I Was Summoned by Magic as a Superhero
身为超级英雄的我,被魔法召唤了
- Status
- Ongoing
- Length
- 1.6M Words
- Genre
- Western Fantasy
- Updated
- 9y ago
- English
- Request a translation
Synopsis
Stats
All-time: Clicks, Favorites, Likes.
606Chapters
2.8MClicks
11.2kFavorites
8.8Score
3.7kLikes
In booklists 1
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Reader comments 50
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The fact that this book has received many negative reviews shows that SF (presumably referring to a specific type of book) is targeting a very young audience.
Having read many works by SF, this is the only one that truly stands out. Although it initially seems to have some elements of otherworldly trash magic, the protagonist isn't at all like a modern magician who's pretentious (laughs). Compared to those gender-swapped works that completely lack male psychology, have no emotional entanglements, and instantly integrate into and understand women's lives—works that are meaningless and only sell fanservice—this work is undoubtedly a masterpiece. However, many people are just too hasty—they haven't even read the work before commenting in the review section, so I won't comment further. It feels like the author's writing style is quite similar to that of Akamatsu... Is the author influenced by Akamatsu...?
Can be called the hope of the national youth team
I recommend this novel because it's truly well-written. 1. First, its straightforward style. It's not that I dislike lively and down-to-earth writing, but scenes and characters should be clearly presented to the reader. The stream-of-consciousness style of some Chinese light novels is simply unappealing. 2. The character descriptions are not exaggerated. The realistic character portrayals are a highlight of this novel. Character description is a problem in many Chinese light novels. If you compare different works, you'll easily find that some authors, due to insufficient experience, don't understand how characters should act, thus lowering the overall emotional intelligence of the characters and making their actions abrupt...
Just saying a few words
I couldn't stand watching the protagonist, a saintly figure, commit such heinous acts as the villain, yet he refused to kill. The logic is flawed: someone he'd only known for a few days is held hostage by the villain and naively compromises, only to be drugged by his own comrades—normally dead—and upon waking, he says he believed her—which is foolish. The con artist betrayed him, yet he claims he'd sacrifice his life for his comrades—what kind of logic is that? Also, the author claims the protagonist is max level, yet any random passerby could easily fight him to a standstill, and he's max level? I won't even mention the jarring fit of other American comic book settings into a fantasy world of magic and swords. In short, there are too many logical inconsistencies throughout the story. The protagonist is naive, the villain is naive...
I can't tell who the main character is anymore.
Seven people were summoned together, but the real hero was just a clueless high school student when he first arrived, and now he can slay a three-headed dragon. The protagonist, on the other hand, has been relying on his past strength, his normal power level hasn't changed at all, he only uses cheat codes when he can't win, and he doesn't bother to train or improve his normal combat ability even though he knows his cheat codes are unreliable. What if he encounters danger one day and his cheat codes stop working? Also, the protagonist is too low-key, making him seem like a mastermind doing a lot of things that almost nobody knows about. Sometimes, to set up foreshadowing, the protagonist disappears for ten or more chapters at a time.
I just want more screen time for the main character and a tighter plot.
After a while, the focus shifts to other characters, and the main character gets less screen time than the supporting characters. I'd like the author to consider making the plot more compact and not spend too much time describing the supporting characters' backgrounds; just lay the groundwork properly, otherwise it feels awkward to read. Also, it's really hard to tell who the main character is anymore (-ι_- ), with all the minor characters having so much screen time. It's really hard to see the main character get a chance to act. And I won't go into the main character's setup; I'll just have to wait and see. PS: Although I haven't seen the latest chapter yet, I've subscribed to everything I could and given all the monthly tickets I was entitled to. I hope I can keep reading!
The plot is good, but the power system is terrible.
The early episodes repeatedly emphasized the protagonist's limited superpowers, restricting him to using only a B-rank scythe. Later, however, he suddenly unleashes a Super S-rank superpower to directly confront an evil god. It's unclear what the author was thinking. Things get even more absurd later on; he's nearly knocked unconscious by the youngest of the three Frank siblings, who are barely at the Master level. Wasn't he just recently fighting the rhinoceros beetle that killed the evil god? Furthermore, there are frequent appearances of spies in the early episodes; has the author watched too many Mission: Impossible movies? Most ridiculously, there are supposed to be six heroes, but aside from a brief mention of one woman showing interest in the protagonist, the other five are completely ignored. The focus is entirely on the one who obtains the Holy...
You can tell them what they want.
Commentator: Charlotte Someone once posed this question to me: "For the younger generation, is their daily life realistic, or fantastical and magical?" Perhaps this question sounds strange, but for commentators, it is crucial. Just as there was taboo in the 1960s and 70s, openness in the 1980s, and diversity after the millennium, each point in time represents a different form of popular literature. The historical materials compiled by Robert Darnton also tell us that in pre-revolutionary France, the popular books were nothing more than erotic novels mixed with philosophical elements, political slander, and various gossip, rather than anything of taste...
The biggest flaw in the novel is that the protagonist is a Japanese devil.
Actually, it's quite well-written. However, in an era where novels far surpass Japanese animation and anime have gradually replaced Japanese animation, having a Japanese protagonist—if not the only one, but certainly one of the very few—in science fiction always feels awkward. If it weren't for the fact that the writing is genuinely good, I would have dropped the book long ago. I think many readers feel the same way. I suspect many readers abandoned the book just because the protagonist is in the beginning, which might be one of the reasons why this novel hasn't become popular. Even a slightly unpleasant or unacceptable setting at the beginning of the novel will make readers lose patience and continue reading, probably resulting in the loss of many readers. This is just my opinion; please don't criticize if you disagree.
Opinion
At first when i saw this book i think it can be more better. When the writer wrote the part of the main character fight with the monster to protect others, I thought the writer really put 200% effort ...
Such a good story, abandoned so easily? Author, are you out of your mind?