This Isn't an MMO Dungeon

I started reading with the warlock book, which was quite good. But I don't know where it started, each book became increasingly drawn out, and the author seemed to focus more and more on setting details, claiming it was to "modify" the setting to serve the plot. However, out of four thousand thousand words, three thousand five hundred were spent on setting, while the plot and story that readers wanted to see were only briefly mentioned. What's the point of all this setting? You flip through it in ten seconds and forget it immediately. In fact, this 90% of the setting doesn't even affect the reading comprehension of the next chapter, showing that it's truly unnecessary. I know you're trying to say it's for the sake of story coherence and to create a powerful character, but all we see is superficiality. Character development relies on interaction and description, not on lengthy background settings. Your approach is like a TV series constantly emphasizing how incredibly powerful the villain is, how they can drive the protagonist to the brink of defeat, only to have them actually perform—oh wow, they transform their fighting spirit into a horse—making everyone laugh. It seems like you've gotten a bit addicted to writing character settings, just like with Oreimo and Oregairu's Kikkata. Half of each book is dedicated to character settings, and you almost want to release a bonus chapter to fill in all the settings that aren't mentioned in the main story! #(Laughing and crying)

The biggest problem: too many settings, too little plot content. The most critical problem: the update speed is too slow. The combination of these two factors is why your book is barely alive.

So what's the use of the technology in this book? I thought the protagonist would build an interstellar fleet, wage interstellar wars, and develop society in the shadows. I guess the ending will be that after the protagonist becomes stronger and transcends, Earthlings will still be thinking about mortgages, car loans, and when to leave Earth. Nothing will change.

I skipped many chapters, and although I've seen complaints in the free chapters and from other people, I still have to say, author, you're really lacking. Is this just a setting guide? It's all about how you drastically altered the settings of each instance, but as for the story itself—time, place, what happened—the author barely wrote anything. The story only has the skeleton (setting), with almost no flesh or skin, leaving readers to skip chapters in droves.

I've read over a hundred chapters, and it feels like most of them are just explaining this and that. I don't know what I've actually read.

I skipped many chapters, and although I've seen complaints in the free chapters and from other people, I still have to say, author, you're really lacking. Is this just a setting guide? It's all about how you drastically altered the settings of each instance, but as for the story itself—time, place, what happened—the author barely wrote anything. The story only has the skeleton (setting), with almost no flesh or skin, leaving readers to skip chapters in droves.

Personally, I feel the biggest problem is the lack of satisfying gameplay, both in the first and second instances. It seems largely due to the fact that only the opponents were modified, not the player's own. In the first instance, the enemies were incredibly strong, and the protagonist was easily defeated. The flying sword, which the protagonist doesn't have a dual-life-and-death system and therefore has little connection to, shouldn't have been a major innovation. Furthermore, the dragon they fought—if it was a weekly boss created by a cheat system, it shouldn't have been that strong. If it was designed to be that strong, the protagonist's full-power attack couldn't even break its scales, making subsequent defeats even more difficult. In the second instance, while Sheele is indeed legendary, where did she get the sheer power to fight the Black Faction? Her Noble Phantasm, launched from tens of kilometers away, managed to negate and kill Dracula's close-range Noble Phantasm. There was only one Servant at the beginning, not a Heroic Spirit or a God; where did she get so much mana to unleash? Three times in a row, tens of thousands of cannonballs and hundreds of thousands of troops were summoned at will. Did Amakusa use a dozen Command Seals?

I'm basically here to see the artbook.

Inside the Mothership, a void beyond the reach of any reader, Xia Yan, missing his arm, was suspended in mid-air, his body covered in void constructs that suppressed his abilities. His clothes were tattered, especially his private parts, which appeared to have been deliberately damaged. Amon sat comfortably opposite him, sipping wine from Korhal. "MUSIC!" An old song began to play, seemingly a popular song from the 1980s at the end of the second millennium of the Earth Council. Xia Yan had heard it before in his father's collection room, but before Xia Yan could react, he saw the curtain behind Amon slowly being drawn back... *Croak!* It turned out to be four burly Storm Heroes with minimal clothing. Their lewd eyes and eerie swallowing sounds made it clear they were top-quality creations by Amon. Each of those four burly men possessed unique skills and extraordinary abilities. Their fighting spirit and patience were astonishing. Their secret weapon (mutant factor) was an extra surprise for Xia Yan! To Xia Yan, the four burly men in front of him were far more terrifying and dreadful than a billion pigeons! Amon slowly said, "In the Void, physical pleasure is nothing special, but I know you are a normal heterosexual, so I specially found these four big guys who are the most perverted and terrifying in Heroes of the Storm to let you enjoy yourself." "You... You fucking bastard, you... You can't... You can't do this... You can't!" Four burly men rushed forward and tore the already tattered clothes to shreds. "Oh, Lord Xia Yan, your whole body is made of solid muscle! ❤️'" "Sniff, this scent is strong and powerful, so strong!" "Tickling, oh, so delicious!" "Look at this ass, how tempting it is ❤️" At this moment, Xia Yan was on the verge of a complete breakdown and screamed. [You void creatures, get out of my way! I will slaughter you all, I will slaughter every last one of your teeth!] The Vengeful and Resolute Archbishop: "Even if you're going to kill us, you should at least let us have some fun first ❤️" Amon laughed heartily: "Don't stop! Let me see if this outsider gets so excited about the Void that he'll raise his flag!" "I want a hot dog!" Xia Yan let out a long howl "Mio, save me!" "Eat it, I ate it!!" In his excitement, Amon even crushed the bottle in his hand. Mio Takamiya, far away on the front lines, only felt someone calling her, and then she felt nothing more. "Xia Yan?" (Without concern) "It might just be a hallucination." Then she continued to lead the Haotian Tower in clearing out the void creations. #(Funny)#(funny)#(funny)

In my personal opinion, since the real Earth is already tied to the main world, shouldn't we at least give it some support? Like ZAFT's entire fleet base self-destructing—what a waste! Can't we let Earth develop a bit, at least give it some self-defense capabilities, so it can handle things on its own if the protagonist can't keep up? You also mentioned earlier that various countries discovered some clues, giving the impression that governments also have some role to play. Of course, given the protagonist's current leveling speed, the capabilities of various governments are indeed insufficient. Currently, there are also guardians who can control the network to delete all information and use virtual data world projections to obscure any copies of things entering reality. Sigh, I just wrote about the clues discovered in various countries, and I thought I was going to write about the changes in the governments of those countries, but my expectations were not met. I'm just venting a little, don't take it to heart.