Brave Hero, Please Don't Get in the Way of My Slacking Off

Suddenly, I realized something terrible. Celia is only 15, a bit too young, so a sex scene seems a long way off. But given Celia's personality, even if the male lead really did get aroused and pinned her to the bed, lifting her clothes up to her chest, she'd probably just think, "I guess I've been too demanding of her lately, so this is my reward," and then turn her face away and whisper, "Okay, be gentle." 😋

Hurry up and bring on the rest of the plot! Like, when she can't find a ladder to get a book from a high place, she just rides on the hero's neck and rubs her thigh against his face; when she's tired and too lazy to walk, she lets the hero carry her on her back and falls asleep without any warning, even blowing on the hero's neck; she crawls into strange holes and gets stuck in the middle, making the hero figure out how to get herself out!

Celia is truly adorable, yet also reckless, a little devil, and incredibly proud and stubborn—she's practically a born saint who needs a corrective transformation.

I feel the author must have read a lot of underdog-to-superior fiction; Celia's buffs are practically maxed out 😋. Celia, as a priestess, possesses a noble status and a natural sense of holiness, which also evokes a sense of transgression, a desire to conquer her 😋. She has powerful magic and is intelligent and quick-witted, but is also delicate and frail, like a beautiful yet fragile glasswork. She can give one the thrill of conquering the strong, yet is actually very easy to seduce 😋. She's lazy and undisciplined, yet can unleash astonishing concentration and creativity in areas that interest her. This leads Celia to easily ignore those around her while doing things, and to be overly intimate with the male protagonist without realizing it, making one...

This novel always gives me a sense of déjà vu; Celia always manages to pay back in some way for taking advantage of Ellen. Long, long afterward: Celia: The food today was good, delicious! Celia: Ellen, why aren't you eating? Celia: ... You're planning to eat, right...? Celia: ... Celia: I'm sorry, I was wrong, please don't eat me! Eeya ya ya!!!

I'd like to share a book club group here: 1080048804 Feel free to come in and urge me to update! (♡>𖥦<)/♥

Overall it's alright, but there are quite a few minor mistakes. The romance in the forest scene felt too sudden; it's clear the author wanted to write something heartwarming. Personally, I felt the bishop was unpleasant to watch at the beginning, so is it appropriate to portray him as a villain later? There aren't any major errors though. Keep it up!

It's so rushed, so how's the progress? Before watching, it was said to be about confronting your inner self, but the plot was repetitive and there weren't many changes, so I stopped watching. Can anyone tell me what's going on?

It feels like the author has started to let loose, writing whatever comes to mind, which is actually quite nice.

Children, it's me again. After more than 40 chapters of reflection, I feel it's time to offer some evaluation of the recent plot. The Balrog storyline has actually been developed for quite some time, from the moment Iris entered the church, through the danger in the Elent Forest, Iris being spied on by crows, to the water pollution revealing the culprit. If this were just a story for the hero to show off, it would be more about my village being full of superheroes. Miss Celia also demonstrated her talent, acquiring a Balrog ice-making machine. As for the bishop, when the church messenger Yuna asked Miss Celia to leave the village, Celia rejected Yuna in the name of the Abyss Seed…