The Imaginary Sacred Canon

Here's the situation: I'm a friend of Yuekong in real life, or rather, one of his readers. I obtained his account through some means. Unfortunately, Yuekong has explicitly told me that due to a prolonged lack of success and the pressures of real life, he's reached his breaking point and can no longer write, nor can he produce anything better (his exact words). He plans to abandon his account and stop writing. As far as I know, he (seems) to have deleted the editor and author groups and muted the book club group. Of course, as for the rumors I've heard from who-knows-where, like Yuekong changing platforms or names… let's leave those aside for now, as they are his private matters…

Commentator: Doomsday Title: A Person No Longer Existing in This World—A Lonely Witch on the Path of Growth Review Summary: This is a niche transmigration novel with a relatively high reading threshold and a slow narrative pace. Suitable for: Authors who want to write niche works, authors who want to create evocative atmospheres, and authors who have nothing better to do than read book reviews. Word Count: 2409 Reading Time: 4 minutes The boy yearned for freedom. He yearned for unrestrainedness. He hoped to become a free and unfettered being, drifting through this world like the wind. In the end, his wish came true. He drowned in the lake, bidding farewell to this world, and reincarnated into the body of a witch in another world. ...

I'll secretly update this once, hopefully no one will notice.

It's been four years. If I can write a million words, will I get a recommendation? Will more people see this book? ... I don't think so. Even so, the sorceress, bound by her oath, had no choice but to continue her journey until the day it all came to an end.

This is a book worth reading patiently. In my heart, apart from The Disciples' Three Thousand Years, only this book can bring me a spiritual baptism. The only pity is that I encountered it too late and missed too much.

[Review by the Writer] Commentator: Chu Xiao *cough* (serious face) At the author's request, I'm in charge of reviewing "Daydreaming" this time. I'm a bit sick, so I might be a little lacking in energy... As usual, I relax before I start, so I won't be breathless when I'm being thoroughly trounced (laughs)... To be honest, I only decided to review this book because I saw it wasn't the author's first time writing. I understand a newbie wanting to improve, but a seasoned writer wouldn't rush to ask for a review; they'd analyze it themselves first. After all, improvement takes time, and being impatient is a no-no. By the way, I'm also a newbie author myself... Well...

Because of my reading habits, I always let a book sit for a while before reading it, so when I caught up today, I discovered that the original author had stopped writing. The first volume was exceptionally well-written, a captivating story from the Eternal Night Forest to Monte City, with well-developed and meticulously crafted characters, none of whom were formulaic or stereotypical. Coupled with a flawless adventure plot, this part of the story held my attention, and I eagerly awaited what would happen when Lingzhen rescued Yukino. However, the second volume was much more difficult to read, which is why I'm writing this long review. Firstly, the abrupt jump to six years in the future caught me off guard, and Yukino's death was particularly distressing...

Is the author still around? Regarding the last question, what is the relationship between the boy Lingzhen and the shrine maiden at the end?

Author, I'm going to kill you! 😭 Give me back Yukina! 😭 Author, I'm going to kill you! 😭 Give me back Yukina! 😭 Author, I'm going to kill you! 😭 Give me back Yukina! 😭

As the title suggests. I've been following this book for almost two years. Although some characters may not be fully developed, or their personalities may differ somewhat, overall it's quite good. Like other works, the first few chapters are a bit off-putting, but with patience, you'll find the author's writing style gradually improving and becoming more fluid. Unlike other works, each character in *Daydreaming* has two sides; there's no absolute good or bad. This is precisely why it feels closer to real-life human nature. The priestess, as a witness to the story, constantly encounters, converses with, gets to know, part from, and reunites with these characters...