I Can Enter the Nightmares of Young Women

The various dream sequences in the early and middle parts felt like episodic dramas, with well-developed characters in each story, and the way each character fought desperately for their beliefs was truly well-written. The main plot, told through a dual-perspective narrative, was also very interesting. However, things started to go wrong when the protagonist participated in the superpower selection in the real world. Initially, the protagonist was a small-time character with a strong sense of the common people, but in others' imaginations, he was the enigmatic figure. But from this point on, the author began to abandon the genuine personality previously portrayed in him; although there were occasional mentions of him being motivated by money, it just didn't feel the same. The dream-movie story in this part was quite...

This ending is as awful as the ending I wrote when I was nearing the end of the series! Over a million words, and it just fell apart like that. The beginning was great, but the romance and the limitations of the last three chapters ruined it all? If it were a hiatus and a rewrite, readers could wait, but this appendix is truly disgusting.

In my personal opinion, for any good book, reasonable character motivations are essential. The protagonist genuinely wanted to run a hotel to make a living, so he could comfortably live a secluded life, encountering strange events and all sorts of people. The over-interpretation of supporting characters and the information gap between the protagonist and the supporting characters were quite interesting, and the episodic stories were well-developed. The problem later was the shift to a power-up system; it felt like the author wanted to create a similar scale to *Lord of Mysteries*, with the protagonist having multiple identities, one high and one low, but the outline wasn't well-managed. Another interesting aspect of *Lord of Mysteries* is the banter between the protagonist and supporting characters actively resolving information gaps, which leads to humorous situations. And Wu Xian's experience...

I've noticed some people don't understand certain actions in these works. Let me explain. This type of work has a tag called "Dihua Liu" (迪化流), originating from the imaginative character "Demiurge" in the Japanese light novel *Overlord*. The characteristic of this type of work is that both sides don't correctly understand each other's meaning during communication, resulting in a "cross-server chat" phenomenon. Some have said, "Why force it to be written this way when a simple question could clarify things?" "Dihua" has prerequisites. Aside from accidental cross-server chat, generally, the prerequisites for this type of work fall into two categories...

It's finished, good! Time to write the next one. The author's openings are always quite interesting.

Let me warn everyone: just read the chapters before the subscription fee. After the subscription fee, it started off okay, but when He Jia disgusted the protagonist, the plot went completely off track and then plummeted. It started contradicting its own established plot, changed its style, and in short, it just didn't improve at all. The terrible ending was to be expected. Don't read it anymore. The beginning was so exciting, the ending so disgusting! I even had an argument with someone in the comments back then, and now you're trying to defend it? Why is nobody here? Are you going to keep blindly praising it? I pointed out some reasons for my dissatisfaction with the plot development, but instead of improving, the plot got even worse. At least it didn't break its promise of not ending it, but the terrible ending is just awful...

First, let's talk about the advantages: 1. The writing style is fine, the plot flows smoothly, and the writing is average—that's the standard for online novels. 2. The subject matter is novel enough. I don't know how many similar works you've seen on other websites, but in my year or so on Pineapple Bun (a popular online novel platform), this kind of work is quite rare. Many authors starting new projects have great subjects but lack the corresponding writing style and plot control. This one is just right, which I find quite rare. Now, let's talk about the disadvantages. For those just starting out or new to this genre, the first 200 chapters are definitely worth the money, as are the last 30. Up to chapter 294, it seems to me that it's deviating from the initial expectations of a commercial novel...

First, let's state the conclusion: I personally believe this book has the potential to become a masterpiece, but whether it achieves that depends on the author. Let's start with its strengths. Firstly, the structure. So far, the entire book's writing logic is extremely clear, meaning the author likely possesses a very detailed outline or has exceptionally smooth logic—a very positive development for readers. The transitions between scenes are remarkably natural and well-ordered. Furthermore, while dreams themselves are connected to the real world, they are extremely ethereal and cannot be explained even by modern medicine. Therefore, even with numerous fantastical scenes, the logic remains sound...

After reading over a hundred chapters, I feel like I've been dreaming. Author, did you write this plot while you were dreaming? This novel is like the kind of dream you can't remember after waking up.

Honestly, I'm totally confused. This TV series initially baffled me, then seemed good, but then it just flopped off. I still couldn't figure out Luo Yiyi and Emily's storylines, and the ending felt like a time jump where several characters just disappeared... Emmm, I think I shouldn't have bought the last few chapters of this book.