Mystery: Silver Key

Whether it is the previous book or this one, the portrayal of the protagonist is undoubtedly a failure. I am unworthy of his high score. The protagonist is a time-traveler with a big hang-up, but in the author's writing, it is a symbol of dish + lowliness. As long as it is a person, it must be licked. I don't have to pay back. If I make a loss, I have to be grateful to the other party. Moreover, the protagonist knows the background of the world and his own special situation. He has a big mouth, is not rigorous in doing things, does not consider the consequences, etc., And is highly suspected of scoring points.

I always write some dog-licking plots. Do you like it or do you think readers will like it? You exchange recipes from Sequence 9 to Sequence 6 with your friend, and you give the fortune teller's recipe from Sequence 9 to Sequence 5, and the other party only supplements the Sequence 9 potion. Later, the protagonist repeatedly mentions that his friend has lost money. So many people are commenting on it, and they don't know where the loss is. The protagonist is licking it like a fool. I heard from the comments that when I came into contact with the protagonist of the original novel, he was as humble as a licking dog. I didn't want to read it, so let's leave it at that.

What does the author think? The protagonist trades the Sequence Nine to Sequence Seven fortune teller path for the Sequence Nine to Sequence Seven scholar path. Then the protagonist keeps thinking that he has made a profit. I'm sorry, but I want to compensate him. He has no brains, but he is just a SB. Moreover, when the protagonist meets Klein, he is particularly humble, as if he is inherently inferior. It feels like a bitch all the time😐😐😐

Tell him no matter what, and the protagonist will do whatever he says. He is such a good dog.

Sequence 9: Shaman (specific abilities have been shown in the book) Sequence 8: Journalist (the core is touching the truth, seeing the truth, explaining the truth, and speed) Sequence 7: Painter (you can depict the reality you want and give them different extraordinary expressions. Sometimes, because you have seen the reality and touched the reality, the works you paint have a certain prophetic nature. Starting from this sequence, mental problems will gradually appear, just like those painters in history who suffered mental disorders due to contamination in their paints) Sequence 6: Literature lover (likes fantasy and can make fantasy come true to a certain extent) Sequence 5: Goblin (can truly create a world in a painting, and has initially mastered the mysteries of dimensions, and can freely enter and exit one dimension. When in another dimension, it is difficult to be harmed by reality, but lacks many ways to affect reality) Sequence 4: Traveler (also known as "Alien Traveler", which means a traveler from another dimension, different time and space, and another dimension. He has become a person in another dimension, has a deeper grasp of the dimension, and thus displays various wonderful or terrifying abilities) Sequence 3: String player (also known as player, musician, begins to control the "strings", by playing them, affects reality, changes reality) Sequence 2: Dimension shadow (becomes a complete high-dimensional creature, the dimensional shadow is the mythical creature form of this mixed path, can freely ascend and descend dimensions, and freely use dimensions) Sequence 1: Observer (His way of observation will cause direct and critical changes to the subsequent development and final results of the observed object) Sequence 0: The eye of the world (seeing everything in the world, seeing the changes in fate, when I see it, the flower blooms brilliantly, when it disappears, the flower and my heart are silent) Above the sequence: Lord of Dimensions, the eye that looks down on the world, the source of all illusions, the creator of the world in the painting

It's useless. The opening chapter is very impactful. To be honest, I was also attracted by the opening chapters. I originally wrote a long review, but after all, not many people may be willing to read it, so I'll just keep it simple. Super formula, completely consistent with the original work. Except for the different approach, the plot direction is exactly the same as the previous books. The main character cannot be established at all. It is a pure NPC. Although the setting is very novel, the author is not good at it. After you read the first dozen novel settings, the subsequent plot in your mind will be better than what you will read by reading this novel.

From the front, the protagonist's B level seems to be quite high. Once he meets a fool, he immediately becomes a gou. He is extremely humble. Nine out of ten secret stories about this kind of protagonist are like this.

This author seems to particularly like writing about licking dogs, and the last book "Knowledge Wilderness" was also very licking.

I don't like systematic reasons, the protagonist is like a puppet. Opportunity does not use brain planning, just sends it directly. Ability will not be developed using the brain, but created using the brain, and will be given directly.

It's too late. The promotion to Traveler took 200 chapters, and Traveler is digested so slowly. It feels like the author's goal is to exceed the number of words in the original work.