The Beloved Darling of the Righteous Faction Sits Up in Shock: The Villain Is Actually Me

I found the author on Tomato Bookstore next door; it has the same name, and the new book is also about lolis, but it's not about one soul possessing two bodies.

After rewatching it, I noticed many of the idiotic scenes I'd previously overlooked. All I can say is that the protagonist really is a stupid little girl.

That means as long as you don't step out of your comfort zone, you'll be comfortable. Look at the previous book by Chushou-san, still hanging on that old crooked tree. Just like how gameplay in anime isn't important, many people just like reading yuri (lesbian) scenes. Compared to the previous book, *City Management*, this book further weakens the protagonist's character development, the main plot, and the power levels. There are almost no battle scenes. But it adds even more yuri scenes. In short, it takes moe (cute/light) to the extreme; just keep the yuri. No grand themes, no sharp character development, as long as the story is interesting enough, as long as there's plenty of yuri...

A very good work, worth reading to the end. Ultimately, the whole book revolves around the protagonists, Ye Xing and Ye Lan, using the "Wishing Machine" to change tragic stories. Some have said that "tragedy often resonates more deeply than comedy," while others have said that "tragedy is simply tearing apart something beautiful and showing it to people." Generally speaking, I dislike tragedies, especially in this book. That's why I genuinely love this book and feel happy and satisfied every time Ye Xing and Ye Lan save others. That's also why I hope every story has a "perfect ending." After saving the Blank Songstress, I found myself enjoying this book again after a long time...

Sometimes I think: if I didn't get involved in certain things, I wouldn't have to share others' pain or carry their hopes in life. Then I wouldn't have to pay any unbearable price, nor suffer the painful consequences of failure. But if I didn't participate in these experiences, would I, in my humble and ordinary state, also live a life of powerlessness, oppressed and manipulated, unconsciously destined for a fate like a pig from birth? I can never eliminate my own emotions, cannot view everything indifferently or too rationally, cannot remain unmoved by the suffering of others. No matter which...

Well, I've realized I still prefer novels where the protagonist is intelligent. Of course, in this book, the protagonist is portrayed as somewhat dim-witted and cute, which I can accept. But low character intelligence isn't the worst thing; a low-IQ plot is. Take Mo Tu, for example. The puppet plot involves successful synchronization—it's ridiculous! He's supposed to be a character with the highest intelligence, yet he lets Lian Hua get kidnapped. What's the normal thought process? Discovering Ye Xing's special abilities requires 24-hour surveillance, then he should discover Lian Hua's special abilities and gather a group of colleagues to keep an eye on both sides. Instead, this character, who does almost nothing, has the audacity to say, "Fate is indeed..."

First of all, I really like the author's book. Although I'm personally quite apprehensive about the dual-body concept, after careful consideration, I decided to follow it for fear of missing out on a great work. What follows are just some personal rants, but since it's a good opportunity, I felt compelled to vent, so please bear with me. Firstly, regarding the dual-body concept, I don't know if the author is a philosophy major, but choosing such a bold setting left me quite confused in the first few chapters. Ye Lan and Ye Xing are two entities split from the original owner; they can speak and do different things at the same time, so they must exist independently, right? (Feeling guilty). This made me...

I've come here for only three things! Sticking, sticking, and more sticking! Sticking! Nothing more than sticking. —Foreword Book Rating: 7.2-7.5 Book Tags: Lighthearted, Moe, Slice of Life Preface: For readers who enjoy moe, please read this book with confidence. Actually, I was quite conflicted when writing this review, because in my opinion, this book isn't a masterpiece, nor does it have any particularly unique techniques or plot. I initially intended to just give it a brief "conclusion" and call it a day, but after some thought, I decided to write a review because of one highlight. Overview: The power to make wishes is limitless; the carefree savior loli. White hair, red eyes, long straight black hair...

Unbeknownst to me, it's already the ninth volume. I initially started reading it just for novelty, but now I want to see the ending. From the very first volume, when Ye Xinglan saved Baiyu, she had already become a true night watchman. The title of night watchman represents a responsibility, and Ye Xinglan, possessing the wish-granting machine, is fulfilling this responsibility, saving Baiyu, Lianhua, Kongbai, and Shuyao. Of course, there are also regrets. I prefer a happy ending; the deaths of Baiyu's mother and the first members of the troupe saddened me. But seeing "Let me become your audience" in the Puppet Chapter and "Even if you forget me, I will still let you..." In the Songstress Chapter...

A rare gem; I didn't get tired of it even after reading the first two chapters. The Night Watch, as the protagonists, are a very legitimate and righteous force. Generally, in a story, the righteous forces are either overtly powerful entities like the Order, or hidden shadows beneath the beautiful city life. Here, it's clearly the latter, a default choice within a normal system. What's even more appealing is the setting of the antagonist force. The use of a "theater troupe" as the antagonist, and the characters' titles like "con artist" and "puppet master," are very captivating. Another exciting aspect of the story is the dual-body concept, with the protagonist moving between two opposing forces...