Mystery: the Holy Body of Innate Destiny

What can I say, it makes me very irritated. I don't know why you wrote this? It's like you've laid down those ten guidelines and you haven't had any doubts? Fate gave him a warning at the beginning, but he didn't suspect that there was something wrong with the assassin? Just skip it? Does the author think that all college students are stupid and sweet? A spokesperson for clarity and stupidity? It was doomed from the beginning. It must not have been my fault, but someone else's intention to harm me. I think it's this way of writing that annoys me.

This book is really well written. The protagonist has never read the original work of Mystery, but he travels to the world of Mystery. A novice in occult science, rampages in this shark pond, offending the punisher, offending the witch, offending 0-08, offending the pirates, offending the Rose School, offending Ke Ting by fighting back, and he is still alive. How holy is this. So I give it five stars and highly recommend it to everyone. Another thing I want to talk about is the third-person pronoun for God in Mystery. I still don't understand why the word he is used. There is no corresponding word in English, which is he (nominative case) or him (objective case), which is no different from him. This is a unique Chinese character used in religious fields to refer to gods. Moreover, in Chinese there is not only He, but also He (pronounced yi). The usage is similar to that of He, mostly referring to female gods. This is Him. This is Him. See, it's really hypocritical.

So because of the protagonist's unfavorable luck, why is he still an angel in the profile, not to mention the old days, not even sequence 0?

How did this 9.0 Score go up? The protagonist is written like an idiot, and no matter what, she must force her wits to be arranged by fate, and Melissa is not one of the heroines, right? ! If this were the case, it would be disgusting enough. Would Klein allow his sister to become part of someone else's harem? Let Melissa serve the protagonist with other women? Believe it or not, Klein directly turned the protagonist into an extraordinary trait. If he were not a woman, it would be like having a harem.

It's okay, but I feel that the lines you wrote are too many and too complicated, or it gives people a sparse feeling. For example, the protagonist's past life should be discussed in the middle and later stages. If you release it now, it feels scattered. The protagonist doesn't even know what he did in his previous life, so you release it. At least the protagonist has to find out that he has traveled through time before he is released. And Klein, the protagonist has dealt with him at least 3 or 4 times, right? It hasn't been explained clearly yet, and I feel like it's too delayed. Also, the storyboards are too fragmented. The problem is more serious in chapters 36 and 38. Especially in chapter 36, I don't quite understand what you want to do by cutting back and forth between the four main perspectives? Then, the meaning of the dividing line is unclear. Finally, the main line is not clear, and the branch lines are mixed into the main line, resulting in impurities. However, the story line is relatively clear, and the character description is good. The writing style seems to be very immature, and it feels like writing and deleting, and deleting and writing again. Overall, there is a lot of room for improvement.

In this book, I only saw the protagonist running away in frustration. . . If one is really loved by fate, shouldn't it be the same as Souji Tendou in Kamen Rider Kaito? The sun revolves around him. Even the Japanese know how to write cool articles, but why don't we know how to write cool articles? The protagonist in this book, hey, I don't even know what to say. Could it be that the mysterious old god of fate can be greater than the author who wrote the book?

This plot must have collapsed. Klein has become a wanted fugitive. I feel a little confused in these recent photos. I was just trying to have fun, but ended up having fun.

The protagonist is not as well written as Lumian, has no purpose, and does not see any purpose other than to eliminate tragedy. The information is too fragmented, and the protagonist is too affected by the time-travel rules of the past life, the ideas stolen by Amon, and the guidance of Adam. In order to keep the time travel code correct, many of the protagonist's logics are far-fetched, and he won't doubt himself?

The protagonist is a bit dull and lacks a clear purpose, as if he was pushed forward. And he inexplicably believes in the so-called ten rules, and seems to have no opinion at all (saying that the so-called assassin is strong to save his life, so he only wants to find the assassin, saying that the official is hostile to time-travelers, and he really wants to kill the official if he encounters it, and he does not consider the consequences of shooting the official at all), and he is very good at reporting, but he just doesn't believe the official. Moreover, the few female characters I have seen seem to have an inexplicable liking for the protagonist. After seeing her once, I became very fond of Melissa, the mysterious sister who fights against her brother for the protagonist. But Miss Salted Fish, whom the pen pal has never met before, is also inexplicably concerned and worried about the protagonist. In the first twenty chapters, "what's it like to be a time traveler" is emphasized once in three to four chapters on average. It's okay a few times, but is it interesting to talk about it later? There is no protagonist's own main line, but only the main line of others. The Association, a mysterious organization that is suspected to be founded by the protagonist's predecessor, is also a bit baffling. From the conversations, it seems that the three members of the organization are at least half-gods, and may even be full of angels. And he is also inexplicably loyal to the protagonist (suspected)? They are all demi-gods and above. At least they have divinity, something like absolute profit orientation, and they also have absolute loyalty that transcends competition between sequences? I don't quite believe it. Baffling Moreover, the protagonist obviously knows that he is semi-literate and does not know any information about other organizations. As a result, he either lies down or goes out to wander around every day. He thinks about "my notes, my notes" every day and you are so worried about your notes. If you don't study for knowledge and understand the world, you will end up wandering around with the title of extraordinary illiteracy every day. Obviously that smart box has two questions a day, but you can't ask about the process of obtaining notes. Why don't you ask something else? What kind of bullshit association is that? A group of angels are still precious, holding a tattered box and saying that there are not many opportunities. You, the protagonist, who is holding a new product or even an original product, lie down every day and don't ask questions. You know clearly that you don't understand this and that, so you don't ask how to obtain knowledge? I have doubts about my spiritual intuition every day. When the Fool was in Sequence Nine, he knew that it was called spiritual intuition. It was spirituality warning himself. Are you just looking for coincidences and not related to spirituality? Never mind. . .

I really like the Monster Path, but it's a pity that I haven't written it down yet, so keep up the good work. I'll vote for you every month in the future, and I hope you won't stop updating! ! !