You Sent Me to Conquer Xiqi, So Why Are You Blocking the Six Sages and Hongjun at the Gate?

Hongjun: Kill him! The protagonist dies! The conferring of gods continues!

Update soon. This novel is very suitable to my taste. It doesn't have some messy calculations or protagonists who can't be killed or who can't be killed. It's worth reading.

Our ancestors said that once you start writing a novel, you must never stop it. Even if no readers read it, even if mortals don't read it, it doesn't mean that ghosts and gods won't read it.

Ambition outside the Conferred God Stage: attempts and regrets when the prehistoric novel breaks out of the established framework At a time when there are so many novels from the Great Recession Period, "Fengshen: The Explanation of Teachings" is all on the list, and Yuanshi's mentality has collapsed. It stands out among many works with its unique perspective. The protagonist travels through time and becomes Zhang Guifang, a general of the Shang Dynasty. This setting itself breaks the convention - we are used to seeing protagonists who travel through time and become Jiang Ziya, Yang Jian, and Nezha, but few choose to side with Shang Zhou. This seemingly inconspicuous innovation injects the original vitality into the work. The biggest highlight of the early stage of the novel is the ingenious integration of the system setting and the world of gods. Through system tasks to promote the plot, the protagonist Zhang Guifang changes the trend of becoming gods step by step, causing the immortals who were originally supposed to be on the list to fall off their posts, which directly hits the core point of the book's title: "The mentality of the Yuan Dynasty has collapsed". This anti-routine narrative strategy accurately captures the reader's psychology - we are already tired of scripted interpretations of gods and are eager to see the subversion of established destiny. When the familiar Battle of the Gods leads to a different ending due to the intervention of the protagonist, the sense of freshness and subversion is truly eye-catching. It is a pity that when the story advanced to the Journey to the West after the Conferring the Gods Calamity, the originally carefully woven narrative suddenly became hasty and rough. The author seems to be in a hurry to wrap up, and the handling of "Journey to the West" is like a quick glance, lacking the delicate sense of intertwined fates in the "Apotheosis of the Gods" part. This huge gap in quality before and after makes people wonder whether it is due to uneven distribution of creative energy or the top-heavy outline setting. The continuity between the calamities should have been an excellent opportunity to show the world view, but it has become a weak link in the narrative, which is a pity. It is worth mentioning that the description of the three thousand demon gods at the end of the novel saves some points for the overall quality. This setting elevates the vision from the simple struggle between humans and religions to the macroscopic pattern of the universe, adding a sense of fate and epicness to the protagonist's destiny across time. The existence of the demon blurs the boundaries between good and evil, making readers rethink what the so-called "destiny" is in the world of gods. Overall, this work is like its core setting - it has subversive ambitions, but it also loses its way in the inertia of traditional narrative. It allows us to see that there is still a vast space for innovation in prehistoric novels, but it also reminds us that subverting tradition is easy, but building a complete new world requires perseverance and ingenuity. Perhaps this is the epitome of current Internet literature creation: a flash of creativity can attract attention, but what truly makes a classic is the polish and persistence throughout.

When I saw the direct killing of Yang Jian in Chapter 52, I knew that the rating of this book would not be low. The protagonist is decisive in killing. He does not lick Yang Jian or licks Jie Jiao. It feels comfortable to watch and all methods are his own. It's really poisonous. In Chapter 56, you became a disciple of Tongtian, and sent the Immortal Killing Sword Formation with your backhand to reach the sky. Damn, you gave away the treasure of interception and establishment of religion. It's really poisonous. Why don't you give the Qingping Sword, the treasure of enlightenment? [Spit][Spit][Spit]

An interesting book. It has similarities with the original prehistoric novels, but also some differences. I hope the author will continue to work hard.

Assume that the author codes one word per second, 60 words per minute, 1,440 words per hour, and 24 hours a day. Excluding the ten minutes necessary to eat and rest, there are 33,960 words per day, and 1,018,800 words per month [Thinking], then why does it take so long for the author to update more than 100 chapters, so little? I'm so angry, the author should stop being lazy and start coding! Even the donkeys in the production team dare not rest like this! [Rolls eyes] [laughing evilly] [laughing evilly] [laughing evilly] [laughing evilly] [laughing evilly] [laughing evilly] [laughing evilly] [laughing evilly]

Hurry up and transform into a code machine to finish writing the prehistoric era. (Written as the Sea of Chaos, the realm is from level 1 to level 9 of the acquired avenue, and from level 1 to level 9 of the innate avenue) After writing about the Sea of Chaos, (then write about the Hongmeng, the day after tomorrow ~ the innate Hongmeng) (Then write the master, the author himself thinks) (Then comes the eternal divine realm, ancient gods, lower gods, middle gods, upper gods, god kings, god emperors, god emperors, and gods) After detachment, the individual becomes a big cosmic sea. That's all (the author) has anything to add? I hope the author will be great and have a broad mind.

The author's writing is good. At least I enjoyed reading it. I hope the author will update it more. It's too little and it's not enough to read.

What is this novel about? Duobao (Yi Zhonghai), Houyi (Shazhu), Chang'e (Qin Huairu), Xihe (Jia Zhangshi), Lu Ya (Banggen), Guangchengzi (Xu Damao), Randen Taoist (Liu Haizhong), Zhunti (Yan Bugui). What on earth was I looking at? I don't know this question, it's too difficult, it's too difficult, (the snowflakes are flying in the north, the wind is blowing, the sky and the earth are vast) The title of the novel is, Rebirth in the Great Desolate and Unable to Escape the Siheyuan.