Western Fantasy: Beating Every Bad Ending in a Game World

Are there any max-level accounts that don't solve the problem of their own magic power first, but instead wander around being firefighters? Don't really think of yourself as a pig when you pretend to be a pig and eat the tiger [face-covering] [face-covering] Even if you have a max-level account and are being punished by others to the point of wailing in despair, knowing that your strength is insufficient and not solving it yet still rushing forward like a fool, this is not how GM plays. [Sad]

It's okay, 8 points for off-site, 10 points for Tomato, at least it allows people to watch it all the way to the end. The plot arrangement is basically reasonable and there are no particularly big holes. The writing style is above average, but there are some minor problems in the narrative arrangement. It likes to add new conflicts in the middle of conflicts, which makes people look anxious. However, the logic is still online. It is great to be able to keep the whole story from collapsing under such a chaotic outline. As for those who want to read mindless and refreshing articles, you can go elsewhere. This article is not the case. It is essentially a prophetic article with relatively online logic, not a cheating article.

The setting is innovative, the magic bar of pure magic is locked at full level, the cool start turns into land reclamation to improve the experience, and the range is just right. Players of the second game did not follow the same path as the first game and dug deeper into the plot, discovered the secrets that were not discovered in the first game, and improved the plot and character background. The twists and turns were ups and downs, amazing, and so grand. It's not the old-fashioned way of upgrading monsters. The main plot is to avoid all the bad endings and achieve the unfinished good ending. The world view and magic system are reasonable and self-consistent, the encounters with the heroines are not abrupt and abrupt, the emotional lines are stable and natural, and there are no surprises throughout.

It's okay, the rhythm is good, and the selling points that should be written are also written, but the story itself is not that good, and the writing style is relatively poor, and the performance is so poor that it feels so bland. I personally support this type of writing, and I encourage it with five stars.

The book is great and the writing is good, but the author is a little unsure. Just work on it slowly. There is no need to rush. Two days, three days and four days, one book a week is fine. Don't put too much pressure on yourself. The book is great, and excellent works will not be buried.

This book has quite a bit of potential, and I personally think it's to my liking. The plot rhythm is okay. Regarding the protagonist's blue bar problem, you can reduce the irritability caused by losing because of the blue bar. There is a good balance between daily life and events. I can see a lot of influences from Western fantasy novels in this book. I hope the author can keep writing and don't follow their example and stop updating🤓👆🏼

The setting at the beginning is innovative enough, but the graduated account at full level has no panel to display skills, and the magic bar is directly locked in darkness, turning the originally exciting start into a desperate situation, and the contrast is just right. The most rare thing is that it does not fall into the old routine of upgrading and killing monsters. The core main line firmly adheres to "save all bad endings". The fateful tragedy of the saint, witch, and dean is heavily foreshadowed. The character arcs are complete and there are no facial expressions of tool men. The daily life of the academy and the mainland adventure run in parallel, the world view is well-polished, the magic system is logically self-consistent, and the emotional lines of the multiple female protagonists are naturally stretched without any rigid harem accumulation. Nowadays, Western fantasy works are everywhere, and it is very rare to be able to write this kind of work with a tragic song of fate and a core of salvation against the odds. The rhythm is relaxed and relaxed, the foreshadowing is recycled smoothly, and the reading experience is very smooth.

The plot is very compact and enjoyable to watch, but there are too many names appearing before and after Lilith, and the pseudonyms are followed by real names. If you don't read carefully chapter by chapter, you can't tell who is who.

[Cry][Cry][Cry][Cry][Cry][Cry][Cry][Cry][Cry][Cry][Cry][Cry][Cry][Cry][Cry][Adoration] This Western fantasy book is quite good. There are many female protagonists, and now I have to eat the main palace. The rest depends on how the author writes, as well as the introduction of the dungeon and the origin of the evil god.

As a Western fantasy novel, there are some minor problems in the early stage. The character creation is not enough, the changes are fast, and the protagonist is slow. However, compared with other Western fantasy novels, one advantage that I think is very important is that the pace is relatively fast.