From the Start as a Sent-Down Youth, I Choose to Flee to Hong Kong

The writing and plot are pretty good, except that the journey is relatively smooth. But it's normal. After all, the protagonist doesn't have any golden fingers. The only useful thing is the various recipes and production methods that I used to watch short videos. If it doesn't go well, I might be afraid that the protagonist will grow old and miserable, and it doesn't work in a genre like Tomato. Well, later on, the minor confesses to the protagonist. The protagonist doesn't like it and rejects it, but is afraid that she will be sad and says that they will be together after they enter college in ten years. Isn't this kind of behavior just like fish farming? Moreover, the other party is still underage, and the most important thing is to reject it if you don't like it. How does she have anything to do with the protagonist? And if the uncle and aunt also like the protagonist and confess to the protagonist, will the protagonist also have a ten-year date? So in the final analysis, you still have to look at others who are beautiful but too small, so you should occupy the position first and use others as spare tires. The key point is that this kind of plot is not necessary at all, right? The main character is rich and beautiful but can't find anyone beautiful? Why do you want to play like this? Is the author deliberately screening readers? And don't tell white lies. Others are just small and a little sad. They are not destined to live or die. Originally, they would be fine in a few days, but now that is not necessarily the case. After all, the investment cost has increased.

Not bad. I suggest that the author should give the protagonist a charade (small charades are not counted), such as body (energy charade). You can check the historical and modern elites. Without exception, they are all energetic.

Very nice. In this era of AI, there are not many people who insist on hand coding. The writing style is eloquent, without clichés, and logical. It doesn't give readers any flair. The protagonist has an ordinary mentality, and he doesn't appear to be crazy and cool right from the start. The writing is very stable. Hope there will be more updates. As for writing in dialects, I think it's good. Language is the boundary of understanding things. Dialects can speed up familiarity with an unfamiliar culture. The world is so big, be tolerant. It's interesting to see different dialects and customs.

It's good-looking, clever and refreshing, and the pace is very comfortable. The protagonist's several ideas made me feel reasonable and smart. The marshmallow machine, opening a candy factory, red vest promotion, and following the popularity of TV stations all require some brains and execution ability. I am looking forward to the subsequent development. Can the author update the fifty chapters as soon as I wake up?

We don't understand. Hong Kong 1969. Rent a shop. It's only 28 a month. The annual rent is only two to three hundred. The following is written by the author He took out a cigarette from his pocket and took a puff. "Twenty-eight yuan... You know how to bargain. Okay, just twenty-eight yuan. One-year contract, monthly rent of twenty-eight yuan, one month's deposit, fifty-six yuan in advance."

It's so good and I love watching it. I've read a lot of period stories. They all go to the countryside. The male videos are about hunting and going to the black market. This one goes to Hong Kong and makes a fortune selling marshmallows. It's really the first time I've seen it. I enjoyed watching it, but it's just not enough. The dessert shop has opened. Milk tea and coffee go best with desserts. You can't miss the milk tea. When will the pearl milk tea be served? Snow King's song has been played, so you can't miss the milk tea.

The writing is good. It is not the kind of person who brings gold bars to Hong Kong Island to directly open a factory and start a business. This book knows that you have to rely on the hometown association to gain a firm foothold. It knows that you must follow the right path and cannot join the society. It knows that you must accept capital in Hong Kong Island. And in the future, when you become big enough to reach a certain level of strength, you must take political sides. By then, making money is no longer the most important thing for the protagonist. You must have the value of united front, otherwise you will either be wanted by grandpa me after the return of Hong Kong Island, or be raped by the British Hong Kong government now.

I generally don't comment on whether it's good or bad. This novel is well-written, true, and has no objectionable psychology. It is a book about a new genre, educated youth sent to the countryside, and there is no systematic chaos. I personally think it is very interesting, but there is too little.

Very good. . I think many northerners don't understand it, thinking that if the protagonist runs away, his family will be harmed. Stop making trouble, the protagonist is from Jiaoji, not from the north. . Which one is the biggest in Chaoshan and Fujian? Mazu is the oldest, and Grandpa is the second. . Implicated? Who dares to cause trouble? Whose family doesn't have many overseas? Take a look at Enping, Guangdong. Every year, a bunch of mixed-race people come back to pay homage to their ancestors. . The situation is different. In the Guangdong and Fujian areas, it is safest to run away. If you dare to get involved, unless he is a foreigner, it is impossible for a local. Our home is

Although the length is currently short, the overall feeling is good, and the length and pace of the story are good. However, many Cantonese languages ​​​​made my scalp numb. I can look forward to the future. It is quite appropriate to run away from your hometown to make a living in Hong Kong. There is no cheat code or finance or anything like that. Doing a small business and developing industry may be the most suitable time traveler for such a low-level person.