
I'm Clearly Lowering Her Affection, So Why Is the Heroine Chasing Me?
我明明在拉低好感为何被女主倒追
- Status
- Completed
- Length
- 4.2M Words
- Genre
- Campus
- Updated
- 2y ago
- English
- Request a translation
Synopsis
Stats
All-time: Clicks, Favorites, Likes.
1.4kChapters
15MClicks
77.8kFavorites
7.8Score
6.3kLikes
Honours
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Reader comments 50
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Just a quick rant: the female streamer is really disgusting. Not only does she flaunt herself, but she also broadcasts another female streamer's glamorous side to the audience, and keeps unbanning her. Is the author just a charcoal scalper who loves exposure?
I'm very curious about what quirks the author has regarding live streaming.
That female lead, surnamed Lin, is obsessed with live streaming. She streams her daily life, even her romantic scenes, and she streams when other female leads give the male lead "fan service." I wonder if they'll stream their sex scenes too? Her live stream gets banned but then unbanned and she keeps streaming. Everyday interactions suddenly turn into live stream scenes; it's hard not to wonder if the author has some kind of weird fetish. It's normal before the paid chapters, but once you start paying, it starts changing its live stream format, which is really disgusting.
King of Pulling and Tilt, 100% Watery Daily Life
The villain becomes the protagonist, and the protagonist becomes an idiot.
Honestly, when reading stories where the protagonist transmigrates into the body of a villain, there are usually only two outcomes: either they want to reform, or they go straight to evil. If they choose the middle path, there's no need for this. Those who go the middle path are usually just delusional, like some kind of dark hero. Let's talk about reforming. Generally, it means the transmigrator doesn't want to get involved in those things anymore. They think, "I'm leaving, I won't care about the female lead, I won't be cannon fodder, I'll just live my life on my own." That's fine, but I just can't understand writing the original protagonist as an idiot. I believe the reason a protagonist is a protagonist is because they have incredible luck and opportunities, even if their actions are...
Could someone knowledgeable please tell me what happened to this author later in the book?
I feel like I've gone astray.
The plot started off very well; the scene where the senior cleverly lured the protagonist into the house was particularly captivating. However, the heroines' behavior, so drastically different from their initial behavior in their past lives, failed to arouse the male lead's suspicion. For instance, his actions in this life, aside from his sister, were excessively harsh towards the other heroines. Objectively, there was no reason for them to fall in love with him without inheriting his memories from their previous lives. The male lead, unaware that the heroines retained their memories, failed to notice the unusual behavior of the heroines, who should have been cold or even hostile towards him. Conversely, the heroines, unaware that the male lead retained his memories, failed to notice anything amiss with the supposedly intelligent and capable male lead...
Very few people watched it later.
This kind of story, where the male lead is submissive, is so overused. The male lead is either being dominated by the female lead or carrying her around like a fool. I just don't understand what's so interesting about it. Ugh, why does it have to be written like this? Is it really enjoyable to read? I just don't get it.
The plot lacks basic logic; how can a rich second-generation heir who can't fight at all defeat the "protagonist"? This is a world with ancient martial arts; the "protagonist" can easily use some underhanded tricks to defeat the rich second-generation villain! Furthermore, the author's narrative is unclear and chaotic! Aside from the women's appearances and the ambiguous relationships being somewhat decent, there's really nothing else worth mentioning.
So, Nangong isn't a virgin? While I can accept it, she's still my favorite female lead in this novel, so it's a bit of a disappointment.