Touken Ranbu: I Just Want to Enjoy Fighting, Not Be Misunderstood

I really like the author's writing style, which has the feel of a vernacular novel. Words such as "", " beside", and "" sound much simpler than "nothing", "others", and "throw". It has the style of speaking with an old sword from the Kamakura period. Moreover, the author is very knowledgeable. Not only does he understand the structure of the knife very well (for example, "cut first" refers to the tip of the knife, the protagonist said "burn it first, cut it first" which really shocked me. Most fans only describe the tip and handle of the knife. How can it not be shocking in comparison), but also has a high level of literary literacy. I can learn a few idioms while reading the article. Finally, the content of this article is my favorite - after all, the writing style can only be regarded as the seasoning, and the real feast still depends on the ingredients - I like the true feelings of this article, whether it is the protagonist or the supporting role, their emotions are natural and not pretentious (As an aside, I have become less and less able to read articles about cosplay costumes recently. The main reason is that I don't like to see a protagonist with a blank background or even a happy family disguise his tragic life experience through makeup. The tears of knives) And the tragic experience of the protagonist is very poignant to me. I am a lover of tragedy. The reason is that I feel that tragedy is a method of expression that is derived from reality and is higher than reality. I stubbornly believe that tragedy is the best ending. The sense of reality and heaviness it brings makes people breathless, fully mobilizes people's emotions and makes people deeply reflect. However, the happy ending brings only illusory comfort, just like fast food, delicious but not nutritious. However, I will not interfere with the author's choice. No matter what the future ending is, I have already enjoyed the present. I hereby leave a five-star review as a tip for this gluttonous feast.

The first and second volumes are what attracted me. I like the integration of players and the real world very much. The reaction of "NPCs" to the strange behavior of "players" is also very interesting. I am currently reading the third volume and am in the state of reading a chapter for a few minutes. It is a bit too sharp. The author's portrayal of the protagonist is also too weak and subtle. Logically speaking, he He has great power, but he always becomes... How should I put it because of mental problems... In short, he has a "miserable" look that is forcibly created. The description of his appearance has always been biased towards "fascinating" beauty (sorry, my subjective opinion, I don't really like this kind of over-description), which makes it impossible to see the "strongness" he should have. In addition, the mythological content added by the author in the third volume always feels like a drama, which does not fit the world view of Sword. However, the author's writing style is very good and makes people want to read more. This is also a point that attracts me, but I believe that some book friends may not want to see so many "self-created" settings. There are more "miserable" descriptions in each chapter (once the threshold is exceeded, it is easy to become indifferent to the knife content that may follow, and it is difficult to continue reading.) (A small suggestion, the author can write some light-hearted daily plots, so that everyone cares about the plot more, and the knife later will be more interesting~) There is also the emotional line between Odenita and Onimaru. If it is not CP-oriented, maybe there will be less plots where outsiders misunderstand their relationship? I have seen the repeated speculation paragraph "They are definitely talking, right?!", Which may be a bit discouraging for readers who don't like this couple (if so, pretend I didn't say it.) If it is cb, it is also very good. The complicated emotions between them are written by the author very well, that is... Can it be less "pushing" (Zhang Yu himself can't find other words for a while, so he can only temporarily use this derogatory description, sorry.) What about the description of the relationship between the souls? There is another point... Dadian Tai has a description of "sacred cutting" in the third volume. I know that the disputes between countries cannot be ignored now, and I am not un"patriotic", but suddenly seeing this in the article will still cause drama, right? What's more, this is a fanfic about swords. I always feel that something is wrong... Of course, this is just my opinion. If you have different opinions, just treat it as nonsense. Don't scold me... Finally, I just want to say that the author's writing is very good, although in my opinion there are some minor flaws, but... After reading so many sword writings, it was this writing that made me fall into the trap of "swords", and I fell in love with this "autistic white-haired man" Onimaru Kunitsuna, although his fandom is very little... Not enough at all... Cold and reassuring... In short, I look forward to the author bringing us better works!

(Just personal thoughts) Overall, I can watch it. There are a lot of knives, but it doesn't feel too sadistic. On the contrary, there are too many and I don't have much feeling. Moreover, the feeling of knives in the front is still inexplicable, because the previous plot is not mentioned, and there are many detailed descriptions, referring to physical and mental abuse.

Stick to Chapter 20. How should I put it? Appropriate torture is very interesting, and the audience's reaction is also very interesting, but continuous torture will only make people a little tired...

Teacher, look at me! Oioi! Teacher, look at me! (Slaps belly) It's really a random essay that suits my taste. . The main beauty is strong and miserable + the brain teasers make me really sympathize with her. . . This is simply a state banquet! It's a lot of work for my wife to update her code——

I have read Touken Ranbu fanfics which are pretty good, but when I saw the third volume, I had severe reading difficulties. What kind of series is Snake Country? It was originally created by the author. I couldn't read it and couldn't read it. They were all unfamiliar terms. For me, the novel stopped after the second volume. I could only read the contents of the first and second volumes over and over again, and then wait for the author to finish writing the plot of the Snake Country, and then see if I can continue reading.

Although it feels like torture for the sake of torture, the first and second volumes are very interesting! The third volume was a blur at the beginning. It added a lot of original settings and was a bit boring to read. Overall, it was okay. I recommend the first two volumes.

The content and writing style are okay. I feel that the description is really on point, but it is too on point. When I saw the guy who was probably the consciousness of the world talking to the protagonist, I was really angry [angry][angry][angry]

The writing is very good and sharp, but towards the end it feels like torture for the sake of torture, the torture is a bit stiff and numb. It doesn't feel that big anymore at the end.

The writing is really good so far. To quote Onimaru's own control knife in the comment area, Onimaru-don can really always stab all the woos indiscriminately.