Save-Scumming Survival: I’m Really Not Some Big Shot

It looks good. Although the first copy is a bit similar to that book, it is completely different from the second copy, and the core is also different. Don't give up just after reading the first copy! The core of this book is very good, and the stories behind each copy are also very warm. The protagonist's IQ is online. Recommend! The two books express different things. The first copy is about a child who longs for his parents to celebrate his birthday together, while I think this one can represent an adult perspective (the son of an old couple). (Of course, if I am overthinking, please omit this paragraph (*ˊᵕˋ)✩︎‧₊: Parents long for their children to come home) A few words in a low voice, in fact, if this book had a different name and was not labeled as Dihua, it might become more popular. Because the story itself is very good and the author's writing is also very good. As a plot-oriented puzzle copy and redemption game, it is very good. But as far as Dihua is concerned, this book is not exciting enough because the dungeon is too difficult. Regardless of whether to block back or not, the protagonist's current operation itself is very good. The difficulty of no one clearing the level actually reduces the feeling of fun. The overall rhythm of the story is relatively flat, and there are rarely exciting times. But as a plot person, some of the stories here really poked me. Big boost for the author.

It's okay, I just feel that the protagonist and the overall atmosphere are too depressing, and I feel very heavy after reading it, but it's not that exaggerated. Every time I finish reading, I have to read other books to calm my mood. Overall, it's okay. I feel that the intensity of the dungeon is too great. Teleporting people into it is pure abuse. I can't even clear a few people, and players will die casually. Without the ability of the protagonist, I feel that these countries will be destroyed sooner or later.

If you fall in love with watching this type of movie, there is another guy named (Return to Survive: I'm really not a boss.)

"Return to Survive: I'm Really Not a Great God": A dark epic that tears apart destiny in reincarnation! This book takes "death retracement" as its core and constructs an infinite world full of philosophical speculation and passionate tragedy. The most shocking thing about the work is that it transforms "death" into a cruel power---each turnaround of the protagonist Chen Fan is not only a tactical reset, but also an ultimate torture of human nature and will. The setting of the live broadcast perspective is very ingenious: the audience sees the "miracle" of clearing the level in one minute, but what is hidden is the bloody truth of six deaths. This sense of tearing between appearance and reality makes the sense of refreshment filled with heavy pathos, forming an aesthetic tension that is almost like a Greek tragedy. The world view of "Redemption Game" is rich in layers: it includes the scene of human survival and death, and it is also the judgment of civilization by divinity. Chen Fan's transformation from a player struggling to survive to a god-killer, a metaphor? It represents the sublimation of human beings from being dominated to resisting freedom. The language of the work is cold and stern, with lines such as "Your back garden is my cemetery" perfectly blending arrogance and desolation. The ending "Your game is over" is not only the explosive point of the plot but also a declaration of war on fatalism, pushing the theme to the romantic climax of "mortals killing gods". This work injects existential thinking into the infinite flow framework, and uses the cage of reincarnation to reflect the light of free will. It can be called a masterpiece that combines commercial coolness with literary depth.

The movements described by Mrs. Zhen are really down-to-earth, not the kind of timid brain-filling. Brother Fan himself is very strong! Add a death rollback to straighten out the weird logic of the dungeon, and complete the level perfectly!! (Can you give me some rewards? This is not Blue Star, and I don't have a home to belong to, and I can't go back. I can't enjoy it but stay in a pure white space, and there is no reward for clearing the level, so there is no need to set up a savior [eating melon])

The overall structure of the article and the frame of profound meaning are quite large, but the writing style is very suitable for this framework. The writing style may be similar to vernacular, but it is more deeply rooted in people's hearts. Each copy has cause and effect, not completely invincible, and there is a central emotion in the copy that extends outward. I like this very much, but each copy is more like it is made for the protagonist and his abilities. After repeated failures, he succeeds later, and he is a growth-oriented protagonist.

Go back and survive: I'm really not a great god. Sandwich biscuits The first story has heavy traces of borrowing from it, but later on I wrote something fresh. On the plot. It's tense yet simple, fast-paced, full of emotions, and easy to read. There is always a little less aftertaste. As for the problem, although the plot is exciting and exciting, it is all based on the premise that the protagonist can go back. But if there is no such rollback, how should ordinary people spend each copy? It's basically a killing game. There isn't much reasoning. So, three and a half to four stars.

It is not a traditional dungeon survival game, but a level-breaking game similar to Redemption Ghost. The emergence of dungeons is rooted in the evil of reality. The content still lacks novelty, is not complicated in nature, and is not brain-burning. I hope you will continue to work hard.

The ending is a bit rushed, but it can be said to be a very good book. You can clearly see the change in the protagonist's mentality. The growth process is different from those of Dihua Liu, but I personally prefer it. I just don't know why it's not popular

"Rewind Survival: I'm Really Not a Great God" takes "rewind after death" as its core setting, pushing the infinite flow theme to a new level. The protagonist Chen Fan holds the "reverse power" and appears to be a "master" who can easily pass the level, but in fact he is a tragic hero who died six times in exchange for one minute of victory. The combination of live broadcast perspective and CP setting not only strengthens the cognitive contrast between the audience and the protagonist, but also focuses on the advancement of the main plot. From players struggling to survive to challengers of the God-killing Declaration, the story pattern gradually sublimates, and the doomsday game is intertwined with the redemption of humanity. The author uses light and gentle strokes to turn "death" into the cornerstone of strength, allowing a sense of refreshment and depth to coexist. It can be called a sincere and innovative work in the infinite flow. The language style of the work is light and easy, balancing the dark tone and passionate feelings with smooth narrative. The design of the dungeon takes into account the thrill of wits and combat, and the use of the "rewind" ability is logically rigorous. Every death is not only a turning point in the plot, but also a mark of character growth. The declaration of "Your game is over" at the end is not only a declaration of war against the villain, but also the breaking of the shackles of fate, which completes the sublimation of the theme from "survival" to "conquest". Overall, this is a masterpiece that combines coolness, depth and innovation. It wraps the core of heroism with a shell of cyclic death, showing rare narrative ambition and humanistic care in the infinite red sea.