I, Hiroshi Nohara, the Star of Neon Movies!

40% of the pages are devoted to praising the protagonist before it is released, and 70% of the pages are devoted to praising the protagonist after it is released. In some chapters, it is more than 90%. The program is also a direct transfer, and the protagonist is a tool used by the author to write praise chapters.

It's very nice. There are no poisonous points at the moment. When will Xiaoxin appear?

To be honest, I had high expectations when I read the introduction, but as the chapters went on, those expectations disappeared. 1. Paragraphs are repeated. I use picture translation to read the novel, so I may have written it wrong, but in some chapters, some sentences written in the previous chapter are reused in the latest chapter. 2. There are too many excessive praises. Every time the protagonist creates a successful work, it is always said that the protagonist is a genius, a monster, or other exaggerated praise. This happens so often that I'm getting a little tired of it. 3. This is where I get confused, the timeline is the end of Japan's bubble economy, but the protagonist is actually reborn into childhood. So what did he do during the bubble? He missed almost all opportunities to accumulate capital and only started to talk about making money after the stock market crash. 4. There are too many office politics. This may be my subjective opinion, but it is not a good idea to write too much political struggles in entertainment-themed novels. Readers want novels that are lightheartedly paced, not novels filled with tension and conflict every time the protagonist wants to take on a project. 5. Last question, where is Xiaoxin? I've read hundreds of chapters and haven't seen it yet.

This is a parallel day entertainment story, you don't need to hang the Crayon Shin-chan brand!

It is a very fast-paced urban rebirth type novel. Although the title is related to Crayon Shin-chan's father, it is not impossible to use other names throughout the story, which is a small flaw. The whole content is more about describing the intrigue between the business and the top management of Cai B, and the excitement is very dense.

The protagonist is a Teenage Mutant Ninja Turtle. No matter how others set a trap for him or scold him, he always solves the problem with a nonchalant expression, and then pretends that he has not been provoked, and provokes one after another. I have read more than a hundred chapters and provoked more than a hundred chapters. The protagonist has been picking on every move, and has not said a harsh word, let alone retaliate. It makes me angry.

I feel that it is very poisonous to forgive the betrayer and then reuse him. The betrayal will not be punished and he can be reused. Even if he is not reused, he will be forgiven. Why not try to betray him and try it. If he succeeds, everyone wants to be the boss. It is just whether they have the opportunity.

It's been more than two hundred chapters, and I'm not married yet. At this rate, it would probably take more than a thousand chapters to see Xiaoxin turn five.

Very beautiful, worthy of 5 stars, recommended

I'm curious about one thing: why do you have to join a TV station to be a director? Or does Japan have to be like this? So who owns the copyright of the works created by the protagonist in the company?