Are You Crazy? You Think You Can Make a Sci-Fi Blockbuster for 500 Yuan?

It's not bad, a book that isn't too long. Although the ending feels a bit forced (one of those unfinished, filler-filled stories that leave you feeling... Unsatisfied). The opening transition felt a bit abrupt. Since the supporting characters were only there to facilitate the protagonist's transmigration, why not utilize the original owner's identity more effectively?

Why is no one reading Tomato's rare good book?

It's not bad. The author's writing style is actually quite good, and the plot progression is decent without any major flaws. As for why the score is so low, I personally think there are two reasons. First, not long after the story begins, the protagonist experiences suppression in China and feels that the filmmaking environment in China is poor, so he goes to the United States to develop his…

It's truly amazing! I don't know how to describe it, but I've been reading the latest chapters for several days in a row. The author's descriptions of the film, his insights into old movies, and his portrayal of the female lead—it all resonated deeply with me. This novel inspired me to watch old movies, to see the world's first film, "Arrival of a Train at a Station."

Well written. It's a great story. Before reading this book, I thought it would be about constantly creating films and television shows, specifically describing the impact of those films, and so on. It would be about bringing real-life films and television shows into the novel, describing them briefly, and then depicting the people's shock. But it's not like that. The real-life stories in this book act like a catalyst, leading to a completely different story. A very good story.

Objectively speaking, I initially categorized this book as an entertainment industry novel, similar to other time-travel entertainment novels. However, after reading to the end, I realized that this classification was somewhat unfair to it. This book is more like a summary of the protagonist's life and a spiritual redemption.

Life is a mix of bitterness and sweetness. I dislike so-called "feel-good" novels; those are like honey luring flies into an empty bottle—once the honey is gone, all that's left is emptiness. I hate angst even more. Although tragedies are more memorable than comedies, in this fast-paced world, pain doesn't seem to have any literary merit.

I was having a pretty good time at first, but it got so sad later on. The part where the female lead died really left me with a sense of loss, making me want to confess my feelings to someone right then and there. I kind of empathized with her. Actually, although I've never been in a relationship, I did have crushes on two boys before, but I was too shy to confess.

The early plot wasn't very strong, and the later parts were quite depressing. But there's no doubt that the story after Ye Heng's cancer diagnosis elevated the novel to a new level. This ending might be the best ending for Ye Heng.

I really love this book. It's the first male-centric novel I've ever finished. I used to think that "feel-good" novels were just about being entertaining, but this book not only reflects the author's understanding of various films and TV shows, but also offers some profound insights. One sentence in particular will become my motto; I believe it will have a significant impact on me.