Killing Demons: Upgrading from Calligraphy

You can run away, why not run away, a gentleman will not stand under a dangerous wall, no matter what morality, other people's family will harm you, you still go to help others, it is not in line with human nature

The protagonist is not well portrayed. Although it is understandable that the male protagonist is weak in ancient times, and it is understandable that he is poor, he must not be short-term. Some people may say that if you are good, you may not be good at it, but the problem is that I did not come to read the novel to watch a young man. Goldfinger gives people a very weak feeling, at least in the early stage, it is very weak in terms of being in trouble. Of course, it is because of time issues. In the early stage, the male protagonist does not have time to use Goldfinger, so he is weak, but he gets angry at every turn. You just say what you see, and start thinking after you say it, and you keep talking out of your mouth, without thinking about the possible dangers that you will face after you say it_(:з∠)_, and the previous logic does not make sense. Strictly speaking, the explanation is unclear, and the background is not described enough, so the readers have to make up their own minds. This is a big problem. All in all, it was very uncomfortable to read. I didn't come to read the novel just to feel uncomfortable. I read about a protagonist who has a golden finger, and it's a time travel by modern people. It's understandable that you can't adapt to the environment, but you have huge emotional activities at every turn, and you are still very precarious. The first is because the person may be angry with you, and the second is because. That person apologized to you and said, "How many points do you have,??? (I can't remember clearly, but the context is similar anyway. You have some intelligence. This kind of feeling that I don't like you, but you are quite capable)" It seems that the protagonist is very lazy, very lazy, and there are also a lot of meaningless descriptions. What is the use except to show that the protagonist is weak? Calm mind? ? I didn't see how calm he was. Anyway, the problem is not small

The protagonist has to go out of his own way to break through some kind of Tiangang, which is a stretch. You have done something monopolized by others at home, and you have done it in such a bad way. Who is disgusting? Can the problem be solved by saying "I am the protagonist and I have nothing to do" in everything? If you are so powerful, why do you need some real skills to create by yourself? What kind of plug-ins do you need, just fix them yourself? I am speechless.

After it was put on the shelves, it was too confusing. The method of monopolizing the way to Taoism was just understood by you after staying at home for a few days. You created some rubbish Hunyuan Kung by yourself, and then integrated it in one stroke. I didn't write down the details. Anyway, it is very powerful. One method can defeat all methods. I can't read it after it is put on the shelves. The more I write, the more I write, and I feel like I have changed.

Don't run away when there is danger, create danger when there is no danger, in short, live by the luck given by the author. Speechless while watching

It was well written in the early stage. The protagonist has no sense of security, and the sense of pressure in the story is quite interesting. However, after entering the Taoist realm, the plot of the story becomes boring. The protagonist in the clouds and mist keeps running around like a headless fly. Couldn't the Jade Buddha monster be written as a hidden monster at the beginning? Why is it completely gone? I can't understand it. This book gives me the feeling that the author wrote about the world outside the town in the early stage. The world outside the town was too dangerous. As a result, the protagonist felt very boring when he kept wandering around in a map. Later, he suddenly accelerated his training and became invincible. The kind of running around without purpose seemed boring, including joining that sect. In fact, the plot should be the main focus at the beginning. The character can run into a bigger city instead of just a county town. It's too small, which makes the subsequent plot uninteresting. Also, the author's writing of the villain is too vague. There are monsters, evil cultivators, rebels, and aristocratic families, but they are all hostile to each other. And the monsters are very powerful and boring to watch, so who is the enemy of the protagonist in the main plot? I was confused. The reason why the plot of this book is confusing is that there is no big main plot.

Forced wisdom, don't disgust me, slip away.

Obviously what I mentioned earlier was a technique that I created, but now it has become something that has been done by predecessors, and it is still of the Hunyuan lineage. Hehe.

It starts out very attractive, but then it becomes stupid, and the progress is very slow, and the protagonist becomes like an idiot.

The book is fine, but you have eaten all the author's own settings. What about the purple gourd that you set up in the early stage to practice the natal Taoist technique? ? ? Then came another sword-raising gourd? ? ? What about the purple gourd that you stewed? ;?