The National Preceptor's Melancholy

Warning for long and confusing words, product of unknown ingredients, spoilers and a lot of praise based on personal feelings. The original intention is to share the reading experience. It is not intended to trick people or give other readers too high expectations. Read with caution. While searching for articles, I unexpectedly found my wife's articles. I had actually read some of my wife's novels about the Fourth Natural Disaster Leader before, but I didn't quite understand her writing style at that time. In addition, I was a bit tired of reading the same type of articles all the time, so I gave up after not reading too much. Unexpectedly, after a few months, I was searching for books in Dalang. In the process, I was attracted by this highly personal writing style and self-contained world view. I first read Cyborg Omega in one sitting, and then I read the National Master. I was also considering reading the book Rivals in one sitting. This is really amazing in my recent reading experience. Due to my personal taste and some one-sided ideas, I have always thought that if I want to write a non-romance story with full characters, emotions, a unique world view and a complete story line and logical chain, the number of words will often be longer, so generally I start reading the article. The starting code is 4 to 50,000 words. I won't read short stories of 2 to 300,000 words, and I won't even read sweet romance novels. It can be said that this is a long-term prejudice against short stories that I have formed, but I didn't expect that my wife has broken the old habit of never reading 2 to 300,000 word articles in the past few days. After reading Nineteen's Cyber and the National Master quietly and without being affected by anyone else's words, I suddenly realized that a grand and unique world view is not equivalent to a long and long word count. I can write about his present from the perspective of one person in a complete world. It pulls out his past half-clawed from time to time, outlining a journey in the memory and extension of time. It may not be exhaustive, but there is information that can be decrypted or implicitly hinted at in many places. Allowing readers to deduce and imagine on their own is also a good way to tell the story. It's very strange. When I read this article, I accepted the language style of Nineteen very well. I didn't feel it was mysterious, complicated or obscure at all. Instead, I really enjoyed Nineteen's description of the characters, the depiction of the pictures and the creation of the scenes. The first chapter at the beginning of the book, Le Dao's Star Stage, illuminates some of Le Dao's personality characteristics, which is very vivid. Ming, at the end of the story, the great witch seemed to feel something as he turned around during the blizzard, which instantly drew me into the atmosphere. It was as if my eyes had exited the top of the star platform, passed by the majestic emperor, and then found the direction of his eyes. In an instant, I flew to where the great witch was, and happened to catch the fateful looking back in the wind and snow. It is no exaggeration. To be honest, after reading the whole article, I may not be able to sort out the plot of the story, nor can I immediately tell which part of the story I like best, but what automatically comes to mind is the opening scene, which opens up the past of the great witch and the pursuit of the two-way secret love between the two, past events, old friends, emotions and even enemies. They all revived with the falling snow. The first snow-covered Xingtai and the distant Erlong Mountains were more than a thousand miles apart, and there was an endless sense of story flowing in them. And when the end came to an end, the first chapter of the extra chapter casually continued the first chapter of the main text, this sense of story and atmosphere shocked me even more. It's hard to imagine that this article was written six or seven years ago. The opening chapter is so vivid and full of pictures, and the following content does not disappoint my expectations. The great witch who is already at the peak of witchcraft and the emperor who is already at the peak of power are not the so-called full-level bosses who can push down all obstacles and blow up fish ponds. The turmoil, conspiracies and hidden enemies in the dark never stop, and one wave after another rises. On the one hand, I was infected by Ayu's calmness, but on the other hand, I couldn't help but feel a little a little bit. Watching him with fear as he has just dealt with the immediate danger, and then has to guard against the traps set for him by the enemy, it is always thrilling, and when he rarely relaxes, he can't help but fall into his memories. From the so-called dream-like memories, he picks up and pieced together the truth of some events, and silently outlines the life experience that he keeps losing. How has he ever been stable? How many people have seen him and found that he loves and cares for him. Just looking at He Lian Yu, separated from the other characters, made my heart full of soreness and various indescribable emotions. And when we look outside to see the changes in dynasties, the big situation and the little people, the heroes are living flesh and blood, the swallows flying into people's homes are living flesh and blood, and the silent ascetic guards are living flesh and blood. There are many touching details that make me feel that they are alive, or have lived. Looking at it further, it is a unique worldview background. Witches are popular elements, but there are not many vain settings in this article. It is very simple and plain, and very easy to understand. The general framework of people and monsters fighting against each other is also very ordinary. There is nothing to say. The most novel and eye-catching is the change from eternal night to the sun to the sun and the moon, and the setting of the great witches transforming into stars. The former is the remarkable main line of human struggle for survival. Human beings have eliminated eternal night, raised the sun, and created day and night. The latter is the willingness of powerful people to sacrifice their lives and turn themselves into candles, which brings infinite touching, awe and love. The creation of the stars and the sun and the moon. I have never connected these three common celestial bodies with people before, but this article written by Shijiu is refreshing to me. When Ayu tells his nephew about ancient times, when he talks about the great wizard Fusang discovering fire, I vaguely feel like it is like a mythological epic. The appearance of the moon at the end and the distinction between day and night are simply telling a myth of man and god created by Shijiu that is "man-led and created by man". Okay, it's too annoying to talk so much based on the emotions I just finished reading, so I'll briefly summarize it at the end. In fact, I found that Nineteen's writing style, world view, background, characters, etc. Are very suitable for my taste. As for the cyber novel, there are some unfinished things at the end. This one really meets my requirements for a good story. I was very happy to read it, I was very emotional, and I am looking forward to it. I hope Nineteen can continue to tell such unique stories.

"Guoshi" is my No.1, I always love watching stories.

Ha, the story every emperor and his great wizard has to tell

What a fairy love, I love them both so much!

So Wu Lun and Le Sheng are a couple... I always thought they were Orions...

In fact, I think your writing is very good, and the world view setting is also very imaginative. It's no worse than those at the top of the ranking. Why didn't anyone notice it?

What era did the great witch who consecrated Shirakawa Sui-kun come from... It doesn't seem like this.

Throw flowers! Treasure article! Have seriously recommended to relatives and friends [sunglasses]

Thanks to the author for bringing us this story

I missed out on a lot by seeing the story of Nineteen so late, but fortunately, I was very satisfied with seeing it.