My Dear Elidia

I have mixed feelings… The best part of this article is before Tia left home. So far, what attracts me to read this article is probably only the strong and exclusive love between the male protagonist and the female protagonist (as well as the sunk cost of full booking). The direction of the article is very, well, unusual. Nowadays, most of the popular articles on JJ are sadistic (female) articles. The author tags the story of chasing his wife and reuniting in the crematorium. This kind of beautifying the rotten cucumber male protagonist and playing the role of a hero saving the beauty. Then the author was ridiculed by the comment section of the tweet and the readers as "the male protagonist's biological mother and the female protagonist's mother-in-law". But this article has opened up a new avenue for "abuse articles". The relationship between the male protagonist and the female protagonist is not much of a problem. The female protagonist is a normal person (neither abstract nor spoiled nor crazy), the male protagonist has character flaws, and is immature towards the female protagonist's ways and behaviors (for example, the latest chapter of the prison play, if the male and female protagonists are not married, this is considered qj, the male protagonist will know when he encounters problems doi To vent, it would be strange not to be pregnant in this situation 💔) (But then again, the male and female protagonists are not very rational people. The female protagonist is okay, the male protagonist seems to have lost his wits whenever he encounters something related to the female protagonist). The advancement of the plot relies entirely on misunderstandings, misunderstandings, misunderstandings. One slap for the male protagonist, two slaps for the male lead, and eighteen palms for the second male lead. One is that he cannot learn to respect women even if he is angry (which can also be understood as interest, but I can't stand it); the other is with a strange brain circuit, always "I thought... But Ian actually...". Once Ian does not follow his ideas, he feels: Oh, why does Ian treat Tia like this? Tia, why are you so stupid to choose Ian instead of me? However, if you hadn't been a monster, there would be no such thing. The "grievances" the heroine suffered were more or less the work of the male lead. In short, neither brother is normal. Yes, I don't deny that I do like the role of a paranoid, yandere, possessive, wet male protagonist, but that's not the case! The difference between the heroine now and the heroines of ancient sadistic novels is that she is not completely in a low position. Although there is a social status difference between her and the male protagonist, she has a certain amount of capital, and there will be people around her who will stand by her unconditionally when something happens. (I don't know what I'm talking about after saying so much, but I must say it to relieve my depressed mood). How quickly the author takes Yuri offline and how miserable Yuri's ending is will determine whether I give it a one-star rating or a three-star rating when I finish it.

Now that I have seen it, every time a conflict breaks out between the male and female protagonists, the female protagonist always has a cold war with the male protagonist, avoiding and resisting the male protagonist's explanations. This happens over and over again, and I'm a little tired of watching it. Although this setting can highlight the male protagonist's tolerance and pave the way for the female protagonist's character arc in the later stages (learning to communicate and face emotions), in the early stage it is easy for us to step into the male protagonist's perspective and feel tired and helpless. We may even ignore the premise that "the male protagonist is at fault", and instead develop a sense of resistance to the female protagonist.

It made me laugh so hard. A total of four men were heartbroken in this chapter [Glasses][Glasses] Ian became the final winner.

So what about four people. . .

In the early stage, the emotions of the children were delicate and the writing was good, but in the later stage, the plot of Yuri was really outrageous. The writing did not have the aura of the early stage, and there was a sense of separation between the front and the back (I really hate that iron cannot be made into steel. I really liked what I wrote earlier, and I was really tired of chasing after it in the later stage). Anyway, it is finished. In short, it is finished with flowers 🎆🎆🎆

When I read this chapter, I felt like:?

Why is this plot development a bit magical?

. I'm really going to be pissed off with this Yuri. When will the heroine discover his dark side 😩 When will the heroine be more sensitive🥲 There is really no sense of boundaries with my brother. Although it was a bit awkward at first. But it won't be good if they are all married 😩

There is no need to write about chaff, nor about brother's emotional line... Just write that brother is always by Tia's side. Family ties are also great.

The writing at the beginning is really good and the foreshadowing is very good. The collapse at the end leads to the flow straight away. In the later period, the character image was fragmented, and Yuri was like a pure-blood villain NPC, making the main CP torture his heart and body, and he would kill him when he was done with it (and he would replenish the damage himself)... It's hard to comment. The character creation and plot rhythm in the later stage are not good, and they are all in a process. It feels like torture for the sake of torture.