The Princess Who Guards the Nation (GL)

Originally titled A Peaceful Joy For updates, find Yun Gong Ke Rang on Weibo. For videos, search Yun Gong Ke Rang on Bilibili. The alternate-world tragic version of Princess Zhen Guo can be found in the author's collection, starting from chapter 491. For all locked chapters in the Zhen Guo series, search for "Yun" on Aifadian. A silly version of the blurb: Taiping: Tasty food is no match for dumplings. What's the next line? Wei Huan: ...We Tang people don't call them "dumplings." We call them "jiao'er" or "jiaozi," thank you. Taiping: It's all right if there are no dumplings, as long as I have you. Wei Huan: ... The serious version of the blurb: You stand amid ten thousand people, Basking in a glory that reaches the heavens. I cannot see your eyes, Could they be hiding tears? The melodramatic version of the blurb: I would gladly offer you my kingdom, just to win your joy. I only wonder whether the whole world could sing your praises, so your name might echo through the ages. In short, this is a love story set in an alternate Tang Dynasty. 1. A first-person story featuring two equally strong leads, a coming-of-age story, and a slow burn. Very slow! 2. All couples get happy endings, and they all switch roles. There will be angst along the way. 3. Comments spotting errors and discussing the plot will be highlighted. 4. Exclusively published on Jinjiang Literature City. Please do not pirate it, and especially do not put it in strange categories. Thank you! 5. The author's Weibo name is "Yun Gong Ke Rang." About the errors: a. In the Tang imperial court, people called the emperor "Everyone," but this was not yet common in the early Tang. The author initially used it with its modern meaning, then realized it appeared too often to correct, so it was left as is. b. This is a novel, not an academic paper. I have tried to cite Tang sources wherever possible, but oversights are inevitable. Please point them out, please point them out, please point them out. c. Some sources in the story do not distinguish between the early, middle, and late Tang or the Five Dynasties. d. For taboo characters in edicts, decrees, laws, regulations, and other official texts, I have tried to avoid them. Where they are not avoided, and in spoken language, assume the pronunciation, strokes, or characters have been altered. The author's completed works: Theme: