From New York to Gotham, My Shadow Is Everywhere

When I saw this description, I was initially tempted to eat poop. But you wrote quite well. Aren't you just messing with me? #(Angry)

Sure, I'll eat it. If it doesn't fall apart later on, I'll definitely subscribe to the whole thing. #(Laughs)

The pace is a bit slow. There are many interesting aspects: the sheer number of characters from DC and Marvel, the interaction between the protagonist and Gwen, the protagonist's influence on Peter, the masks and other abilities in Jackie Chan Adventures, and even the system's lottery system... But currently, it can be said that none of them exist, or rather, none of them are explored in depth. Right now, the main hero group consists of Nightmare, Punishment, Jessica, and Gwen, and the only boss they've fought is Kingpin. The first 10 or so chapters released were all setup for the fight against Kingpin. Then there's the interaction aspect. The protagonist and Gwen are now stuck on revealing each other's identities. Hey, they have to reveal their identities before they can do anything else. I've always wanted to say that in situations where they've met "offline," are even friends, or even if you can tell in advance that they're of good character, why are they dragging this out for so long? This isn't even Origami's identity. You're not just dragging it out because you said earlier that Gwen can't pretend and doesn't want to get hit by the boomerang, are you? Regarding Peter, I don't care about the Peter and MJ pairing. To be frank, I want to see Peter become Spider-Man. This book is pretty bland right now. It's just a bunch of guys, some close and some not, fighting Kingpin. There aren't many other heroes or villains along the way, just Green Goblin, who doesn't even interact much with the protagonist. Finally, let's talk about the protagonist's abilities and the system. I don't mind the system disappearing, but don't keep mentioning the "emotional value" while not depicting the system. The reason you're dragging this out is because of that so-called "for more emotional value," which is such a convenient excuse. Not using an alias, fighting gangsters, using multiple aliases—everything can be attributed to "more emotional value," but haven't you disappeared from the system? Your goals and abilities are all system-based. We haven't even seen the protagonist use any abilities other than those given by the system, nor has the protagonist shown any drive to learn or acquire any abilities in the current world. And since the protagonist hasn't used the system, I'm saying he's suppressing his combat power, you get it? It's time to give them some more intuitive abilities, like a mask, a talisman, some demonic energy, or some ability from other works. I mean, give it to the protagonist himself, not to his clones. Although I don't understand why the first few chapters chose this kind of "battle of wits" format, I still hope the author continues writing. —Ikkyu Ni

The synopsis is indeed mediocre, but the cover makes up for it.

Let's wait until the truth comes out before making a judgment. If the mask and clone aren't handled well, it could be a major disaster.

In summary, this book is generally good. It doesn't feel overly AI-driven, and the author responds and corrects quickly, and is receptive to feedback. Worth a read.

The side posts on the 🐱 site are better than those on Dianping. If you were writing American comics on Dianping, you would probably get criticized in the side posts from the beginning to the latest chapter. For example, in the first chapter, people will complain about the clichés, and then they will strongly question why the protagonist doesn't take the villain route. Then they will definitely complain about the card drawing part. Next, they will definitely argue about the combat power of the character cards (there is also arguing about it in the 🐱's instigator post, but the words are not strong enough, basically just saying that the White House is enough). Then they will argue about the romance part, and they will question why Kingpin is not killed directly (there will also be people who question why Kingpin is not killed directly in the mastermind style). I have to say, the readers on this site are so kind and innocent. I absolutely love it here! But the dog station is just too lame; it deserves to be in such a state.

Advantages: Not a Sassiy, eunuch, useless, author revises quickly and is good at listening to opinions. Weaknesses: The pacing is too slow. The American comic book series has been running for over 90 chapters and the world is still stuck in the streets. Even Marvel fanfiction, which is slow-paced, is already showing characters like Iron Man 1. The protagonist's connections in New York are limited to street heroes, with at most Osborn, whom he met at school. Make complaints: To put it bluntly, even if the protagonist defeats Kingpin and wipes out the New York mob, so what? The US high command still needs Raleigh Island, so Silver and Bronze will appear. After the game is released, they should extract information about the US high command from Kingpin, kill them and leave their names and videos. Even if the emotions of ordinary people are only one ten-thousandth of those of Marvel characters, it will still generate a lot of buzz. Tens of thousands of people have been killed by the high command. First, strengthen the immediate combat power. Then they establish connections with big corporations like Stark/Osborn (oh, the best opportunity for the protagonist to connect with Tony by seeing Iron Man flying in the sky at the beginning is already gone). The protagonist is responsible for killing, while these two are responsible for taking positions/supporting good guys to rise to power (it doesn't matter if they're not good, they can be harvested like leeks). They can directly generate gold coins to strengthen their immediate combat power. You're supposed to be a grand fusion of the American comic book world, but the protagonist doesn't seem to have any sense of crisis. Just in Marvel alone, there are world-ending events like the Chitauri (Avengers 1), Ultron (Avengers 2), Hydra (Captain America 2), Dark Elves (Thor 2), and Thanos (Avengers 3 & 4). There are also minor events like Abomination (Hulk 1), Iron Monger (Iron Man 1), Whiplash (Iron Man 2), Loki (Thor 1), and Extremis (Iron Man 3). And this is just the main technology side of the Marvel movie storyline. We haven't even counted the events on the Osborn/Spider-Man side, the magic side, the mutants, the Eternals, etc. You also stitched together Gotham, and there are even more world-ending events in Gotham and Metropolis. You've already finished 90-something chapters and you're still fighting gangsters in Hell's Kitchen, with combat power only at the level of a street hero. Is that appropriate? Are you planning to write 5 million words? I doubt it. After all, even in a transmigration story, you can't share power, only items (why not just write a one-on-one chat group?). You haven't even understood the needs of transmigration readers. But it's good to listen to feedback (•̤̀ᵕ•̤́๑)ᵒᵏᵎᵎᵎᵎ, one step at a time.

The author previously asked why the readership had dropped so drastically. The simple answer was insufficient update frequency. From what I've read so far, I can see the author wants to make the book more detailed and avoid skipping plot points, but they haven't clearly tested their update frequency. This author only manages around 4,000 words a day. My suggestion is to complete a small side story within a week. This could involve a villain, a romantic relationship with a character (from meeting to romance, then sex/or a close comrade-in-arms relationship). I recommend completing this small storyline within 30,000 words, which is about a week's worth of updates. The protagonist's strength can be increased, since there are many Spider-Man-like villains, and later there's the high-level fighter like Moron.

It's well written, but the synopsis is lacking.