots that are deliberately created to advance the plot. The narrative is neat and meticulous, and the logic and reasoning of the characters are real, full and not flat. The writing is warm and makes me feel more healed after reading it. I can only experience the worldly love and profound love in the heroine's relaxing and peaceful journey after her rebirth. Let's talk about the personal shortcomings: although it is relatively sophisticated, the description of the complex techniques is a bit cumbersome and distracts from the main focus, which affects the perception; compared with the real and detailed world created, the plot line is not so exciting and imaginative (perhaps because the main line is too clear) ? Personally, I prefer the unpredictable layers of reversal like decryption); and the interaction mode between the male and female protagonists, as well as the character representation, are similar to most other novels (at least this is the case for the two parts of Demon Seed, Demon King and Xiangshao I have read), but the character design lacks a little bit of novelty. The beautiful and strong male protagonist, the gentle, firm and tolerant female protagonist, the heroine's redemption for the male protagonist are exactly the same. The dominant description of the female protagonist always makes me see similar shadows in many of the author's articles. (It's not bad, it's just that after watching it too much, I feel that it's not that fresh based on my personal romance taste, but this is also a great feature and xp, so I respect it). It has warmth (it reads warmly), depth (it incorporates the author's delicate thinking about life), it is meaningful, the value is not preachy, the protagonist is delicate and real, and the narrative is neat and sincere. The above has surpassed a large number of modern Jinjiang cultivation novels, no, it has surpassed the vast majority of Jinjiang romances I have read. It is a high-quality product that can only be found after reading dozens of books. Overall, I give it four and a half stars.

When will I come back to make up for the extra chapter...

No extras? Not enough. Nice! Very pretty!

Damn, damn, I can't accept the ending after watching it again, it's so hasty and confusing.

After reading it today, I had some thoughts: Recently, I have been reading Jinjiang's new articles. Whether it is BG or BL, there are very few authors who describe the protagonist's growth line and complete it. I don't know when, the argument about social loss and no chance has been recognized by more and more people. Even novels have begun to seek support, longing for a big tree to climb. In this way, physical sacrifice is just a small price to pay for a good life, not to mention the blurred boundaries of love. I like Xiaoshan and Xiaoyu very much. They are such cute male protagonists. The heart of the novel depicts JJ's rare sense of a living person, rather than a domineering mask. In recent years, the male protagonists have always been strong and shielded from wind and rain, with weak sense of morality, while Xiaoshan and Xiao Fish is very lovable and noble in quality. When he is humble, he is not flattery, but when he is in power, he keeps his true feelings. Inferiority is the best dowry for a man ヾﾉ≧∀≦)o, and the transition from kindness to love appears to be solid. Kraken and Xiaoxue both have complete main lines of growth. On the way to becoming brave, they appear to be focused and have their own ideals. They are not tempted by the outside world and are the kind of strong people who can be followed. I also began to look forward to their future, believing that the outside world is created by them. On the way to realize their ideals, they met their lovers, who are truly right. People will stand in the right place. This sentence made me see from the book, experience and think that true love cannot be too nihilistic and should be real. I recently read Lin Yihan and thought of Fang Siqi's Paradise of First Love when I read it many years ago. I was young at the time. Looking back now, there seems to be the elegant fragrance of ink between the lines, when describing suffering. , Her words are still elegant, I can't help thinking that words are not only clever words, words spread, guide, preserve, research, words can make me see the picture, I can't forget the little boy looking for the cat in the guide, the division shocked me. It seems to be off topic, haha. In fact, I have been looking forward to the ending, thinking that the ending will be Xiaoxue's high road, but it turns out that it is not. Even the plot of the devil feels unfinished, and there is no extra story about getting married and having children. Isn't it too vulgar for me (灬ꈍ ꈍ灬), but it ends like this. I can imagine that everyone in the book is alive, and Xiaoshan and Xiaoxue live happily ever after. , The road is still long, but those who love you will never be lonely by your side. From now on in Duoqingshan, just follow Qingqingxue, just like meeting for the first time, falling in love with the golden butterfly, being rescued and treated well, the poisonous snake of the young man, the beatings of the father, and the teachings of the master, all of which have been waiting for hundreds of years to be repaid. Along the way, I saw that Xiaoxue slowly began to feel the world. From observation to possession, she was finally not a bystander, but a witness. The thunder shattered a hundred years ago, but she had a new life. Such a good partner, Master teaches, you don't need to be bruised and vigilant. Every second of recovery proves that you feel love and start to cherish love. For such a good person, please stay happy forever (づ￣3￣)づ╭❤~

Ah, as expected of you, it stopped suddenly