Looking for High-Quality Siheyuan Novels with Lots of Chapters

1 四 Siheyuan: a Good Girl Is Harmed by a Stupid Pillar and Breaks His Head Can Dance Steamed Pork with Rice Noodles2.4M WordsCompleted 2.3kReads6.6Score121Shelves

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The courtyard is of high quality and looks pretty good

20 四 Siheyuan: Since the 1950S Square Meets Triangle187k WordsCompleted 24.7kReads8.2Score523Shelves

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"Siheyuan: From the 1950s" uses the unique perspective of "spectator + stocking flow" to explore the theme of the courtyard, allowing Wang Ping'an, a 21st century takeaway boy, to travel to a martyr's family in 1958. With the "double space golden finger", he managed steadily in the special era. He not only watched the life of the courtyard with a cold eye, but also survived with an advanced layout. The author uses a delicate period texture and light comedy style to create a unique work that combines realistic fireworks with a sense of time travel. 1. Anti-traditional time-travel positioning: being an outsider in the Siheyuan Different from the conventional routine of "slap in the face and revenge", the protagonist Wang Ping'an has the attribute of "bystander": he is aware of the calculations of everyone in the Siheyuan (such as Jia Zhang's greed and Yi Zhonghai's hypocrisy), but he actively keeps a distance and adheres to the principle of "I will not offend others unless they offend me". In the first chapter, he responded politely to the second uncle Liu Haizhong's overtures and Qin Huairu's enthusiasm, but always observed the dynamics of the compound from an "outsider" perspective - when Si Zhu and Xu Damao were fighting, and when Jia Zhang peeked at his family's supplies, he only laughed and did not intervene in the dispute. This "sober sense of alienation" breaks the depressing atmosphere of traditional courtyard themes, allowing readers to examine the various aspects of human nature under the limitations of the times from a "God's perspective". 2. Pragmatic development of space cheats: hoarding is the hard currency. The protagonist's "dual space" setting (planting space + static space) abandons the constraints of "system tasks" and returns to the essence of "rigorous needs for survival": - Planting space: can cultivate automatically and accelerate growth. Wang Pingan went to the countryside to purchase seeds (rice, corn, vegetables) to achieve mass production of food in the space, laying the groundwork for subsequent famines; - Still space: used to store supplies. He cashes in the harvested vegetables on the black market (such as selling fresh cabbage for 10 cents per catty), and then uses the funds to replace meat stamps and livestock cubs, forming a closed loop of "planting - cashing - stocking up". It is worth mentioning that the author weakened the fantasy color of "Goldfinger" and focused on depicting the pragmatic operations of the protagonist: in order to obtain seeds, he lied about "the uncle in the courtyard passed away" and asked for leave to go to the countryside; in order to avoid censorship, he wore a cotton-padded jacket and covered his face when trading in the black market, making the logic of "hoarding goods to save the country" more realistic and convincing. 3. A vivid outline of group portraits of the era: a true picture of ordinary people in the city. The author uses "1958" as the time anchor to accurately restore the quality of life in a special era: - The appearance of all living beings under material scarcity: the stinginess of the third uncle Yan Fugui in "dividing pickles based on their roots", Xu Damao's showing off of his "projectionist identity", and the wretchedness of Silly Zhu's "peeping at Qin Huairu" all reflect the undertones of human nature under material shortages; - The hidden power of institutional relationships: the protagonist is protected by the chief because of his status as a "descendant of martyrs" (such as his mother's transfer to the supply and marketing cooperative, and priority in obtaining bicycle tickets), which reflects the actual role of the "relationship network" in a special era; - The complex writing of female characters: Qin Huairu's enthusiasm before going dark, the Queen Mother's traditional concept of "eagerly looking forward to her grandson", showing the survival strategies of women of different generations under the framework of the times. These details interweave into a "Siheyuan Ukiyo-e", which contains both the fireworks of neighborhood greetings and the undercurrent of calculations, making readers feel like they are in that scarce but vivid era. 4. The soothing tension of the narrative rhythm: burying long-term stories in daily life. The novel takes "high school life + space management" as the main line, and adopts a "slow-heat" narrative: the first five chapters focus on the protagonist's adaptation to time travel, space development, and black market transactions. It does not directly intervene in the core contradiction of the courtyard, but extends the perspective to a broader era background (such as the upcoming natural disaster in 1959) through the main line of "hoarding food to prepare for shortages." This writing method of "reflecting the changes of the times with personal destiny" not only retains the urban interest of the courtyard theme, but also gives the story a pattern that goes beyond house fighting - when Wang Ping'an grows wheat and breeds poultry in the space, readers can already foresee that he will become a game-breaker in the future famine as a "food holder". Conclusion: When time travelers become observers of the times, "Siheyuan: From the 1950s" uses the "hoarding flow" to reconstruct the value of time travel, allowing the protagonist to establish himself in the Siheyuan as a "material reserver" rather than a "conflict participant". If you are tired of "punch-to-flesh" revenge novels and want to experience the pragmatic time travel of "fighting steadily against the tide of the times", this work will give you a different reading experience. Watch how the delivery boy uses modern thinking to manage the dual space, and writes his own survival legend while watching indifferently in the Qinman Courtyard.

23 四 Siheyuan: Renovating Life Smile South595k WordsCompleted 3.4kReads8.3Score101Shelves

Reader note

"Siheyuan: From the 1950s" uses the unique perspective of "spectator + stocking flow" to explore the theme of the courtyard, allowing Wang Ping'an, a 21st century takeaway boy, to travel to a martyr's family in 1958. With the "double space golden finger", he managed steadily in the special era. He not only watched the life of the courtyard with a cold eye, but also survived with an advanced layout. The author uses a delicate period texture and light comedy style to create a unique work that combines realistic fireworks with a sense of time travel. 1. Anti-traditional time-travel positioning: being an outsider in the Siheyuan Different from the conventional routine of "slap in the face and revenge", the protagonist Wang Ping'an has the attribute of "bystander": he is aware of the calculations of everyone in the Siheyuan (such as Jia Zhang's greed and Yi Zhonghai's hypocrisy), but he actively keeps a distance and adheres to the principle of "I will not offend others unless they offend me". In the first chapter, he responded politely to the second uncle Liu Haizhong's overtures and Qin Huairu's enthusiasm, but always observed the dynamics of the compound from an "outsider" perspective - when Si Zhu and Xu Damao were fighting, and when Jia Zhang peeked at his family's supplies, he only laughed and did not intervene in the dispute. This "sober sense of alienation" breaks the depressing atmosphere of traditional courtyard themes, allowing readers to examine the various aspects of human nature under the limitations of the times from a "God's perspective". 2. Pragmatic development of space cheats: hoarding is the hard currency. The protagonist's "dual space" setting (planting space + static space) abandons the constraints of "system tasks" and returns to the essence of "rigorous needs for survival": - Planting space: can cultivate automatically and accelerate growth. Wang Pingan went to the countryside to purchase seeds (rice, corn, vegetables) to achieve mass production of food in the space, laying the groundwork for subsequent famines; - Still space: used to store supplies. He cashes in the harvested vegetables on the black market (such as selling fresh cabbage for 10 cents per catty), and then uses the funds to replace meat stamps and livestock cubs, forming a closed loop of "planting - cashing - stocking up". It is worth mentioning that the author weakened the fantasy color of "Goldfinger" and focused on depicting the pragmatic operations of the protagonist: in order to obtain seeds, he lied about "the uncle in the courtyard passed away" and asked for leave to go to the countryside; in order to avoid censorship, he wore a cotton-padded jacket and covered his face when trading in the black market, making the logic of "hoarding goods to save the country" more realistic and convincing. 3. A vivid outline of group portraits of the era: a true picture of ordinary people in the city. The author uses "1958" as the time anchor to accurately restore the quality of life in a special era: - The appearance of all living beings under material scarcity: the stinginess of the third uncle Yan Fugui in "dividing pickles based on their roots", Xu Damao's showing off of his "projectionist identity", and the wretchedness of Silly Zhu's "peeping at Qin Huairu" all reflect the undertones of human nature under material shortages; - The hidden power of institutional relationships: the protagonist is protected by the chief because of his status as a "descendant of martyrs" (such as his mother's transfer to the supply and marketing cooperative, and priority in obtaining bicycle tickets), which reflects the actual role of the "relationship network" in a special era; - The complex writing of female characters: Qin Huairu's enthusiasm before going dark, the Queen Mother's traditional concept of "eagerly looking forward to her grandson", showing the survival strategies of women of different generations under the framework of the times. These details interweave into a "Siheyuan Ukiyo-e", which contains both the fireworks of neighborhood greetings and the undercurrent of calculations, making readers feel like they are in that scarce but vivid era. 4. The soothing tension of the narrative rhythm: burying long-term stories in daily life. The novel takes "high school life + space management" as the main line, and adopts a "slow-heat" narrative: the first five chapters focus on the protagonist's adaptation to time travel, space development, and black market transactions. It does not directly intervene in the core contradiction of the courtyard, but extends the perspective to a broader era background (such as the upcoming natural disaster in 1959) through the main line of "hoarding food to prepare for shortages." This writing method of "reflecting the changes of the times with personal destiny" not only retains the urban interest of the courtyard theme, but also gives the story a pattern that goes beyond house fighting - when Wang Ping'an grows wheat and breeds poultry in the space, readers can already foresee that he will become a game-breaker in the future famine as a "food holder". Conclusion: When time travelers become observers of the times, "Siheyuan: From the 1950s" uses the "hoarding flow" to reconstruct the value of time travel, allowing the protagonist to establish himself in the Siheyuan as a "material reserver" rather than a "conflict participant". If you are tired of "punch-to-flesh" revenge novels and want to experience the pragmatic time travel of "fighting steadily against the tide of the times", this work will give you a different reading experience. Watch how the delivery boy uses modern thinking to manage the dual space, and writes his own survival legend while watching indifferently in the Qinman Siheyuan.

37 四 Siheyuan: I Am a Street Kid, Picking up Attributes to Counterattack! Advent Angel2.5M WordsOngoing 32.1kReads8.1Score1.8kShelves

Reader note

🔥🔥🔥🔥Highly recommended, highly recommended🔥🔥🔥These books are really good to read. You can tell by looking at the time I spent on them, 4000 hours. I have personally tried these books and they are still very good. ❤️❤️In the first book, the protagonist checks his attributes like crazy and becomes a level 4 fitter in one day and a level 6 fitter in January. What is outrageous is that he also married Lou Xiao'e as his wife 😂😂😂 🔥🔥🔥In the second book, the protagonist returns from overseas. Although he has awakened the system, he has to live in compound No. 95 Before he can use it. For this reason, he enters the compound and lives in a 300-square-meter cross-yard. The most important protagonist is the third generation of red. The backstage background is incredible.

40 我 I Solve Cases to Put Food on the Table Empty Words in a Dream1.2M WordsCompleted 71.2kReads9.3Score5.9kShelves

Reader note

🌿🌿Online IQ + no shit + no talismans + exquisite details + novel angles, preaching marriage laws, Yi Zhonghai was arrested; preaching public security management regulations, He Yuzhu can no longer be the god of war in the courtyard; preaching anti-superstition, Jia Zhang will no longer dare to summon spirits! There is a golden finger, but it does not have much effect. It is mainly a story about modern people using legal thinking to live in a courtyard.

45 四 Little Electrician in the Siheyuan Lazy Dragon of Beijing168k WordsOngoing 1.2kReads—Score—Shelves

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Recommended, more realistic

46 四 Leisurely Days in the Courtyard Wind Sense5.3M WordsOngoing 36.1kReads7.7Score1.7kShelves

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I have read hundreds of Siheyuan novels, and I recommend twenty good-looking ones with many words [cool][cool][cool]